Maquette (scale model) of Faun Sculpture by Yasuhide Kobashi (born 1931), commissioned by Lincoln Kirstein for the Lincoln Center for the Performing Arts in its opening years. Purchased directly from the artist at the time the sculpture was first displayed in Lincoln Center in the 1960s. Signed on the Bottom of the mount...

Vibrant tusty red splashes across the black glazed surface of this sculpted vase by Kawai Kanjiro dating from the 1950s enclosed in a wooden box annotated by his daughter Koha, the head of the Kawai Kanjiro Kinenkan Museum. The vase is roughly 8 by 4 by 4-3/4 inches (20 cm x 12 x 10 cm) and is in perfect condition. Kanjiro was a true artist by nature, and together with Hamada Shoji, set a pattern of study for modern potters...

A deep, almost bulbous, Wan-gata Chawan by Ueda Tsuneji Titled Kikumon, or Chrysanthemum, enclosed in the original signed wooden box. The large bowl is covered in speckled green glaze turning blue on the lower edges, with a bodacious mum in blue and black. It measures 5-1/2 inches (14 cm) diameter, the slightly tapered rim just over 3 inches (8cm) tall...

Kashigata, mold for making Japanese sweets, in the shape of a wasabi root. Carved wood, ca. early-mid 20th century. H.1.5"(3.75cm) x L.8.25"(21cm) x W.3.5"(8.75cm). Kashigata have long been in use for making molded sweets in Japan and many other parts of the world (especially Asia and Northern Europe.) In Japan, shapes often include felicitous or auspicious themes for luck, long life, wealth, etc. This one, shaped as a wasabi root, is unusual and interesting.

Japanese Isho Ningyo of an Oiran, the most important Geisha of the Kyoto Geisha quarter. The book and movie 'Memoirs of a Geisha' is the story of an Oiran. This master work is truly a work of art to behold, and is by one of Japan's foremost doll makers, the late Ito Hisashige XI. The first Ito Hisashige was appointed to the position of Court Doll Maker by Emperor Gosakuramachi in 1767...

This is an imposing early 19th century Kakiemon style porcelain vase of Japanese origin inspired by a 17th century model currently valued in excess of $700,000. A piece similar to the original dated 1680 from the Blenheim Palace collection was exhibited at the Ashmolean Museum, Oxford in 1989.

21" in height, this vase is well enameled with three identical garden scenes separated with bands of blue flowering vines.

Condition: Excellent, with no chips, hairlines, or repairs...

A striking large Han-zutsu Shino bowl by Kato Kageaki with cotton buffer and silk bag enclosed in the original signed wooden box. Linear forms lie shadowlike below the thick pitted shino glaze burnt red on the edges, the body torn and cut creating a vivacious landscape for the senses. The bowl is 5-1/2 inches (14 cm) diameter, 3-1/2 inches (9 cm) tall and in perfect condition...

Satsuma Studio Nude Geisha by Miyanaga Tozan, circa 1940's

She is 12.25 inches (31 cm) tall by 4.25 inches (11 cm) wide.

She is in good condition with no repairs, or chips, except manufacture defect of firing cracks at the bottom (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

Elegant Japanese uchikake (traditional wedding gown) sewn in the style of the twelve layered court attire (juni-hitoe) from the Heian period (794-1160). The longing for the beautiful, culture rich era of the aristocrats that existed so long ago never seems to cease in people's mind even after 1000 years. Here on this red background, the classic design of the ox-cart in a pine forest is beautifully woven in gold. The layer of robes could have gone up to 15 or even more...

Large Japanese porcelain vase by Shumei Fujii, decorated with the design of white herons and pine in underglaze blue and pale green. The rest of the areas are covered with white gold (straight translation from the "title", platinum like), all hand decorated with the artist’s signature at the bottom. Beautiful "Tsubo" in museum quality.

Shumei Fujii (1936 to present) is a famous Arita ceramic artist with a remarkable record...

A heavily glazed early square pottery dish by Kimura Ichiro enclosed in the original signed wooden box. The sandy clay appears to have been twice fired, the first firing unglazed with a simple ash burn later a very thick feldspathick glaze wiped on and re-fired. It is roughly 11 by 11-1/2 x 2-1/2 inches (28 x 29 x 6 cm) and is in good condition, no chips or cracks but some color has soaked into the crackled white glaze...

This mid 20th century carved ivory netsuke of a monkey is 1 ½” high, 1 5/8” wide and 1 ¼” thick. It depicts a sitting monkey holding a fruit branch. The signature is on the bottom of his back leg. It is in great condition.

This mid 20th century carved ivory netsuke of a sumo wrestler is 2 ¼” high, 1 ¼” wide and 1” thick. It depicts a sumo wrestler dressed the traditional outfit staring straight ahead, ready to fight. The expression on his face is just great. The signature “Yoshido” is on his left foot. Aside of some color that has been rubbed off, it is in excellent condition.

This small carved ivory erotic netsuke of two men is 2” long, 1” high and 1’ thick. It is dated 1960’s. There is a red lacquer inlayed signature on the bottom. It is very well carved and in great condition.

This very well carved ivory erotic netsuke of two couples is 2 5/8” long, 1” high and a little less than one inch thick. It is dated to the 1960’s. There is a carver’s signature on the bottom.

Artist: Oda Hironobu [signature and seal]
Descrption: Mountain scene
Date: 1930s
Size: Oban, approximately 15.5 x 10.5 inches
Publisher: Maeba Han (oval seal)
Condition: A thinning area at the upper left. Crease at left. See verso photo of small tape/pencil notes.
- Oda Hironobu was born in 1888. His prints were produced in very small quantities and are rare. The colors in the hills would be at home in a California/Western woodcut.

Artist: Jun'ichiro Sekino
Title: Shono, from his monumental "New 53 Stations of the Tokaido" series (1959-1974)
Size: double oban, 21.5 x 16.75 inches
Self-published, with Sekino signature and seal. Also bears the Jun Sekino watermark.
Condition: Unframed. Pristine.
- To see the detail of this work, allow us to e-mail you a large tiff file of this image taken by Robert Watson Photography, Toronto.

This mid 20th century carved hardwood netsuke of a bird is 3 ¼” high, 1 ¼” wide and 1” thick. It depicts a bird resting on rock. The artist signature is on the bottom. It is in great condition.

Cloisonne Censer with Dragon, Phoenix, and Butterflies (Unsigned), circa 1930's

It is 3.5 inches (9 cm) tall by 4.5 inches (11.5 cm) wide. It weighs 1lb.

It is in good condition with no repairs, chips, bruises, or cracks except bent at the inner metal lip of the lid (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell...

Splashes of earthen color decorate the deep sides of this large open dish by Living National Treasure Tamura Koichi enclosed in the original signed wooden box. The bowl is 15-1/2 (39 cm) diameter, 4 inches (10.5 cm) tall. The box is worn but still sturdy, and the bowl is in perfect condition. Koichi graduated from the Tokyo University of Fine arts Where he later taught), and took up an apprenticeship under (later) Living National Treasure Tomimoto Kenkichi. With a very impressive career, Koi...

Enigmatic green and red florals capped by ascending butterflies alternate with bird images in the cathedral-like windows on the side of this large vessel by Kyoto artist Yamazaki Koyo enclosed in the original signed wooden box. The vase is 13-1/2 inches (34 cm) tall and in fine condition, dating circa 1950. Koyo (1890-1979) studied under Kiyomizu Rokubei VI, and was displayed consistently in many National and Local Exhibitions. He has been awarded four times at the Nitten, twice at the Nihon S...

A beautiful miniature Japanese Old Ivory Netsuke Frog Sumo Wrestler. In it's excellent condition H: 1-1/8" Signed

A beautiful old Japanese netsuke with mouse play on the top of a drunk cat, very elaborate and cute. In excellent condition L:7/8" Signed. Sold to Pleasanton

Japanese sosaku hanga woodblock print depicting a pavilion on Peony Point (Botan-dai), Pyongyang, Korea and is No. 28 from the series "One Hundred Views of New Japan" by Hiratsuka Un'ichi (1895-1997). The artist's red ink Hiratsuka Un'ichi seal is at the lower right. The black ink title and artist's red "Un" seal is at the upper left. Known to date to 1940. Paper size: 9 7/8" x 12 5/8" (image: 8 7/8" x 11 7/8"). This print was never framed and is in very good overall condition. The upper right...

A wonderful kabuki Isho Ningyo of the actor Ichikawa Danjuro IX performing as the lion dancer in the performance of Shukyo Kagami Jishi in March 1893 at the Kabukiza Theater in Tokyo. He wears the traditional flowing red wig. Beautiful details abound here with handsome, sumptuous brocade. The pose and high quality of this dramatic masterpiece indicates it was done by an important Ningyo master. Height: 17 inches, 43 cm.

Japanese early 20th century bronze water lily design vase. By artist, BOKUZEN. Comes with TOMOBAKO, or original artist signed wooden storage box. The vase measures 11 1/8" tall by 7" wide at the widest point.

Ohara Shoson (Koson)
Title: Crow on a Snow Covered Branch
Date: 1910s ~ 1920s
Publisher: Watanabe Shozaburo
Size: 11.25 x 5.5 inches.
Reference: Newland, Amy R."Crows, cranes & camellias" p. 196.

A rare creped woodblock print by Koson. Creping was popular in the early 20th century due to superior durability.
Condition: Unframed. Excellent. This print appears to be as fresh as the day it was made. It is an absolute knockout. The scans do not do justice to th...

Gorgeous art deco Tamekichi Mitsui III signed Kutani plate. He received his artist's name Tamekichi III in 1961 from his teacher, and was soon afterward commissioned to create a plate for Edwin Reischhauer's visit in 1962. He was a favorite of the royal family who bought numerous pieces in 1976. Also from 1979-1988 Japanese Prime Ministers took his works abroad as gifts during state trips. He was a professor of art in Washington D.C. from 1997-2004 and had his own exhibition at the Smithsonian M...

Japanese Fukagawa porcelain vase decorated with the double arched bridge (Nijyu-bashi) of the Imperial Palace in Tokyo. Singed by the artist、Zippo Araki (1872-1944), in underglaze blue beside his two red seals. This bridge was the one of first place to have electric lights from gas lights in Japan. Mt. Fuji logo of Fukagawa on the base, with inscribed original wood box (tomobako). 8 1/4" (hight) x 7 1/8" (width)

Japanese antique cha tansu (tea chest) made of dark hardwood, many open shelves with decorative cut out areas, compartment on top right with sliding panels, larger compartment on the bottom with hinged doors, 2 small drawer on the bottom right, Taisho Period. Size: 45" high x 46" wide x 14 1/2" deep.

A very elegant Japanese sand-cast iron tea kettle and brazier (furokama, fuuro-kama) of unusually small size (making water for one person). The round brazier (Furo) has an opening on each side; the kettle with a tapering top is finely cast with romping horses, loose ring handles and delicately shaped top with simple knob. The brazier with cast mark 'Nanbu, Morioka, sei(?) mitsu(koi) dou. Nanbu and Mizusawa of Morioka in Iwate prefecture (northern Japan) has been famous for cast iron wares. Mor...

From our Japanese Collection, a fine and very attractive mid-century silk thread composition depicting a Shinto shrine nestled within a treed riverbank, with a foot-bridge and boats in the foreground. The composition uses rich but tasteful shades of burgundy, brown, cream, dark green, a touch of soft pink, and other subtle earth tones. The piece evokes a relaxed charm.

Size and Condition: Framed dimensions are 25 inches wide, 19 3/4 inches tall. There is some minor scuffing to the ...

9.5 feet long hand-painted Japanese carp banner (Koi-nobori) for Boy's Day. Here on this banner, a mighty little boy named Kintaro, is hitching a ride on a carp. Kintaro may be a creation from a theater play (jyoruri and kabuki) of the Edo period – although he is said to be a childhood figure of the 10th century samurai, Sakata no Kinsuke - he is extremely strong and still a popular hero figure for Japanese boys. Kintaro (Kinta) figures are often seen carrying an ax, wrestling with bea...

Japanese obi, nagoya style, painted with two noh masks on soft satin silk. The base color is a gentle pink/wisteria color with earth-tone. Taisho/Early Showa.

Artist: Kawase Hasui
Title: Daimotsu, Amagasaki
Publisher: Watanabe Shozaburo, 6mm seal.
Date: 1940. The 6mm seal was used between 1946 and 1957.
Size: Oban, approximately 15.5 x 10.25 inches.
Condition: Pristine. Unframed. Never displayed. The two left margin pinholes are the original state.

Japanese Hakata ningyo, unglazed clay doll of a young samurai (wakashu) with a dancing fan. This doll may have been modeled after a character in Kabuki (played by all males) or Takarazuka (played by all females). There were many play houses in Hakata during the late Meiji, Taisho and early Showa period. The Takarazuka theater (Fukuoka Takarazuka?) was also there. Live theater play was quite popular before play houses and theaters went through destruction in the form of fires, bombing or simply ...

Japanese uchikake (wedding gown) with a colorful design of flowers and birds done in the Tsujigahana-zome (dye) style. The old Tsujigahana dye technique was used on the clothing of the Muromachi to Momoyama period elites. Inside the tie dyed area, flowers and birds were painted with blue, purple and black ink. Tsujigahana-dye was short lived and completely vanished by the early 17th century because of its extreme complexity. This gown is very beautiful with many woven metal threads;...

Satsuma Maple Leaves Pattern Kogo Box Signed Yabu Meizan, circa 1930's

It is 0.5 inch (1.2 cm) tall by 3 inches (7.7 cm) wide.

It is in good condition with no repairs, chips, or cracks except stain in side the box (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid. All you need to do is re...

Here is a quintessential piece by Master Mashiko Potter and Living National Treasure Hamada Shoji (1894-1978) enclosed in the original signed and stamped wooden box. The subtlety of the wide faces is a pleasant contrast with the rich iron frame of the narrow sides and top. A cluster of leaves in a zen circle underscored or shaded by tapering rails under heavily crackled clear glaze, a snowy white belt running across the scene is what we see. However there is more to this vase, a subtle textur...

A charming baluster form vase decorated with a ring of drying fish by Katsuo Seiryudo (1907-1984) in the original signed wooden box. The hirame (flat fish) are unglazed except for an iron like underglaze used to draw the details, and shiny black dots for eyes. The contrast between the unglazed fish and white ceramic is unexpected and pleasing, in that ordinarily it would be opposite. The vase measures roughly 8-1/2 inches (21.5 cm) in diameter and height, and bears the artists cartouche-like sta...

A large cloth, silk brocade, lined with cotton with ties on one side. Dimensions: 104 1/4” long x 45” in width (2.65m x 1.14m). There are four 26” panels sewn together (sewing machine), each panel is decorated with a pair of phoenix birds one parched on a paulownia tree and the other on a rock. Although the fabric is of high quality silk, it actually is older than it appears - you need to handled gently. The gold sparkles when it is hit by lights. The color is not red. It is mo...

Matsue Hariko Tawara Ushi, Paper Mache Ox Carrying Rice Bales from Matsue, Shimane Prefecture. Ca. early 1970's. Made by H. Kimura. L.3.375"(8.5cm) x H.2"(5cm) x W.2.375"(6cm.) Matsue paper mache dates back to the Edo Period (1600-1868) and has a robust charm. In this rural area, the Ox signifies a good harvest. Matsue is known in the West as the long-time Japanese home of writer Lafcadio Hearn (1850-1904.)

Matsue Hariko Koma, paper mache horse from Matsue, Shimane Prefecture. H.3.25"(8.5cm) x L.3"(7.5cm) x W.1"(2.5cm). Ca. early 1970's, made by H. Kimura. Painted paper, straw tail. Matsue paper mache dates back to the Edo Period (1600-1868) and has a wonderful robust charm. The horse, in this rural area, is a symbol of good harvest. Matsue is known in the West as the long-time Japanese home of writer Lafcadio Hearn (1850-1904.)

Tsuchi Ningyo, Clay Doll. Kintaro with Giant Carp. ca. early 1900's. H.4.25"(11cm) x W.3.375"(8.5cm.) Signed on bottom "Yano." Body is 100% intact and in good condition, but most of the paint has flaked off of the fish. The origins of this doll are unknown, as clay dolls were produced all over Japan since the early Edo period (1600-1868.) Most were influenced by the Fushimi Dolls made in Kyoto, and large production was even made in the far Northeast of the Tohoku region (such as Tsutsumi, Miyagi...

Hirosaki Hato Bue, Clay Pigeon Whistle from Hirosaki, Aomori Prefecture. Painted clay; L.6"(15cm) x H.4"(10cm) x 2.5"(6.5cm.)ca. 1970's. Condition very good, small paint chip on left eye (see enlargement #3.) The hato bue has been a popular folk toy of Aomori, and other regions of Japan, since the Edo Period (1600-1868.) In particular, it is said that the fuedal lord of the Hirosaki district allowed local roof tile- making potters to use the fuedal kilns to make additional functional wares and f...

Kubi Furi Tora; Bobbing Head Paper Mache Tiger from Nishi-Oodera, Okayama Prefecture. H.6.5"(16.5cm) x L.6.25"(16cm) x W.2"(5cm.) Painted paper mache, ca. early 1970's. Excellent condition WITH ORIGINAL BOX. Paper mache folk crafts were popular in Nishi-Oodera since the mid-late Edo Period (1600-1868.) This particular style of tiger with high hip, curled tail, heavy black stripes, and fierce countenace has been produced since about 1897. This tiger image has been sold in the Inland Sea region as...

Akebi Hato Guruma, Vine Pigeon on Wheels; Nozawa, Nagano Prefecture. L.4.75"(12cm) x W.2.375"(6cm) x H.2.5"(6.5cm.) ca. 1972, woven akebi vine. The region of Nozawa has long been known for vine weaving craftsmanship, producing utilitarian items like hats, baskets, and teapot trivets. Vines were sourced from nearby mountains and then bleached naturally in local hot springs. In the late Edo Period (1600-1868,) during the Tempo Reign (1830-1844;) these techniques were used to begin creating folk to...

Kawase Hasui
Kankai Temple, Beppu Hot Springs, 1927
Publisher: Bijutsusha. One of only eight Hasui designs published by Bijutsusha. Bears the red "Rumi" publisher's seal.
Size: Oban, approximately 15.0 x 10.25 inches.
Condition: Unframed. Excellent. A small (2 mm) hole in the dark green foliage has been invisibly repaired by a conservator. Short green dash in grey upper right sky.
A lush landscape format print and a rare design. Beppu is among Japan's most famous hot spri...

Takamatsu Yomeiri Ningyo; Clay Bridal Trousseau Dolls from Takamatsu, Kagawa Prefecture, Shikoku Island. Set of 5 depicting auspicious images: Happy Couple, Dog, Rabbit, Ebisu with Tai (Sea Bream,) Dog with Tai. H. .75" to 1.125" (2cm-2.75cm) x W. .875" to 1.375" (2.25cm - 3.5cm;) painted clay, ca. 1972. Condition notes: .75cm paint chip on back of Ebisu, paint chipped away on fish of Dog with Tai figure. Others all in excellent condition. Takamatsu Yomeiri (Bride entering marriage) Ningyo (...

Paper mache Daruma Dolls from Tamashima district of Kurashiki in Okayama Prefecture by Ono Ichi, ca. 1972. Pair or single, smaller (FI-8b): H. 4.875"(12.2cm) x W.3.5"(9cm.); larger (FI-8a): H.5.25"(13.25cm) x W.3.375"(8.5cm.) Painted paper mache. These dolls were made in 11 sizes ranging from 11 - 45cm. The small one here is the second smallest size made, known as "9-go", and the larger is an "8-go" size. Condition notes: The larger Daruma is intact but there are cracks in the paper and a number...

Kogo (Incense Container) by Kawai Takeichi; Kyoto, 1972. Dark green glaze. 2.25"(5.75cm) square x 1.75"(4cm) high. This piece was acquired on a visit to the Kawai pottery on August 9, 1972 and has had one owner since then. Kawai Takeichi (1908-1989) is the nephew of legendary Mingei (Folk Craft) Movement potter Kawai Kanjiro (1890-1966;) who along with Yanagi Soetsu, Hamada Shoji, Bernard Leach, and others were the first-generation leaders of this movement. Kawai Takeichi began his apprecticeshi...

The inscription on the back reads: Inori (Meditation) by Kinugawa Masayoshi (born 1912 in Higemi, Hyogo) of the Bijyutsuin Inyuu art organization. Japanese Two Panel Screen painting of Kannon Bodhisattva, the Goddess of Compassion and Mercy. The painting is a masterpiece, using the technique whereby minerals and semi-precious stones are ground into the paint, creating the most spectacular effects. Also, gold and black lacquer add highlights. This marvelous piece will stand out in any environmen...

Yamakawa Shuho (1898 - 1944)
Premonition of Snow, 1927
Size: Oban, approximately 15.0 x 10.5 inches.
Publisher: Bijutsusha
Condition. Unframed. This print has had tears and toning professionally restored.
An intriguing bijin image with an unusual title.

A beautiful early 20th C. Japanese black ink stone in excellent condition, marked. L:6" W:4-3/4"

A colorful Japanese Art Deco man's juban (under kimono), comprising a crazy quilt pattern of wonderful period hand-woven silk crepe fabrics in rich colors of indigo, red, green and purple, and brown, circa 1930, decorative trim and frog clasp, hand stitched, blue silk lining. Measurements: Sleeve tip to tip-48", shoulder to bottom hem-49"; A beautiful example of Art Deco fabrics in fair condition with frayed silks and lining fading, easily restored. Taisho or early Showa period

This is an antique men's silk juban, an undergarment worn under a kimono. For today’s standards, it is very odd to see such an extravagant hidden personal item.

During the Edo period, which ended in 1868, common people were not allowed to wear silk. The growing economical power of merchants came along with social disorder and corruption. Tokugawa government issued many sumptuary laws to limit the spending of the general people on luxury items. One way to avoid the punishment was to...

Artist: Uchima (Aohara) Toshiko (1918-2000). Aohara would marry the renowned artist Ansei Uchima.
Scene: Girl in Costume.
Image area: 5.5 x 3.5 inches. A woodblock print tipped at the top to original cardstock.
Bears the "Aohara" seal.
Publisher: Kyoto Hanga-In.
Condition: Excellent.

This is an antique men's silk juban, an undergarment worn under a kimono. For today’s standards, it is very odd to see such an extravagant hidden personal item. During the Edo period, which ended in 1868, common people were not allowed to wear silk. The growing economical power of merchants came along with social disorder and corruption. The Tokugawa government issued many sumptuary laws to limit the spending of the general people on luxury items. One way to avoid the punishment was to spend t...

Toshi Yoshida (1911~1995)
Depicting: Snow scene
A woodblock print tipped at the top to a Japanese Christmas card from the early 1950s. Please photo of the inside of the card.
Signed "T. Yoshida"
Condition: Excellent.

Hiratsuka Un-ichi (1895 ~ 1997)
Nihonbashi Bridge in Tokyo (aka. Night at Nihonbashi Bridge)
Date: 1946
Card size: Approximately 6.0 x 4.25 inches.
This woodblock print is the front cover of a Christmas/New Year card signed in pen by the artist at the inside.
Reference: Collection of the Art Institute of Chicago.
Medium: Japanese woodblock print.
Condition: Excellent.