Oribe Raku Kashiki Dessert Bowl made by the greatest I Choraku Ogawa (1874-1939), the disciple of Raku Kichizaemon Keinyu and Konyu.
The potter's mark is stamped near the foot ring.

Ogawa Choraku is one of the best known Raku potters of modern times and the founder of Choraku potter family.
He became the disciple of 11th Raku Kichizaemon (Keinyu) and 12th Raku Kichizaemon (Konyu) and started his own kiln in 1904.
He received the name Choraku in 1906 from Choyuken, the h...

Tsuchiya Koitsu
Lake Kawaguchi at the Foot of Mt. Fuji
Date: 1938.
Size: Oban...

Vintage Japanese wood carving of the face of Bodhidarma with his fly whisk. Also known as Daruma, the legendary intensity of the monk is expressed in his downturned mouth and heavy eye brows over wide eyes. A popular sign of good fortune for any business. Lacquered details in red, white and black.

Age: Showa period (early-mid 20th century)

Dimensions: 23 1/2" high x 19 1/2" wide x 2 3/4" deep

Kawase Hasui
Vermillion-lacquered Temple Gate in Snow
Date: 1930s.
Size: Approximately 6.125 x 4.125 inches.
Publisher: Watanabe Shozaburo
Hasui seal at lower right.
"Made in Japan" stamped on back.
Medium: Japanese woodblock print.
Reference: Hotei Hp-48.
Condition: Excellent.

Hiroshige Ando
Fisher and Fire
Publisher: Watanabe Shozaburo
Date: 1930s.
Size: 6 x 4.125 inches.
Signature and seal at lower right.
"Made in Japan" stamped on verso.
Condition: Excellent.

Hiroshige Ando
Seven Song-birds (aka. Gourds and Japanese White-eye)
Size: Approximately 7.5 x 5.25 inches. 19.4 x 13.2 cm.
Date: ca. 1910.
Publisher: Matsumoto (No. 26).
Medium: Japanese woodblock print.
Condition: Small spot where back Matsumoto label is attached.
The Matsumoto catalog notes, "Seven mejiro (known as Japanese silver-eye) perching on a melon-vine."

This pair of vases was recovered from an estate in the Castroville/Watsonville area of California, over 20 years ago. This area is known as the Artichoke Capital of the world. When I recovered these vases they had been lamps and have since had the bottom drills hole restored. These vases are old but probably not Meiji era. They do have silver rims with scalloped wire trim at the edges of the enamel. The colors and shading are wonderful...

Lilian May Miller (1895-1943)
The Three-Foot Bamboo Pipe
Date: 1927.
Size: Approximately 5.625 x 3.75 inches.
From the book, Grass Blades from a Cinnamon Garden.
Monogrammed within the image.
Medium: Japanese woodblock print.
Condition: Slight toning.

Kawase Hasui
Terajima in the Snow
Date: 1930s.
Image size: 6 x 4.125 inches.
Publisher: Watanabe Shozaburo.
Reference: Hotei Hp-69.
"Made in Japan" stamped on verso.
Hasui seal at lower left.
Woodblock print is attached along its top edge to original 1930s card.
Condition: Excellent.

A beautifully sculpted image of a pheasant by Ogawa Yuhei enclosed in the original signed wooden box. It is 37 cm long and in excellent condition.
Yuhei Ogawa (1885-1945) was born in Takamatsu, Okayama prefecture an came to pottery a bit later than most. In 1923, while working part time at the Naval Hydrographic Department, he was deeply moved by seeing the solo exhibition of ceramic sculptor Kazumasa Numata. This gave him impetus to begin sculpting in his free time...

Kawase Hasui
Moon Over The Ara River, Akabane (Arakawa no Tsuki, Akabane)
Size: Oban. Approximately 15.5 x 10.25 inches.
Date: 1929.
Publisher: Watanabe Shozaburo. Black 6 mm seal in lower left corner, making this a lifetime edition printed between 1946 and 1957.
Reference: Hotei #159.
Medium: Japanese woodblock print.
Condition: Excellent.

Hanten with sashiko (quilting) which is made in Shonai in Yamagata prefecture in Tohoku District, which is made of hand-spun cotton and vegetable indigo dye. It has 2 layers of cloth with sashiko. The collar cloth is also hand-spun and vegetable indigo dye cotton with stripes. In excellent condition. The first half of the 20th century. W:88cm, L:75cm

Kawase Hasui
Evening View of Snow-Covered Cottage
Date: 1930s.
Publisher: Watanabe Shozaburo.
Print size: 5.625 x 3.75 inches.
Reference: Hotei Hp-76.
Medium: Japanese woodblock print.
Condition: Top right margin slightly trimmed.

Sakiori obi (sash) for a casual kimono which is hand-woven of strips recycled from silk and cotton kimono for weft, and cotton yarn for warp. In excellent condition. 20th century. 18cm x 2m96cm

Shoda Koho
Shrine Gate at Miyajima
From the Hasegawa Night Scenes series (No. 1251).
Size: Chuban. Approximately 10.125 x 7.5 inches.
Date: 1910s - 1938.
Medium: Japanese woodblock print.
"Made in Japan" stamped on verso.
Artist's seal at lower right.
Publisher: Hasegawa Takejiro/Nishinomiya Yosaku.
Condition: Slight toning.

Kawase Hasui
Sacred Mount Fuji
Date: 1936.
Size: Koban. Approximately 7.25 x 4.875 inches.
Publisher: Watanabe Shozaburo.
Hasui oval seal at lower right.
Reference: Hotei #Hb-s12
Medium: Japanese woodblock print.
Condition: Back top corners have tape remnants.

Kawase Hasui
Pagoda in Rain (Inoruga no Ame)
Date: 1950s-60s.
Size: 5.75 x 3.75 inches
Publisher: Watanabe Shozaburo
Reference: Hotei #Hp-62.
Woodblock print is tipped along its top edge to original cardstock.
Condition: Excellent.

A wonderful translucent blue celadon vase done in the classic style of Song Dynasty Chinese pottery. This piece was made by one of the few great female Japanese potters of the previous century, Suwa Sozan II, daughter of Meiji Imperial Court Artist Sozan I.

Suwa Sozan I (1852-1922) was born in an area of what is known today as Ishikawa prefecture. After a short stint in the military he took up pottery design and painting under Touda Tokuji in 1873...

This extraordinary vase is a truly Japanese expression of a classical Chinese form. Fashioned after cylindrical Song Dynasty pieces that are thought to have been introduced in the 9th century from Syria, the handles are of Chinese origin and represent the mythical "Fenghuang" (Hōu in Japanese). This deity, typically depicted with the body of a bird with characteristics of a dragon, is believed to have originated in the sun and is thought to symbolize virtue, wisdom, and grace...

Japanese chuban format shin hanga woodblock print by Takahashi Shotei, also known as Hiroaki (1871 - 1945) depicting two figures walking in the snow in the foreground, one holding a parasol walking toward a hut, the second crossing a bridge over a stream. A snow laden tree and torii gate are at the left. Titled "Snow at Ozawa; Torii Gate and a Cottage" the print was published by Watanabe prior to 1930. The title and artist's red Shotei seal are at the upper left...

Kawase Hasui
Evening at Miyajima
Date: 1950s-60s
Size: Approximately 5.5 x 3.75 inches.
Hasui oval seal and title at lower left.
Publisher: Watanabe Shozaburo.
Medium: Japanese woodblock print.
Condition: Edge of top margin is browned.

Japanese shin hanga woodblock print by Ito Yuhan (1882-1951) titled "Sailboats in the Sunset Glow" (aka Tsukuda Jima). This image is one of a limited number of woodblock prints by this artist that were published by Nishinomiya Yosaku in the 1930s. Signed in kanji at the lower right corner of the image. The publisher's seal is in the lower left margin in kanji and on the back in English. Paper: 15 5/8" x 10 5/8" (image: 14 5/8" x 9 5/8")...

Artist: Unidentified
Title: Miyajima
Print size: Approximately 5.75 x 3.75 inches.
Date: 1950s-60s
Publisher: Watanabe Shozaburo.
Medium: Japanese woodblock print.
Condition: Top margin edge slightly toned.

Antique Japanese 2-panel screen painting of a lotus pond. Wide lotus leaves and pale pink flowers blossom on the surface of the water. A white heron comes in for a landing near a pair of Mandarin ducks. Painted in mineral pigments on silver leaf.

Age: Showa Period (early 20th century)

Dimensions: 38 1/2" high x 74 1/2" wide

Circa 1920's hand carved Japanese ivory okimono of a long tailed rooster on a wood perch. Excellent antique condition.

A fragment of washi with mending patches, groud paper as well as mending patches are kakishibu (persimmon tannin) dye for waterproof and sturdiness. It has several layers of used old washi. The original usage is not clear. Late 19th to early 20th century (Meiji). 40cm x 32cm

A fragment of washi with mending patches, whose ground paper as well as mending patches are kakishibu (persimmon tannin) dye for waterproof and sturdiness. It has several layers of old recycled washi. The original usage is not clear. Late 19th to early 20th century (Meiji). 40cm x 40cm

Additional photos of this fabulous Accordion book of 12 paintings by Kimura Seiun enclosed in a wooden box titled Atami Dan Ko-gasatsu and dated early Spring of Showa 4 (1929). The introductory page is written by Zen priest Hashimoto Dokuzan of Tenryuji Temple in Kyoto. The paintings are each signed with various names used by Kimura, mostly Seiun or Ren. The introductory and concluding pages are both dated 1929. It is 28 x 14 cm (5-1/2 x 11 inches) and in overall outstanding condition...

Toshi Yoshida
Heirinji Temple Bell
Date: 1951.
This edition later from original blocks.
Size: Oban. Approximately 15.75 x 10.75 inches.
Toshi Yoshida seal and block-signed signature.
Medium: Japanese woodblock print.
Condition: Top back margin corners have paper residue.

An open tsubo covered in highly unusual gloss glaze with a colorful floral spray by Kawai Kanjiro enclosed in the original signed wooden box. It is 24 cm (9-1/2 inches) tall and in excellent condition.
Kawai Kanjiro was a true artist by nature, and together with Hamada Shoji, set a pattern of study for modern potters...

HAND TAMED JIZO

Lovely Japanese stone carving figurine of Jizo Bosatsu (Jizo Bodhisattva) that is so handy in size, H 16 x 8 x 7cm (6.29 x 3.14 x 2.75in), early-mid 20th century, in generally weathered condition as is due to aging.


selected by rust + antiques




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Kawase Hasui
Starlit night, Miyajima
Souvenirs of travel, third series.
Date: 1928.
Size: Approximately 15.0 x 10.125 inches.
Hasui signature and seal lower left.
Publisher: Watanabe Shozaburo. Watanabe "A" seal in right margin, indicating a first edition.
Reference: Hotei No. 140.
Medium: Japanese woodblock print.
Condition: Paper toned at left and top margin edge. Top back margin has residue.

Kawase Hasui
Spring Snow, Kiyomizu Temple, Kyoto
Date: 1932.
Size: Oban 15.0 x 10.5 inches.
Hasui signature and seal lower right.
Publisher: Doi Hangaten. Carver: Harada. Printer: Yokoi.
Edition: Early postwar (1950-63).
Reference: Hotei No. 276.
Medium: Japanese woodblock print.
Condition: Top margin partially trimmed. Toning at lower left corner. Slight margin creasing.

Tsuchiya Koitsu
Yotsuya Araki Yokocho
Date: 1937.
Size: Oban. Approximately 15.75 x 10.5 inches.
Publisher: Doi Hangaten.
Carver: Harada. Printer: Yokoi.
Early postwar edition (1950-63).
Bears the Doi watermark.
Artist's signature and seal at lower left.
Reference: Koitsu catalog TK-DH-18.
Medium: Japanese woodblock print.
Condition: Excellent. Never displayed.

Nishimura Hodo
Hirosaki Castle in the Spring
Date: 1933.
Size: Oban. 15.625 x 10.5 inches.
Publisher: Takemura Hideo. Stamp in left margin and label on back.
Sealed by the artist at lower left.
Edition: First and only.
Medium: Japanese woodblock print.
Condition: Upper portion toned where not covered by former matte.
Note: RARE - The only other example we could locate is in the Honolulu Museum.

A beautiful Shino Chawan by one of the best Japanese artists of the 20th century, Yano Keisen, made 70 years ago. His ceramics were part of the wedding of the Japanese Emperor Akihito in 1959 and since then part of the imperial household.

It comes with its originally signed and sealed wooden box without chips or cracks.

Yano Keisen was a Japanese Asian Modern & Contemporary artist. He was born in the year 1897 as the second son of Nagae Shotaro in Kozoji-cho, Kasugai Ci...