A beautiful early 20th C. Chinese silver enamel jadeite pendant, a very good gift idea for a girl friend, in excellent condition. H:3.5cm

A beautiful vintage Chinese silver enamel carnelian pendant, in excellent condition. D:2cm

A beautiful vintage Chinese export silver belt with flower and phoenix motif in excellent condition. An excellent gift idea for a lady friend. L:92cm Weight: 92.8g $375 (Pending)

A beautiful 19th or 20th C. Chinese silver enamel snuff bottle in butterfly shape with inlaid of corals and turquoise on each sides, but there is some coral stone loss on both sides, please see the photos. H:6cm W:6cm Weight:48.6g $950

A beautiful early 20th C. Chinese silver opium lamp in excellent condition. Marked. H:6.5cm weight: 65g.

Japanese Noh performance mask of Ko-omote the youthful beauty, made of carved wood with painted features. Size: 8 1/4" high x 5 1/4" wide.

Ainu carved wooden doll of woman in traditional Ainu dress. H.12.25"(31cm) x W.4"(10cm.) Finely sculpted features show elements of Ainu traditional apparel & appearance; mouth tattoo, head band and kimono with traditional patterns, and large beaded necklace.

A pair of beautiful vintage Chinese silver enameled and gold washed earrings with a small amethyst stone in the center, in excellent condition. Marked. L:2.5cm $135

June night etched pattern by tiffin is circa 1941. The are 6 5/8 tall and hold 10 oz. There are no chips, no cracks and no repairs to these items. I have six (6) for sale.

A beautiful early 20th C. Chinese silver lock for child in small size, excellent condition. W:3.5cm H:3.5cm weight:17.6g.

Large Chinese pedestal desk, 4 sections, 4 drawers across the top, each pedestal has 2 additional drawers on either side, separate foot rest with cracked ice design, made of dark hardwood with light hardwood burl in three panels on top of desk, light hardwood burl also used on drawer fronts and on the top panels on the sides and around the back of the desk, Republic Period. Size: 33 3/4" high x 69" wide x 27 1/2" deep.

This box measures 5 1/2" x 3 1/2" x 2 3/4". The top has a beautiful design with a bezel-set, green / turquoise, bezel set stone "handle." The top is sterling silver. The base is copper with a wooden inlay. The inside of the top is marked STERLING S & E for Sweetser Manufacturing Co. The bottom of the copper base is also marked S & E (with the company's hallmark) numbered 19928. It has a monogram I cannot decipher (which, of course, can be removed by any jeweler)...

Statue of a protecting deity or ancestor, standing on slightly bent legs, its hands in praying posture, its face expressing agressiveness. Patinated and eroded wood. Nepal, early 20th century. Height: 15" (38 cm). The statue is mounted on a custom metal stand.

PLEASE NOTE: WE HAVE RECENTLY RE-ACQUIRED THIS VERY FINE KO KAW TEE FROM A CLIENT WHO IS LIQUIDATING HIS ANTIQUE HOLDINGS DUE TO HEALTH ISSUES AND MEDICAL EXPENSES: WHILE WE ARE VERY SADDENED TO LEARN OF THIS CLIENT'S CONDITION AND CURRENT CIRCUMSTANCES, WE ARE GRATIFIED AT LEAST TO BE ABLE TO ASSIST THIS WONDERFUL GENTLEMAN IN THIS MANNER, AND TO RE-OFFER THIS FINE ITEM ONCE AGAIN: From our Southeast Asia Collection, a truly exceptional lacquered and gilded woven-bamboo basket known as a Ko Ka...

A beautiful pair of old salmon red corral earrings with 14k backing in excellent condition. L:3.5cm

A knotted pile hat from northern Afghanistan, made by Uzbeks. Diameter is 18 cm, circumference 51.5 cm. Circa mid to late 20th century. Condition is excellent.

1971 Oil Painting by Choi Young Rim. Frame: 30 x 24 inches, 76 x 61 cm; Painting: 20 x 15 inches, 51 x 38 cm.

An Art Deco Hawkes Crystal Cocktail (Martini) Pitcher made for Tiffany and with a Tiffany Marked Sterling Lip. Hawkes trefoil mark on base (hard to photograph, but within black marker circle). Dimensions; 9" to lip, 9.75" total, 4.5" diameter. Monogram "KCD" on top. From the 1920's and in excellent condition.

A beautiful carved old Chinese soapstone horse with original wooden stand, in excellent condition. W:5" H:3.5"

A pair of men-tori gourd shaped sake flasks by Living National Treasure Kondo Yuzo enclosed in the original signed wooden box. One flask is decorated in blue with bamboo and the characters Sei-Fu (pure wind). The second is dated in blue and pink with pomegranates with the inscription “For the use of Yuzo, October 27, 1976”. Both are signed on the base. It is likely these came from the artists own personal collection. Each stands roughly 5 inches (13 cm) tall...

Toshi Yoshida (1911~1995)
Depicting: Snowy street
Print size: 5.5 x 3.75 inches.
A woodblock print tipped at the top to a Japanese Christmas card from 1953.
Bears the Yoshida seal.
Condition: Excellent.

Kashigata (wooden sweet mold,) Berry motif; Japan, early 20th C. 6-piece sweet mold. L.13"(33cm) x W.1.75"(3.5cm) x H.0.375"(1cm.) Condition Note: Bottom piece of mold only. No top cover. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia. In Europe; countries such as Germany, Holland, and England have a rich history of cake mold production...

Kashigata (wooden sweet mold,) Kame (turtle) motif; Japan, early 20th C. Paddle-type mold to make 4 pieces sweets. L.13.75"(35cm) x W.2"(5cm) x H.1"(2.5cm.) The turtle symbolizes long life in many Asian cultures and was a popular motif for celebratory occasions such as weddings and New Year's. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia...

Kashigata (wooden sweet mold,) Sakura (Cherry Blossom) motif; Japan, early 20th C. Paddle-type mold to make 2 pieces sweets. L.14.25"(36cm) x W.3.5"(8.75cm) x H. 0.75"(2cm.) The cherry blossom is a well-known symbol of spring, beauty, and the fleeting nature of life in Japanese culture. Most likely, these molds were used for sweets in the spring season. Sweet molds, “kashigata,” have been a part of confectionary culture around the world...

Kashigata (wooden sweet mold,) Shiitake Mushroom motif; Japan, early 20th C. Paddle-typ mold to make 4 piece sweets. L.14"(36cm) x W.2.75"(7cm) x H. .875"(2.25cm.) Condition Note: Insect damage to side of paddle. The wrinkled cap of the shiitake mushroom symbolizes old age and long life. It was used as a symbol of such on celebratory occasions. Sweet molds, “kashigata,” have been a part of confectionary culture around the world...

Kashigata (wooden sweet mold,) Ninjin (carrot) motif; Japan, early 20th C. Paddle-type mold with handle. L.12.375"(31.5cm) x W.3.25"(8cm) x H.1.25"(3cm.) Name of confectionery "Shirokiya" on side. Condition Note: minor insect damage to back of paddle. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia...

Kashigata (wooden sweet mold,) Noshi Kombu (kelp wrapper) motif; Japan, early 20th C. L.8.5"(21cm) x W.3.625"(9.25cm) x H...

Kashigata (wooden sweet mold,) Shiitake Mushroom motif; Japan, early 20th C. L.5.25"(15cm) x W.3"(7.5cm) x H.1"(2.25cm.) Condition Note: Bottom piece only, no cover piece. The wrinkled cap of the mushroom symbolizes old age and long like. It was used for celebratory occasions that called for such symbolism. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia. In Europe; countries su...

Kashigata (wooden sweet mold,) Warabi (fiddlehead fern) motif; Japan, early 20th C. L.5.875"(15cm) x W.3"(7.5cm) x H.1"(2.25cm.) Condition Note: No top cover, bottom piece only. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia. In Europe; countries such as Germany, Holland, and England have a rich history of cake mold production. Materials such as wood, ceramic, glass, plastic,...

Kashigata (wooden sweet mold,) Sensu (fan) motif; Japan, early 20th C. L.9.375"(23.75cm) x W.4.125"(10.5cm) x H.1.75"(4.5cm.) Condition Note: one of the posts connecting the top to bottom pieces is missing. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia. In Europe; countries such as Germany, Holland, and England have a rich history of cake mold production. Materials such as w...

Kashigata (wooden sweet mold,) Kiku (chrysanthemum) motif; Japan, early 20th C. L.7"(17.75cm) x W.3.5"(8.7510cm) x H.1.375"(4.5cm.) The chrysanthemum is a symbol of late fall and also used for celebratory occasions. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia. In Europe; countries such as Germany, Holland, and England have a rich history of cake mold production. Materials s...

White splashes into the pale terracotta of this large basin by world renowned artist Suzuki Osamu enclosed in the original signed kiri-wood box. The bowl measures almost 12 inches (28.5 cm) diameter, 3-1/2 inches (9 cm) tall and is in excellent condition, stamped on the base with the character Su in a square cartouche.
Osamu was, along with Kumakura Junkichi, Hikaru Yamada and Yagi Kazuo, one of the founding members of the influential Sodeisha (Crawling Through Mud Association), a grou...

Kashigata (wooden sweet mold,) Kiku (chrysanthemum) motif; Japan, early 20th C. L.6.625"(15.75cm) x W.3.5"(8.75cm) x H.1.375"(3.5cm.) The chrysanthemum is a symbol of late fall and was also a popular motif for celebratory occasions. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia. In Europe; countries such as Germany, Holland, and England have a rich history of cake mold produc...

Graffito is scratched into the white crackled glaze of this bowl by world renowned artist Kumakura Junkichi (1920-1985) enclosed in the original signed wooden box. The piece is 6 inches (15.5 cm) tall, 4-1/2 inches (11 cm) diameter and in perfect condition. See also the previously listed bowl by the same artist.
Junkichi began working in ceramics in the 1940s, his works submitted to innumerable National and International Exhibitions including the Japan Art Festival, New York and the int...

Kashigata (wooden sweet mold,) Cherry Leaves motif; Japan, early 20th C. L.8.5"(21cm) x W.5.0"(12.75cm) x H.1.5"(4cm.) As a symbol of spring, the cherry is often depicted in blossoms. But in this case it is the leaves that are featured. There are actually sweets that are wrapped in cherry leaves. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia. In Europe; countries such as Germ...

Kashigata (wooden sweet mold,) Kiku (chrysanthemum) motif; Japan, early 20th C. L.5.875"(15cm) x W.3.0"(7.5cm) x H.1.75"(4.5cm.) The chrysanthemum is a symbol of late fall and was also a popular motif for celebratory occasions. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia. In Europe; countries such as Germany, Holland, and England have a rich history of cake mold production....