This is an atmospheric fine little watercolor on paper painting of mountains and water such as might be found in the idyllic Lakes District of the northwestern part of England, or the famed Scottish Highlands, unsigned, late 19th century most likely, measuring 4 1/2" by 6 1/2" (14 1/2" by 17 1/2" in the present framing). The work is in very fine condition...

Oil on canvas painting of a fetching young red-headed girl with a doll, 24" by 18" (34" by 27 1/2" in old attractive frame), signed at lower left "P. Harwood", not dated but circa early 20th century. This is a really beautifully executed work, reminding of some of the vigorous portraits by masters like Robert Henri; but, efforts to identify the artist have not borne fruit...

BARTON STONE HAYS (1826-1914) was born in Ohio, and he came to be associated with the Midwest throughout his life, becoming a leading portrait painter in Indianapolis, and finally, coming to be known for his still life works, based out of Minneapolis, after 1882. Early in his life he was a Daguerreotypist, diorama painter and portrait painter, and there are some rare and sought-after genre paintings, some even of African-American subject matter...

Watercolor on paper, 12" by 17", unframed (white mat only, in protective sleeve), executed in a modernist style reminiscent of famous Swiss artist Paul Klee, the scene including three figures and several Old World style stone towers and other suggested architecture depicted in an almost cubist manner, signed at lower right and dated there "62" by the listed Swiss artist ROMOLO ESPOSITO (1913-1991). This work is hard to describe but easy to appreciate...

Finely executed pastel on paper drawing of bridges spanning a major river, presumably the Rhein in Germany, 11 1/2" by 15 1/2" (15 1/2" by 19 1/2" as framed), signed at lower left by listed German artist RUDOLF MULLER-GERHARDT (1873-1962) (and sometimes spelled as GERHARD). Though listed the artist is apparently not well known...

Oil on canvas painting of a tabby cat, 7" by 5" (12" by 10" framed), circa 1970 to 1980 judging from the framing, signed lower right "Jody". The artist was certainly talented; the likeness of the cat to reality is well above average. Condition is excellent. Needs to be nailed more tightly into frame.

Oil on canvas painting of fruit, painted in a most attractive unusual style, the artist intentionally blanching the image through an intricate technique, 20" by 24" (26" by 30" as framed), signed at lower right "DORIS BLATE" and dated there 1956. Amazingly, considering the quality of the art, I am unable to find to date any information on the artist; an internet search does though find a Doris Blate (1907-1994) who lived in Queens, New York; possibly the artist considering the unusual name...

Painting on panel of a young Egyptian youth, 15 3/4" by 12" and not especially complementary, modern day framing, signed at lower right, with reverse original label from Schwartz Freres, of Cairo and Alexandria. The painting is signed at lower right corner, the name appearing as "Thor......". To date I have been unable to decipher the full signature. The work certainly dates to the early years of the century, judging from the label...

Original impressionist pastel drawing of a French (I believe) street, (10 1/2" by 13 1/2" (17 1/2" by 20 1/2" framed), with outdoor tables under umbrellas, a fountain, cars, and cropped trees, signed with initials at lower right and dated there '86. This looks like a Mediterranean or southern scene, the shutters and little windows suggesting that to me. The word "Libre" is visible at right so that suggests France and not Italy. The artist knew how to handle a piece of chalk...

Mid 20th century painting of a vessel containing a plant with interesting leaves and orange tightly closed flowers, executed in an impressionist style with a modernist feel, on a 16" by 20" canvasboard, unframed, signed in black capital letters at lower left "Chatterton". Neither the signature nor subject matter resemble those of noted artist Clarence Chatterton, who was a student of Edward Hopper. I am offering it simply as an interesting still life painting...

Oil on canvas, 20" by 30", 27" by 37" as framed, apparently unsigned, the scene of (possibly) gypsies or other peasant folk in the splendid countryside, with their animals, wagons and household goods. In the far distance at left there is a view with another small wagon and house...

Larger sized gouache on paper laid on board painting of the dramatic world-renowned coastal Italian island of Capri, unframed, 17" by 24 1/2". The work is signed at lower right "G. Corelli" and is titled at lower left "Isola di Capri". Note the stillness of the scene, and the handling of the haze and reflection. This is a classic work from the school of painters that specialized in views of Capri, Naples, and the Amalfi Coast...

Watercolor with touches of gouache painting, on heavy grade watercolor paper, the subject a small ranch on a coastline, 18" by 29" (26" by 39" framed), unsigned, the subject I feel possibly in Hawaii or Australia, given the scenery and the obvious tropical touch (the plantation-shutters and banana trees, and the detail of the front of the structure). Unfortunately I have not been able to locate a signature anywhere...

Watercolor on paper painting of a large sailboat off a lighthouse at the coast, some industrial looking electrical towers completing the scene, 9 3/4" by 13 1/2" inside the mat, 16 1/2" by 21" framed, signed "DNadson" or similar at lower right. This is well painted by a skilled but unidentified artist. Found in Los Angeles. Condition is excellent.

Watercolor on paper painting of classic buttes and mesas of the great Southwest, possibly Arizona or Utah, 22 1/2" by 28" as framed, the work signed in very small writing at lower right with what appears as "E. T. Bell" and dated there July 4, 1933 (or, possibly, 1935)...

Found in Phoenix, Arizona, this is a striking and unusual modern work by a talented but so far unidentified hand, 20" by 24" plus narrow simple wood frame, signed at lower right and dated there 1981. The scene is buildings, depicted in a semi-abstract, even cubist manner, all in various earth tones such as cream, tan, brown, and yellow. A pale blue sky and foreground makes for a cooling, interesting contrast. The Christian cross towering over it all adds a mysterious element. The painting wo...

This is a small watercolor on thin card of a young woman with peaches and cream complexion and ringlets in her hair in the style of the 1820's through about 1860, unsigned, 5 3/4" by 3 3/4" plus narrow late 20th century frame, At first glance I thought this English or American, or Canadian, considering the Toronto gallery stamp on the framing paper, but upon opening it I discovered a stamp in old German script on the reverse, as shown. Condition is generally very fresh, I note a very minor abr...

Watercolor and gouache on paper laid on thin card painting of a typical street scene in an Austrian city, 12 1/2" by 8 1/2" (17" by 13" in circa 1920's black frame), signed at extreme lower left corner and dated there 1917. I have spent considerable time trying to determine what the signature says....I tried Seiler and other similar combinations but so far seem to be unable to link this to a listed artist, though the quality is undeniable. There is lots of detail in the figures walking or stan...

Oil on canvas painting of a woman in a verdant landscape, 30" by 24", unframed, titled on the stretcher "NUDE HOLDING FLOWERS", and also signed there, "by Greg Harris 1981 Feb.". This is a quite early work by an artist now firmly established in the contemporary impressionist art scene nationally, GREGORY FRANK HARRIS (1953-). Harris was born in Southern California to parents that included a painter mother. He showed precocity in art and music and other creative pursuits, and by 1977 was begi...

Here is a classic old painting on gray academy board, the subject roses in a vase, 20 1/2" by 14 1/4" as framed, signed at lower right "M Say" or similar. It likely dates to circa 1900, at a time when young ladies were expected to take up painting as a domestic skill, and still life of roses was always a most popular subject. Today these works are sought after by those decorating in the shabby chic style. The work has some flaws typical of century-old works, including soiling, minor scuffs, ...

Oil on canvas painting of a peaceful eastern scene including distant pyramidal mountain peak, luminous sky, feathery trees and rock formation, the only sign of man an idle rowboat in center foreground, 12" by 20" and 2 1/2" wide period frame, signed with the conjoined initials of the artist at lower left (in red) and dated there 1882. The artist is JOHN WHITE ALLEN SCOTT (1815-1907), an accomplished Boston artist who was active in New England and the Catskill Mountain region of New York from th...

Pastel on paper laid on board drawing of trees and fields, a shed providing a human element, 7" by 9" (11" by 12 3/4" framed), signed at lower right "R. Nourse". This is a very fine little drawing with a touch of post-impressionist Van Gogh and other artists especially in the branches and trunks of the tall trees. The only listed artist with the name Nourse is Elizabeth Nourse. I see there is a Rebecca Nourse but the time period does not correspond to the drawing which likely dates to the mid...

Oil on canvasboard painting of a greatly simplified vase with flowers, unframed, 16" by 12", signed at lower right "Dieter" and bearing on the reverse the title "Spring Bouquet" and "W. D. ZANDER/25 EAST END AVE/N.Y N.Y 10028". This is a work, possibly circa 1970's or 1980's, by a long-lived gentleman with an extraordinary life history, who happens also to have been a very talented artist. Zander was born in Germany in 1915, and educated in Neuchatel, Switzerland. He was drafted into the Germ...

Watercolor on paper laid on thin card painting of a fetching, dark-haired young woman, apparently in Venice (tiny gondola/architecture at far right), holding spring flowers at the water's edge, " by ", and signed at right center "E. LARRI". I do not see a listing by this name but he/she worked squarely in the tradition of 19th century Italian watercolor art. The piece was in a nondescript frame when found, and backed by curling old acidic wood. I have removed it from the frame for photography...

Large watercolor painting of a peaceful lane or street, buildings suggesting Hispanic origin mixing with the lush vegetation, 21" by 30" (31" by 39" nicely framed, with museum glass, yet), signed at lower right "H. Brzezinski". At first glance I considered the possibility that the scene might be Santa Fe, New Mexico, since "Calle de las Animas", sounding Santa Fe-ish, is written in ink on the framer's label, and the scene had a somewhat Santa Fe look and so forth, but having googled the street ...

Old vintage pastel on paper drawing of a New England landscape in the fall, including a white 19th century house and a lone figure, 12" by 9" (15 1/2" by 12 1/2" framed), no glass, signed very faintly at lower right corner as (I believe) "F. Will" (or, T. Will, or T. or F. Wills). I do not think the artist is the listed Frank-Will. This particular scene seems to be after a well known original by a noted American artist. I have encountered versions of it by any number of artists, but have not...

This is a finely executed watercolor of a seated woman, perhaps in a studio, her props including a metal or ceramic vessel and a draped table, apparently unsigned, and drawn in the later years of the 19th century. The work measures 11 1/2" by 8" inside the old faded red mat, and 20" by 16 1/2" in its modern frame. I opened this up in hopes of finding a signature or other information, but the paper is laid down securely to a board and there is nothing to be seen. I think it likely by an Italia...

Watercolor on paper painting of a vase and flowers, 14 3/4" by 11 1/4" (21" by 16 1/2" framed), signed at lower right "L. Hirsch" and dated there 1979. I do not think the artist is listed but he or she has displayed considerable talent in creating this decorative and attractive work. The frame shows a little wear but is presentable overall. There is a handwritten label on the reverse, showing the title "FLOWERS AND FRUIT", and it appears that the word "Mexico" is included at the very bottom (...

PAIR of English landscape oil on canvas landscape paintings, each including a cottage, a figure (one fishing off a small bridge, the other walking towards the cottage), and feathery trees, each 9" by 16" (18" by 25" framed), one inscribed in ink on the stretcher "Sketch in Kent C.J. Riley". If we assume that this be the artist, I am unable to find a listing for such a name. The style suggests a date of circa 1870's. Compare the works to cottage/landscape paintings by English artist who signe...

Oil on canvas painting of a forest in autumn or possibly winter, 13" by 20" (16" by 23" framed), not signed on front but inscribed on canvas reverse "Hommage reconnaissance a M. Fr. Tompkins/J. Caron/1909". A title also appears there, "Sous Bois en XXXXX" (unreadable). This is a highly impressionistic work by listed Belgian artist JOSEPH CARON (1866-1944). Caron appears to have painted primarily landscapes, almost always with an impressionist hand. The impressionistic brushwork in this exam...

Impressionist oil on wood panel painting of coastal islands and a religious shrine perched on a scenic rise, 13 3/4" by 16 3/4" as framed, signed in Greek at lower right. This work has some age, dating perhaps to mid-century. The surface is a bit soiled and the frame has some wear at top corners as seen. A Greek speaker has seen the signature and advises me it reads "Kaitatze" in English, or similar.

**One of two works by the artist in my shop** Oil on canvas, titled on original label "Cold Drink Stand", measuring 12" by 16" on the stretchers, 20" by 23 1/4" as framed, signed at lower left by the well listed modernist California painter DAN LUTZ (1906-1978). The label affixed to the stretcher, on which is written "Cold Drink Stand/By/Dan Lutz" is the original red and blue-bordered Dalzell Hatfield Galleries label, although it is now partially missing (compare to the intact one on the other...

Oil on canvas landscape of a busy scene I believe to be along the Potomac River in Alexandria, Virginia, 13" by 25" as framed in narrow blond ash, signed at lower right by Torpedo Art Center artist ANNE B. LANDRY. Some internet research enabled me to identify the artist. Landry is a New Orleans native and graduate of Newcomb Art School at Tulane there, who after some time in the corporate world in New York elected to move to the Washington, D.C. area, where she is a juried artist in the Torped...

Oil on old gray art board painting of a pirate swashbuckler in the 17th century, 15" by 10" (23" by 18" framed), unsigned, executed in the earlier 20th century style of N. C. Wyeth. This work might have been created circa 1920 or so as an illustration to a book perhaps. The image would be a fine addition to a young boy's room. Condition is excellent save for a few small losses, one at center left (appearing as blue spot) and a loss in the figure's pants (light blue area at bottom).

Watercolor and gouache painting of purple and white lilacs in a vase, unsigned, 12" by 9 1/4" (17" by 14" in pleasant quality antiqued frame with imitation wormholes). The work is laid down on a board. Colors are fresh and the piece is ready for the wall.

Oil on canvas laid on board landscape of a river in a mountainous scene including a few picturesque structures, signed with initials "LJGC" at lower left, and dated there 1904. There is a high likelihood that the artist who created this attractive painting was from mountainous Wales in the British Isles, as I have seen another painting online, identically signed, dated 1914, the scene depicted in that example given as the River Wye in Wales. The work measures 14" by 16 1/2" and 18 1/2" by 21"...