A fairly large Korean style Buddhist painting portraying the image of the Water Moon Avalokitesvara or Suwol Gwaneum in Korean. The Avalokitesvara is dressed in vestments and accessories common to the figure of a Bodhisattva and has the water vessel which offers blessings to all sentient beings. The bodhisattva is attended by a boy figure known as shan nanzi who often seen in pictorial and textual depictions in East Asian Buddhism. Age: 20th century. Size: height 105.5" width 53"
Kawase Hasui
A Yangban (Korean Official)
Date: August 1935 (First and only edition)
Size: Dai-oban. Approximately 17 x 12 inches.
Signed and sealed by the artist.
Publisher: Watanabe Shozaburo.
Reference: Hotei #357.
Medium: Japanese woodblock print.
Condition: Excellent.
A wonderful hand-modelled Aka Raku tea bowl with compressed ring foot and covered with a red and black glaze - made by legendary 12th generation Kichizaemon Kônyû (1857-1932). His childhood name was Kozaburo, later became Kicho (or, Yoshinaga). He was the eldest son of Keinyu, the eleventh generation master. In 1871, he succeeded the family business and became the generation master. In 1919 he retired and took the name as Kônyû...
This masterful rendition of an idilic landscape done in the Nanga style of Chinese painting is spread across three canvases titled 1) “Arashiyama” (A district nestled at the foot of Kyoto’s eastern mountain range), 2) “Kyomizu-dera” (One of Kyoto’s most iconic temples located in the western foothills), and 3) “Tatsuta” (An area west of Kyoto on the edge of Lake Biwa, known for its expansive fields of lotus flowers)...
A rare antique Chinese apple green Peking Glass snuff bottle with stopper. The bottle has rounded shoulders and a thin carved oval shaped foot. The jade lid with a coiled dragon and bone spoon. Chinese glass was largely used to imitate more precious materials such as white jade, Lapis Lazuli and other valuable minerals.
Provenance Howard Capland Collection
Dimensions: 3.25" X 2.5"
Date: early 1900's
Japanese 4-panel screen painting depicting a scene of ducks swimming along the edge of a pond or stream. Tall grasses and rocks rise from the water. Painted in mineral colors on gold ground.
Showa Period (circa late 1940's)
Dimensions: 34 1/4" high x 60" long
A wooden sculpture carved from a single block of wood of kannon or kwan yin. The work takes inspiration from the 6th century image at Horyuji temple in Ikaruga, Nara. Jimbo Yutaka (1923~) is known throughout Japan for his wooden sculptures and has done numerous exhibitions. The work comes with a tomobako with the inscription of the title of the work and the artist's signature and seals. The work also contains a signature by the artist. Age: Late Showa Period (1970-1980)...
A large Japanse woodblock print, by famed artist Tadashi Nakayama. The depiction is the shadow of a bronze Giboshi (architectural post) against a large Buddhist temple door, with silver leaf accent hardware. Signed, dated in pencil, number 24/50.
Dated 1961
Dimensions: 33"L x 26" H (overall) 31" L 24" H (image only)
Raised designs in slip decorate the yellow glaze of this deep bowl by Kawai Kanjiro enclosed in a kiriwood box titled O-yu Tsutsugaki-mon Wan annotated by Kawai Toshitaka, current head of the Kawai Kanjiro Museum. This piece dates from later in the artists illustrious career, 1950s-1960s. It is 4 inches (10 cm) diameter, 3-1/4 inches (5 cm) tall and in excellent condition...
Chinese cinnabar lacquer box in the form of a lobed squash or fruit with stem for handle, deeply carved with intricate scenes of flowers and butterflies, interior is lacquered black.
Mid 20th century.
Size: 6" wide x 3 1/2" high including stem
An antique Chinese monochrome cucumber green beaker. The beaker was used as a drinking vessel. It has a cylindrical shape with a trumpet shaped top and flared base and with no handle or stem.
Date: 18th C, Qing Dynasty
Dimensions: 5.25" high X 3.5" diameter
Beautiful Chinese hardwood seal treasure box, possible Zitan or Wumu wood,with all over carved design of complex geometric motifs and dragons. Four drawers are hidden on each side with dividers inside for storing and organizing seals. Its stand is intricately carved with spirals and flowers. Dates from the 20th century.
Size: 9.75" L x 9.75" W x 6" H
A superbly well balanced Kuro Raku Chawan made by one of the few masters of this genre, Ogawa Choraku (1912-1991), second heir to the Choraku lineage of Raku potters.
The founder of the Choraku lineage studied under Keinyu (11th Raku) and Konyu (12th Raku) of the Raku Kichizaemon family, and in 1904 with the support of Konyu, founded his own kiln in Kyoto. He received the name Choraku in 1906 by Choyuken, the head of a very influential tea ceremony association...
Ikebana basket (hanakago) in wickerwork of polished bamboo of elongated cylindrical shape, with a twisted handle in shape of a bamboo.
Ikebana or Ka-do (the way of flowers) is a traditional Japanese art of flower arrangement. Unlike Western floral art, ikebana does not aim to emphasize only the beauty of the flowers and the harmony of colours...
Elizabeth Keith (1887-1956)
Chinese Matriarch, Soochow
Date: 1934.
Sheet size: 17.625 x 13.625 inches. Image size: 13.25 x 11.75 inches.
Publisher: Watanabe Shozaburo.
Signed and titled in pencil by the artist.
Medium: Colored etching.
Provenance: Henry McBride collection.
Condition: Upper right corner margin crease...
Kawase Hasui
Evening in Beppu
Souvenirs of Travel, third series.
Date: 1929.
Publisher: Watanabe Shozaburo. A first edition with the Watanabe A seal in the right margin.
Size: Oban. Approximately 15 x 10.25 inches.
Hasui signature and seal at lower left.
Reference: Hotei No. 143.
Medium: Japanese woodblock print.
Condition: The back has two spots of foxing. Tone line in margins.
Ohara Hoson (Koson)
A Nest of Swallows
Reference: An uncatalogued design.
Size: Oban. Approximately 14.75 x 10.5 inches.
Date: ca. 1930. First and only edition.
Publisher: Kawaguchi and Sakai. Publisher's seal in right margin. Carver (Maeda) and printer (Komatsu) seals in left margin.
Koson's "Hoson" signature and seal at lower right.
Medium: Japanese woodblock print.
Condition: Slight fading. Light creasing through artist's seal and lower margins.
A large shiwan (shekwan) sculpture of an Aesthetic riding a pomegranate red foo lion. The glaze is thick and glass-like with a natural crackle that only comes from age. The clay’s color and some ash residue (a good thing) indicate that this piece was fired in a dragon kiln about 5 - 15 miles upstream from Foshan.
The Immortal’s robes are glazed with a rich translucent celadon color. There are two peaches at his side and he is holding a single peach in his upright hand...