Here is an amazing vase by the most sought after of all Japanese potters, Kawai Kanjiro dating from the 1940s, enclosed in a fine kiri box endorsed by the Kawai Kanjiro Museum. The box is signed Kanjiro Saku, Gosu Hana-ire Hentsubo, Kawai Koha (Made by Kawai Kanjiro, a Gosu blue flower vase of altered urn shape, endorsed by Kawai Koha. Koha is Kanjiros daughter, and the current head of the Kawai Kanjiro Museum...

This is an outstanding 19th century Chinese Export enamel cloisonne round-form planter with floral decoration on a turquoise ground standing on three brass feet; rich coloration. Measures 8.75 opening x 4 in. tall. Cloisonne and enamel near perfect, wear to enamel inside. This planter does have three feet although the angle of photo obscures one of the them.

A perfect example of why Shigaraki is one of Japans most popular ceramic styles; a large tsubo urn covered in Hai-yu ash glaze by Yamamoto Ryuzan, enclosed in the original signed wooden box. Thick glaze covers the shoulder and runs in glassy rivulets down the charred front, while the back of the Tsubo, positioned away from the flame, remains pale white. Bidoro, flying ash all over with a dark kutsuki on front and brittle molten ash-charring at the base...

A true work of art by the most sought after of all Japanese potters, Kawai Kanjiro (1890-1966), enclosed in the original signed and stamped wooden box dating from the 1940s. It is covered in an unusual green glaze with swirling deco design on the shoulder, spinning flowers in the center like an iron dragon. The depth of the soft swirls around the neck is phenomenal. That contrasted with the crisp clarity of the iron design on the unusual green field make this vase very desirable...

This shoulder bag was made and used by the Hmoung women of northern Thailand. It would carry all the traditional items which would have been commonly found in a woman's purse. The bag fabric was hand loomed from the indigenous plants and then embroidered using traditional cross-stitched with geometric patterns. Beads, silver ornaments and tiny pompoms are added for decorative enhancement of the bagface...

Kon, dark blue, Indigo-dyed cotton haori woven in botan kasuri (peony ikat) technique. Cotton liner features pattern of a crane’s head within hexagons, representing tortoise shells; both crane and tortoise symbolizing long life. A haori is a jacket worn over the kimono when going out. In contemporary fashion, it can easily be worn over jeans for casual wear or slacks for a more elegant look. Excellent condition, ca. mid-late1900’s...

Four-panel kon (dark-blue) indigo-dyed cotton bed cover, red and white threads woven into warp and weft creating patterns of circles , squares, and checks. Top cover only, no backing or wadding, very good condition. Early 1900’s. L.69”(175cm) x W.55”(140cm.) Futonji, bed covers, were a common bridal trousseau item in feudal and early-modern Japan. They may have been made by the bride before marriage (in very rural areas,) or more likely commissioned by the bride’s family...

Indigo-dyed heavy cotton shop Apron, Unknown business. Stencil-dyed on both sides with shop name and address: “Takara;” braided cotton waist tie. Top line: “Saikou Kyuu Hin” (Top grade Excellent Goods,) logo: “Takara” (Treasure) character with image of Daikoku’s (one of the 7 Lucky Gods) hammer, 3rd line: “Daibenkyo no Mise” (A Shop with great discounts/bargaining opportunities.) This apron could be used generically for any type of business. Very good condition. Late1900’s...

Landscape Oil Painting by Ryonosuke Fukui (1923-1986), purchased directly from the artist in Japan in 1962. Excellent Condition. 16.5 x 13 inches, 42 x 33 cm.

Maquette (scale model) of Faun Sculpture by Yasuhide Kobashi (born 1931), commissioned by Lincoln Kirstein for the Lincoln Center for the Performing Arts in its opening years. Purchased directly from the artist at the time the sculpture was first displayed in Lincoln Center in the 1960s. Signed on the Bottom of the mount...

Vibrant tusty red splashes across the black glazed surface of this sculpted vase by Kawai Kanjiro dating from the 1950s enclosed in a wooden box annotated by his daughter Koha, the head of the Kawai Kanjiro Kinenkan Museum. The vase is roughly 8 by 4 by 4-3/4 inches (20 cm x 12 x 10 cm) and is in perfect condition. Kanjiro was a true artist by nature, and together with Hamada Shoji, set a pattern of study for modern potters...

A deep, almost bulbous, Wan-gata Chawan by Ueda Tsuneji Titled Kikumon, or Chrysanthemum, enclosed in the original signed wooden box. The large bowl is covered in speckled green glaze turning blue on the lower edges, with a bodacious mum in blue and black. It measures 5-1/2 inches (14 cm) diameter, the slightly tapered rim just over 3 inches (8cm) tall...

Kashigata, mold for making Japanese sweets, in the shape of a wasabi root. Carved wood, ca. early-mid 20th century. H.1.5"(3.75cm) x L.8.25"(21cm) x W.3.5"(8.75cm). Kashigata have long been in use for making molded sweets in Japan and many other parts of the world (especially Asia and Northern Europe.) In Japan, shapes often include felicitous or auspicious themes for luck, long life, wealth, etc. This one, shaped as a wasabi root, is unusual and interesting.

Japanese Isho Ningyo of an Oiran, the most important Geisha of the Kyoto Geisha quarter. The book and movie 'Memoirs of a Geisha' is the story of an Oiran. This master work is truly a work of art to behold, and is by one of Japan's foremost doll makers, the late Ito Hisashige XI. The first Ito Hisashige was appointed to the position of Court Doll Maker by Emperor Gosakuramachi in 1767. This long unbroken line has continued in this position, making some of Japan's finest Ningyo for 12 generation...

A set of very finely made Chinese celadon Jade necklace, ring, and earrings set. Early 20th Century. Necklace is 16-1/2" long with sterling silver clasp. Ring size is 7. Excellent condition.

A beautiful Chinese Jadeite ring with pearl, ruby, turquoise, and lapis. 18K (unmarked). Excellent condition. Early 20th Century. L: 1-3/8” W: 1” Size:7

This is an imposing early 19th century Kakiemon style porcelain vase of Japanese origin inspired by a 17th century model currently valued in excess of $700,000. A piece similar to the original dated 1680 from the Blenheim Palace collection was exhibited at the Ashmolean Museum, Oxford in 1989.

21" in height, this vase is well enameled with three identical garden scenes separated with bands of blue flowering vines.

Condition: Excellent, with no chips, hairlines, or repairs. ...

Dating around the 1920s is this 8-sided pierced metal opium lamp. Each of the eight panels has glass inserts to protect the flame. A pair of doors opens in the front to light the flame and in some cases to heat the opium tar housed in a damper bowl at the end of an opium pipe. This lamp is in original condition with a removable brass burner. All the cut-outs are intact. I have not identified the metal, but there is a faint coating of rust on the lamp. This lamp was designed to be hung by ...