Description 張大千 青城山居圖 水墨設色青緑山水立軸 1949年作 款識：長愛秦郎絶妙詞，荒寒暗合輞川詩。斜陽萬點賽雅處，流水孤邨又一奇。己丑秋大千居士爰。鈐印：蜀人張爰、大千、摩耶戒體、得心應手。張大千是二十世纪中國畫壇影响巨大、又最富傳奇色彩的國畫大師，在繪畫、書法、篆刻、詩詞方面都有相當造詣。早期專心研習古人書畫，特别在山水畫實踐和理論方�...

Antique hand knotted wool carpet, Joshegan, Persia in navy and reds, tight weave with central medallion and border. Good condition.

Age: circa 1940s

Size: 4.5 x 6.7'

Hanging Scroll of Verdant Morning Plane-Trees after a Nightly Rain / Wen Zhengming (1470-1559) 65 1/2 X 17 1/2 inches 166.4 X 44.5 cm Ink & Color on Silk Inscribed & signed with three artist seals. Dimensions: 65 1/2 X 17 1/2 inches 166.4 X 44.5 cm Artist or Maker: Wen Zhengming (1470-1559) Medium: Ink & Color on Silk Condition Report: Hand-Painted, Good Condition Provenance: Property of a CA collection Terms & Conditions of Sale NYDJ Chinese Art Gallery advises its prospective buyers to e...

Chinese jade vessel, carved with archaic motifs including a mask on either side, a chimera handle and an animal head with ring, beautiful light green color, with carved wooden stand, mid 20th century. Size including stand: 4 5/8" high x 5" long

Charles W. Bartlett
Title: Kobe
Date: 1915
Board size: 12 x 8.75 inches. Image size: 10.75 x 7.25 inches.
Medium: Watercolor on paper.
Signed "C.W.B", titled, dated, and dedicated in pencil.
Condition: Painting is laid down to board. Paper toned in places.
Note: As signed, the work was painted in 1915, the year Bartlett arrived in Japan, and was subsequently presented as a Christmas gift in 1936.

Chinese Quan Yin from the second half of the 20th century. It is made of rare aromatic Cheng Xiang wood. The figure stands statuesque and unperturbed atop a turbulent sea holding a string of beads. The robes drape gently down the figure and almost flutter in the wind. It measures 16" tall, base 5" diameter.

A contemplative and artistic rendering of a lotus leaf bowl with deteriorated edges. The lotus is a symbol of purity, beauty and a metaphor in teaching Buddhism. The lotus bowl has a small frog sitting on the leaf's edge with outstretched leg. The underside of the leaf bowl has 3 characters of the artist's signature.

Meiji Period (1868-1912)

Dimensions: 9" x 8 1/2" x 1 3/4" H

Chinese huang huali box from the mid 20th century. The box is beautifully decorated with dragons on the front doors and the top. The top of the box and doors open to reveal an open compartment and four drawers. The box has handles on either side. The piece is fitted with bronze metal hardware. It measures 14" wide 9.5" deep 13.5" tall.

Beautiful framed Japanese urushi-e painting by artist Hakuo Iriyama (born 1904 in Shirone, Niigata). Urushi-e is a style of Japanese art in which colored lacquers are used, along with mica and metal elements as accents. This piece depicts Mount Fuji, raised against a deep blue background, with etched rock formations in bright gold and orange lacquer at its peak, fading to brown lacquer with silver mica-powder mists floating around it...

Chinese wooden carving of Kwan Yin, the goddess of mercy, riding a dragon. The Kwan Yin is holding a wish granting pearl and a ruyi scepter; both represent the powers of Kwan Yin who is thought to grant wishes and aid sentient beings. Kwan Yin is made of Longan wood Age: 20th century. Size: Height 25.5" Width 6.3" Length 8.5"

Chinese jade beaded necklace from the early to mid 20th century. The beads are a beautiful green jade. The beads are 9 mm in diameter. 27.25" long.

Porcelain polychrome statue of the noted sage, Liu Hai. Liu Hai was the noted 10th century alchemist who learned the secret of immortality from the three legged frog, Jin chan (Chan chu). The frog is known for beckoning wealth. Later, in China and Japan, the combination of Liu Hai and the frog became the symbol of fortune and wealth. Age: 20th century Size: length 6.75" width 4" height 10.5"

Antique Tibetan cabinet with 2 large compartments. The entire front of the cabinet is decorated in kyungbur technique (designs and pictures painted in raised lines of a gesso and resin mixture) on a deep red ground. Two large compartments are covered by 8 large panels decorated with phoenixes in medallions of scrolling vines and flowers. The middle four panels open to the compartments. The bottom of the chest has 3 additional stationary panels decorated similarly with flowers...

Japanese Late 20th Century (1995) porcelain charger by master ceramicist, Ono Hakuko (1925-1996). The charger has the design of fern leaves and blossoms done in Ono Hakuko's signature style with gold leaf underglaze. The charger is signed "Haku" on the bottom. The charger comes with TOMOBAKO, or original wooden artist signed storage box. The box is also signed by Ono Hakuko's son, Ono Jiro. It also comes with TOMOGIRE, or original artist stamped wrapping cloth...

Bertha Boynton Lum (1869-1954)
Kites
Date: 1912
Size: 14.375 x 8 inches.
Pencil signed and copyrighted 1913 by the artist.
Edition: "197" noted at lower right.
Reference: Gravalos/Pulin No. 29.
Medium: Japanese woodblock print.
Condition: Wrinkle in lower margin. Paper at a back margin.
"..the wind fills them up till they look like fish" - Bertha Lum: American Printmakers, (Smithsonian)

16thc Hindu Figure of a South India Folk Hero. Standing holding an attribute in one hand and a cane in the other , beautiful lost wax work and fine details . For comparison see University of Michigan Umma Museum collection . Size of figure is 7.5" by 3.5" wide Provenance. Jagdish and Kamla Mittal Museum of Indian Art, Hyderabad Collection of Paul F Walter NY

India 16thc Hindu Figure of a Female in Anjali Mudra, fine complete figure from South India . For comparison see University of Michigan Umma Museum collection . Size of figure is 8" by 2.5" wide Provenance. Jagdish and Kamla Mittal Museum of Indian Art, Hyderabad Collection of Paul F Walter NY

A pottery bowl or olla by the matriarch of the Acoma Pueblo, New Mexico, Lucy Martin Lewis (c.1899-1992). Circa 1940. This wide mouth pottery bowl was hand decorated in red and black colored slips with geometric designs inspired by the earlier Mimbres pottery. Though the vessel is unsigned, it is attributed by its decoration to Lucy Lewis, one of the most respected Acoma women potters...