Page from an album. Illustration in Chinese style (chinoiserie) of a bearded young Chinese man in a long blue garment and round hat in vogue in the Qing dynasty. In his left hands he holds an open fan with tortoise shell spokes, in his right a red cloth in the other.

The shades on his clothes and face done in tiny black dots, in imitation of shading in an etching. Black ink and watercolors on Western paper. French or English. Early 19th century...

Page from an album. Illustration in Chinese style (chinoiserie) of a young Chinese man in white pants and blue tunic, beating a small drum or gong with a stick. His head shaved in the style of the first half of the Qing dynasty, a long very thin tail wound around the back of his head.

The shades on his clothes and face done in tiny black dots, in imitation of shading in an etching. Black ink and watercolors on Western paper. French or English...

Page from an album. Illustration in Chinese style (Chinoiserie) of a Chinese man with high, woven hat, holding two rods bamboo (?) in his hands. He might he the executioner of punishment of beating by a light stick.

The shades on his clothes and face done in tiny black dots, in imitation of shading in an etching. Black ink and watercolors on Western paper...

A circa 1910 watercolor painting of a blue-eyed young girl wearing a light yellow dress, a bow in her red-blonde hair, signed at lower right by Scottish-born, American artist JESSIE FISKEN (1860-1935). Fisken was born in Helensburg, Scotland and came to America with her parents and five siblings in 1888, apparently to the Seattle area (the way paved by her father's brother). By 1890 she was already listed as an artist. Portraits and miniatures are known by her hand...

Pastel and charcoal on gray paper, 17 1/2" by 11 1/2" (20" by 14" in wood frame), signed at lower right with conjoined initials "VG", which corresponds to the name of the artist Vinnie Gjere. I was able to figure out the authorship due to there being a companion piece on my site, also a still life and purchased at the same time as this one; that piece is not signed on the front but on the reverse in pencil is "Vinnie Gjere"...

This is a fine work of art, 21 1/2" by 12 1/2", ( 24" by 16" as framed), unsigned on front but bears a handwritten notation on reverse "Vinnie Gjere", which definitely refers to the artist; see a companion piece also on my site, which is actually signed with a conjoined "VG" monogram on the front. The artist's biography, from the net: "Contributor S Hemingway added this: The Journal [New Ulm, MN] June 14, 1980 Mrs...

A rarely seen work by a well-known artist of Romania, LETA MIRONESCU (1896-1981), the subject an autumn forest painted in greens and yellows and browns. Hidden among the vigorous impressionist brushwork on the old paperboard is the signature of the artist, in the paint, at lower left, where she also dated the work 1926. Mironescu received education in art in Romania and then traveled to Vienna, Munich and Paris for further training...

This is a very well-painted miniature depicting a courtly scene of a nobleman and his companion on a pleasure boat, with three female attendants. Although Mughal in style, I am not 100% convinced that the painting is indeed of the period. For that reason, I am listing it as decorative only and have priced it accordingly. Inscriptions frame the painting, which appears to be taken from a manuscript. The painted area is roughly 4" X 8" and is in excellent condition...

Oil on Masonite extensive landscape of orange groves and palms and distant snowy mountains, the scene likely the Sea of Galilee area with the Golan Heights in northeast Israel, the painting measuring 20 1/2" by 25 1/2" (27" by 32" as framed), signed at lower left in Hebrew and at lower right twice, faintly, in Roman letters "Peysac". This painting is a typical work of the noted German-Israeli artist ARYE LEO PEYSACK (1894-1972). Peysack was born in 1894 and trained in Germany...

A PAIR of very early works (each dated 1889, when the artist would have been in only his mid twenties), each 9 1/2" by 14" (15 1/2" by 19" framed) signed at lower right by Northern California artist JULES MERSFELDER (1865-1937). The pair features coastal scenes of boats off of a coast and several small beached boats with tiny figures. Mersfelder was born in Stockton, east of San Francisco and a gateway to the gold fields...

Original watercolor and ink drawing of a tropical orchid species, 20" by 16 1/2" (24" by 20" in mid 20th century simple framing), the botanical name Onsidium luxidum at lower right in pencil. A window in the reverse backing shows, written on a small piece of paper in brown ink in flowing early hand, "From Nature by T. Allport/Enville Hall April 1834." Enville Hall is today a classic English country estate and manor house in Staffordshire, in west-central England. This is the so-called Mule Ea...

A very attractive floral still life, 30" by 24" (37" by 31" framed), quite light and airy with white predominating, signed at lower right by by the hand of noted California-born artist PAUL MATHENIA (1946-). This is a beautifully worked oil on canvas painting of flowers in a table top vase, signed at lower right with the artist's typical signature. Mathenia was born in Bakersfield, California and showed early artistic talent as a youngster. He received art instruction at various venues in Southe...

Oil on gray academy board painting, 12" by 17 7/8", 16" by 22" in the rather battered old framing, unsigned, probably executed in the latter years of the nineteenth century in New England. The artist created a comforting scene with a folk art feel, the handling of the trees and structure charmingly primitive. More than likely, this will need a new frame. There is a roughly circular dark area as seen at lower left, about 1" in diameter, that has been abraded. Otherwise the painting just sports...

A finely drawn pastel of a classic Native American woman subject, who stares directly at the viewer with her handsome prominent cheekbones which are set off by black pig tails, 12 1/4" x 8 3/4" (17 1/2" by 13 1/2" framed), by England-born California artist LEONARD BORMAN (1894-1995). Borman studied art at the Art Institute of Chicago and under Joseph Pennell and George Bellows. He arrived in Sierra Madre, CA, adjacent to Pasadena, in 1920 and was active in the Los Angeles area into the 1950s, p...

Watercolor on paper painting of a scene in old historical Saint Augustine, Florida, 4 5/8" by 6 1/2" (9 1/2" by 11 1/2" framed) titled on reverse in another hand "Fatio House", and signed at lower left corner by the listed American artist ROY C. CLARK (1889-1956). Clark was born in the Berkshires of western Massachusetts, and died in Washington, D.C. Evidently he traveled widely, having studied with W. L. Judson in California, Irving Wiles, Thomas Fogarty and Kenneth Hayes Miller in New York, ...

Strong and vivid painting by Charles Burdick (American 1924-2016) depicting two rearing horses with riders. Frame measures 28 1/4" x 24" and is painted and gilded wood, the sight size of the canvas is 23 1/2" x 19 1/2". Oil on stretched canvas, with paper backing. Signed in lower left. As is typical of Burdick's style, the brush work is deft and full of energy, with fairly heavy impasto of paint over the surface of the canvas. Frame is painted wood, black with gold over embossed areas. Bur...

A drawing with ink, pencil, watercolor and gouache on laid paper depicting a harbor scene very much in the manner of the French artist Claude Vernet (1714-1789). Perhaps there is a print source for this drawing. The work is signed in the lower right, “Tho. Ryves. 1770.” The most likely artist is either the father Thomas Ryves (1721-1788) or his son Thomas (born 1753) from the distinguished Dorset, England family. The drawing is 10 5/8 x 16 inches (27 x 40.5 cm).

Condition: heavily toned ...

This appears to be an original painting on silk, circa 1960's or 1970's, 15" by 17 1/4" framed, Chinese calligraphy and red seal at left. I say "appears" because there is a Windsor Art Products label on the reverse, suggesting this would be a print or multiple of some type. Having examined it very closely, however, it does still look to me like original work, and not a silkscreen. I believe that original work was sold by Windsor, it having paid artists to create art in bulk. Condition is ex...

A 12" by 16" vintage oil on Masonite work, (18 3/4" by 23" **in DAMAGED frame, not shown**), signed at lower left corner by well listed American artist LEONARD C. LANE (1910-1978). The painting is titled on old reverse label "Lighthouse at Peggy's Cove, Nova Scotia". The circa 1950's label is from The Little Gallery, Jupiter Inlet Beach Colony, Jupiter Island, Florida. Lane was born in Bristol, England and emigrated to Canada with his family when he was sixteen. He served four years in the R...

Impressive oil on canvas painting of a mountainous European lake landscape with historic ancient buildings reflected in the waters, signed at lower left G. PATTY. Photos of internationally famous Lake Como in northern Italy certainly resemble this scene. The uncommonly beautiful work, 26" by 32" (34" by 39" in much later, mid century frame), is painted in predominant blues, greens, and whites. The impressionistic handling suggests a very talented artist, yet, I am unable to locate a painter of...

Circa 1960's drip painting on paper, 22 1/2" by 18", unsigned, mounted to a thin board. This is not a Jackson Pollock or Sam Francis, but it is a work of art and it has age. The thin paper is glued down at least at the edges and possibly in the center as well. The paper is browned where it has been under the mat for many years, (about 1 3/4" to about 1/2") and there is puckering where the paper has been glued. There is actually a 1 1/2" long hole visible in the composition near the dark blue...

PAIR of decorative oil on board paintings executed circa 1970, in the classical style of the 17th or 18th century, each 6 3/4" by 5" (12" by 10" in the frames), each signed "H. Muriel". The paintings are affordable and will nicely fill that small wall in need of some art. Frames have the slightest of wear, the paintings are in excellent shape.

THREE unframed/unstretched oil sketches of California landscapes, circa 1930's to 1940's, measurements 11" by 14", 14" by 17", and 18" by 13 1/2", one signed at lower right by listed Southern California artist BERTHA TOWNSEND COLER (1865-1948). Coler was born in Ohio and studied with Robert Henri and William Merritt Chase in New York City. By 1928 she had moved to Santa Monica, California and for the next two decades was a prolific painter in watercolor and oil, concentrating on portraits and s...

A pretty watercolor of a lakeshore, titled on backing "Reservoir Cristaline/France", signed at lower right illegibly and dated 1959. The work measures 12" by 15 1/4" inside the mat and 21" by 24" in a gold frame. The signature reads something like "B N Fleur" or "Fleury" but to date despite considerable efforts in that direction, I have not been able to identify the obviously talented artist. Watercolor is in excellent condition, frame has wear, especially on bottom and right sides. Allow fo...

PAIR of oil on canvas paintings, each 6 3/4" by 6 3/4" as framed, both signed "Verne", the subjects both still lifes of flowers in table top vessels. These are works by one GLADYS MARIE BAXTER DUCKWORTH (1904-1981). Often the works are erroneously misattributed by online sellers as being by a "Verne Lucinda McCann Gillespie", but Edan Hughes in his dictionary of artists in California has set the record straight. He says the artist was Massachusetts-born, met her husband while living in London un...

Oil on canvasboard painting of a white ranch house in a rugged, semi-arid setting, signed at lower right by artist H. D. SMYTHE and dated 1960. Research to date of this artist name has not been productive. The 20" by 24" work (26" by 30" in wood frame) has acquired some general soiling and light abrasions in a few places. In the past, it was exposed to some moisture as is seen from the back of the board, in the lower portion, but no issues related to that are to be seen on the front side. It ...

A detailed watercolor over ink and slight highlighting with gum Arabic of a man with a donkey loaded with two conical panniers of fresh vegetables approaching a man working at a board over a large cask of water with a stand of fresh vegetables behind him. The man with the donkey is probably from the country and trying to sell his produce to the stall owner. The page is roughly 12 7/8 x 16 5/8 inches (33 x 42 cm). The opening for the image is 11 ¼ x 14 ¼ inches (28.5 x 36 cm). Immediately benea...

A watercolor on paper of a fruit seller’s stall or shop with a display of many different fruits while the merchant weighs fruit for two children, a woman turns away with figs in her basket and a young man in the shadows of the awning looks out, perhaps at the young woman with the figs. The watercolor shows touches of gouache and a few places the dark heightened with gum arabic. The paper is 13 ½ x 16 ¾ inches (34 x 42 cm) and the mat opening is 11 ¼ x/14 ¼ (28.5 x 36 cm). Immediately ben...

A large oil on canvas (26 1/2" by 38 1/2", and 32 1/2" by 44 1/4" framed) painting of a forest of evergreen and birch near a picturesque winding creek, likely in eastern Europe, signed at lower left somewhat indecipherably (probably a listed artist). The name may be Lithuanian or other Baltic state. The work is beautifully painted but has darkened with surface soiling and old varnish. There appear to be a few areas which were the subject of test cleanings (by tree at right and at upper left s...

A vintage still life oil painting of yellow and orange flowers in a brown jug on a table top, unframed, 30" by 36", signed at lower right by listed Southern California artist BERTHA TOWNSEND COLER (1865-1948). Coler was born in Ohio and studied with Robert Henri and William Merritt Chase in New York City. By 1928 she had moved to Santa Monica, California and for the next two decades was a prolific painter in watercolor and oil, concentrating on portraits and still life, with some landscapes in t...

An impressionist work, possibly mixed media on paper or board, the scene a birds-eye view of a house on steep hillside surrounded by pink-blooming trees, a view to a plain beyond. The painting, 7" by 9 3/4" (14 3/4" by 17 3/4" framed) is signed at lower left by the noted Utah artist KIRK RANDLE (1952-). Randle, a Utah native, received a Presidential Scholarship in 1971, which he used to further his studies at The University of Utah. He maintains a studio at his home in Bountiful, Utah. The art...

Handsome modern painting, acrylic on canvas, unframed, a large and impressive presence at 48" by 48", titled on reverse "How's the Soup", signed on reverse by noted California contemporary artist GEORGE ERNSTSON (1945-2011). Ernstson was born in Hamburg, Germany and spent most of his life in the San Francisco Bay Area. He received his B.A. at San Francisco State and a masters in Fine Art at UC Berkeley, where ceramicist Peter Voulkos and Ron Nagle were mentors. He also associated with Larry B...

Eric Tobin winter painting - Late Afternoon Stillness, Johnson, Vermont. Oil on canvas. Size: 12 in. x 16 in. Offered in a silvered wood frame. Signed in lower right and signed and dated 2017 on the reverse. Snow covered fields looking towards Mount Mansfield, in Johnson, VT. Eric Tobin is a contemporary Vermont landscape artist. He resides in the northern part of the state, in Johnson. Tobin was greatly influenced by another Vermont painter, Thomas Curtin, whom Tobin knew from his childhood a...

Gouache on satin painting of a well-dressed French young woman of the 1950's, by artist O. Vorgang. The work, unframed, measures 12" by 9 1/2" inside an old mat. It is signed at lower right (difficult to decipher) and remaining on the old mat is a printed label "Water Original Hand Painting on Satin by O. Vorgang". "French Girl" is also written on the back of the card to which the satin is laid (as well as some other old handwriting). This work would appear to date to the post-war period of ...

By the Irish-born artist who came to America as a youngster, WILLIAM J. HENNESSY (1839-1917), this is a charming, intimate little oil on canvas, 6 1/4" by 4 3/4" (11" by 9 1/2" in the 19th century frame), depicting an old man reading by candlelight in an interior, a red cloth in his right hand, the left hand splayed towards a comforting glowing fire in the hearth. Apparently he is alone on a quiet winter's evening, reading the way people had to read before electricity's arrival on the scene. T...

Oil on canvas, " by " (" by " framed), the subject a peaceful glen deep in a forest, painted in a luminous style reminiscent of the American Hudson River School, likely Fairy Glen in North Wales, signed at lower right by the noted well listed English artist WILLIAM MELLOR (1851-1931). Mellor was a highly prolific (I see over 1,200 auction records) artist, born in Barnsley, England. He traveled widely, painting often in Wales and Yorkshire. Today his peaceful classic paintings of sensitively r...