A deep oblong bowl decorated in abstract underglaze blue imagery with flashes of red by Shibata Ryozo enclosed in the original signed wooden box titled Sometsuke Aka-e Hachi dating circa 1995. It is 17 x 19.5 x 6.5 cm (6-1/2 x 7-1/2 x 3 inches) an is in excellent condition.
Shibata Ryozo (b. 1952) completed advanced studies at the Kyoto Municipal University of Arts in 1978 (his work was purchased by the university the previous year for its permanent collection)...

One of my personal favorite shapes for a chawan, the wa-nari (sometimes pronounced rin-nari) appears firmly grounded and balanced at all times. With round curving surfaces so natural in the hand—they conjure images of ripe fruit waiting to be devoured.

This piece was produced by Koizumi kiln in Aichi Prefecture, most likely by the head potter Kato Shineda—though it only bears the seal of the kiln and not the potter...

A stellar tea bowl covered in rich Oribe green by Tsukamoto Haruhiko enclosed in the original signed wooden box titled Oribe Chawan.
Size, D 13.1 cm H 9.1 cm
Condition, Excellent
Tsukamoto Haruhiko was born in Toki city, Gifu, in the heart of ceramic country in 1959, and raised among the kilns of the Mino region...

Satoru Omae (b...

Kung-Fu fighters make a play on the traditional theme of Karako (Chinese Children) as they do battle among the outlandish designs on this set of sake set by Fukami Fuminori enclosed in their original signed wooden boxes titled Manga Oribe Tokkuri and Guinomi respectively.  The designs are very bold, with crisp black lines on cloudy orange base-glaze; stylistically much like a black and white comic book in glossy format...

A beautiful bamboo shaped vessel of pale gray glaze by Takahashi Samon enclosed in the original signed wooden box titled Konabiki Hanaire. It is 28 cm (11 inches) tall and in excellent condition.
Takahashi Samon (b. 1948) first studied with Kato Kobei V and Living National Treasure Kato Takuo. He then entered the Gifu Prefectural Ceramic Institute to study kiln making before going to the Kamakura kiln of Kitaoji Rosanjin for further study. He established his own kiln in 1977...

Yoshimichi Fujimoto (1919-1992) Aka-e Chawan with floral design.
The mark of the artist is painted on base.

With milky white background, the overglaze enamels of flower patterns drawn with a relaxed brush stroke depicting vivid colors, for which Yoshimichi Fujimoto was awarded with Living National Treasure title.

Size
Diameter 10.5cm
Height 6cm


Condition
Very good...

A deep, perfectly formed bowl covered in plates of various colors, the signature style of Mukoyama Fumiya enclosed in the original signed wooden box titled Kyo-mon Chawan (Border Pattern Teabowl). One of three in stock, each with unique designs, it is 13 cm (5 inches) diameter, 7.5 cm (3 inches) tall and in excellent condition...

A beautiful small wall hanging sculpture by Yamaguchi Mio, titled Kawa (Skin or bark) in rare lavender tinged glaze. It is 19 x 32 x 5.5 cm (8 x 12-1/2 x 2 inches) and is in excellent condition, directly from the artist.
Yamaguchi Mio was born in Aichi prefecture in 1992, and graduated advanced studies at the Aichi University of Education in 2017. While still at university, her works were selected for show at the JoryuTogei Ten Female Ceramic Artist Association Exhibition (2014)...

Flashes of red decorated the scorred and scarred dark glazed body of this Chawan by Gomi Kenji enclosed in the original signed wooden box and dating to 2021. The form is slightly belted, to allow the bowl to settle comfortably into the palm. The very traditional silhouette however has been paddled and graffiti structures scratched into the surface...

Mori Togaku (b. 1937) Bizen Flask-Vase (Kabura) in the Shape of a Turnip Japanese Studio Pottery

Rare piece from Mori Togaku's first large kiln firing in 1980.
The potter's stamp on front and base of the vessel.

Large round bottle with globular body, narrow neck and wide, flaring rim...

Won Ju Seo's recent exhibition is featured in the December 3, 2015 New York Times, and she is featured in the Spring 2013 issue of Fiber Art Now, and in the recently-published McGraw-Hill fine arts textbook, Art Talk. The work offered here is Bojagi Diary 2013-2 by Won Ju Seo. Frame: 10 x 10 inches (25.5 x 25.5 cm); Textile: 5.25 x 5.25 inches (13.5 x 13.5 cm). Handmade, sewn and embroidered with Korean silk, metallic cloth, silk thread, foam board, and pigment...

Won Ju Seo's recent exhibition is featured in the December 3, 2015 New York Times, and she is featured in the Spring 2013 issue of Fiber Art Now, and in the recently-published McGraw-Hill fine arts textbook, Art Talk. The work offered here is Bojagi Diary 2013-1 by Won Ju Seo. Frame: 10 x 10 inches (25.5 x 25.5 cm); Textile: 5.25 x 5.25 inches (13.5 x 13.5 cm). Handmade, sewn and embroidered with Korean silk, metallic cloth, silk thread, foam board, and pigment...

Yoshitaka Hasu was born in 1949 in Sasebo, Nagasaki Prefecture. After earning a degree in Mechanical Engineering from National College of Technology and working for several years in development of telecommunication, he chose instead to pursue a career in ceramics. In 1975, he started an apprenticeship with ceramist Shiro Banura (1941-2001) in Iga. Banura was strongly inspired by Rozanjin (1883-1959), a famed ceramist and novelist with a discriminating taste, who advocated living with art through...

Graceful, sensitive, and with a distinctively feminine aura—this subtle work of ceramic art has an air of quiet days spent in the garden or of spending an afternoon brightening up an interior space. Using a technique known as 灰釉 (kai-yu) Terai uses the natural ash of various hardwoods to achieve a subtle textured matte glow which is unique to each piece.

Yoko Terai (b. 1972) graduated from the Kyoto University of Art and later studied under Nobuo Nojima who—upon recognizing...

A black glazed bowl decorated with the Zen phrase Buji by Shimizu Hian enclosed in the original signed wooden box. It is 12.5 cm (5 inches) diameter, 8 cm (just more than 3 inches) tall and in excellent condition. It is signed on the side Hian followed by his age at 91 years old. Buji is a Japanese Zen Buddhist concept that can be translated as "nothing eventful" or "nothing lacking." It is often used to express a state of tranquility, contentment, or a sense of completeness. In the context o...

Labeled as yu-Shino on the box or “evening†Shino, this recent composition by Ryouji Hayashi III displays wonderful textures and hues resembling the blazing sky at sunset. The front of the bowl is decorated with radiating fissures— boldly contrasting with the background while the kodai or foot of the bowl is unglazed showing the light-colored clay beneath.

Ryouji Hayashi (1940 - ) is the third generation potter of the Shozan kiln in Mino. This line of potters has de...

Ripples of light and dark pigmentation flowing on a background of sky-blue glaze—the description on the box reads 萩孔雀 (Hagi kujyaku) translating as “peacock Hagi” in English. With a distinctive wari-kodai (segmented foot) and unique glaze emulating the vibrant plumage of the notoriously flamboyant bird, this piece leaves a lasting impression.

Born in the illustrious potting town of Hagi, Yamane began his potter’s journey at the age of 35. Unlike many ceramicists who b...