Glaze clings to the raw clay like the last remnants of winter snow hidden in the shadows on this Spartan bowl by world renowned artist Mihara Ken enclosed in the original signed wooden box,and dates to (2014). understatedly titled simply Wan. The unassuming form is simple and refined, a perfect compliment to the austere recesses of the tea room aesthetic...

Blasted and dripping with ash, a spectacular Shigaraki Mizusashi by Tanimoto Yo enclosed in the original signed wooden box. A shell juts from raw rippled wood lid like it was sticking up from the ripples of sand on a beach. It is 21.5 cm (8-1/2 inches) tall 18.5 cm (7 inches) diameter and in fine condition. Born in 1958 the son of Iga potter Tanimoto Kosei, Yo was raised among the kilns and has always had his hands in clay...

Vivid white runs down over green filling the cracks in the rough faceted sides of this large Chawan by Nishihata Tadashi enclosed in the original wooden box titled Haiyu Chawan (Ash-Glazed Tea Bowl) and signed within Tamba Tadashi-Zo. The thick wari-kodai four part foot, very stable and firm, grounds the bowl solidly, rising up in raw clay to meet the double whamy of green and blue-edged white falling from the shoulder...

Molten ash has crystallized into green glass on the front of this large faceted Chawan by Nishihata Tadashi enclosed in the original wooden box titled Aka-tsuchi OO Chawan recently-fired (2014) and signed Tamba Tadashi-Zo. The rest of the bowl, inside and out, is mostly raw Tamba clay, the red a striking contrast to the mottled flowing greens. Size,W 13.1cm H,11.1 cm (5-1/2 x 4-1/2 inches)
Condition, Excellent, wrapped in a silk bag and buffers insidethe box...

A black lacquered lid covers the opening of this exquisite mizusashi by Tsukigata Nahiko enclosed in a wooden box titled Oni Shino Mizusashi and endorsed by his student Ayukai Kogetsu. It is 7-1/2 inches (19 cm) diameter, 6 inches (15.5 cm) tall and in excellent condition.
Tsukigata Nahiko (1923-2006) was not only an accomplished ceramic artist, but also a painter, calligrapher, sculptor and musician...

A breathtaking icy-blue ceramic powdered tea container by Ajiki Hiro enclosed in the original signed wooden box titled Ruri Shioyu Chaki (Ruri Salt Glaze Tea Impement). Facets are torn from the natural form, more like some rare stone than a typical Tea Caddy. The slat glaze crawls on the surface as if it is alive, and it is alive with brilliant colors...

Like some giant medieval Lug, this solid form displays strength of purpose and somehow a devotion to all those Mizuashi that came before it; by Harada Shuroku and comes enclosed in the original signed wooden box titled very simply Bizen Mizusashi. Dark and awe inspiring, it shows to dramatic effect the path of flame in the kiln through the streaks of crusted ash and hi-iro on the sides interspersed with Shiso-iro gray-purple clay...

A long necked bottle form vase by Tokuda Yasokichi III enclosed in the original signed wooden box,covered in his signature gosai colors of yellow, purple blue white and green.Very Powerful,one of the most beautiful Yasokichi piece i've ever seen.
Size, H 26.3cm (10-1/2 inches)...

Curvelicious; I am not certain that is a real word but aptly defines this evasive form of this Koro incense burner by Tamba superstar Ichino Masahiko enclosed in the original signed wooden box titled Senmon Koro. Refined elegance in coloration and line, a removable lid allows access to the ash-chamber where incense cones could be burned.
Size, W 17.4 cm (7 inches) H 8.6 cm (3-1/2 inches)...

An iconic work decorated with energetic graffiti by important potter Suzuki Goro enclosed in the original signed wooden box. The artist exuberance seems to over-run his pallet, covering all sides and becoming trapped in the vortex in the bottom. Inside the box lid the artist has scrawled a woman in ink and signed it like a painting...

Ash is blasted around the stately form of this tall Tsutsu-gata vase by legendary potter Tsujimura Shiro enclosed in the original wooden box titled Iga Mimitsuki Hanaike and signed by the artist in the lower left corner. It is as if his exuberance got the better of him, the characters beginning so stark and bold, running into a jumble of strokes as he culminates with the character life (ike), like the final crescendo in this opera of clay, fire and joy...

Molten red rises magnificently from the thick frosting of white by Kato Toyohisa enclosed in the original signed wooden box titled Aka Shino Chawan. Dark shadows periodically dividing the thick reds and drifts of white on the sides of this tea bowl lend a sense of pleasant trickery, making the bowl seem at first glance as if it were fluted, yet when taken in hand one realizes the sides are beautifully rounded...

A one of a kind incense burner, an unheard of work by highly sought Oribe Master Takauchi Shugo enclosed in the original signed wooden box titled oribe Koro...

A seminal work by the popular young star Ishii Takahiro enclosed in the original wooden box titled “Kuro Bizen Chawan” followed by the artists signature and chop. Expanding upon the hand of his teacher, The unconventional Bizen upstart Kakurezaki Ryuichi, in the form; the glaze is all Takahiro. He achieves colors and depths unknown to other Bizen artists thanks to his exploration of the Mino traditions. Here cobalts tinge the rivulets of black draped like a priests Kesa around the body of...

A superb Iga Mizusashi by Saji Kotaro enclosed in the original signed wooden box. It is 7 inches (18 cm) diameter, 7-1/2 inches (19 cm) tall and in excellent condition. Saji Kotaro was born in 1947, and relocated to Tajimi in 1977 where he opened a kiln in Yamabuki cho specializing in tea ceramics.

Ash encrusts one side of this flattened Signature form by Shigaraki Legend Furutani Michio enclosed in the original signed wooden box. Opposite is rich red terracotta and in between rivers of molten green glass. It is 45 cm (17-1/2 inches) diameter, and weighs 14 kg (30 pounds) plus the thick Kiri-wood box. This belongs in a museum of contemporary Japanese pottery.
Furutani Michio is one of the Gods of Shigaraki, an artist who wrote the book on Anagama kilns, and one of the more influen...

Large Ko-Iga style chawan by veteran potter, Kojima Kenji. This broad bowl has a wonderful posture with a gentle, undulating lip and a face and part of the interior coated in a soft green ash with a rich pool of deep green ash formed from the bowl being fired at a slight angle. The interior mikomi and exterior kodai are both very well executed adding to a chawan that was well handled in both the throwing and firing of the piece. The bowl is in original condition* with its signed wood box and mea...