Tea Bowl, chawan, by George Gledhill. Gas-fired, kohiki matcha chawan, shino feldspar glaze. H.3.125"(8cm) x Dia.5.625"(14.24cm) x Footring Dia.2"(5cm). There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

Guinomi, sake cup; hand-thrown of naturally sourced materials, gas-fired, by George Gledhill. H.2.125" x Dia.2.125". There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

Two volumes of the GENDAI NIHON(no)TOGEI IYE SAKUHIN books. Volume #1 and #2 of a three volume set, measuring 10.5" X 8.5" and fully illustrated in color and with a biography, signature and address/phone number of each artist. Great array of mizusashi, chawan, tsubo, etc.

These volumes cover many great and famous potters, including Ningen Kokuho, as well as Bizen, Hagi, Karatsu, Iro-e, Raku and many others.

Shipping is $5 each.

A striking configuration by the rising young female artist Tanaka Yoko enclosed in the original signed wooden box titled Yu-un Hai (Playful Clouds Cup). Yoko has created a unique technique whereby she combines glass and porcelain. It is roughly 7.5 cm (3 inches) diameter and in perfect condition, directly from the artist this summer.
Tanaka Yoko was born in Kanagawa prefecture in 1983, and graduated the design course of Tama Art University in 2007...

This very robust and Momoyama influenced vase was made by Mino potter and part magician, Hori Ichiro. Thrown out of a grainy, off white mogusa clay and decorated in blades of grass on the front and side, the pot was finished off with Hori's classic Shino glaze and fired in his wood kiln. Though difficult to see in the photos, there is a sheen around the neck, mouth and other areas created by a very thin layer of ash has adhered to the surface making for a very interesting addition to the glaze...

Reminiscent of a perfectly formed oyster shell or the shell of a hermit crab, this recent creation by young artist Hiramatsu Ryoma demonstrates his creative imagination—influenced heavily by forms he discovered in nature...

Tea Bowl, Chawan, Wood-fired, Shino glaze, by George Gledhill. H.3.5"(9cm) x Dia.3.5"(9cm) x Footring Dia.2.125"(5.5cm). There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

Tea Bowl, Chawan, Wood-fired, by George Gledhill. H.3.5"(9cm) x Dia.4.875"(12.25cm) x Footring Dia.2.25"(5.75cm). There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

Spouted Bowl (J. katakuchi) by Sachiko Furuya. Bamboo Ash Glaze. H.3"(7.5cm) X W.6.25"(16cm). Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa...

A bottle form of rough red clay blasted with a profusion of colors running in rivulets over the heavily tactile surface by Nakagawa Jinenbo enclosed in the original signed wooden box titled Chossen Karatsu Tokkuri. It is 5 inches (12 cm) tall and in excellent condition.
Nakagawa Jinenbo (1953-2011) was always fascinated with Karatsu ware, and studied under the great Inoue Toya from the age of 24...

Exhibition quality Aka-Shino chawan by master Mino potter; Hayashi Shotaro

Double boxed with handmade tea cloth

5.65" x 4"

Excellent unused condition, mint!

Guinomi, sake cup, hand-thrown pottery of natural materials by George Gledhill. H.1.5"(3.75cm) x Dia.3"(7.5cm). Overlapping glazes created a "cat's eye" pattern in the well of this cup. Bio: There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates...

Large square form teabowl glazed in a Narumi-oribe style reminiscent of a continuous bamboo groove. The bottom and foot are hand cut to repeat the overall form.

Stoneware, slips and glazes

6.25" x 4.25"

Decorative, functional and food safe

Fujiuchi Saeko enclosed in the original signed wooden box titled Usuhanada Kanyu Chawan. Usuhanada is a traditional Japanese color in the blue tone. Kanyu is glaze crackling. This bowl is 13.5 x 14.5 x 7.5 cm (5-1/4 x 5-3/4 x 3 inches) and is in excellent condition, from the artist late 2020.
Fujiuchi Saeko wsa born in Shiga prefecture (home of Shigaraki) in 1983 but chose to study in the Okayama Prefectureal University (Okayama being the home of Bizen) graduating in 2006. She went on...

Large and very impressive yuteki oilspot tsubo by Kimura Yoshihiro, son of the legendary Kimura Morikazu and inheritor of the oil spot dynasty of his father and uncles; Moriyasu and Morinobu. This large tsubo is made in a classic, Chinese inspired form with a rich black background covered with oilspots from which silvery feathered tendrils trail down the surface of the pot. The application of the glaze, skillfully handled, creates a magnificent visage like looking at the stars in the sky only in...

This impressive Shino summer tea bowl was crafted using red clay from the hills near Izumo Taisha (one of the most ancient and important Shinto shrines in Japan). The creator of this work, Ajiki Hiro, gains his inspiration not only from classic Japanese potters, but also from forms he encountered on his travels abroad and from Western artists such as Picasso—who he admired greatly for his free style of expression and vibrant use of color.

Born in 1948, Ajiki is rather unique among...

Persian, raqqa glazed chawan with rozome traditional technique underglaze decoration

White earthenware, black underglaze decoration and traditional Persian blue glaze

6.25" X 3.35"

Please note, this piece is made using traditional pourous white earthenware and a soft fritted glaze. Though it is food safe and functional, it is not intended for everyday use.

A superb example of the work of Kimura Morinobu enclosed in the original sgned wooden box. The cream colored crackle glaze is speckeld with flecks of iron an ishihaze with five Zen circles around the circumference, subtly calling to mind the Book of Five Rings (Miyamoto Musashi). The deep crevaces in the glaze and heafty load of the bowl are a pleasure to behold. It is 5 inches (13 cm) diameter, 3-1/2 inches (9 cm) tall and in fine condition. Morinobu (b. 1932) was one of the born into a pot...