Late 18th to early 19th century Japanese lacquered wood Boddhisattva with his hands in praying attitude, mounted on burlwood plaque. Wonderful beatific face, quiet dignity in its posture, old nicks here and there, overall in great condition for a 200 year old piece. very pleasant patina. Newer burl board with beautiful texture resembling dense swirling clouds, nice metal fitting for hanging. Good devotional or decorative object. Board height 6 7/8 inches, figure height 3.5 inches.
A testament to the brilliance of traditional Japanese craftsmanship, this lacquered mizusashi—skillfully handcrafted from bamboo—showcases a deep crimson hue that radiates warmth and sophistication. Its seamless design and flawless finish reflect the skilled hands of the first generation artisan who crafted it, achieving a harmonious balance between form and function. Designed for use in Japanese tea ceremony, this indispensable implement would love to be put back into service o...
Japanese Jubako, traditional stacked lacquerware food boxes, represent not only culinary refinement but also an important aspect of Japanese food culture. These elegantly tiered containers, often adorned with intricate designs and vibrant colors, are integral to the presentation of special occasion meals such as New Year’s celebrations and formal picnics. Crafted with meticulous attention to detail, Jubako boxes like the one featured here showcase the artistry of Japanese lacquerwa...
Living in Kyoto it is not uncommon to come across beautiful antique tea bowls, however, finding pieces that are in good condition, aesthetically compelling, and with all of the trappings that let you know they were cared for by a devoted cha-jin can be quite challenging. Here we see all three. The shape of this tea bowl is exquisite and something I have not seen before in a Mino piece. The lacquer box, while not the original was undoubtedly custom made for this tea bowl and looks to be 100 - 200...
Japanese inlay ceramics (zōgan) are created by making incisions on the surface of a clay body which are then filled with various colored clays, creating a pattern. After the pattern is finalized, an overglaze is applied and the piece is sent to the kiln to be fired. As can be seen here, the results are quite striking and produce unique patterns that cannot be replicated through painting alone. Inlaying as a technique is thought to have originally derived from practices in metal and ...
Two Modern sterling silver drink stirrers:
1) Thin round stem with ball terminal; bowl in form of golf club head. Marked “Tiffany & Co 925”. Very good condition. Dimensions: H 7 3/4 x W 1 3/8 in.;
2) Long round stem and oval bowl; cast figural rooster terminal, suggestive of either the early-bird special or the morning-after hair of the dog cure. Marked “Tiffany & Co. Makers Sterling”. Very good condition. Dimensions: H 10 3/4 x W 1 1/4 in.
Total weight: 1.8 troy ounces. #BZ347
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Set of 6 Belle Epoque cast 950 silver candlesticks in Louis XVI style, ca 1910. Made by J. Gruhier in France, ca 1910. Each: Spool socket with stepped and detachable bobeche. Tapering paneled shaft with stippled and elongated egg-and-dart; domed foot on octagonal base. Gadrooning and reeding. Substantial and elegant. Fully marked including Minerva head and maker’s stamp. Five have retailer’s stamp for Boin-Taburet, a Paris firm associated with adapting and reproducing historic French wares. ...
German Cold War-era parcel gilt sterling silver globe. In c-scroll frame mounted to cast dolphin support in turn mounted to round foot. The world as it used to be with Us and Them (The Union of Soviet Socialist Republics) as well as a selection of secondary players. South America is made up of Brazil and Argentina and the Middle East of Egypt and Saudi Arabia. Anybody missing? Sure, but a great icebreaker nonetheless for office peace talks, and source of reflections on the transience of power. L...