Outer kimono of kasuri (ikat) woven dark indigo-dyed cotton in pattern known as botan-kasuri (peony ikat.) Inner lining is a printed fabric depicting heroic imagery related to Chushingura, the saga of the 47 Ronin; snowy pine trees, helmets, drums, and the retainers themselves...

A lovely Japanese fruitwood tray produced in the late Taisho period. The scene was hand carved with a thin gold gilt applied in the carved areas. The tray was made from one piece of wood and has a beautiful warm patina. In excellent condition, it measures 10" diameter and the rim is 1.5" high.

Ohno Bakufu
Rice Reaping
Date: ca. 1950.
Size: Oban. 15 x 10.5 inches
Publisher: Kyoto Hanga-In
Carver: Matsuda. Printer: Ichimura
Medium: Japanese woodblock print.
Condition: Top margin has thin tape mark.

Japanese 20th century flower design plique a jour cloisonne vase with chrome rim. The vase measures 5 1/8" in height and is 3 1/2" in diameter.

The mark of Ando Jubei is stamped on the bottom gilded rim of this 6.5" tall 20th century cloisonne vase. A cluster of silver wired grapes and leaves decorate the deep green ground.

Condition: Good, with only scuffing to the bottom rim, and a small indention to the upper. Also, there is a slight scratch below the grape cluster and another above the left wire tendril, too faint to photograph. The various white spots are merely light reflection.

Silver wired flowers decorate this 3.75" signed Ando Jubei white cloisonne kogo. The interior is silvered, the rims copper colored.

Condition: Good, there are two hairlines beneath the bottom rim on opposite sides, one of which is illustrated in the fifth photograph.

A mirror pair of 7.25" vases, enameled in deep red enamel over metal bodies incised in a pattern of birds in a bamboo grove. They are marked "Made in Japan" on their silvered bases. Top rims are copper colored, the counter-enamel is deep red. The pair has no chips, hairlines or repairs.

Japanese baby's first formal kimono (miyagi), hawk on a pine tree hand painted in sumi-e (black ink) on silk, 32 1/2" W x 41" L.

This type of kimono is used during a newborn's first visit to the shrine. The ritual takes place about one month after his birth. Traditionally, the kimono was sent by the mother's side of the family to their daughter's new family, bearing the family crest of the husband's side...

A fabulous dark royal blue Nagoya obi with painting of men crossing a bridge. Screen printed with some hand painting, the figures are drawn in a modern art deco style. Early Showa. The obi measures 38” to the fold and 12” wide. The main scene measures 10” high x 12” wide. The smaller scene on the folded area measures 13” x 6” and is repeated on the back side. There are some minor age spots on one of these scenes, other wise obi is in very good condition...

Japanese silk fukusa with yuzen technique and sumi-e hand painting. The shimmering effect of the water was achieved by the delicate use of silver surihaku. Red embroidery on the crane’s head and some white embroidery on tail feathers highlight those features. On the reverse is red rinzu silk with a large peony motif. All four original tassels are still intact. There is a break in the boarder thread in the upper left corner (see last photo) but could be repaired...

This is a fabulous woven silk fukusa designed with Japanese tastes in mind. It is woven in silk with the addition of gold lacquered silk threads. Each of the four corners has four turtle tassels. The reverse side is red with a gold paulownia mon also woven with god threads. This is a very striking piece and makes a superb interior design statement. In excellent condition, it measures 24.5” square. We date this to mid-Showa.

The bouquet of flowers for this stunning silk fukusa was made using yuzen resist dying, free-hand embroidery, and gold surihaku, with gold and silver foil couching applied to create the bow. On the reverse side is a large mons (family crest). Three of the four original silk tassels are still intact. As a decorative item, this fukusa would make a fabulous wall hanging or framed artwork. In excellent condition, we estimate this fukusa to be mid Showa. It measures 26” wide x 29” high...

This is an a beautiful Uchikake (Japanese wedding gown) covered with embroideries on satin. The workmanship shown in this gown is truely amazing. It is in new condition.

The pair of loving birds are Oshi-dori (Mandarin ducks) which are popular subjects relating to weddings. The theme of this gown is probably from Chapter 5, "Lavender" (Waka Murasaki) in "The Tale of Genji". When Genji was traveling the countryside for the first time, he saw a beautiful young girl crying...

This 1930’s ivory carpenter is 9 ¼” high, 3 ¼” wide and 3 ¼” thick. It depicts a smiling carpenter carrying a wood bucket and cloth bag on his right arm and holding a saw in his left hand. His tool boxes are set in front of him. The artist’s signature “Gyokushi” is on the bottom. It is a well carved piece in great condition.

Japanese uchikake (wedding gown in kimono shape) in red and gold, thick Shioze silk, very new condition. 52" (sleeve to sleeve) x 75" long

Japanese uchikake (traditional wedding gown in kimono shape), embroidered flying cranes, thick red satin, new condition. 53" (sleeve to sleeve) x 73" (6'1") long

These geta (shoes) were worn by a girl or young Japanese woman. Build up from several layers of materials, the felted soles have slits to allow access for the changing of thongs should they become soiled or worn. Small pieces of leather nailed are the heels. The upper fabric liner is made from two pieces of contrasting fabric sewn together and show a small amount of dirt and an almost imperceivable foot imprint about the toe area...

A very rare 5 panel bride’s noren. The bottom of the curtain has a lovely delicate aqua wash. Traditionally the bride would hang this curtain in the doorway for about 2 weeks after she was married to announce that she was a member of the new family and that she has taken her husband’s family crest. There are a few minor age spots in the cream/off white area, but otherwise the curtain is in excellent condition...

In its original box, this beautiful red bronzed flower vase has ducks and ume plums in wonderful relief. Has the signed original box made out of kiri. c.1930. (9" x 9") (23cm x 23cm). EMS Shipping/Insurance to USA or Western Europe $95.

An elegant ceramic obidome (obi clasp) with silver mount (guaranteed) formed as a leaf, glazed in mottled tones of red and blue, with a hand woven silk cord dyed in the same colors; all contained in original box from Matsumasa, Kyoto...

This beautiful contemporary Ningyo is by an important artist, Nishikitsuka Moeharu. His Kimikomi style of work has been exhibited in many galleries and museums, including the Homma Museum in Japan. She is holding peach sprays. Carved of wood with applied silks brocades. She has a sensitively rendered face with carved lacquered hair adorned with a gold hair ornament. 9 inches (23cm) high. Base: 10.5 x 8.25 inches, 27 x 21 cm.

Unique Japanese Uchikake (wedding gown), embroidered in thick light blue silk, the liner is red silk without padding except at the bottom hem. The embroidery and gold couching (some silver) work are all done by hand. The pattern is from ancient Chinese "Shokko nishiki". The colors of silk looks different on different parts of the gown. We laid the gown under the sun light when we took extra photos. The light changed everything. It picked up the gold from gold threads (threads are wrapped in...

This is a large Japanese samurai doll, "Kato Kiyomasa” (a warrior from the 16th century warring period) mounted on a horse. The quality is excellent. The dimensions of the box (assembled with wooden pegs): 19 1/4" x 21" x 9 1/4" deep. The condition: There are a couple of very faint hairlines (almost non-visible) between the eyebrows. The surface of this area is smooth in touch. The doll is sitting on an original cushion (very well-made) but a saddle (which would been hidden under his armo...

A Japanese bronze vase with red splashed green patination with gold powders, the squat body with tall everted neck, signed on the base Shiho; signed tomobako. Taisho/early Showa period. Height: 7 1/2"

A stunning Kamakura Bori tea tray. It was hand rubbed to enhance the red and black lacquers that were applied over the wood carved tray. In very good condition, it measures 10" diameter x 1.5" deep.

This mid 20th century carved wood netsuke is 1 7/8” high, 1 ½” wide and 7/8” thick. It depicts two playful mice resting on a small flat basket. The mouse on the top is chewing the tail of the other one and the one on the bottom is fighting back by biting the other one’s back leg. It is signed but is not legible. The carving is very nice and it is in great condition.

There are 3 pairs of serving trays in this boxed set of Japanese sushi trays. Each pair is a different size and color combination. Each tray displays the family mon or emblem on the front. There are 2 red trays, 2 red and black trays, and 2 all black trays. Being Japanese, the pairs of trays nest together a specific order to be stored in the carrying box.

The kiri wood box has a strip of wood on each side to act as a carrying handle. The box is 14.25 inches (36 cm) square by 28.25 (72 cm)...

This very well molded Japanese Kutani style sleeping cat is a mid 20th century product. This sleepy cat has a white coat with gold streaks and wears an orange bow on its neck. It is 10 ½” long, 6 ¼” wide and 4” high. It is in great condition.

This is a silk meisen haori ( jacket ). Meisen textile is a kind of pongee silk which is machine woven and has kasuri ( ikat ) pattern. Meisen kimono was very popular among young women as a casual kimono between 1920s and 1950s and many of them have eye-catching bold and contemporary design. Mid Showa period ( ca. 1940s~50s ). In excellent condition. 126cm x 87cm 49.6" x 34.3"

A 1920 beautiful Japanese imari lamp, but copy of Chinese Ming dynasty wucai color and dragons. In excellent condition. H:25" to the top of finial. $385

Large navy blue cotton cloth, 84" x 80 1/2", meticulously hand stitched with old Japanese folk art, sashiko stitches. It is a piece of art that began as a necessity among the farmers. Cotton stitches were added to their clothes that were made out of hemp to give it softness, warmth, and strength. Old jackets, furoshiki wrapping cloths, etc. that were adorned with interesting designs created with Sashiko stitches, are popular collector’s items today.

This cloth is from the early to mid Sho...

Cranes symbolize fidelity. They are known for not leaving their spouse’s side after their partner’s death. When pine needles fall, they fall as a pair and the color is evergreen. A pair of cranes under an old pine tree signifies the union of a couple. It is a perfect wedding fukusa (gift cover). The design is beautifully drawn here in Sumi-e black ink style on Shioze silk. Circa, Taisho to early Showa period, 1930-1940. Dimensions: 25 5/8" x 29"

Silk Japanese obi, tapestry weave with a considerable use of genuine gold (Rinpa style as indicated) and some silver (it is either treated or some other metal). This obi is fukuro obi; the design on one side continues 9 feet from one end, 46 inches in a simpler geometric design before it ends with 18 1/4 inches long complicated design at the other end. The reverse side is a plain black satin silk without any design. Total measurements: 12 1/4" wide x 14'4" long.

Beautiful Japanese obi with a woven design of Mt. Fuji above golden clouds. The design has more details than shown in the photos. The length shown in the photos was adjusted to 6'2". The total length of the obi is 14'6" long and 12 1/4" in width. The silver sky (touched up with brown painting) end when the obi is folded in half (7’1”) is followed by the other design in the same silver background. The front side is entirely coated -- which makes this obi more desirable for decorative ...

Japanese rectangular suzuribako, lidded lacquer box with artfully and beautifully done with a dramatic design of blooming red hibiscus and its leaves, lacquer is raised and colors appear in layers, a most unusual and lovely technique, Taisho Period, signed and sealed tomobako: Setaro Imai, born Meiji 26 (1894). Size: 12 1/4" long x 11" wide x 2" high

Large stoneware jar with multi-color dripping glaze over a creamy white crackled glaze. The green is the traditional green of earlier Shigaraki ware, the blue as well, but a variety of brown, red, pink and black have been added to the palette. Inside and bottom covered in brown glaze with yellow spots. Japan, early Showa, 1920-1930s.
Height 17 inches (43.2 cm), diameter at shoulder ca. 17 inches (43.2 cm).
Mint condition.