AUCTIONS (3)
 | Chinese Album Leaf Scholar Painting, Dated 1860 |
 | Elegant Bamboo Ikebana Basket, Hanakago by Suzuki Gengesai |
 | Oribe copper glaze sake cup by the great master Sadamitsu Sugimoto |
 | Signed Handwrought Hammered Copper Sterling Necklace 2p |
SALE PRICED
 | A Large Sculptured Vase from Takayuki Sakiyama's Chōtō Series |
 | A Karatsu Tea Bowl by Shibayama Toshiya |
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A round form covered in fissured green celadon by Kishimoto Kennin enclosed in the original signed wooden box titled Seiji Chawan and endorsed inside by Zen Priest Tachibana Daiki of Daitokuji Temple, home of the Tea Ceremony. Profound, like an empty blue sky, the form floats lightly over the dark clay of the perfectly formed kodai base. It is signed within that base ring by Kennin.
Size, D 12.4 cm ( 4.9 inches) H 8.9 cm ( 3.5 inches)
Condition, Excellent
Kishim...
Size, D 12.4 cm ( 4.9 inches) H 8.9 cm ( 3.5 inches)
Condition, Excellent
Kishim...
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A wide and low porcelain bowl perfect for Usu-cha by Ono Hakuko enclosed in the original signed wooden box titled Yuri Kinsai Chawan. The pattern is created by applying gold foil to the surface before firing, and called in Japanese Kinsai. Gaps in the application create designs like broken ice.
Size, D 15.6 cm ( 6.2 inches) H 5.3 cm ( 2.1 inches)
Condition, Excellent
From Aichi prefecture, Hakuko was trained by her father initially in the ceramic arts...
Size, D 15.6 cm ( 6.2 inches) H 5.3 cm ( 2.1 inches)
Condition, Excellent
From Aichi prefecture, Hakuko was trained by her father initially in the ceramic arts...
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Here we have the maverick of Mino showing off his skills again with a superb chawan in green and white with iron floral designs by Suzuki Goro enclosed in the original wooden box titled Oribe Chawan and signed in the lower left corner. The sandy white clay, felt even through the glossy glazes, lends the bowl a heart, and the undulating rim gets it pumping...
A very large celadon platter by Yoshikawa Masamichi enclosed in the original signed wooden box. It is made to either sit or hang suspended from wire on the back. The platter is 75 x 20 x 5 cm (29-1/2 x 8 x 2 inches) and is in excellent condition. Due to size the cost of shipping will be accrued separately.
Yoshikawa Masamichi was born in Kanagawa in 1946, and graduated the Japanese Design Academy in 1968...
Yoshikawa Masamichi was born in Kanagawa in 1946, and graduated the Japanese Design Academy in 1968...
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An assortment of sake cups by some of Japans most sought artists representing pottery traditions from throughout the country. Higashida Shigemasa, Kato Tsubusa, Kato Yasukage, Koie Ryoji, Kakurezaki Ryuichi, Matsuda Yuriko, Takeuchi Shingo and Yamada Kazu, all forerunners in their genre and these bowls representing their most popular styles. We have carefully screened and selected each work as a masterpiece unto itself, and feel very confident you will agree. Bon Appetite!
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A stylish Tsutsu Chawan by Kishimoto Kennin enclosed in the original signed wooden box titled Iga Chawan On top, and named within Shinobi-Mono by Tachibana Daiki, Priest from Daitokuji Temple. The Zen master has chosen an interesting name in Shinobimono. It means “That which is hidden or unseen”; hidden like the nature of Zen, Buddhist law, or the final destination on the path of Tea. It also was another name for Ninja, the famous families of spies and assassins of Japan, whose most fa...
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Three finger strokes create enigmatic shapes like bent autumn grass or the rushing of a water fall on the dark side of this vase by Living National Treasure Hamada Shoji enclosed in the original signed wooden box titled Kakeai-yu Kabin. Above a pale millet dusts the rim, meetingthe dark glossy glaze at the shoulder.
Size, D 11.5 cm ( 4.5 inches) H 22.1 cm ( 8.7 inches)
Condition, Excellent , The box with some age
Hamada Shoji was born in Tokyo, and enrolled in th...
Size, D 11.5 cm ( 4.5 inches) H 22.1 cm ( 8.7 inches)
Condition, Excellent , The box with some age
Hamada Shoji was born in Tokyo, and enrolled in th...
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A very desirable work with a swish of resist creating a white floral streak on the rich red and black of this contemporary Mashiko form by Living National Treasure Hamada Shoji enclosed in a box annotated by his son Shinsaku and titled Kaki-yu Nuki-e Kabin, Shoji-saku. The form is iconic Mashiko, with a strong sense of the utilitarian, a keynote of the Mingei movement which Shoji represented. A spectacular example of this artists work...
A superb example of the work of this Living National Treasure, 8 inches (21 cm) diameter, 7-1/2 inches (19 cm) tall and in excellent condition.
Designated Living National Treasure in 1997 for his supremacy in the use of Kutani glazes, Yasokichi, born Masahiko, has gone a step further than many National Treasures by broadening his spectrum with a new style of Kutani ware. Masahiko graduated from the Kanazawa school of arts, and took up apprenticeship under his father Yasokichi II...
Designated Living National Treasure in 1997 for his supremacy in the use of Kutani glazes, Yasokichi, born Masahiko, has gone a step further than many National Treasures by broadening his spectrum with a new style of Kutani ware. Masahiko graduated from the Kanazawa school of arts, and took up apprenticeship under his father Yasokichi II...
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Like a mirror of the soul, the ovoid forms of Living National Treasure Tokuda Yasokichi III flash with brilliance, vivid color explodes, while the darkness seems infinite, impenetrable and reflecting only the world around it. Here is a fine example of his work, pale blue blends through green into soft yellow before plummeting into darkness. The body of the vessel has been brought up to a very narrow neck, just wide enough to receive one flower before flaring out at the top...
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There is something very alive about this sculptural tea bowl by the famed artist Ajiki Hiro, a blossoming to life like fresh shoots breaking through the last winter snow, the warmth of the earth lying beneath pale glaze. The Kodai (foot) is verylow, not much more than a flat spot on bottom, making it very comfortable to hold. It comes enclosed in the original signed wooden box titled simply Shino Wan, and is covered by a stamped paper cover decorated with a sketch of a recluse staring out fr...
Orange peel textured black Chawan by Samukawa Seiho I (Yoshikazu 1899-1975) enclosed in the original signed wooden box titled Kishu Yaki Nacchi-guro Chawan. It is 5-1/4 inches (13.5 cm) diameter, 3-1/2 inches (9 cm) tall and in excellent condition.
Born in Osaka in 1900 and raised in Kyoto, Samukawa Seiho I began his apprenticeship in tea ware under Sawada Muneyama in 1919. With a letter of introduction he entered the Aichi Prefectural Ceramics Research Facility in 1927...
Born in Osaka in 1900 and raised in Kyoto, Samukawa Seiho I began his apprenticeship in tea ware under Sawada Muneyama in 1919. With a letter of introduction he entered the Aichi Prefectural Ceramics Research Facility in 1927...
A proud form of a fulling block inscribed with a wave pattern in the raw clay of the base and covered in ame-yu glaze by Inoue Toya enclosed in the original signed wooden box. It is 9-1/2 inches (24 cm) tall, 6 inches (15 cm) diameter and in excellent condition.
Inoue Toya (1942-2013), graduated the prestigious Nihon Daigaku in 1966, having spent his student years excavating ancient Karatsu shards and researching their techniques. He apprenticed under the multifaceted potter Nushi Ensai...
Inoue Toya (1942-2013), graduated the prestigious Nihon Daigaku in 1966, having spent his student years excavating ancient Karatsu shards and researching their techniques. He apprenticed under the multifaceted potter Nushi Ensai...
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A virtual textbook on Yohen firing effects. Tamadare, Shinshoku, koge and others decorate this spectacular tea bowl by Fukioka Shuhei enclosed in the original signed wooden box titled Iga Chawan and named inside Shizanro (Fuka-yama Michi or Deep Mountain Path). This could be a reference to the five peaks which make up the rim, a traditional form codified in the mid Edo period by the Raku family of potters. It rests on a wari-kodai split foot, unusual for Iga-ware...
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A torn opening and zen-like slash creates a dramatic pairing on this otherwise austere shape by Miwa Ryosaku (Miwa Kyusetsu XII) enclosed in the original signed wooden box titled Kakehana-Ire (Hanging vase). This combination of static form and calligraphic movement, like a Zen Brushwork, gives off a strong sense of immediacy, a fleeting sense of the moment which is the essence of Ichigo Ichie at the heart of the Tea ceremony. As well it is this tension between tradition and artistic drama wh...
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Iron infuses the draperies of crystlized Shino glaze covering this traditional bottle shaped vase by Tsukigata Nahiko enclosed in the original signed wooden box titled Oni-Shino Tsubogata Hanaire. A fold in the side adds asymmetry and a sense of immediacy to the piece, taking away the sense of creation and putting it firmly in the natural world where nothing is perfect (except perhaps the scent of a plum blossom!). This is a quintessential work by this important artist whose work will remain...
A whimsical koro by Takauchi Shugo enclosed in the original signed wooden box titled oribe Koro. It appears to dance, two arms up in the air with the music, a slight jaunt in its three legged step. It is 11 inches (28 cm) tall and in excellent condition.
Takauchi Shugo was born in Tokyo in 1937. He opened his kiln in Mashiko at the age of 31...
Takauchi Shugo was born in Tokyo in 1937. He opened his kiln in Mashiko at the age of 31...
Momoyama Gallery
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One of a kind! Wonderful Chawan made by the most famous monk of Japan, Shimizu Kosho (Kōshō), with a painting of the kanji 'Hana' (flower) on it. Shimizu Kosho named this unique tea bowl 'HANA-GOKORO' (heart of the flower)...
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RARE! Oribe vessel covered in pale earth-tones scribbled with natural motifs by Suzuki Goro enclosed in the original wooden box titled Narumi Oribe Natsume. Evidencing the great value placed upon the work, it comes wrapped in a silk bag bound with silk chord, inside a the original signd wooden box enclosed in a lacquered Niju-bako double wood storage case.
Size, D 6.1 cm ( 2.4 inches) 10.8 H cm ( 4.3 inches)
Condition, Excellent
Suzuki Goro has a list of shows and pri...
Size, D 6.1 cm ( 2.4 inches) 10.8 H cm ( 4.3 inches)
Condition, Excellent
Suzuki Goro has a list of shows and pri...
Albedo 3 Studio
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Quintessential Shigaraki chawan made by master veteran potter Otani Shiro. Serene and feudal in appearance this bowl is an wonderful example of a wood fired chawan made explicitly for use in chanoyu and not as a decorative bowl. The face, interior wall and floor of the teabowl are coated in various hues of natural ash that was deposited and melted during the firing of his anagama. The bowl, surface, interior and foot are all well balanced and work in harmony with each other creating a well conce...
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A jagged metallic shard in gold has embedded into the snow-bank sides of this deep shiro Hagi Chawan by Miwa Kazuhiko enclosed in the original signed wooden box titled Shiroi Mau Wan (White Dancing Bowl). The sheered metallic ring gleems softly gold in the light, a stark contrast against the moon-like glow of the body. The bowl is both sculptural and functional, the best combination to express the innovative work of this contemporary potter.
Size, D 12.6 cm ( 5 inches) H&n...
Size, D 12.6 cm ( 5 inches) H&n...
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A spectacular work of charred dark clay by legendary potter Kakurezaki Ryuichi enclosed in the original signed wooden box titled simply Kuro Bizen. The angular form rises from a triad of block feet flaring out before breaking upon three sharp points at the shoulder, a narrow neck rising with a slight flare. Dark upon one side clings blue-gray ash separated from the raw dark clay by a thin bead of pale brown color. Texture, form, color, this one has it all!
Size, D 8.8 cm ( 3.5 inc...
Size, D 8.8 cm ( 3.5 inc...
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Ash crusts a thin veil over the richly textured Shigaraki clay of this amazing Tsubo by Tsujimura Shiro enclosed in the original wooden box titled Uzukumaru. I see an abraded rock face weeping water somewhere deep in the mountains of Japan, a journey in the mind inspired by the unpredictable billowing of melted ash blasting though the kiln, touching each pot in a unique way and leaving its indelible mark.
Size, D 18.5 cm ( 7.3 inches) H 15.5 cm ( 6.1 inches)
Condition, Ex...
Size, D 18.5 cm ( 7.3 inches) H 15.5 cm ( 6.1 inches)
Condition, Ex...
Momoyama Gallery
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Perfect Shino Chawan by legendary artist Shotaro Hayashi. It is in mint condition and comes with its originally signed and sealed wooden box.
Shotaro Hayashi, born 1947, is one of the biggest names in contemporary Mino ceramics, whose works in Shino, Oribe , Haiyu and Ki-Seto are second to none and many consider him a genius of modern Momoyama inspired ceramics.
He began with a 7 year apprenticeship under his older brother Kotaro, ending when he established his own kiln ...
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A tasteful work by the youthful star Tsujimura Yui showing a talent far beyond his years enclosed in their original signed wooden boxes titled simply Ido Chawan. The pale glaze crawls across the surface, creating a sense of drama over this very austere form. The rim dips and curves, a playful accent to the otherwise sedate work, made to suit the stately confines of the tea room.
Size, D 15.3 cm (6 inches) H 8.3 cm ( 3.3 inches)
Condition, Excellent
Tsujimura Yui...
Size, D 15.3 cm (6 inches) H 8.3 cm ( 3.3 inches)
Condition, Excellent
Tsujimura Yui...
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A playful Sake Set by Sawa Katsunori, each piece enclosed in the original signed wooden box titled Oribe Tokkuri and Oribe Guinomi respectively. The capricious brush has worked over the various colors creating crosscurrents among the various themes which play off of each other . The perfect compliment to the charms of a good bottle of sake.
Size,The Tokkuri: is W 9,8 cm ( 3.9 inches) H 16.0 cm ( 6.3 inches) Size, Guinomi: is W 5.8 cm ( 2.3 inches) H 5.2 cm ( 2.05 in...
Size,The Tokkuri: is W 9,8 cm ( 3.9 inches) H 16.0 cm ( 6.3 inches) Size, Guinomi: is W 5.8 cm ( 2.3 inches) H 5.2 cm ( 2.05 in...
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Black, black, BLACK! This is the word with Isezaki Koichiro and these two splendid works enclosed in the original signed wooden boxes titled Kuro Sake Tsugi and Kuro Sake Nomi (Black Sake Pourer and Black Sake Cup respectively). The granular clay is a step away from standard Bizen, but the blasting of ash gives it away. The rims seem to be worn away, as if the flames have caused them to degrade. An undulating scar like a wave seems to intimate the waves of spirits that will pour forth. ...
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Ash-glaze and blasted with fire color of foggy green and yellow shizen yu glaze ,in this sake set showing the secret to the Furutani family's pottery. Each piece enclosed in the original signed wooden box (titled Shigaraki Tokkuri and Iga Guinomi respectively).
Size, The Tokkuri: is W 9.8 cm ( 3.8 inches) H 12.9 cm (5.1 inches) Guinomi: is W 6.9 cm ( 2.7 inches) H 5.8 cm ( 2.3 inches)
Condition, Excellent
Kazuya (b. 1976) is one of Japan’s most promisin...
Size, The Tokkuri: is W 9.8 cm ( 3.8 inches) H 12.9 cm (5.1 inches) Guinomi: is W 6.9 cm ( 2.7 inches) H 5.8 cm ( 2.3 inches)
Condition, Excellent
Kazuya (b. 1976) is one of Japan’s most promisin...
Momoyama Gallery
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Modern Nezumi-Shino Chawan (made in 1995) by first class artist Shigemitsu Niwa, born in 1951. Niwa was accepted for 3 times at the Nitten exhibition, which is the most famous and importand art exhibition in Japan.
It comes with the originally signed and sealed wooden box and the profile of the artist.
No chips or cracks.
Size: 6,9 cm height x 13 cm in diameter.
Shipping included
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An open bottle draped with ochre glaze over charred blacks by Tsukigata Nahiko wrapped in a brocade bag and enclosed in the original signed wooden box titled Oni Shino Kannon Hana-Ike. Kannon, the protector deity in Buddhism, is quite often seen meditating in white robes whith a bottle alongside. A superlative example of this artists work.
Size, D 13.4 cm ( 5.3 inches) H 26.7 cm ( 10.5 inches)
Condition, Excellent
Tsukigata Nahiko (1923-2006) was not only an acc...
Size, D 13.4 cm ( 5.3 inches) H 26.7 cm ( 10.5 inches)
Condition, Excellent
Tsukigata Nahiko (1923-2006) was not only an acc...
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An unusal form by Ito Motohiko of rectangular shape with undulating wave top like the gold clouds on a traditional screen,, emblazoned with young pine branches by Ito Motohiko enclosed in the original signed wooden box titled Nunome Wakamatsu Mon Kabin (Cloth Textured Pine Motif Vase). This is just in time for New Years displays. Pine is one of the traditional motifs displayed at New Years as it is ever-green, and represents consistency and strength through the cold winter months. The sapl...
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A spectacular Shino Chawan featuring clouds of red over crackled and fissured white by Japan Ceramic Society award (JCS) winner Tamaoki Yasuo enclosed in the original signed wooden box. The form is organic, the rim ebbs and flows like salt-foam on the tide. One side is indented, allowing the bowl to snuggle comfortably in your palm as you turn the bowl with one hand to drink. This is not just one to view, but a bowl from which to drink!
Size, D 12.8 cm (5 inches) H 9.5 cm ( 3...
Size, D 12.8 cm (5 inches) H 9.5 cm ( 3...
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Ash Glazed Flower Vessel by Mihara Ken enclosed in the original signed wooden box titled Hai-yu Kaki (Ash Glazed Flower Vessel). The entire work is soft and matte, like an old charcoal sketch, exuding a very powerful “Wa” sense of harmony. Ken is well known for this pastel color concept of un-presupposing grays, and this piece certainly lives up to our expectations for him.
Size, D 15.5 cm ( 6 inches) H 20.5 cm ( 10 inches)
Condition, Excellent
Mihara Ken was...
Size, D 15.5 cm ( 6 inches) H 20.5 cm ( 10 inches)
Condition, Excellent
Mihara Ken was...
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An incredible mixture of colors glisten like the walls of a Limestone cave in the hills of Akiyoshidai, the karst regtion south of Hagi where the important artist Kaneta Masanao created this bowl, enclosed in the original signed wooden box. The style is Kurinuki, not formed on a wheel but cut and worked from a block of clay, an approach the artist is famous for. The coloration is unusual, a dramatic leap from his usual subdued lavenders and whites.
Size, D 12.8 x 13.5 cm ( 5 x 5....
Size, D 12.8 x 13.5 cm ( 5 x 5....
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An austere form calling to mind the strictness of form and years of practice required to master the way of tea by Ningen Kokuho Isezaki Jun enclosed in the original signed wooden box titled Bizen Kuro Chawan. A flash of light strikes out on the front. Like staring at the burning wick of a candle it makes all around it seem dark. Beyond, that dark charring fades out to bitter greens and lively textures, one can imagine the beauty of staring into the bowl at the vibrant, frothy drink.
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When you hold this piece in your hands, first contact, you get it. A Rey unusual and organic form by Isezaki Koichiro enclosed in the original signed wooden box titled Hikidashiguro Chawan. It has been a pleasure to watch over the last 30 years the reinvigoration in pottery in Japan, an explosion of innovation which seems exponential. It continues to blossom bigger every year. The potters are so technically skilled and taking an original approach to the ceramic arts. Isezaki Koichiro i...
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I cannot help be see the incense stick burns in a Buddhist altar cloth when I look at this Shino Chaire by Wakao Toshisada which comes enclosed in the original signed wooden box. Inevitably as more sticks of incense are added to a koro, some will break and fall onto the altar cloth, smoldering as they disappear into smoke, leaving only a fleeting scent and shadow-like scar in the drapery. If one has ever been deep into the darkness of a temple, you may know the quiet feeling of contemplation...
Momoyama Gallery
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A perfect Tetsu-E chawan of highest quality by greatest Shoji Hamada, enclosed in its originally signed wooden box. The chawan has a beautiful tetsu-e brushwork design.
Hamada Shoji (1894 - 1978) was one of the founding fathers of the Studio Pottery movement, who came over to England with his friend, Bernard Leach, to start the Leach Pottery in St. Ives, Cornwall back in 1920. Like Leach, Hamada did not come from a pottery background but had studied ceramics briefly in Tokyo. Upon ...
A set of 8 sake cups by members of Sodeisha enclosed in a singular compartmentalized wooden box titled Yose-hai and signed Sodeisha followed by the Sodeisha stamp. Sodeisha (Crawling Through Mud Association) is a group of revolutionary post war ceramic artists whose influence remains strong today. Artists in this set include: Suzuki Osamu, Toba Yoshimasa, Kanaegae Kazutaka, Kawamura Sachiko, Yoshitake Hiromu, Inoue Midori, Nakanishi Kosuke and Tsuji Kanji.
Suzuki Osamu (1926-2001) was, ...
Suzuki Osamu (1926-2001) was, ...
Momoyama Gallery
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This is surely one of the best chawans of Living National Treasure Tatsuzo Shimaoka. I have rarely seen comparable chawans which such wonderful colors in his art.
It comes with its originall signed and sealed wooden box.
No chips or cracks.
Size: 10,5 cm height x 12 cm in diameter.
Shipping included.
Tatsuzo Shimaoka, Japanese potter who was a master craftsman who was a protégé of Shoji Hamada, a leading proponent of the Mingei philosop...
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Thick ash colors the surface of this superb chawan by Kawamoto Goro enclosed in the original signed wooden box titled hai-yu chawan( Ash glazed tea bowl),
Like encrustations on some Roman glass bottle dredged up from two thousand years of slumber, the glaze is porous and thick.
Size, W 14.2 cm ( 5-1/2 inches) H 8.6 cm ( 3-1/2 inches)
Condition, Excellent
Goro (1919-1986) was born in Seto to a family of potters. He studied in Kyoto at the same institution as K...
Like encrustations on some Roman glass bottle dredged up from two thousand years of slumber, the glaze is porous and thick.
Size, W 14.2 cm ( 5-1/2 inches) H 8.6 cm ( 3-1/2 inches)
Condition, Excellent
Goro (1919-1986) was born in Seto to a family of potters. He studied in Kyoto at the same institution as K...
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This piece comes off like it has been buried in a volcano, incredible igneous encrustations cover the sides, with molten ash, bidoro, goma, kutsuki and a host of other firing effects all present on its diminutive form. It is by the young artist Tsujimura Kai, enclosed in the original signed wooden box titled Iga Hana-ire.
Size, W 12.8 cm ( 5-1/4inches) H 15.2 cm ( 6 inches)
Condition, Excellent
Kai was born in Nara, son of Tsujimura Shiro, in 1976, making him o...
Size, W 12.8 cm ( 5-1/4inches) H 15.2 cm ( 6 inches)
Condition, Excellent
Kai was born in Nara, son of Tsujimura Shiro, in 1976, making him o...
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Shadows of flame exhume the granular qualities of the clay on this superb Sekki (unglazed) Bottle by Mihara Ken enclosed in the original signed wooden box. Exquisite, on one side the clay is ash gray, the opposite lively earth tones, and between is an abrupt scorched-land of shadow and color, like that violent moment between awake and sleep.
Size, W 11.6 cm ( 4-1/2 inches) H 16.5 cm ( 6-1/2 inches)
Condition, Excellent
Mihara Ken was born in Shimane prefecture i...
Size, W 11.6 cm ( 4-1/2 inches) H 16.5 cm ( 6-1/2 inches)
Condition, Excellent
Mihara Ken was born in Shimane prefecture i...
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A lobed bottle form vase by Kishimoto Kennin enclosed in the original signed wooden box titled Seiji Ichiriin Sashi. The surface is fissured like a block of shattered ice the color of a carribean lagoon. About the opening a hint of rust defines the rim. A blue sapphire…
Size, W 11.2 cm ( 4-1/2 inches) H 15.9 cm ( 6-1/4 inches)
Condition, Excellent
Kishimoto Kennin has been working with clay since the 1950s, devouring styles along the way. Seto, Oribe, Iga an...
Size, W 11.2 cm ( 4-1/2 inches) H 15.9 cm ( 6-1/4 inches)
Condition, Excellent
Kishimoto Kennin has been working with clay since the 1950s, devouring styles along the way. Seto, Oribe, Iga an...
Momoyama Gallery
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Mint Hagi masterpiece chawan by star potter Seigan Yamane. This extraordinary tea bowl is covered by a wonderful color glaze on brown pottery. In my opinion it is the most aesthetic chawan that he made. The seal of the artist is stamped on the bottom.
Seigan Yamane was born in 1952, and started making Hagi ware in 1987. And then, he started his own pottery in 1992 and has ever been awarded a lot of prizes for his great work.
Size: 9,1 cm height x 15 cm in diameter.
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A traditional shape called Kinuta (fulling block) draped with ochre glaze over charred blacks by Tsukigata Nahiko wrapped in a brocade bag and enclosed in the original signed wooden box titled Oni Shino Kinuta Hana-Ike which is in turn enclosed in a black lacquered wooden double-wood storage box. A Kinuta (fulling block) is a small wooden mallet used to beat silk into a soft texture. It is a very traditional shape in Japanese pottery. This is 9 inches (23 cm) tall and in excellent condition. ...
Bidoro rain down like a glass bead curtain over the terracotta clay of this Shigaraki Tsubo by Takahashi Shunsai enclosed in the original signed wooden box. It is 8-1/4 inches (20.5 cm) tall and in fine condition.
Born in 1927, the second son of renowned potter Takahashi Rakusai III in Shigaraki, Takahashi Shunsai left home to study under Taniguchi Ryosai in Kyoto before returning to Shigaraki to pursue his studies of Shigaraki styles specifically under his father and spent the better pa...
Born in 1927, the second son of renowned potter Takahashi Rakusai III in Shigaraki, Takahashi Shunsai left home to study under Taniguchi Ryosai in Kyoto before returning to Shigaraki to pursue his studies of Shigaraki styles specifically under his father and spent the better pa...
Momoyama Gallery
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Nothing I can say can convey the rugged beauty locked up of this Shino chawan, made in 2015, signed and enclosed in the original signed wooden box. Matsuzaki Ken is one of the most important potters of our time.
Ken Matsuzaki was born in Tokyo in 1950 and received a degree in Ceramic Art from Tamagawa University School of Fine Arts, Tokyo. After graduating he moved to Mashiko in 1972 to apprentice with Tatsuzo Shimaoka (who himself had moved to Mashiko to study with Shoji Hamada). ...
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Something about the pattern on this Kinsai vase by Ono Hakuko screams vintage, like a classic episode of the partridge family. There is a great deal of life about it, some type of inner joy, the gold repetition like the lights reflecting off a mirrored ball. It comes enclosed in the original signed wooden box titled Yuri-Kinsai Hana-tate.
Size, W 8.5 cm ( 3-1/2 inches) H 24.0 cm ( 9-1/2 inches)
Condition, Excellent
From Aichi prefecture, Hakuko was trained by h...
Size, W 8.5 cm ( 3-1/2 inches) H 24.0 cm ( 9-1/2 inches)
Condition, Excellent
From Aichi prefecture, Hakuko was trained by h...
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Dawn breaks over snow laden boulders, the shadows waxing lavender on this spectacular incense burner by Kaneta Masanao enclosed in the original signed wooden box titled Hagi Haku-yu Kamahen Kurinuki Koro. This style of digging the work out of the clay rather than forming the clay on a wheel has been a signature of this artists work for more than two decades. The white glazing has altered to soft lavender in the firing process, creating a feeling of opulence over the organic vessel.
Siz...
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These expressive forms utilize the clays natural textures to bring out the depths of the oribe green, and electric shimmers of blue flash on the surface in random patterns like heat lightning. This sake set was created by the very popular and hard to find Higashida Shigemasa and come enclosed in their original signed wooden boxes titled Oribe Tokkuri and Guinomi respectively.
Size, The Tokkuri: is W 9.5 cm ( 3-3/4 inches) H 14.6 cm (5-3/4 inches) Size, Guinomi: is W 5.2 ...
Size, The Tokkuri: is W 9.5 cm ( 3-3/4 inches) H 14.6 cm (5-3/4 inches) Size, Guinomi: is W 5.2 ...
Quality Chadogu
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Guinomi creates a very organic feel. The bulbous form, like some tuber or bulb found in nature, a sake-flower bulb, shows scars where kutsuki (other items) have fused to it in the heat of the conflagration. Allow this bulb to grow to fruition, blossoming into a shared night of conversation and company or a quiet night of music and moonlight…
Size, The Tokkuri: is W 10.2 cm ( 4 inches) H 13.6 cm (5-1/2 inches)
Size, Guinomi: is W 7.7 cm ( 3-1/4 inches) H 5.5 cm ...
Size, The Tokkuri: is W 10.2 cm ( 4 inches) H 13.6 cm (5-1/2 inches)
Size, Guinomi: is W 7.7 cm ( 3-1/4 inches) H 5.5 cm ...
Quality Chadogu
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Once again Abe Anjin has proved his mastery of traditional form with this superb rendition of Momoyama styling enclosed in the original signed wooden box titled Bizen Hanaire,signed on base as well inside the vase. Ashen gray climbs up the side while flying ash settles down about the rim. The Momoyama was an era of constant battle and striking aesthetic innovation. And like an old Samurai, scars mar the surface like campaign medals, while the shadows of other pots, like ghosts from the kiln,...
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A faceted bowl by Hamada Shinsaku exhibiting the superb sense of design to be expected of this illustrious lineage enclosed in the original signed wooden box titled Shio-yu Tetsu Sabi Mentori Chawan (Salt Glazed Iron Faceted Tea Bowl). The form is very much in the Mingei taste, A beautifully turned wan-gata with thick walls which have been sliced away, creating an architectural quality. To this is added a dusting of salt which textures the surface. Like many great bowls it must be held to ...
Quality Chadogu
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A multi faceted Vase by Hamada Shinsaku coated in swipes of blue-salt glaze enclosed in the original signed wooden box titled Shio-yu Ai Henko (Salt Glazed Blue Vase). On one side is a blown blue spatter like Jackson Pollock, yet on the opposite fingers traces like Shiraga Kazuo. The rich blues are punctuated by dustings of rust. Either side is a pleasure.
Size,W 15.8 cm ( 6-1/4 inches) H cm ( 8-1/4 inches)
Condition, Excellent
Born the second son of Hamada Sho...
Size,W 15.8 cm ( 6-1/4 inches) H cm ( 8-1/4 inches)
Condition, Excellent
Born the second son of Hamada Sho...
Quality Chadogu
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A seminal work by Wakao Toshisada adorned with the quintessential elements of this artists work, a moon in gold over silver flowers on a gray Nezumi-Shino fold-textured ground. It comes in the original signed wooden box titled very simply Nezumi Shino Hanaike. Although I am not a botanist, I imagine the yu-gao (bottle gourd flower, called the face of evening in Japanese) opening to reveal its splendor to the rising moon, visible through the drying autumn grasses. A superb example of the em...
Quality Chadogu
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An Iga Kogo by Kishimoto Kennin and Tamba Kogo by Nishihata Tadashi, both superb examples of their craft and tradition, both by these prominent artists and both enclosed in the original signed wooden boxes. The Kennin piece is a small square reminiscent of a pillar stone from some long lost temple, the edges covered in earth, the round top lost in a covering of moss. Here he has breathed new life into the traditional form, both paying homage and yet leaving his indelible mark on it to carry ...
Quality Chadogu
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Spectacular kiln affects dapple this playful form by artist Sugimoto Sadamitsu enclosed in the original signed wooden box titled Iga Hanire. Ash has encrusted the base so thickly he has had to grind it off, this happens when the piece gets buried up to a point in the ash on the kiln flooror up against a wall, and the works come up together this cooled encrustation. That combines with the natural sunrise colors or “Hi-iro” of the clay, and the glassy green beads wrapping around the jocula...
Momoyama Gallery
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Extraordinary wood fired chawan, Shino with impressed leaves, made by one of the best contemporary ceramics artists, Nic Collins.
After leaving Derby College in 1988 Nic Collins opened his first pottery at Postbridge in the middle of Dartmoor, Devon. It was on the site of a disused gunpowder manufacturing facility and was known as Powdermills Pottery.
He built a 60 cu ft wood fired kiln and produced one-off studio pieces and a range of domestic wares. Nic has now moved t...
Camellia blossom on this flattened form by Ito Motohiko enclosed in the original signed wooden box titled Nunome Tsubaki Mon Kabin (Cloth Texture Vase with Camellia Design).
It is 10 inches (26 cm) tall and in excellent condition.
The artist is a famous Kasama potter, best known for his nunome pattern and exceptional designs. Motohiko was born in Fukuoka prefecture, 1939, and graduated the Tokyo University of Art in 1964, then moved on to advanced courses there, finishing in 1966. While...
The artist is a famous Kasama potter, best known for his nunome pattern and exceptional designs. Motohiko was born in Fukuoka prefecture, 1939, and graduated the Tokyo University of Art in 1964, then moved on to advanced courses there, finishing in 1966. While...
