Something of a frustrating, mystery painting.......oil on canvas, 36" by 23 1/2" (44" by 31 1/2" framed), apparently unsigned, probably American but could also be European, the subject a view onto a small inner courtyard or air shaft, seen through an interior doorway. The work certainly exhibits a modernist touch in some spiky passages in the vegetation, and the choice of red/orange color contrasting with the other more somber tones...

Pastel drawing of a young girl seated in a chair, signed at lower right by American 20th century artist from Long Island, New York, Muriel Kahn, and dated 1967. The sheet measures 12" by 8 3/4". An inexpensive modern frame that would fit this is available at no extra charge, but the drawing will be sent between boards/paper...

An antique oil on canvas landscape of a distant snow capped mountain range framed by bright late autumn foliage, 15 1/2" by 30" (21 1/2" by 35" in likely the original frame), signed in red at lower right by artist ADELE BRACY and dated there what appears to be 1898 or 1896 (or, in that vicinity towards the earlier side). This is apparently a copy by a talented amateur of an image well-known in the mid 19th century...

Old circa 1940's chalk portrait drawing of a young woman with red hair and striking light eyes, 22" by 16" (27" by 20 1/2" framed in green metal strip frame), apparently unsigned. This is one of several drawings I encountered by (I believe) the same artist. Two other drawings were signed, but illegibly, so the identity of the artist is a mystery. I think the paper might have been rolled at one time as under certain raking light conditions one can see soft horizontal, roughly parallel creases...

Oil on Masonite painting of one of the dramatic red eroded formations in Monument Valley, in far northeastern Arizona. The impressionist work is good enough to be by someone listed but there is no signature. Probably dates to about the early 1950's. Measures 9 1/2" by 11 1/2" (16" by 18" nicely framed, with some wear on the frame that could likely be smoothed out).

Small oil landscape, 13 1/2" by 9 1/2" framed, signed at lower right corner with initials N.A.M., with canvas stencil on the reverse of Winsor & Newton, London. This is a scene of autumn or early spring perhaps, the tree without leaves. There is a small irrigation channel with sluice gate at center left. The work is a quiet and pleasant scene focusing on a peaceful time of the year. A gold frame would enhance the painting. Condition is good, the canvas not perfectly flat.

An interesting contemporary painting of a middle-aged man sitting on a stool in a homey, cozy interior, a fireplace, paned window and painting set off by orange pastel colored walls. The unsigned work, by a trained hand, reminds of some of the interior paintings with figures by David Hockney. The oil on canvas, unframed, measures 30" by 24". It is in excellent condition. A silvery, or simple blond wood strip frame might be complementary.

A scene of an adobe with the classic protruding wooden beams, a low wall, springtime pink/white flowering trees and a split rail fence completing the composition. The work is apparently unsigned. It is laid down (glued) to Masonite panel. It shows signs of having been rolled in the past--long parallel vertical cracks in the paint, as shown in several images. Most certainly it is by a listed artist but this one is a mystery...

Coastal watercolor and gouache painting, the scene likely of the New England shoreline, perhaps near Boston, waves breaking on a beach with rocky outcroppings, signed at lower right corner by artist SHARP. The painted area of the work measures 6" by 12", the sheet on which it is painted 8 3/4" by 14 3/4". The painted area is not a separate sheet laid down to a backing----it is all one sheet...

In the style of popular Thomas Kinkade or Marty Bell, this is an original oil on canvas, 11" by 14" (17" by 20" framed), the subject a cozy cottage-like house set in a flowering garden, the welcoming lights all on. The painting is signed at lower left "N LaFond". If you enjoy the Kinkade style but would like an original work instead of a print, you may well like this piece. Condition is excellent, frame has a little wear.

A circa 1950's watercolor on heavy paper featuring a brick 19th century home on an orderly property including white split rail fencing, and a barn at right. Perhaps this is a gentleman's farm property in the eastern states, anywhere from Virginia through Ohio and up to New England. The artist, WILLIAM NETHERY, signed the watercolor at lower left and wrote "Passing Storm" on the mat at lower left, while also signing the mat again at lower right...

A modernistic oil thin canvas, laid on plywood, signed at lower left in Hebrew script. The subject is a still life including cup and saucer, what appears to be a pitcher, and other table top items arranged in an intentionally shallow space. The work measures 18 1/2" by 22" and is unframed. The wood panel has warped with time, causing the work to be concave. A restorer could likely remove from the wood and place it on another canvas but of course that would come at a cost...

Antique, circa 1850 watercolor of a coastal scene in the British Isles, signed somewhat illegibly at lower right with what might be "Johnson", "Imson", or similar. The watercolor measures 10 3/4" by 16 1/2" inside the mat and 18 1/2" by 23 1/2" in nondescript modern frame (not pictured)...

Contemporary watercolor on paper painting of iris or similar flowers, 18" by 12" (23 1/4" by 17 1/4" in metal frame), signed J. London under artist's red stamp. The work shows the skill of the artist. I see no information on an artist by this name. Condition is excellent.

Oil on canvas painting of a mill adjacent to a pond, 28" by 22", (33 1/2" by 27 1/4" framed) possibly signed at lower right, but affixed on reverse is an old handwritten slip of paper, with name of artist, subject identification ("Red House, Milltown"), her addresses, and 1924 Pennsylvania Academy of Fine Arts 119th annual exhibition info, apparently item #95 in that exhibition. The artist is identified thereon as IRENA FRANKEBERGER...

A contemporary oil on canvas painting of a handsome rooster, in the style of a traditional Chinese watercolor scroll painting, approximately 23" by 23" in black strip frame, with Chinese calligraphy at top left and right and one red artist seal. The work is by a competent hand. I am told by a Chinese reader that the family name of the artist is "Zhang" but cannot provide any more information other than the perhaps circa 1970's or 1980's New York framer's sticker...

A beautifully painted gem of a small work, acrylic or oil on paper on board (tempera?), or directly on board, 11" by 14" (17" by 20 1/4" in silvery frame), signed at lower right ARTHUR A. HENDERSON 1989 (with copyright symbol). The work would be easy to mistake for a print; but it is not...

A 20th century painting of a luminous, dramatic coastal sunset, the final light of the day reflecting on the rolling, beautifully depicted waves and aqua water, an interesting tree at right on the promontory adding balance and interest. The painting, unframed, 24" by 36", is not signed on the front but on the reverse is "Casati". I have researched the name and see a listed artist Carlo Casati (1889-1965) who might be a fit, as there are paintings online of similar subject by obviously the same...