A Japanese Kutani Moriage decorated figure of Hotei, one of the "Seven Gods of Good Luck" and also known as the "Happy God". He always carries the cloth bag that never empties, a walking stick to support the heavy bag, and the Chinese wish giving fan. He is also the patron saint of barkeepers. This Hotei is very large measuring about 17" tall x 10" wide, he weighs about 12 pounds, and he has the Kutani nine valleys mark on the base. We are dating this Hotei as Circa 1950...

Two rare small Japanese porcelain sleeping cats. The smaller cat measures 1 7/8" long, and I believe that it is the smallest cat that was included in a set of several cats of various sizes. The other cat is rare because it curls to the right (almost all cats curl to the left.) Both cats are from the Kutani kiln, and their condition is perfect. The smallest cat has the "made in Japan" mark. The asking price includes shipping within the USA.

HOLES AND GEARS

Set of a reeling machine's bangboard and gears made of wood. Showa period, mid 20th century, Japan. Board: 26.5 x 16cm (10.43 x 6.29in), Large gear: D 12cm (4.72in), Small gear: D 5cm (1.96in)...

1900's Japanese Bronze Rooster Shaped Censer Koro Marked

It is 7.5 inches (19cm) tall by 5.6 inches (14.3cm) wide. It weighs 982.5 gram (2.2 lb).

It has surface wears and scratches (as seen in the photos).

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MONKEY PARENT AND CHILD

Minimal ceramic figure of monkey parent and child in such beautiful silhouette, Showa period, 20th century, Japan, approx...

Geisha Standing in Stream, Japanese Woodblock Print, late 19th Century, 18.5" x 13.75

A male figure sitting in ceremonial kamishimo dress of a striped hakama (pants) and a golden kataginu (vest) over a red kimono, his head shaped like the top of an erected penis.

Soft molded earthenware, painted in cold-applied colors and gold and silver.

Japan, 1960s or earlier.

H 4 in.

Colors and metal pigments chipping, otherwise good condition. Because of the cold application, the colors are fragile and easily wash away.

Rare subject matter

Okame standing in blue over-kimono with a sweet and cheerful facial expression. Her garment falls open a little, showing a red colored underkimono or liner, indicating her profession. Cradled in her arms is a large matsudake mushroom...

A sitting lady in Heian era court dress and hair, clutching a giant golden matsudake mushroom. She wears a bright red hakama and light blue kimono. The shape of the mushroom has a close resemblance to a penis and the sculpture definitely has an erotic meaning.

Hand modeled, soft hollow earthenware, painted in cold-applied colors and gold.

Japan, 1960s or earlier.

H 5 in.

Colors somewhat smudged and chafed; frittings at the bottom edge...

Japanese Silk Embroidery Seascape, Unsigned, 16 x 17"

Small and cute box for keeping incense, called kogo, originally used in the tea ceremony. Hand modeled coarse red stoneware with small sediment and mineral inclusions...

A Beautiful Modern Maki-e Lacquer Kogo, Container for Incense. The lid and sides are decorated with stylised rocks among waves rendered in low relief with different techniques: kirigane ( small squares of gold foil), fundame (mat gold ground), nashigi (sprinkled gold powder) and shakudo on a kuro roiro shiage (polished black lacquer) background A beautiful object for tea ceremony! Inscribed and signed wooden box tomobako. Size: Diam 7,5 h 2 cm. Showa Period, probably from the 60’s...

Baby's yogi which is one kind of bed cloth, a top cover in the shape of kimono. It has cotton cloth with katazome (stencil-resist-dye) for outside and indigo cotton for the lining. It has thick cotton inside for warmth and was used in the cold district or in winter. It is from Fukushima prefecture in Tohoku district. In good condition but has some light stains in the wrists and mending patches in the top shoulder. The first half of the 20th century. 92cm x 88cm

Aoki Seiko (b. 1880)
Mt. Fuji and Sailboat (Fuji Yama)
Size: Kotanzaku. Approximately 24.8 x 12.0 cm. 9.75 x 4.75 inches.
Date: ca. 1910.
Artist's signature and seal at lower right.
Publisher: Matsumoto (No. 367). Original publisher's tag on back.
Medium: Japanese woodblock print.
Condition: A few marks in sky. Small bends at top and bottom edges.

Here is another sophisticated Karatsu Chawan, which represents the wabi sabi philosophy of Japan at its best with expected impressions of roughness, austerity and intimacy.

This Karatsu-yaki tea bowl with its wonderful surface is about 80-90 years old.

It comes with its from the artist originally signed and sealed wooden box.

No chips or cracks.

Size: 6,9 cm height x 14,1 cm in diameter.

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Arai Yoshimune
Five-Storied Pagoda
Date: ca. 1910.
Size: Approximately 17.2 cm 12.6 cm. 6.75 x 5.0 inches.
Artist's seal at lower left.
Publisher: Matsumoto (No. 429).
Condition: Light wave in paper where the original publisher's tag is applied to the back. Some toning of paper.
An early and rarely seen design.

Ceramic chawan (tea bowl) for tea ceremony with multifaceted outside and enso circle shape foot. Unusual piece made in marbled technique with resulting surface perfectly imitating twisted patterns of a burl wood. The effect is achieved by laminating different colored clays together and throwing them on a wheel to develop a swirling and spiraling effect...

LACQUERER'S WHEEL

Wheel for lacquering used by Japanese lacquer craftsman as a handmade professional tool made of wood, iron, and *cloth (*coating the top plate, though looks like wood), from Aizu area, Showa period, mid 20th century, approx...

VOTIVE EMA

Set of four various 'Ema' (lit. 'Horse picture') as Japanese worshipper's wooden tablets, Showa period, early-mid 20th century. Large: approx...

Rare Japanese Zenibako or coin box used by merchants and shop keepers the coins would be dropped through the hole on the top the front has hand forged iron loops and pulls for locks, no locks included. Wonderful old lacquer finish showing countless years of use. Great as a hole coin box for all the change. Collected in Kyushu Japan in the 1990s. Size 13" by 8" by 9"

Title: Rainbow hair. Silkscreen print. Year: 1973 Edition no 49 / 200 Picture size: L 56 x 38 cm; Frame size: 65 x 50 cm. Very good condition, fresh and vibrant colours! ***** Ay-O (b. 1931) is the artist name of Takao Iijima, born 1931 in in Ibaraki prefecture Ay-O has become famous in and outside of Japan as "Rainbow Man" for his serigraphs and etchings in strong rainbow colors, used in all kinds of shapes and with an abundance of creative imagery - sometimes with a subtle humour...

Highly unusual ovoid flower vase with an art deco decoration of four pairs of Native Americans standing face to face in war dress...

Minsa obi (sashi) made in Taketomi Island in Okinawa. The features of Taketomi Minsa obi are: both wefts and warps are machine-spun cotton and handwoven. It has four and five block warp kasuri pattern and both selvedges have uneven horizontal stripes which symbolize mukade (centipede). Minsa obi was a gift from a woman to a man meaning acceptance of engagement in old days. In excellent condition. 20th century. 8cm x 2m4cm u

Dark brown bamboo ikebana basket with twisted handle.

Ikebana or Ka-do (the way of flowers) is a traditional Japanese art of flower arrangement. Unlike Western floral art, ikebana does not aim to emphasize only the beauty of the flowers and the harmony of colours. This art wants to enhance the vase, the stems, the leaves, the branches as much as the flower itself.
The structure of the floral arrangement is based on three symbols: the sky, the earth and humanity.

HONEYCOMB ROOSTER

Rooster of Japanese honeycomb paper craft called 'Denguri' (lit. Somersault) in Japanese for its acting as "fliping it over", Showa period, pre-1960s, approx. 24 x 20cm (9.44 x 7.87in) when folded.


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Spring Field
Artist: Unidentified.
Size: Approximately 5.625 x 3.625 inches 14.2 x 9.2 cm
Date: ca. 1910.
Publisher: Matsumoto (No. 425).
Medium: Japanese woodblock print.
Condition: Excellent. Wave in paper where original publisher's tag is attached to the back.
The Matsumoto catalog states, "Butterflies are flitting to and fro among the flowers."
An early and rarely seen design.

Ikebana basket (hanakago) made of bamboo wickerwork of elongated cylindrical shape. Accompanied by a natural bamboo vase and a carrying box.

Signed Nakata Kinseki (中田錦石, 1902-1959) on the underside of the basket (錦石作, Kinseki saku, "made by Kinseki). He is a disciple of Iizuka Hôsai II (1872-1934). Iizuka Hôsai II, originally from Tochigi Prefecture, moved to Tokyo in 1910 where he continued the family tradition of bamboo art. He trained his brothers and Nakata Kinse...

A beautiful example of Ohi inspired Raku-ware; the body of this stylish tea vessel is a mix of a dark black gradating to charcoal grey with undertones of reddish maroon. A hasami-no-ato mark can be seen where the tongs were used to remove this piece from the kiln, and the potters mark can be seen near the foot of the bowl. Simple and refined, perfect for collectors and practitioners of tea alike.

Born into a generational line of tea-ware potters from Kanazawa, Fumiaki Kaihatsu (b. 1...

Shoda Koho
Country Scene (With Moon) from the Hasegawa Night Scenes series. Also known as "Canal by Moonlight"
Size: Chuban. Approximately 10.125 x 7.5 inches.
Date: 1910-38.
Publisher: Hasegawa/Nishinomiya Yosaku.
Sealed by artist. "Made in Japan" stamped on lower right verso.
Medium: Japanese woodblock print.
Condition: One dot of foxing in lower sky amongst trees.
Compare with our Koho074 Country Scene With Moon (Canal) (2).

Arai Yoshimune
Sailing Boats at Anchor Under the Moon
Date: ca. 1910.
Size: Approximately 25.8 x 12.5 cm. 10.125 x 5.875 inches.
Artist's Yoshimune seal at lower left.
Publisher: Matsumoto. Catalog No. 385 tag on back.
Condition: Small white surface marks in sky. Verso has a couple of faint foxing marks near top. Margin mark.
Compare with our Yoshimune036 "Sailing Boats and Moon (1)."

Japanese Meiji Copper or bronze on metal trinket or stash box, the lid with a formal geisha and a dog playing with a ball . The background there is mountains with pagodas the sides have flying birds with landscapes. The box has wear as seen in images. These are usually listed as bronze or copper but they are copper or bronze over a heavy metal base. Size almost 2.5" w by 1.75" d by 1" high

WOODEN HANDLED BOX

The Mingei. Showa period, Pre-1950, Japan. approx. 44 x 28 x 15cm (17.32 x 11.02 x 5.90in)


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A large and very attractive, lobed Kutani vase with a high neck in porcelain. The piece is decorated w. a mottled, preussian-blue glaze over which are purplish splashes covering the upper part. Signed in the bottom with a seal Kutani Yasokichi (1907–1997), (second generation Tokuda, and father of Living National Treasure Tokuda Yasokichi. Accompanied by fully signed kiri-box. Japan, Showa, ca. 1970. H 29 cm. CONDITION: Flawless.

Japanese Edo Dynasty Bronze vase with bamboo and florals . Late 18th early 19thc copper bronze color with bamboo side handles there is a small loss to the tip of one branch. H 6.5" w 5.25"

Aoki Seiko (b. 1880)
Flying Cuckoo
Size: Approximately 9.75 x 4.625 inches. 24.8 x 11.8 cm.
Date: ca. 1910.
Publisher: Matsumoto Print Works. Cat. #360 tag on back.
Medium: Japanese woodblock print.
Condition: Slight creasing where publisher's original tag is attached to back. Small dash mark indentation under bird.
- Rarely seen.

Kaoru Kawano
Camellia (G) (Tsubaki)
Date: 1950
Size: Double oban. 23.75 x 18 inches.
Edition: 46/200.
Self-carved by Kawano.
Sealed by the artist at lower right.
Signed, titled, and numbered at lower margin.
Medium: Japanese woodblock print.
Condition: The thick paper has some thinner areas on the back from removal from backing. Slight toning line in margin.

Occasionally while browsing through the temple markets of Kyoto or perusing backstreets tea-ware shops, an attractive piece will catch my eye for no particular reason. When this happens, I typically buy it immediately without hesitation, trusting that I will be able to place it to a specific period or kiln given enough time and research. In some cases however, this proves to be a fruitless task and I am left only to appreciate the beauty and form of the object without having access to too many d...

Cotton kimono with geometric pattern. The weaving technique is "Kobai-ori" which is woven with thick and thin yarn loosely so that it is translucent. In excellent condition. Mid 20th century. 142cm x 124cm

Silk meisen kimono with double kasuri block pattern. It has red cotton lining so that it was made in early Showa, 1930s. In excellent condition except for tiny moth holes in wool muslin cloth in the wrists inside. 126cm x 144cm

Beautifully plaited bamboo basket by Iizuka Sounsai of the famed Iizuka Family of reknown basket makers in the Taisho and Showa eras. Signed on the reverse with an incised signature by the artist: Kyokusho Saku or Made by Kyokusho (Iizuka Kyokusho, the go or art name of Iizuka Sounsai, active early 20th century). Late Taisho – early Showa era, circa 1920 – 1940. Iizuka Kyokusho was a brother of Iizuka Rokansai and Iizuka Hosai. He worked in Tokyo, and liked to work with slat bamboo. 12" t...

1970's Japanese Bronze Kannon Buddha Marked Takamura

It is 15.5 inches (39.5 cm) tall by 4.6 inches (11.7 cm) wide. It is 2671 gram (5.9 Lb).

It has a chip at the hat tassel, oxidation, surface wears and scratches (as seen in the photos).

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KILN TOOL, KOBACHI

Used for pottery firing. Mino region, Japan, Showa period, early-mid 20th century, approx. D 16 x H 12cm (6.29 x 4.72in)


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Unusual green striped overglaze on a tsubo jar. Usually found on shochu sake or soy jars from Shigaraki, a famed pottery area outside of Kyoto. Signed by jinpuku. 15" tall and 12" in diameter. great condition. ask for shipping quote from california warehouse.

Set of 6 1930's Japanese Goldstone Cloisonne Plate with Phoenix

Each plate is 0.8 inch (2.1 cm) tall by 7 inches (18 cm) in diameter. They are 4 Lb.

They have minor loss of enamel and surface wears and scratches. One the the plate has enamel cracks at the bottom (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amo...

Tadamasa Ueno (Torii Tadamasa)
Kumadori Ju-hachi Ban. Makeup for Asagao Senpei from Sukeroku. Eighteen Famous Kabuki Plays.
Date: 1940. First edition.
Size: 15.75 x 10.75 inches.
Publisher: Watanabe Shozaburo. Seal E (1932-42) at lower left margin.
Signed and sealed at upper left.
Condition: Fading in the blues. The upper background was tinted blue where formerly matted.

Paul Jacoulet
La Gerbe D'Anthurium, Angur, Mer du Sud (The Spray of Anthurium Flowers, Angur, South Seas)
Date: July 15, 1951.
Fewer than 150 impressions made. This example has no edition seal visible. Jacoulet's fancy PJ seal is covering another seal on the back.
Size: 18.625 x 14 inches.
Ivy seal. Carver: Maeda. Printer: Honda.
Reference: No. 118 in The Prints of Paul Jacoulet by Richard Miles.
Condition: Excellent color. Light creasing in margins. Top back ...

THE GREATEST GRATER

I have never seen such a radish grater! Anonymous mingei masterpiece for real. Pottery. Meiji-Taisho period, early 20th century, Japan. approx. 19 x 35 x H 15cm (7.48 x 13.77 x 5.90in)


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Ohara Hoson (Koson)
Carp jumping for insect, wisteria above
Size: Oban. Approximately 14.625 x 10.75 inches.
Date: 1931.
Publisher: Kawaguchi and Sakai. Publisher's seal in right margin. Carver (Ito) and printer (Komatsu) seals in left margin.
Bear Koson's "Hoson" signature and seal.
"Made in Japan" stamped on verso as well as the number 39.
Reference: H39.1 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese...

Rather unusual 1930s Japanese porcelain covered inkstone with underglaze decoration. The side of the base is inscribed with a very long text, the top of the cover has a short poem and a figure of a man in robe lighting his pipe from ambers in the brazier. Possibly Arita ware, very nice modeling of the central raised area with rougher side surface for grinding ink, remnants if dried ink in the well. Marked on the bottom in seal script with 4 characters which can be translated as “Made with indi...

Japanese Satsuma Vase with Butterfly Marked " Kinkozan Zo"

It is 7.5 inches (19 cm) tall by 4.7 inches (12 cm) wide. It is 0.7 Lb.

It has rubbing of gold and surface wears (as seen in the photos).

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Eijiro Kobayashi
A High Bridge by Night.
A design influenced by James Whistler and Hiroshige.
Series: Hasegawa Night Scenes.
Date: 1910. This edition 1938-1960.
Eijiro seal at lower left.
Size: Chuban. Approximately 10.75 x 8.0 inches.
Publisher: Hasegawa/Nishinomiya Yosaku. No. 1241 in Hasegawa catalog. Nishinomiya stamp in left margin.
"Made in Japan" stamped on verso. Artist noted in pencil on back.
Medium: Japanese woodblock print.
Condition...

OH MY GOD

Incomplete remains of the face of a monk who is crying when Buddha died, originated from 'Nehan-zu' (Nirvana painting). Pottery. Showa period, early-mid 20th century, Japan. approx. H 5cm (1.96in).


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Vintage Japanese burlwood stand of irregular shape, to be used for placing small objects during tea ceremony or display of okimono. Wonderful dense wood with supremely beautiful texture resembling swirling clouds, in excellent condition. Length 4 1/4 inches, width 3 inches, height 1/2 inches.

Vintage Japanese burlwood stand of irregular shape, to be used for placing small objects during tea ceremony or display of okimono. Wonderful wood with supremely beautiful texture resembling swirling clouds, in excellent condition. Length 4 1/4 inches, width 2 3/4 inches, height 5/8 inches.

Old (1930's) Japanese Gilt Silver Presentation Box

It is 0.79 inch (2 cm) tall by 3.2 inches (8.2 cm) wide by 2 inches (5 cm) long. It is 278.3 gram .

It is tarnished and has surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid. All you need to do is return the item to u...

IRON LAMP

Teapot-formed 'hyosoku' (oil lamp) of such disciplinedly simplified design. Showa period, early 20th century, Japan. approx. 11 x 12 x H 5.5cm (4.33 x 4.72 x 2.16in)


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Untitled woodblock print of a mountain village and two figures by Jun-ichirô Sekino (1914-1988). A monochromatic rural scene depicting a row of buildings against a backdrop of trees. In the foreground is a man with net and a boy carrying two buckets on a pole across his shoulders. A lovely example of Sekino's interest in patterns (especially rooftops) combined with his appreciation for people in their familiar surroundings.

Jun-ichirô Sekino traveled widely, not just throughout ...

Woodblock print of a maiko. She sits in profile, dressed in a flowing kimono decorated with a colorful fan motif. Here ornate obi is embellished with details in gold leaf. In the background is a design of waves in blue and white on a dark gray ground.

Jun-ichirô Sekino traveled widely, not just throughout Japan but also in America, Mexico, Africa and Europe. He started making woodblock prints early in his middle school days and was prolific until his death in 1988 at age 74. He...

SUNFLOWERS

Vintage wooden magazine rack with handle, like a boom box, probably made in Japan, Showa period, 20th century. approx. 42.5 x 16 x H 42cm (16.73 x 6.29 x 16.53in). Some expected use-wear as is.


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Kawase Hasui
Mount Fuji, Narusawa
Date: 1936.
Publisher: Watanabe Shozaburo. Black 6mm Watanabe seal in lower left corner, indicating a lifetime edition printed between 1946-1957. We've marked in red the location of the lightly applied black seal.
Size: Oban. Approximately 15.5 x 10.5 inches.
Reference: Hotei #395.
Medium: Japanese woodblock print.
Condition: Pristine. Removed from original folder. Two original drying pinholes at top margin.