Large Karatsu influenced kutsu-gata style chawan with hakeme slip decoration under haiyu and temmoku glazes

Stoneware, slip and glazes

6" X 4.75" X 4.25"

Functional, decorative and food safe

Sleek yunomi with medieval green and temmoku glaze over a hakeme slip decoration

Stoneware, slip and glazes

3.25" X 4"

Functional, decorative and food safe

Wide, open teabowl richly glazed in medieval green and Temmoku with a my vibrant "bloesem" (blossom) design

Stoneware, slip and glazes

6.25" X 2.8"

Functional, decorative and food safe

A large Egg shaped Zogan vase by Kobayashi Seiji enclosed in the original signed wooden box. Enigmatic lines score the oblong body, the map-like surface filled with blue, green and silver. Seiji is best known for this Zogan technique, and this work is a superb example. It measures 11-1/2 inches (29 cm) long, 7 inches (18.5 cm) tall and is in perfect condition. Seiji (b. 1945) studied initially at the Nagoya Research Facility. He moved to Kasama in 1979...

A jagged metallic shard has embedded into the lavender shaded side of this deep Shiro-Hagi Chawan by Miwa Kazuhiko enclosed in the original signed wooden box. The sheered metallic ring gleems softly gold in the light, a stark contrast against the moon-like glow of the body. The bowl is both sculptural and functional, the best combination. It measures 4 inches (10.5 cm) deep, 5 inches (12 cm) diameter and is in perfect condition...

Tall jug or vase form with medieval green glaze over rozome style design of spirali e tagli

Stoneware, slips and glazes

14" X 5.25"

Chinese influenced V-bowl form glazed in temmoku and medieval green glazes with a "bloesem" decoration

Stoneware, slip and glazes

9.5" X 2.85"

Functional, decorative and food safe

Tall bottle vase with medieval green glaze over a hakeme slip decoration and a temmoku glazed neck

Stoneware, slip and glazes

13" X 6.75"

A high walled teabowl form with thick wavy slip under my medieval green and temmoku glazes and a bloesem design making the surface appear like tortoise shell at points

Stoneware, slips and glazes

5" x 4.15"

Functional, decorative and food safe

Fine Bizen sake set by Prefectural Intangible Cultural Property of Okayama (Bizen); Isezaki Mitsuru (b. 1934). Mitsuru is the brother of Living National Treasure, Ningen Kokuho, Isezaki Jun and uncle of Isezaki Koichiro. He is widely exhibited and published and has won the prestigious Kaneshige Toyo Prize for his work.

This sake set is composed of two guinomi and a tokkuri, each prominently marked and in the original signed box...

Fine Shigaraki chawan by Kon Chiharu. Kon Chiharu apprenticed with the legendary master potter Tsuji Seimei and his work and firing is broadly reminescent of the masters work. Kon fires an anagama type kiln in Niigata but his works are decidedly Shigaraki in tradition and effect. His chawan start at 140,000 yen and can fetch up to 220,000 yen.

This chawan is enclosed in it's original box and is in excellent, unused condition...

Porcelain shallow teabowl with medieval green and temmoku glazes with a bloesem design on a graceful conical form

Porcelain and glazes

6.5" X 3"

Functional, decorative and food safe

Elegant and tall Hagi vase with a coating of lavender ash glaze diagonally across the body. A strong delineated collar for a mouth and two lugs on either side punctuate this vase. Though marked, I am unable to decipher the seal but my suspiscion is that the piece is by Yoshiga Taibi or Ono Zuiho...

Potent green Iga-Oribe vase by noted master Japanese potter; Kishimoto Kennin (1934-). This roughly faceted mentori vase has varying hues of green and an overall iridescence across the body. Though Iga-Oribe, the clay body is actually wonderful Shigaraki clay with a healthy amount of feldspar inclusions.

Kishimoto has been making pots since the early 1950’s and is well know for a wide variety of wares that he has made including Shigaraki, Iga, Iga-Oribe, celadons and Ki-Seto...

This noble vase with flared mouth is by Ningen Kokuho, Living National Treasure; Shimizu Uichi (1926-2004). The vase is glazed in a complex partridge feather yohen iron glaze over a wonderful and stark white stoneware clay body.

Shimizu Uichi (Un’ichi) was a pioneer in iron glazes and was best known for his various iron glazes and his kannyu crackle celadons...

Fine Shigaraki katakuchi for pouring sake by master potter; Furutani Michio (1940-2000).

In excellent condition and in original signed box with biography included

5.8" X 4.5" X 3.5"

Persian blue glazed sake cups, whiskey cups, tea cups with black and white slip decorations underneath

Terra cotta, slip and glaze

Left; 3.25" X 2.85" Right; 3" X 3.25"

Functional, decorative and food safe

Elegant Karatsu influenced bottle, vase or tokkuri glazed in temmoku and haiyu glazes with a very nice visual texture on the shoulder

Stoneware and glazes

9" X 4.5"

Functional, decorative and food safe

Robust high walled Toruko-ao Persian blue vellum teabowl over a suminagashi style neriage pattern

Porcelain and glaze

5.5" X 4.25"

Due to the vellum nature of this glaze, it is not recommended for daily use

Large iron and hakuji glazed chawan by Mashiko potter; Nishida Shinya. Boldly glazed chawan with vivid deep crimson and plum flashes running through the glaze all on a earth tone stoneware clay body.

This chawan is in perfect condition and measures 5.75" X 3" and comes complete with its signed box...

Vivid glass mizusashi with white swirls encased within the glass and brilliant accents of pure gold leaf fused to the glass surface. The mizusashi measures 7" X 5.25"

This boxed glass mizusashi is by Tanaka Tsuneo and is in perfect condition complete with its lacquer lid and signed wooden storage box. This piece has an etched signature on the bottom of the mizusashi that was difficult to photograph.

Kim Young Mi, Wood-Fired Unglazed Porcelain Two. Kim Young Mi subjects these pieces to eight wood-firings, until the ash from the firing has performed all of its organic magic on the surfaces of these living, breathing works of art, giving incomparable texture and color to her nature-loving forms. Kim Young Mi renews the pristine artistic intention of humanity...

Kim Young Mi, Wood-Fired Unglazed Porcelain One. Kim Young Mi subjects these pieces to eight wood-firings, until the ash from the firing has performed all of its organic magic on the surfaces of these living, breathing works of art, giving incomparable texture and color to her nature-loving forms. Kim Young Mi renews the pristine artistic intention of humanity...

Cylindrical vase with tapered mouth, decorated in a katazome influenced design of three bloesem panels under my Ao glaze

Stoneware, slips and glazes

9.6" X 5"

Ameyu glazed lobed serving bowl with rich mossy like copper effects in a trellis pattern

Stoneware, glaze and overglaze

8" X 4.25"

Functional, decorative and food safe

Graceful porcelain teabowl with a Persian vellum glaze over an iron "intersection" design reminiscent of 50's atomic age pottery

Porcelain, slip and glazes

4.75" X 4"

Because of the nature of this vellum glaze, it is not intended for daily use

Rich and elegant kannyu, crackled layer, seiji celadon by Furukawa Toshio. This chawan, very much in the style of Shimizu Uichi has a beautiful seiji glaze over a perfectly thrown iron clay body.

Furukawa Toshio (b. 1949) is well known for his celadon and copper red pottery and he has been widely exhibited and illustrated both in and outside of Japan.

This chawan measures 5.7" X 2.75" and is in perfect condition and comes with its original artist signed box.

Large, oburi style Shiro-Hagi chawan with notched wari-kodai and profuse crackling around the bowl. I have no idea who made this large chawan as I can not read the seal, partially covered with glaze.

The are a few small spots of glaze loss as can be seen in the pictures, but all in all, this is a very handsome and strong chawan that looks great on a shelf. No box.

5.5" x 4"

Broad, Chinese influenced conical chawan with red and green enamel floral and circular decoration. This chawan is an early piece by enamel and Oribe artist Kuroiwa Takumi. He is widely exhibited and published for his pottery.

This chawan is in excellent condition and does not come with a box.

5.7" X 2.75"

Pleasant crackle style chawan with Rimpa influenced design under and over the glaze. This chawan was made by veteran Kyoto native potter, Suzuki Soji who was a student of Tomimoto Kenkichi. Suzuki's chawan now days can cost 200,000 yen and more.

This chawan is in excellent condition and does not have a box.

4.6" X 3.2"

Elegant Hagi chawan with white to faint lavender ash glaze over slip and daido clay body. Classic turned foot, kodai with cut notch and impressed seal.

Though marked, I have been unable to read the seal and identify the potter. What I can say is this chawan is definitely post-war, circa 1960 -1970 and very much resembles the works of Sakakura Shinbei XII and Saka Koraizaemon XII from that time period.

This bowl measures 5" X 3.25" and is in great condition. No Box.

Rich Oribe serving piece, an Ogi-hachi, fan shaped tray for tea ceremony, kaiseki. This piece is made of stoneware and was made by veteran Oribe potter, Kato Sakusuke. His works are widely exhibited and published and his touch for making Oribe pottery is wonderful.

This piece is in great condition with its signed box and measures 12.5" by 9"

Rich Oribe square serving piece, with pierced and linen decoration for tea ceremony, kaiseki. This piece is made of stoneware and was made by veteran Oribe potter, Kato Sakusuke. His works are widely exhibited and published and his touch for making Oribe pottery is wonderful.

This piece is in great condition with its signed box and measures 7.5" by 3" at its widest

Wonderful Oribe set of iron decorated plates by veteran potter, Yamaguchi Jusetsu. Vivid green Oribe glaze and whispy iron decoration make this set very usable across a wide variety of uses including tea ceremony. Yamaguchi's works are widely exhibited and published in Japan and abroad.

These plates are all in great condition and measure approximately 5.75" x .5" each and come with their original signed box.

Very nice set of small kaiseki or sushi plates from the Bishu-gama kiln made by Bizen potter Yamamoto Soshu (Munehide).

Each small plate is in perfect condition, measures 3.75" x .75" and is cleared marked on the reverse and has a bota-mochi style decoration on the face of each piece. No box.

Very nice boxed Aka-Raku chawan with black reduction accents on the face of the bowl by an unidentified potter, circa 1990.

This chawan is in excellent condition, measures 5" X 3.5" and comes with its signed boxed.

Though I could not identify this potter, the box seal and seal on the chawan are an exact match. What I can say is that this is not an apocryphal mainline raku chawan and is not by Sasaki Shoraku, Ohi Choraku or some of the other usual suspects. Priced accordingly.

Lovely and rich blue and white, sometsuke plate set by Juyo Mukei Bunkazai; Kondo Yuzo. This sometsuke set is made of porcelain with underglaze gosu blue, each plate is decorated with a kaki-zu, persimmon design and is signed on the reverse.

Living National Treasure,Kondo Yuzo was arguably, the one of the finest sometsuke artists of the 20th century...

Large blue & white, sometsuke chawan with a vivid pine branch, matsu, stretching across the bowl...

Medium sized pitcher with alternating stamped designs under a medieval green and temmoku glazes with a generous handle

Stoneware and glazes

10.5" X 7.5" X 6.5"

Functional, decorative and food safe

Generous wan-gata style teabowl with etched arches design under my haiyu and temmoku glazes

Porcelain and glazes

5.6" X 4.25"

Functional, decorative and food safe

Wide wan-gata style teabowl with my Ao glaze over an etched trois voute design

Porcelain and glazes

5.75" X 4.35"

Functional, decorative and food safe

Compact cylindrical form covered jar, mizusashi with haiyu and temmoku glazes forming a pattern of arches around the pot

Stoneware and glazes

6.5" X 6.5"

Functional, decorative and food safe

Won Ju Seo's work is featured in the Spring 2013 issue of Fiber Art Now, and in the recently-published McGraw-Hill fine arts textbook, Art Talk. The work offered here is Joy 2 by Won Ju Seo. 13 x 13 inches, 33 x 33 cm. Hand made with Korean silk. The work of Korean textile artist, Won Ju Seo, is in major museums and prominent collections. She is renowned for her modern approach to the bojagi, the traditional Korean wrapping cloth that has been the subject of many museum exhibitions lately. The s...

Won Ju Seo's work is featured in the Spring 2013 issue of Fiber Art Now, and in the recently-published McGraw-Hill fine arts textbook, Art Talk. The work offered here is Joy 1 by Won Ju Seo. 13 x 13 inches, 33 x 33 cm. Hand made with Korean silk. The work of Korean textile artist, Won Ju Seo, is in major museums and prominent collections. She is renowned for her modern approach to the bojagi, the traditional Korean wrapping cloth that has been the subject of many museum exhibitions lately. The s...

Won Ju Seo's work is featured in the Spring 2013 issue of Fiber Art Now, and in the recently-published McGraw-Hill fine arts textbook, Art Talk. The work offered here is Colors in My Surroundings 2 by Won Ju Seo. 15 x 9 inches, 38 x 23 cm. Hand made with Korean silk. The work of Korean textile artist, Won Ju Seo, is in major museums and prominent collections. She is renowned for her modern approach to the bojagi, the traditional Korean wrapping cloth that has been the subject of many museum exhi...

Sturdy yunomi with an underglaze design of stripes in black and red iron slips under my medieval green glaze

Stoneware, slips and glazes

4.25" X 4.25"

Functional, decorative and food safe

Large, rich deep black Kuro chawan by contemporary phenom Ishii Takahiro. This boxed chawan is in perfect, brand new and unused condition and measures a robust 5" X 3.85".

Ishii was an apprentice to Kakurezaki Ryuichi, the Bizen master, for a number of years and his works are highly sought after and his shows sell out in minutes. His work covers a lot of ground from his black Kuro glaze to Oribe, Ash glazed and Gold glazed pieces. This Kuro chawan is an exceptional piece by him and his cu...

Rare underglaze blue and red (gosu & yuriko) decorated chawan by Kawai Takeichi (Bu'ichi). Elegantly formed chawan with skillful use of underglaze colors and a predominantly gosu foot, kodai with blushes of iron around the foot as well.

Kawai Takeichi, also known as Bu'ichi, had a long and illustrious career. He apprenticed and worked with his uncle, Kawai Kanjiro for a long while before going off and establishing his own workshop. He exhibited widely and often and his works are well publi...

An unusual vase with rough, pebble textured pink glaze over scratched in cranes by one of Japans most important post-war artists, Shinkai Kanzan, enclosed in the original signed wooden box. The shape and the design are exactly what we would expect from Kanzan, the coloring going even a step beyond. The texture is like unpolished jewels, the inside of a geode; very pleasing to the hands. The vase is 20.5 cm (8 inches) tall, 18 cm (7inches) diameter and in prefect condition.
Shinkai Kanz...

Waisted form teabowl with temmoku and partridge feather style runny glaze. Picture #5 gives you the best perspective of what the glaze looks like in person.

Stoneware and glazes

5" X 4.25"

Functional, decorative and food safe

Enigmatic lines score the martian landscape of this large slab platter by innovative Japanese artist Teramoto Mamoru enclosed in the original signed wooden box. The slab measures 53.5 x 16.5 x 5 cm (21 x 6-1/2 x 2 inches) and is in perfect condition. The box itself is a testament toteh value placed on it by the artist, double the thickness of a usual box and of a fine grade of kiri. The moonscape style is haunting, and Mamoru is a must for any modern Japanese ceramic collection.
Mamoru (...

The glaze on this sculpted form by The Bear of Echizen Kumano Kuroemon (also Kurouemon) is covered in the most fantastic crustations of glaze. Thick white over scarred red over shatterd black on an unconventional shape the artist has titled marukawara (round tile). It has Tomo everything, Artists history, wrapping cloth, with his ubiquitous calligraphy all over the signed box. The piece is 29 x 17 x 8 cm (11-1/2 x 6-1/2 x 3 inches) and is in perfect condition.
A ceramic madman, oil pain...

Robust, medieval styled mizusashi by veteran Shigaraki potter; Furutani Churoku IV (b. 1922). This face of this large mizusashi is covered in a wonderful layer of green ash and the back exhibits very fine hi-iro fire color. The base shows three areas where the pot was wadded during the firing and it is prominently signed; CHUROKU.

It should be noted, that currently his tea pieces sell for between 250,000 and 450,000 yen in galleries.

This mizusashi is in excellent condition and has i...

Large haikaburi style mizusashi with areas of running green and blue-green ash running down the pot. This piece was made by veteran tea potter; Suzuki Hideo.

It may be of interest that this mizusashi bares a numbered tag attached to the base of the pot and indicates that this piece was in an exhibition.

This mizusashi is in excellent condition and has its original signed box. It should be noted, the lid is a very tight fit and can only be put on and taken off in one way. That being s...

Wood-fired tea bowl, Matcha Chawan, by George Gledhill, Payette, ID. H.3"(7.5cm) x Dia.4.25"(10.75cm). Foot ring dia.2"(5cm). There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea Ce...

Wood-fired Matcha Chawan, Shino Glaze, by George Gledhill; Payette, ID. H.3.125"(8cm) x Dia.4.5"(11.5cm), Foot ring dia.2.375"(6cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of ...

Wood Fired Kumidashi-style Tea Cups by George Gledhill; Payette, ID. H.2"(5cm) x Dia.3.875"(9.75cm.) Volume 4.25oz(125ml.) Pairs well with GG.TC.11. There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction...

Wood fired Kumidashi-style Tea Cup by George Gledhill; Payette, ID. H.1,75"(3.5cm) x Dia.3.875"(9.75cm.) Volume 4.5oz(130ml.) Pairs well with GG.TC.10. There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduct...

Tea Bowl, Matcha Chawan, Ido-gata (well-shaped,) by Sachiko Furuya. H.3.5"(9cm) x Dia.5.375"(13.5cm) x Footring Dia.2.125"(5.55cm). Bamboo Ash, Copper, Iron Glaze. Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in ...

Tea Bowl, Matcha Chawan, Ido-gata (well-shaped,) by Sachiko Furuya. H.3.375"(8cm) x Dia.6.125"(15.5cm) x Footring Dia.2.125"(5.5cm). Bamboo Ash, Copper, Iron Glaze. Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in...