First edition Japanese shin hanga woodblock print by Toshi Yoshida (1911-1995) titled in kanji and English "Cherry Blossoms by the Gate" and dated in the left margin 1951. The artist's red seal is at the lower right with the pencil-signature below. Paper: 15 3/8" x 10 1/4" (image: 14 1/2" x 9 1/2"). Very good overall condition with slight waviness to the paper.

Kawase Hasui
Dusk at Tagonoura Beach
Size: Oban. Approximately 15.5 x 10.75 inches.
Date: 1940. This is a lifetime edition produced between 1946-1957.
Publisher: Watanabe Shozaburo. Black 6 mm publisher's seal at lower left corner.
Hasui signature and seal.
Reference: Hotei #233.
Medium: Japanese woodblock print.
Condition: Excellent. Two original drying pinholes in margin.

A pair of old Chinese jadeite jade earrings with 14k gold backing, in excellent condition. L:6cm

Attributed to Eijiro Kobayashi
High Bridge at Night (Inspired by James Whistler's "Nocturne")
Date: This edition 1938-60.
Size: Approximately 10 x 7.5 inches.
Publisher: Nishinomiya Yosaku.
"Made in Japan" stamped on verso.
Marginless as originally issued.
Medium: Japanese woodblock print.
Condition: Excellent. A few small surface scuffs.
After "Nocturne in Blue and Gold; Old Battersea Bridge" by James Whistler

Enigmatic script in Doro-e raised design decorates the sides of this simple white glazed chawan by 20th centiury Master Kawai Kanjiro enclosed in a wooden box endorsed by his wife Tsune. Brief tinges of subdued red appear through he cloudy white glaze. It is 5 inches (12.5 cm) diameter, 4 inches ((10 cm) tall and in perfect condition. Kanjiro was a true artist by nature, and together with Hamada Shoji, set a pattern of study for modern potters...

Guangdong, mid 20th century. H. 34 and 31,5 cm. Custom made stands included.

Ito Yuhan
Tsukuda Jima
Date: 1930s.
The verso is stamped "Made in Occupied Japan," dating this edition between 1947-1952.
Size: Oban. Approximately 16.0 x 10.75 inches.
Publisher: Nishinomiya Yosaku. Seal at left margin.
Artist's signature at lower right.
Medium: Japanese woodblock print.
Condition: Very good with inky area at upper right corner and one dot in left sky.

Horses dash past in a fervent black mass both carved into and built up onto the paddled surface of this large vessel ballooning open from a narrow base by Nakazato Tarouemon XIII enclosed in the original signed wooden box. Inside the box is written Tataki Tsubo (Paddled Vessel), Kurabe Uma (Horse Race), exhibited Autumn 1958 at the Tokyo Mitsukoshi Sports Theme Art Exhibition; Ochawangama, Nakazato Tadao (given name of Nakazato Tarouemon XIII) followed by the artists seal...

A heavily glazed early square pottery dish by Kimura Ichiro enclosed in the original signed wooden box. The sandy clay appears to have been twice fired, the first firing unglazed with a simple ash burn later a very thick feldspathick glaze wiped on and re-fired. It is roughly 11 by 11-1/2 x 2-1/2 inches (28 x 29 x 6 cm) and is in good condition, no chips or cracks but some color has soaked into the crackled white glaze...

Dramatic waves are combed into the clay surface of this large Toban Platter by Living National Treasure Suzuki Osamu (Kura) covered in glass-like copper green; unusually signed and dated on bottom 1957 and enclosed in an artist signed wooden box...

Kawase Hasui (1883-1957)
Shinagawa (Rainy Season at Ryoshimachi)
Size: Oban. Approximately 15.5 x 10.25 inches.
Date: 1931.
Publisher: Watanabe Shozaburo. Round, black 6 mm seal at lower right, indicating a lifetime printing (1946-1957).
Signed and sealed by the artist.
Medium: Japanese woodblock print.
Reference: Hotei #218.
Condition: Original drying pinhole in left margin. Slight fading.
"Shinagawa was the 1st station on the Tokaido." - Hotei.

Massive Vintage Japanese Shigaraki Ware Tsukubai Jar made 70-80 years ago. Shigaraki ware belongs to one of the Six Old Kilns in Japan and originates from Koga town in Shiga Prefecture.
Among the unique features of Shigaraki pottery there are colour shades and patterns of red, brown and pink obtained by the firing due to the fire-resistant coarse soil as well as the dark tones of burnt by natural glaze...

Leaf images in various seasonal shades decorate the raw earth of these expertly crafted dishes by legendary artist Kitaoji Rosanjin, the set enclosed in a double box, the inner box the original age darkened kiri-wood box signed by Rosanjin, the outer box later covered in black lacquer showing the esteem for which both this dish set and box were afforded. On bottom is the star mark, indicating these were made for use in his restaurant...

The Choraku line of potters began when a student of Kichizaemon XI (Keinyu) and Kichizaemon XII (Konyu) opened an independent kiln in Kyoto in 1904. The line was officially given the name Choraku in 1906 by Choyuken, the head of a very influential tea ceremony association. Red Raku chawan are a favorite of tea enthusiasts and seem to have a face for every mood. In the right light they may appear like an amber sunset on the horizon. In another light, like lanterns moving through a misty field...

A tall stem-footed Hagi flower vessel enclosed in the original wooden box by Yamato Yasuo. It was created in that postwar age when once again expression was finding a voice in Japan, and the early avant-garde potters such as Yamato Yasuo and Kumakura Junkichi were reaching beyond tradition as a means of verbalizing their interpretation of Japan in a new age...

Kawase Hasui
Kanestuki Hall Bell Tower, Okayama
Size: Oban. Approximately 15.25 x 10.5 inches.
Date: 1947
Publisher: Watanabe Shozaburo. Watanabe 6mm seal at lower right, indicating a first edition printed between 1946 and 1957.
Reference: Hotei #500.
Medium: Japanese woodblock print.
Condition: Excellent. Back top margin has tape residue. Very slight bend lower right corner. Pencil notation at lower back margin.

Unsigned. Attributed to Kawase Hasui.
Boat On A Snowy Lake
Size: 5.75 x 3.5 inches.
1930s to 1950s.
Publisher: Watanabe Shozaburo.
Condition: Excellent.

A simple design paired with a harmonious and powerful symmetry with the rectangular shapes of the eyes and mouth, this mask exemplifies the design of many Himalayan masks. Very hard wood blackened by smoke with irregular deposits of soot. This mask comes from Eastern Nepal. Obvious signs of good aging circa mid 20th H24.5 cm, 15 cm