A wondeful sculpted covered box in pale earth-tones scribbled with natural motifs by Suzuki Goro enclosed in the original wooden box titled Narumi Oribe Futamono. The capricious brush has worked over the various colors creating crosscurrents among the various themes which play off of each other. The jaunty form is very much a product of this vivacious artist, whose lust for life is apparent in all he creates...

A spectacular faceted deep chawan in dual-color by Nishihata Daibi enclosed in the original signed wooden box titled Tamba Kakewake Chawan. It is 9.5 cm (just under 4 inchers) tall, 11-12 cm (4-1/2 to 5 inches) diameter and in excellent condition.
Nishihata Daibi (also sometimes written NIshibata) was born in Tachikui Village, Hyogu in 1976...

Red highlights the orange and white on this playful form vase by Kato Yasukage enclosed in the original signed wooden box titled Shino Hanaire and signed by the 14th Generation Yasukage followed by his seal. The pin-holed glaze burnt and licked crimson by the flames. The way the color fades into the white feldspar one can almost imagine the smoke rising off of the molten form as it cooled in the kiln...

An ash encrusted vase by Kanzaki Shio enclosed in the original signed wooden box titled Shigaraki Hanaire. Perfect for the tea room, it exudes that sense of quietude and degradation (Wabisabi) central to that aesthetic. It is 27 cm (10-1/2 inches) tall and in excellent condition.
Kanzaki Shiho (1942-2018) preferred firing his kiln for ten days, resulting in the rich textures and heavy ash deposits apparent on his work...

Here is a rare work reflecting the shape and character of this famous artist but in Bizen clay, Shigaraki yes, Iga yes, Shino and Kohiki yes, Bizen vase first time for me. A divine vase by Tsujimura Shiro enclosed in the original signed wooden box titled Bizen Hanaire. The shape is organic, with warm, rich coloration. A exemplary piece for exploring and appreciating the various kiln effects of Bizen clay and ash firing...

A beautifully organic pouring vessel as if made of silvered leaves or barnacles by Shingu Sayaka enclosed in the original signed wooden box titled Gakuyo Mizutsugi. It is 13.5 x 21 x 18.5 cm (5-1/2 x 8-1/4 x 7-1/2 inches) and is in excellent condition, directly from the artist. Shingu Sayaka was born in Osaka, the industrial and commercial heartland of central Japan, in 1979...

An excellent companion to the Hagi Chawan also by this artist, here is a precipitous mountain form covered mostly in drifts of white and thin veneer of glaze over its gritty clay surface.  The form is that of the mountainous spires of Yabake, on the Island of Kyushu south of Hagi.  The Vase comes with Exhibition panflet with very similar vases like this one.
Size, D 12.4 cm ( 4.9 inches)  H 28.8  cm ( 11.3 inches) 
Condition, Excellent 
Saka Koraizaemon XII was born in T...

A beautiful hand painted vase with a bamboo motif and a wagasa umbrella by Ikeda Shogo enclosed in the original signed wooden box titled Tanegashima Kohiki Henko. A thinly applied white slip covers the body and patches of fawn colored spots dot the surface. Bursting with life from the bottom, a bamboo spreads its leaves revealing a bright jewel under the rain. Kohiki ware is based on Yi Dynasty Korean Punch'ng ware preferred by the warriors in the Momoyama and early Edo period...

A playful work by rising star Fukami Fuminori enclosed in the original signed wooden box titled Narumi Manga Oribe Chuki.
Size, D 21.4 cm H 16.7 cm (including the handle)
Condition, Excellent
Fukami Fuminori is a potter and an illustrator, and a rising star. Born in Seto in 1980, he graduated the Seto Industrial Ceramic Facility in 2000, then apprenticed under Kishimoto Kennin for four years, moving out on his own in 2005...

A superbly crafted and balanced trumpeting form by legendary tea bowl creator Sugimoto Sadamitsu enclosed in the original signed wooden box titled Ido Chawan. The bowl reflects the aesthetics of those imported Korean wares preferred by Sen-no-Rikyu in the Momoyama era. It has a bold, strong foot which rests perfectly on the table, both grounding the bowl and yet allowing it a sense of flight, as if the moment will soon be gone (and it will indeed!)...

Large Leafed Vines are silhouetted against age darkened silver on this striking covered basin by Banura Shiro enclosed in the original signed wooden box. A segment of vine serves as a handle on the lid and it appears to float above the table on three ribbon feet. It is 25 cm (10 inches) diameter, 15 cm (6 inches) tall and in excellent condition.
Banura Shiro (1941-2001) was born the fourth son of influential Lacquer Artist Banura Shogo...

The colors seen in this ceramic piece are not often encountered in the world of Japanese tea-ware pottery—a field dominated mainly by styles such as Raku, Hagi, and other traditions with relatively conservative and predictable color schemes. The aquamarine blue is rather striking, reminiscent of coral encountered in the pristine waters of tropical and remote destinations...

This rare little gem is made by Morihiro Hosokawa (b. 1938) who served as the prime minister of Japan from 1993 to 1994.

He is also the head of the Kumamoto-Hosokawa clan, one of the noble families of Japan...

A spectacular pottery sculpture of the Okoze (Scorpion Fish) by Kimura Gyokushu enclosed in the original signed wooden box titled simply Bizen Okoze. It is 27 x 18.5 x 9 cm (11 x 7-1/2 x 3-1/2 inches) and is in excellent condition.
Kimra Gyokushu was born the eldest son of the 16th generation Kimura Munetoku in 1953. He graduated from Nagoya University of Arts in 1976, then went on to be awarded the Okayama Mayor's Award at the Okayama Prefectural Exhibition that same year. In 1978 he...

Mountain tea bowls (yama-jawan) are commonly excavated from the hillsides of Japan and many date to the 12th century or earlier. They tend to be crude in construction but with a fascinating ruggedness that allows then to endure, often much better than contemporary ceramics, despite being buried in the earth for hundreds of years. Highly prized when found completely intact or with minor cracks, there is a sort of folklore and mystique that has built up around these objects. The pieces shown here ...

A dramatic Shino Mizusashi covered in flowing glaze by Sakai Kobu enclosed in the original signed wooden box. It is 20 cm tall, 19cm diameter and in excellent condition.
“I follow no teacher. I take no disciples. Independent, I don't get along well with public exhibitions”. Kobu Sakai from Toki City, one of Japan’s ceramic heartlands, has mastered Shino through self-study. He succeeded a kiln mass producing generic pottery, but decided he wanted to make his own works. “I walked...

Two platinum spikes erupt from the black glazed surface of this Kurinuki vase hollowed out from a black of black clay by Masatomo Toi, the first Kurinuki vase he has created (we think he is on to something). It is 21 cm tall, 25 x 23 cm (10 x 9 inches including the spikes. It comes with a signed wooden placard, directly from the artist.
Masatomo Toi was born in Aichi Prefecture in 1992, and graduated the Design course at the Tajimi Ceramics Research Facility in 2019. Since he has been d...

Every facet is unique on this natural torn shape by Kishimoto Kennin enclosed in the original signed wooden box titled Iga Hanaike ‘Honoka’ or Fire Flower. It is much like a flower in clay, rising up from the bulb, the flowers placed into it the extension of the stalk. It is 32.5 cm (12-3/4 inches) tall and in excellent condition.
Kishimoto Kennin has been working with clay since the 1950s, devouring styles along the way. Shino, Seto, Oribe, Iga and Celadon, all very different approa...