A contemporary impressionist landscape of the hills of Texas in the spring when the famous bluebonnet bloom, signed at lower left by artist "Julienne". This is a work of a talented artist, the signature of whom might well be a take-off on the famous and important Texas bluebonnet artist Julian Onderdonk (1882-1922); conversely, the artist may just happen to be named "Julienne"...

Oil on canvasboard landscape of Southern California including distant oil derricks, 12" by 16", unframed, not signed on front but on back signed and with artist address at the time in Sunland, CA, a Los Angeles suburb. The forest of oil wells could be in a place like Signal Hill, or Long Beach, near Huntington Beach, or, any number of other points in Southern California or the southern Central Valley west of Bakersfield...

Oil on canvasboard painting of flowering yucca ("Spanish Bayonet") in a landscape, signed at lower right by Barbara White, a talented artist from Silver City, New Mexico, who was elected first president of the organization in 1968. There does not seem to be much other information readily available on the net, but one reference does indicate that she is deceased. The painting measures 9" by 12" and 15" by 18" framed. The artist wrote her name, address and the title "N...

Contemporary (late 20th century) oil on canvas painting of a lighthouse, and coastal rocks and sea birds, a tall ship at right, signed at lower left by American gallery artist CRAIG SMITH. The work measures 24" by 30" (31" by 37" framed). The scene resembles Portland, Maine's famous lighthouse, but a business card of the artist affixed to the reverse appears to say that this is a Nova Scotia, Canada scene...

A nicely painted oil on Masonite work featuring pears and apples arranged in a still life that is quite colorful and harmonious, the fruit softly modeled. The work measures 16" by 11 3/4" (19 1/2" by 15 1/2" in bright gold framing) and is signed at lower right with a signature that appears to be "Ardi T. Santi" or similar. The painting is very decorative and attractive in its gold frame.

This is a marriage of a circa 1880 gold American Victorian frame with distinctive and unusual diamond patterns in the gilt, the frame rabbet 14" by 18", the framed item total 19 1/2" by 23", a mid 20th century still life signed "Olenick" set into it. It makes for an interesting combination but doesn't have to necessarily stay that way. The antique frame itself is very attractive and could potentially house any number of 19th century paintings...

A quality work, the medium watercolor on a very thin linen type canvas, framed behind glass, 14 1/4" by 18 1/2" (22" by 26" framed), signed at lower right and bearing there a monogram cypher in an oriental art style, by San Diego artist and collector ELSIE STEWART KIMBERLY (1882-1966). There is little information on this talented woman artist, who was evidently most known around the San Diego area...

In the style of famous American abstractionist Sam Francis (1923-1994) is this abstract oil (acrylic?) on canvas "splatter" or "drip" painting, unframed, 25" by 23 1/2", unsigned. The work appears to have some age, to perhaps the 1970's. Note the width of the stretcher (almost two inches). The painting is very clean and would make a smashing decorative work for the most modern of interiors...

A small painting on canvas, 12" by 9" (15" by 12" framed) titled on reverse "Hermit Home", by listed artist GEORGE EUGENE SCHROEDER (1865-1935). The scene is a modest rustic cabin in a forest clearing. The artist signed at lower right and again on reverse, wrote his name and "Heyburn, IDA". Heyburn is in the southern part of the state, between Twin Falls and Pocatello, on the Snake River...

A beautifully painted oil on Masonite work featuring the peak autumn color in the mountains, likely the Laurentians north of Montreal. The artist is VIVIAN WALKER (1903-1994), who signed her name in the wet paint, at lower left. Walker was born in Hawkesbury, Ontario. She received art training in the Montreal area including at the Ecole des Beaux Arts. She was a student of Adam Sherriff Scott and E. Stanley Turnbull (the latter, in New York)...

Old circa 1950 painting on board of the majestic Grand Canyon in Arizona, apparently unsigned, measuring 17 3/4" by 22", plus pleasingly old patterned frame, 1 3/4" wide on a side. The artist had talent but the work is also fairly primitive, in a charming way. A lot of effort went into painting this. I would almost describe it as folk art. Materials suggest a late 1940's or early 1950's age. There's some wear on the frame especially at lower right corner...

A vintage mid century oil on board or oil on canvasboard painting of a dirt track in the Arizona desert, the landscape filled with the classic saguaro cacti, and at right a yellow flowering tree, causing the painting to be titled "Lluvia de Oro Tree" ("Shower of Gold") on the backing paper, where the artist, LOUIS ELMORE SMITH, also dated it April 1961. He signed it on the lower right corner. Painting and frame are in excellent vintage condition. This reminds of a hike in Sabino Canyon outsi...

A large (32" by 44" as framed) acrylic on heavy canvas, the subject a Victorian gingerbread-style Key West house with luxuriant tropical foliage in the foreground, signed at lower right and dated 1999 at lower right, by noted American contemporary artist JEANETTE CHUPACK. The work is titled on reverse affixed tag "Key West Porch Garden", and the original $4,300 price is written nearby. That information is repeated on the stretcher itself, and interestingly, crossed out on the stretcher, is "Tu...

**PAINTING HAS ACQUIRED DAMAGE SINCE PHOTOS WERE TAKEN** Contact me first. An historically interesting and significant oil painting of an early street scene in Los Angeles' small, historical Chinatown, circa 1930's, 30" by 38", unframed, signed at lower left by listed Southern California artist BERTHA TOWNSEND COLER (1865-1948). Coler was born in Ohio and studied with Robert Henri and William Merritt Chase in New York City. By 1928 she had moved to Santa Monica, California and for the next tw...

A PAIR of oil on canvas paintings of a younger man, each 33" by 24 3/4", unsigned, circa late 20th century. The pair is striking in that one is painted in monochromatic style, the other in natural color. Placed together, they make for a most interesting set. Condition is generally good with a few minor flaws they have acquired, including light abrasions, light soiling in places, a tiny tiny puncture, etc. Speckles in hair on colored painting are just a light effect. A light cleaning and som...

Oil on canvas painting of a white bench in a park or garden, the sun dappled vegetation depicted in colorful palette of purple, yellow, and green, signed at lower right by Southern California contemporary artist PATRICIA SHILLING-STEWART. The work measures 16" by 20" (20" by 23 1/2" in shiny white laminate frame). There is some information on the artist online; she is based in Los Alamitos near Long Beach, and paints flowers, aquariums and other colorful subject matter, many of the original wo...

For the collector of classic California Plein Air art, an oil on canvas work, "Laguna Waves", 20" by 24" (27 1/2" by 31 1/2" in quality reproduction gold frame), signed at lower right by well listed and often-auctioned CHRISTIAN VON SCHNEIDAU (1893-1976). The painting features true impressionist brush strokes and colors, enhanced by a recent professional cleaning which really revealed those beautiful strokes and colors. Von Schneidau was born in Sweden of noble birth. He attended the Stockhol...

An historically interesting and significant oil painting of an intimate scene in Los Angeles' small, historical Chinatown, circa 1930's, 30" by 24", the frame 37" by 31", signed at lower left by listed Southern California artist BERTHA TOWNSEND COLER (1865-1948) and titled on stretcher "Home sweet home in old Chinatown". A label on the frame shows the original $150 price and the artist's 2021 Holly Drive, Los Angeles, address at the time. Coler was born in Ohio and studied with Robert Henri an...

Oil on canvas landscape, unframed, 14 1/2" by 21", signed at lower right, titled "Sheep Herds" or similar on reverse, the subject a forest with a vaguely defined figure at right, and equally vaguely defined sheep at center left. The landscape composition is almost semi abstract, reminiscent of Albert Pinkham Ryder. The artist, GEORGE THOMPSON PRITCHARD (1878-1962), was a widely traveled man whose reputation is likely muddied by those wide travels, which led to his tackling a wide range of subj...

John Ulbricht, Cuba, Illinois, lived in Majorca, Spain for many years, 1913-2007 Provenance: Private Midwest Collection, Timothy Kuehn Gallery, Estate of Robert Von Neuman, Direct Acquisition from John Ulbricht, his son-in-law. He is known for Figurative, Modernist and Abstract Compositions, Paintings and Drawings. These dynamic drawings represent his early original drawings from 1946-50 when he was living in the USA: Chicago and Denver, before moving to Majorca, Spain. His early work can be ...

Oil on canvasboard painting of flowers, vase and pot, 9 3/4" by 13 1/2" (14" by 18" framed), signed at lower right "L. E. Thackery". No listed artist comes up with a search for this name, but that does not diminish the quality of the work itself, which probably dates to about the 1940's. There are two missing small areas of paint at left, otherwise condition is excellent. The frame post-dates the art and is pleasant and complementary.

This work needs some TLC, due to a large rip, unstable and missing paint, and grime......a vintage late 19th century/early 20th century work on canvas, 18" by 30", unframed, apparently unsigned, the subject one of the volcanoes of the Pacific Northwest. The painting should be saved for posterity, but for that to happen, it will require relining, cleaning and inpainting by a professional restorer. If you are a restorer yourself, this would be an ideal acquisition.

Here is a prize for the collector of Californiana----an idealized view of a mission in the golden days of yore, painted around 1935 I would guess. There is a signature at lower right that appears as Y. Arnold or similar. The painting is on a coarse weave canvas, almost like burlap or jute, laid down on an old board, on the back of which is a color print of a landscape. Size is 30" by 24" including the simple narrow wood strip frame. The painting surface is not varnished at all, but I'm not s...

**PAIR** of oil on board paintings (each 14" by 11", plus framing 1 1/4" wide), of nymphs clad only in diaphanous veils, dancing in classical poses in forested landscapes, rays of light selectively illuminating the scenes. The works are by New England artist ROBERT C. WOODBERRY (1874-). Woodberry was born in Massachusetts and appears to have spent most of his life in New England, painting mostly landscapes. He was a student of W. D. Hamilton, and, at the Academie Julian in Paris, of Jean Paul...

A PAIR of American oil on board mountain landscapes, each 23 1/2" by 11 3/4" (29 1/2" by 17 1/2" framed), both signed at lower corner A. A. Baker. There does not seem to be biographical information on the Hudson River-inspired artist, who likely painted these in the mid 1880's. It is doubtful that they have ever been cleaned. There is a smell of smoke. One has a 1" puncture of the board (in the tree at right), the pressure having come from the reverse side; the piece remains attached. Frames...

Purchased some years ago in Florida, this is an unusual work, possibly some kind of enamel work (I am guessing----shiny hard surface with relief, mimicking enamel surfaces I have seen), 5" by 13", 21" by 25" in gold frame with wide maroon velvet matting, signed with conjoined small "HR" at top right, and signed again on reverse "Hugo Robus 1954". I thought this possibly by the important sculptor by that name, but the director of the Forum Gallery in New York, who represents his estate, did not ...

Painting of various complete southwestern pottery vessels, and a broken shard of one, all seemingly floating weightless in an intentionally poorly defined space, all painted in a hyperrealist style, signed at lower right "Doyle" and dated 2005 with copyright symbol. A label on the reverse gives the artist's full name, Ed Doyle, the title, "The First Shard", and the original price, $1000. The oil on canvas on board measures 23 5/8" by 23 5/8" and 30" by 30" as framed. The artist was obviously ...

A circa late 1930's to early 1940's painting titled on the reverse "Molas Lake and Needle Mountains, Silverton Colorado", signed at lower right by artist C. H. Rising. The oil on canvas measures 12" by 16" and is unframed. A light cleaning would be helpful but you could just throw a regular sized frame around this and enjoy it on your wall. Nicely executed work by a talented yet apparently unknown artist. The mountains are well painted, streaked with snow of the previous winter. The lake re...

Oil on board painting of a peaceful lake surrounded by forest and peaks in the distance, 11" by 18" (16 1/4" by 23 1/2" in wood frame), unsigned, circa late 1940's to 1950 or so, but executed in an earlier style that goes back to the early years of the century. These freely executed impressionistic works met the demand for affordable original art in the first half of the 20th century, and many are still around, though they have suffered the ravages of time. This example is very clean and in ge...

Very large (36" by 23 1/2", 45" by 33" framed), decorative, attention-getting squarely Mid Century oil on canvas of two "Big Eye" children, painted in his usual whimsical fashion, by the French mid century impressionist artist ROGER ETIENNE (1922-2011). The painting is signed at lower left by the artist and dated there 1973. This is one of the largest works I have seen by this French artist, and it (including all framing) is in amazing, near-mint condition; hard to believe it is nearly a half ce...

A classic work of 19th century American art: oil on artist's board painting of an elderly lady, apparently lost in thought, as she contemplates a bill and a paltry few coins in her palm, the proceeds from her sales of apples at two cents apiece (they seen in the right background). The 11 1/2" by 9 1/2" oval shaped painting (14" by 11 3/4" in the frame) is signed at right center "C. C. Markham" (CHARLES COLE MARKHAM, 1837-1907). The work is not dated but was likely created in the 1880's or 1890'...

Oil on masonite highly detailed still life painting of a cut melon, apples of various colors surrounding it on a table, a spilled salt shaker and knife completing the arrangement. The work, 16" by 20" (24" by 28" framed), likely dates to the 1970's and as such would be one of the earlier works by this artist. Katon was born in Michigan and received a B.A. from Ursuline College in Ohio. For many years he has been a resident of Southern California, where he is a familiar figure in the arts comm...

American (likely California) oil on canvas painting, 5" by 4" (8 3/4" by 7 5/8" in stained oak period frame), signed at upper right corner with initials "M.W." and dated there '87 (or, possibly, '97). Stamped on the stretcher is "Fred Rhoda/Fruitvale, Cal", and written in pencil in an old hand is " Whitney"; we can probably assume therefore that the artist is one M. Whitney. A googling of the stamped name shows Fred Rhoda (1810-1886) was a Civil War veteran who owned some 400 acres in the Oakl...

Unframed oil on paper on board painting of a desert Southwest landscape, 8 1/2" by 12", signed at lower right M. Edwards. The painting probably dates to the 1920's or 1930's I would guess. It has accumulated a lot of soiling and varnish has yellowed, so it desperately needs a cleaning. Note the left extreme edge, which must have been behind a frame, to get some idea of the potential after cleaning. There is also a small dig at right edge, and upper right corner of the paper is missing. This...

A wonderful oil painting on canvasboard in naive/primitive style, 12" by 16" and featuring happy children sledding down a hill in Central Park in New York City one cold winter afternoon near dusk. The work is titled at lower right "Central Park" and is signed at lower left by artist MARY RUBY ORKIN (1894-1987). On the reverse is written "Copyrighted 1958 by Mark Orkin/Central Park West NYC 10023/#7 Sledding Hill at Sunset behind the Met". Note details like the piston airplane in the sky at le...

Oil on board painting of a waterside building with dirt road, small boat, fences and tree, extensive water in the distance, signed at lower left twice, with a signature that appears to be "M G Johnston". The work appears to be of a coastal New England view, which leads me to believe that it would be by the hand of listed artist MARY GRANT JOHNSTON of Massachusetts and New York, but I have no other works with which to compare it. The painting measures 11" by 15" and the narrow silver frame is...