Chinese cinnabar lacquer box in the form of a lobed squash or fruit with stem for handle, deeply carved with intricate scenes of flowers and butterflies, interior is lacquered black.
Mid 20th century.
Size: 6" wide x 3 1/2" high including stem
A pair of Chinese Huanghuali trays with scalloped edges.
Date: Republic Period (1910-1920)
Dimensions: 11" diameter X .75 deep
A rare antique Chinese apple green Peking Glass snuff bottle with stopper. The bottle has rounded shoulders and a thin carved oval shaped foot. The jade lid with a coiled dragon and bone spoon. Chinese glass was largely used to imitate more precious materials such as white jade, Lapis Lazuli and other valuable minerals.
Provenance Howard Capland Collection
Dimensions: 3.25" X 2.5"
Date: early 1900's
A wonderful hand-modelled Aka Raku tea bowl with compressed ring foot and covered with a red and black glaze - made by legendary 12th generation Kichizaemon Kônyû (1857-1932). His childhood name was Kozaburo, later became Kicho (or, Yoshinaga). He was the eldest son of Keinyu, the eleventh generation master. In 1871, he succeeded the family business and became the generation master. In 1919 he retired and took the name as Kônyû...
Japanese 4-panel screen painting depicting a scene of ducks swimming along the edge of a pond or stream. Tall grasses and rocks rise from the water. Painted in mineral colors on gold ground.
Showa Period (circa late 1940's)
Dimensions: 34 1/4" high x 60" long
This masterful rendition of an idilic landscape done in the Nanga style of Chinese painting is spread across three canvases titled 1) “Arashiyama” (A district nestled at the foot of Kyoto’s eastern mountain range), 2) “Kyomizu-dera” (One of Kyoto’s most iconic temples located in the western foothills), and 3) “Tatsuta” (An area west of Kyoto on the edge of Lake Biwa, known for its expansive fields of lotus flowers)...
In Japan every season and every phase of the year is marked by the presence of a flower, the most noted of course being the cherry blossoms signifying the long-awaited arrival of spring. Lesser known to the outside world is the importance of the iris flower marking the end of spring and the beginning of the summer months. Growing along river banks and in other wetland, the iris is thought to have purifying properties to ward off evil and is also associated with the expression of heroic deeds...
A fairly large Korean style Buddhist painting portraying the image of the Water Moon Avalokitesvara or Suwol Gwaneum in Korean. The Avalokitesvara is dressed in vestments and accessories common to the figure of a Bodhisattva and has the water vessel which offers blessings to all sentient beings. The bodhisattva is attended by a boy figure known as shan nanzi who often seen in pictorial and textual depictions in East Asian Buddhism. Age: 20th century. Size: height 105.5" width 53"
A superbly well balanced Kuro Raku Chawan made by one of the few masters of this genre, Ogawa Choraku (1912-1991), second heir to the Choraku lineage of Raku potters.
The founder of the Choraku lineage studied under Keinyu (11th Raku) and Konyu (12th Raku) of the Raku Kichizaemon family, and in 1904 with the support of Konyu, founded his own kiln in Kyoto. He received the name Choraku in 1906 by Choyuken, the head of a very influential tea ceremony association...
Hiroshi Yoshida
Bamboo Wood
Date: 1939.
Size: Oban. Approximately 16.25 x 11 inches.
Signed and sealed in the image and lower margin.
Jizuri seal at upper left margin indicating self-printing by the artist.
Published by the artist.
Reference: Abe #229.
Medium: Japanese woodblock print.
Condition: Margin has light toning and creasing.
- Depicts a scene in Saitama Prefecture.
Ikebana basket (hanakago) in wickerwork of polished bamboo of elongated cylindrical shape, with a twisted handle in shape of a bamboo.
Ikebana or Ka-do (the way of flowers) is a traditional Japanese art of flower arrangement. Unlike Western floral art, ikebana does not aim to emphasize only the beauty of the flowers and the harmony of colours...
A large Japanse woodblock print, by famed artist Tadashi Nakayama. The depiction is the shadow of a bronze Giboshi (architectural post) against a large Buddhist temple door, with silver leaf accent hardware. Signed, dated in pencil, number 24/50.
Dated 1961
Dimensions: 33"L x 26" H (overall) 31" L 24" H (image only)
A wooden sculpture carved from a single block of wood of kannon or kwan yin. The work takes inspiration from the 6th century image at Horyuji temple in Ikaruga, Nara. Jimbo Yutaka (1923~) is known throughout Japan for his wooden sculptures and has done numerous exhibitions. The work comes with a tomobako with the inscription of the title of the work and the artist's signature and seals. The work also contains a signature by the artist. Age: Late Showa Period (1970-1980)...
Large russeted jade natural formed boulder with interesting variegated coloration on modern wooden base.
An antique Chinese monochrome cucumber green beaker. The beaker was used as a drinking vessel. It has a cylindrical shape with a trumpet shaped top and flared base and with no handle or stem.
Date: 18th C, Qing Dynasty
Dimensions: 5.25" high X 3.5" diameter
Elizabeth Keith (1887-1956)
Chinese Matriarch, Soochow
Date: 1934.
Sheet size: 17.625 x 13.625 inches. Image size: 13.25 x 11.75 inches.
Publisher: Watanabe Shozaburo.
Signed and titled in pencil by the artist.
Medium: Colored etching.
Provenance: Henry McBride collection.
Condition: Upper right corner margin crease...
Ohara Hoson (Koson)
A Nest of Swallows
Reference: An uncatalogued design.
Size: Oban. Approximately 14.75 x 10.5 inches.
Date: ca. 1930. First and only edition.
Publisher: Kawaguchi and Sakai. Publisher's seal in right margin. Carver (Maeda) and printer (Komatsu) seals in left margin.
Koson's "Hoson" signature and seal at lower right.
Medium: Japanese woodblock print.
Condition: Slight fading. Light creasing through artist's seal and lower margins.
Kawase Hasui
Evening in Beppu
Souvenirs of Travel, third series.
Date: 1929.
Publisher: Watanabe Shozaburo. A first edition with the Watanabe A seal in the right margin.
Size: Oban. Approximately 15 x 10.25 inches.
Hasui signature and seal at lower left.
Reference: Hotei No. 143.
Medium: Japanese woodblock print.
Condition: The back has two spots of foxing. Tone line in margins.