Etching on paper, 1923, measuring 9" by 13" (15" by 18 3/4" framed---no glass), titled "La Lagune--Venise" in pencil in lower right margin, signed in pencil at lower left margin and numbered there 80 from an edition of 100, by the important artist EDGAR CHAHINE (1874-1947). The influence of Whistler's similar graphic works and drawings featuring Venice is very obvious, what with the big sky and tiny silhouettes of the buildings on the horizon far away...

Armin Landeck (American, 1905-1984) - York Avenue, Tenements. Original signed drypoint etching. Dated: 1938. Small Edition of 100. Signed and dated by the artist in pencil in lower margin. Armin Landeck was a noted American printmaker. Landeck attended Columbia University in New York, where he began printmaking. At the Art Students League, he studied under George Bridgman and later with the English printmaker Stanley William Hayter. During the 1930s, he produced many city views of New York...

This is a 20th century restrike of the 1859 etching "Thames Police" (also known as "Wapping Wharf", by the famous American artist JAMES ABBOTT McNEILL WHISTLER (1834-1903). This was printed on a thick, creamy paper at some point in the 20th century. Details in the print are very sharp. The plate mark is quite pronounced. Measurements are 6" by 8 3/4" inside the plate mark and the sheet measures 11 5/8" by 14 1/4", extending well beyond the mat...

An etching featuring cattle driven through a wood in a storm, 3 1/2" by 5 1/2" inside the mat, 8 1/2" by 10 1/2" in interesting simple wood frame with hand cut design, the work by noted American artist PETER MORAN (1841-1914). The title is "Showery Weather", and the print was issued in the year 1889. Moran was the youngest of the well-known Moran brothers of American art (Thomas, and Edward). He was born in England and was in the United States by 1844...

A very interesting etching of what appears to be Paris' Montmartre section, (the windmill a famous feature, painted by many artists), signed in pencil in the lower right margin "B. Vilard". Surprisingly I do not see a listing for an artist by this name---could possibly be a pen name.. The work measures 8 1/2" by 11" inside the mat and 13 3/4" by 16 1/4" framed. It is very clean and fresh, despite likely dating to the first half of the 20th century. Note the subtle blue/brown colors.

Pencil signed etching, 8 1/2" by 6 1/2" inside the mat, 15 1/4" by 12 1/4" as framed, titled at lower left "The Arts and Crafts Courtyard", (and edition number there given as "100"), the subject the famed and often painted Brulatour Courtyard in the French Quarter, by the well listed Arizona and southwestern painter and art educator GERRY PEIRCE (1900-1969). Peirce was born in upstate New York and educated at the Art Students League and the Cleveland School of Art...

An original etching made on a zinc plate, 5 3/4" by 6 1/2" inside the present mat (14 1/4" by 18 1/2" in simple black frame), signed in pencil at lower right margin by important 19th century Italian artist GIOVANNI FATTORI (1825-1908). The title of the print is "Strada dei dintorni Fiorentini". Affixed to the backing is a charming old,early 20th century note handwritten in English...

Original, very scarce (edition of 30?) unframed 1909 etching known as "Pittsburgh, no. II", signed at lower right center in pencil by the important American etcher, illustrator, critic, author and teacher JOSEPH PENNELL (1857-1926). Evidently, Pennell himself printed this particular example as "imp" is written after his name. The sheet, heavily trimmed at three sides as seen, measures 9" by 12"...

A PAIR of old engravings from the Passion of Christ series of 14, engraved originally in 1521 by Dutch old master engraver LUCAS VAN LEYDEN (1494-1533). My research leads me to believe these two are apparently later impressions printed on wove rather than laid paper, by noted Flemish engraver Jan Harmansz Muller (1571-1628). (Wove, as opposed to "laid" paper, was not invented until the mid 18th century). The talented Muller made skilled and faithful copies after earlier artists' works...

Color etching titled at lower left "St. Philips Charleston, S.C.". signed in pencil just outside the plate line at lower right by the listed English-born artist who worked in a number of geographical areas of the United States, LEON PESCHERET (1892-1971). States in which the artist worked include Louisiana, Virginia, Tennessee, South Carolina, Wisconsin (where he lived for quite some time), Illinois, and notably, Arizona and the Southwest...

Etching, 4 3/4" by 6 5/8" inside the mat, 10" by 12 1/2" in simple black strip frame, titled in pencil at left margin "A Bermuda Lane" and signed in margin in pencil at lower right by artist RAY ALLEN...

Etching on thin laid paper, 3 3/4" by 2 3/4" (14" by 11" in modern day frame), from the series "Beggars and other low life", by the noted early Dutch artist JAN GILLISZ VAN VLIET (1605-1668). The etching is one image out of a series of ten or eleven similar views by the artist, who, despite information to the contrary, was not strictly a pupil/student of Rembrandt. It is said that he was working as an independent etcher with Rembrandt, collaborating with the latter on translating paintings to ...

Aquatint on paper laid on board, 1924, "Le Village d'Herouville", 18 3/4 " by 24" inside the mat, and 26 1/4" by 31" framed, after an original by the famous and important French modern artist MAURICE de VLAMINCK (1876-1958), adopted for reproduction by equally noted artist Jacques Villon (11875-1963). Vlaminck is known as a Fauvist and later simply as an expressionist. At auctions, his works in oil bring from the low hundreds of thousands of dollars to the low millions. He was a formidable prese...

Etching on paper, 5 1/2" by 3" inside the innermost mat, (12" by 9" in green and gold mats, as ready for framing--presently unframed), the title of the print "La Rue du Change, Tours", pencil signed at lower right margin by the artist and dated there 1924. Tours is an historical old city of about 135,000 south and west of Paris, considered a gateway to the Loire Valley chateau region. This is a fine impression of the particular print, of which 156 were made. The artist is the important Ameri...

An unusual and difficult to photograph trio: two heavy copper etching plates and one tin or zinc lithograph plate, the latter signed clearly Emil Kosa Jr., and one of the copper plates signed with reverse-etched conjoined initials that spell out EK and probably also "Jr". All were acquired by me at the same time, so, I believe it likely that all three are by the hand of the noted California artist EMIL KOSA, JR. (1903-1968). The lithograph plate shows an image of an indian chief or perhaps A...

**ONE OF A NUMBER WORKS BY THE ARTIST IN MY SHOP**, this is an etching on paper print, 8 5/8" by 10 1/2" inside the mat (14 1/4" by 16 1/4" as framed), signed in pencil at lower left by noted western American artist GEORGE ELBERT BURR (1859-1939). At lower right is written the title of the work, "Summer Cloud--Apache Trail--Ariz". Burr's etchings and watercolors of the Great Southwest, especially Arizona and Colorado, are eagerly sought after by collectors. This example, showing a towering, bill...

A fine old etching of a windmill in a low country landscape, signed in pencil and in the plate with a signature that appears to be "J Harvey" or similar. The work is numbered 23/25 at lower right margin. The name being common, there are a number of listed artists that might correspond to this. The numbering suggests a 20th century origin, numbered prints being far less common in the 19th century. The work takes from Rembrandt or a host of other Dutch artists such as van Ostade, who depicted ...

A highly detailed etching in brown ink, featuring canal-side classic old architecture of Amsterdam, 12 1/2" by 9 3/4" plus narrow wood frame, pencil signed at lower left margin by the very important Dutch-born 20th century artist WILLEM GERARD HOFKER (1902-1981). At right in pencil is "epreuve d'artiste" and "no. 24" in ink. Hofker was born in The Hague and received early art instruction from his father's friend, the famous artist Isaac Israel. By 1927 he had won the Prix de Rome, and by the ...

Etching titled lower left margin "The Chain Gate", signed at lower right margin "John LaFarge". The work, 4 1/4" by 5 3/4" inside the mat opening (8" by 10" simply framed) does NOT appear to be by the famous American artist John LaFarge (1835-1910), though a previous owner wrote on the backing information suggesting that it is by that known artist. It might be difficult to ascertain the identity of the John LaFarge who signed this; John La Farge's youngest son, John La Farge Jr. (1880-1963) wa...

Drypoint etching print "Chattes" (Cats) published in Paris in the year 1909 by Gustave Pellet, 8 3/4" by 12 1/4" inside the inner fillet, 17 3/4" by 21 3/4" as nicely framed, numbered in pencil 38/50 (and faint red cypher stamp) at lower right margin, and pencil signed by the artist at lower center right margin. There is a crease in each lower corner that I believe likely dates to the time of printing, and there are a few foxing spots, but the overall appearance is excellent. I have not examine...

Etching titled in pencil in lower left margin "Willow Creek Country", numbered 4/40 at center, and finally signed in pencil at lower right, by the noted Montana artist BRANSON STEVENSON (1901-1989). It measures 5" by 8" inside the tight mat opening, and 15 1/2" by 17 1/2" framed. Stevenson is a well regarded artist in the state, with a long history in painting, drawing, the graphic arts, sculpture, and administration. Born in Georgia, he received some early art education in Panama, where his f...

An original 17th century etching, "God Appears to Moses in the Burning Bush", plate 30 from the well-known series of 52 published in 1615 in Rome by Giovanni Giacomo Rossi, the artist being ORAZIO BORGIANNI (1578-1616). These works are after the frescoes by Raphael on the second floor of the Apostolic Church in the Vatican. Borgianni, a Baroque painter who adopted the style of Caravaggio after settling in Rome in 1604, turned to etching in the final years of his short life. The work is signed in...

A rare opportunity to acquire a work by the important California artist AUGUST GAY (1890-1948): an etching on delicate thin tissue-like paper, apparently unsigned, the sheet 5 7/8" by 8 1/8" (9 3/4" by 10 3/4" in black strip frame). The subject is the historic old Stevenson House in old Monterey, a favorite subject of many artists. August Gay is considered a major California artist, one of the members of the "Society of Six", a small group which formed in the early 1920's as a reaction agains...

Etching titled at lower left within the plate line in pencil "Dans le Vieux Carre New Orleans", signed within the plate line at lower right by the listed English-born artist who worked in a number of geographical areas of the United States, LEON PESCHERET (1892-1971). States in which the artist worked include Louisiana, Virginia, Tennessee, South Carolina, Wisconsin (where he lived for quite some time), Illinois, and notably, Arizona and the Southwest. This is a fine etching by a talented graphi...

A framed PAIR of identically framed color prints, each 11 1/2" by 15 1/4" as framed, the subjects of both the famous bookstalls by the Seine in Paris, Notre Dame cathedral in the distance. Each is pencil numbered at lower left out of editions of 5000, and signed at lower right in pencil, by the noted French 20th century impressionist painter CHARLES BLONDIN (1913-1991). Blondin was active in Paris in the post war years, painting and creating very popular editions of prints which he numbered and...

Large colored etching, posthumous printing, after the circa 1914 original print of the famous Austrian landmark on the Danube west of Vienna, the 18th century-built Melk Abbey (sometimes called Melk Monastery), signed in pencil at lower center by the son of the artist, Robert (the actual signature is preceded by "nl" which indicates Nachlass, or Studio, of the artist). The image is by the well-known painter and printmaker LUIGI KASIMIR (1881-1962). The 18" by 23" work (28" by 32 1/2" framed) i...

A Dutch 17th century etching of a standing horse near a humble abode, 6 3/4" by 7 3/4" (14" by 15 1/2" in 20th century appropriate black frame), unsigned, and with no initials or other indication as to authorship. The work bears old pencil notations on the reverse side of the mat; there appear to be names of potential artists that were pondered by a previous observer in my position (including, it appears, question marks to himself). The names appear to be "Karl des Jardin", "Dirk Stoop", "Pott...

A framed PAIR of framed color prints, one (Place de la Concorde, central Paris) 8 3/4" by 12 1/2" (13 1/2" by 17" framed, no glass), the other (Notre Dame and bookstalls along the Seine) 8 1/2" by 12" (15" by 18" framed). Each is pencil numbered at lower left out of editions of 500, and signed at lower right in pencil, by the noted French 20th century impressionist painter CHARLES BLONDIN (1913-1991). Blondin was active in Paris in the post war years, painting and creating very popular editions...

Fine etching of windmills in a landscape in a brownish-black ink, 9" by 11" (14 1/2" by 16 3/4`" framed), pencil signed at lower right by listed artist DIRK BAKSTEEN (1886-1971). The quality of the work is excellent, reminding the viewer of Rembrandt and other better known artists, though Baksteen is a somewhat obscure figure today. Born in Rotterdam and educated in art there at the academy, by 1912 he was in Mol, Belgium, becoming part of the "School of Mol" landscape artists. Somewhere duri...

Etching on very thin paper, "Charles Baudelaire, de Face", 1865, later, likely posthumous impression, by the famous French artist EDOUARD MANET (1832-1883). The work measures 3 3/4" by 3 1/4" inside the plate mark, and the sheet measures 8 1/4" by 6 1/4". This is Guerin #38 in the catalogue raisonne, and probably the 4th (final) state. The paper being very thin and flimsy, would lead me to believe this would NOT be a twentieth century restrike. There is a simple modern frame. Two tiny pinho...

A view of the "Kolk" in Rotterdam, Holland, titled "Rotterdam Kolk" at lower left, plate signed with conjoined initials (tiny) and pencil signed "Marius Janssen" at lower right margin, 12 1/4" by 18 1/2" as framed. The Kolk is a familiar part of the center of this historic city, which suffered severe damage in World War II. The paper has darkened with age, the margins are very tight, maybe trimmed a bit to fit the frame, and there is a small edge tear at upper right, not really visible at all ...

An elegantly understated print featuring somewhat Hopperesque houses framed by trees, the imagery generally appearing as monochromatic and grayish, with some light green and pinkish color, signed in pencil at lower right corner and numbered 76/90 at lower left, by the noted American contemporary artist ROBERT KIPNISS (1931-). Kipniss is known for his graphic art and for his paintings, which have gone into five figures at auction. He was born in Brooklyn and was taking art classes at the Art Stud...

By the hand of the noted American illustrator, sporting artist and printmaker CHURCHILL ETTINGER (1903-1984) is this pencil signed etching titled at lower left "Sunrise" the subject two Canada Geese rising from the water. The print measures 5 1/2" by 7 1/2" inside the innermost mat and 12 1/2" by 14" as framed in oak. Ettinger was born in New Jersey and died in Vermont in the 1980's. In between, he was a commercial artist, illustrator, working for advertising agencies, as art director for a pub...

Etching of a young woman in dreamy sleep, 11 1/2" by 8 1/2" (14 3/4" by 11 3/4" simply framed), titled in the plate "Die Rosen", signed in the plate and again in the margin below in pencil by the German-born artist OTTO GOETZE (1868-1945). The artist's name is also sometimes spelled "Goetz" and some cite a death date of 1931. Goetze was born in Germany and was in San Francisco by 1930. Though evidently little known, judging at least from this sensitively rendered print, he was a master etcher...

A charming little etching "Cape Ann Near Gloucester", so titled at bottom center, signed in the plate at lower right with the signature of listed American artist LOUIS KINNEY HARLOW (1850-1913). At lower left in smaller type is "Genuine Engraved Etching". The print likely dates to about the 1890's or 1900. Harlow was born in Massachusetts and became known as a prolific watercolorist in New England, producing coastals, landscapes, and images of familiar places. His work became even more known...

**ONE OF FIVE WORKS I AM OFFERING BY THE ARTIS, this is an etching on paper print, 8 1/2" by 10 1/2" inside the mat (14 1/4" by 16 1/4" as framed), signed in pencil at lower left by noted western American artist GEORGE ELBERT BURR (1859-1939). At lower right is written the title of the work, "Whirlwinds Dead Mountains--Mojave Desert". Burr's etchings and watercolors of the Great Southwest, especially Arizona and Colorado, are eagerly sought after by collectors. This example, of dust devils in an...