From a well-known series entitled “Chōtō” (Listening to the Waves) this large contoured vase features a sandy glaze that the sculptor claims is an expression of the features of the landscape where he grew up. The Chōtō series that launched his career proved to be wildly popular and today a number of pieces are held by museums around the world including: Brooklyn Museum; Hyôgo Museum of Ceramics; Metropolitan Museum of Art; Minneapolis Institute of Art; Musée National de Céramique, Sè...

Set of 12 Modern Gothic sterling silver demitasse holders. Made by Tiffany & Co. in New York, 1927. Each holder: Drum-form holder with stepped rims. Each saucer: Deep plain well and canted rim. Engraved interlaced arcade with stylized pendant flowers and fleurs de lys (fleurs de lys pierced on holders). A hearkening back to the Aesthetic Movement a half century before though stylistically compatible with 1920s Art Deco. With: Cream porcelain liner with gilt mouth rim bands.

Fully marked inclu...

Danish Biedermeier Gothic Troubadour silver hunting horn on stand, 1855.

Horn has two applied bands with leafing scrollwork and cast green man applied to front. At top a third band with mandolin-strumming maidens and coat of arms-bearing pages in cloister colonnade. Cover domed with leaf-mounted cast figural finial in form of winged Classical man in drapery and helmet pouring wine into a cup. Tail cap has acanthus leaf border with cast owl finial. Gilt-washed interior.

Shaped stand with stra...

George VI sterling silver tray. Made by Thomas Bradbury & Sons Ltd in Sheffield in 1946. Rectangular with molded rim and double-scroll corners; end bracket handles same. Traditional Georgian for the postwar era. Fully marked including retailer’s stamp (Peter Guille) and phrase “Made in England”. Very good condition.

Dimensions: H 7/8 x W 26 3/8 x D 16 in. Heavy weight: 120 troy ounces. #BY716

Splashed across a beautifully textured backdrop of shimmering black, the willow leaves painted in silver bring with them a sense of calm and contemplation. Generously proportioned though not too heavy in the hand, the wide base ensures stability while the upward curvature of the sides breaks with convention and offers a unique and decidedly modern flair.

Born in Kyoto as the 4th son of a famous lacquer artist named Shogo, Banura Shiro (1941-2001) followed suit and went i...

A testament to the brilliance of traditional Japanese craftsmanship, this lacquered mizusashi—skillfully handcrafted from bamboo—showcases a deep crimson hue that radiates warmth and sophistication. Its seamless design and flawless finish reflect the skilled hands of the first generation artisan who crafted it, achieving a harmonious balance between form and function. Designed for use in Japanese tea ceremony, this indispensable implement would love to be put back into service o...

Decidedly masculine in character with straight sculpted edges, a rich palette of color, and a calm steadiness in the hand; this tea bowl was crafted by one of Japan’s great masters, a Mashiko potter by the name of Takauchi Shugo.

A native of Tokyo, Takauchi (b. 1937) took the well-established path of working for a company after graduating from university and it was not until a number of years later—upon visiting the town of Mashiko and being inspired by the works of artists such...

Created by Living National Treasure Isezaki Jun, Bizen pieces like the one seen here originated in Okayama (south-western Japan) and have a long history that is closely intertwined with that of tea culture. Known for employing a natural-ash glazing techniques that require extremely long firing times (7-14 days) at very high temperatures, constant attention is required to ensure good results. Here Isezaki can be seen pushing the bounds of tradition Bizen orthodoxies in interesting and creative wa...

George III sterling silver epergne. Made by Thomas Pitts in London in 1774.

Reeded and beaded oval frame; at base swags threaded through fixed rings with pendant oval vase medallions, overlapping four split-mounted leafing supports terminating in pierced and scrolled oval feet. Four reeded and scrolling leaf-capped and -wrapped arms, each terminating in oval basket, mounted to frame base alternating with four reeded and scrolling leaf-wrapped arms, each terminating in round basket, mounted to ...

This lovely Shino tea bowl fashioned from coarse Mino clay is covered in feldspar glazing, has a classic ferrous abstract painting across the front, and shows nice age—most likely from early to middle Edo.

Shino-ware dates to the Momoyama period when potters were attempting to recreate white porcelain-wares that were being imported from China at the time. Originally they were made in a single-chamber anagama style kilns set into the hillsides. Later, with the advent of large-batc...

This pretty brooch with stones mounted in silver-topped 18k gold has been designed in the shape of a flower. The petals have been formed from 5 incised citrines in a warm smokey yellow-brown color which surround a cut diamond in the center. The stem of the flower and the petals' border are all highlighted by inlaid old European and rose-cut diamonds. The back has been marked with a French guarantee stamp. The brooch measures approximately 1 3/4" X 1 1/4" and was made Circa:1880. It is a lov...

This scroll contains a sutra written as [寿至蓬莱不老僊], pronounced in Japanese as “Jyu-Ita-Hōrai-Furō-Sen.” Originating from Chinese, the characters “蓬莱” refer to the mythical land of “Penglai,” home to the immortals. According to legend the trees that grow here cure all disease; there are rice bowls and flasks of wine that never go empty; and its great castles are built entirely out of gold and silver.

The brushwork is done by a Rinzai sect m...

This small vessel, similar in a shape to a tokkuri, is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre. Fired at extreme temperatures for days in an anagama, the iron in the clay and in the glaze fuse, drip, and coalesce—while at the same time bl...

Crafted with meticulous attention to detail and showcasing a soft and gracefully executed red glaze, this Raku tea bowl exudes a sense of ease, tenderness, and tranquility. Adorned with subtle crackling patterns and variations in texture, the tea bowl's surface adds to its unique and organic feel. Made by one of the true veterans of Japanese pottery, these are some of the finest Raku tea bowls you will find in all of Japan.

Sugimoto (b. 1935) is one of the most important...

Master of a very difficult technique from the Chinese Tang Dynasty (618 - 907) known in Japanese as Neriage, the potter who created this elegant vase uses extreme precision to combine sheets of differing types of clay, culminating in a unique visual effect. While many of his pieces are ringed with swirls of colors, this one is more modern and subdued. With quite a lot of character, this lovely vase will draw attention without being overpowering.

Born in Nagano, Kosei Matsui (1927-20...

A rare and beautiful set from Margot de Taxco includes a large confetti enamel Necklace with a large Fish at the center and Wave shaped links at the sides along with the matching Wave earrings. Multi colored confetti enamel with green being the dominate overall color. The necklace measures 15" long and weighs 101.2 grams. The clip back earrings measure 1 1/2" long by 1/2" wide and together they weigh 16.4 grams. The necklace is hallmarked Margot de Taxco, 5644, Sterling Made in Mexico with the e...

Engraved Hampton sterling silver coffee and tea set. Made by Tiffany & Co. in New York, ca 1920. This set comprises 8 pieces: Hot water kettle on stand, coffeepot, teapot, hot milk pot, creamer, sugar, and waste bowl on tray.

Rectilinear with tapering sides, concave corners, and stepped rim. Covers domed (pot covers hinged). Handles scroll bracket. Coffeepot and teapot spouts faceted and s-form; milk pot has short u-spout and creamer has lip spout. Tray rectilinear with concave corners and han...

Pair of George III sterling silver covered vegetable dishes. Made by Paul Storr in London in 1805. Each: Tapering bowl with gadrooned rim. Cover domed with lobed shoulder; cast coronet finial mounted to round disc with beaded border.

Engraved coat of arms of Robert Hobart, 4th Earl of Buckinghamshire (1760–1816), an early Empire allrounder, whose peripatetic career included stints as the governor of Madras, postmaster general, and chief secretary to the Lord Lieutenant of Ireland. Because he...