Belle Epoque Rococo soup tureen on stand. Made by Tetard Frères in Paris, ca 1910. Ovoid bowl with tapering sides and curved bottom with fluted and turned-down leaf handles. Sides have projecting volute scrolls inset with leaves. Leaves stippled and irregular. Sides have curvilinear panels applied with leaf and berry garlands with central branches forming wreaths. Raised oval foot. Cover domed and paneled with fluted top on which is mounted a cast finial in form of two embracing cherubs, their ...

During Japan's Momoyama period, spanning from the late 16th to the early 17th century, Bizen pottery flourished, producing exquisite pieces such as this symmetrical and elegant flower vase. Crafted from locally sourced Bizen clay, this vase embodies simplicity and understated elegance. Its unassuming form showcases the natural beauty of the clay, enhanced by a delicate ash glaze. The texture and shape evoke a sense of rustic charm, reflecting the profound harmony between human creati...

This Meiji period vase is made of fine white porcelain fashioned after classic Chinese motifs.. The potter, first generation Miura Chikusen, is the same generation as many of the better known Imperial Court artists (Kozan, Siefu, Tozan, etc…) and just as accomplished in terms of mastery of technique, level of artistic expression, and volume of pieces produced.

An exceptionally skilled Meiji potter, Chikusen (1854 – 1915) specialized in high-quality Kiyomizu-yaki and...

This scroll contains a sutra written as [寿至蓬莱不老僊], pronounced in Japanese as “Jyu-Ita-Hōrai-Furō-Sen.” Originating from Chinese, the characters “蓬莱” refer to the mythical land of “Penglai,” home to the immortals. According to legend the trees that grow here cure all disease; there are rice bowls and flasks of wine that never go empty; and its great castles are built entirely out of gold and silver.

The brushwork is done by a Rinzai sect m...

Crafted from locally sourced Bizen clay, this mid-Edo period vase embodies simplicity, beauty, and understated elegance. Its unassuming form showcases the natural beauty of the clay, enhanced by a delicate ash glaze. The texture and shape evoke a sense of rustic charm, reflecting the profound harmony between human creativity and the organic world. Now several centuries old, this piece continues to serves not only as a functional display piece, but also as a symbol of the enduring leg...

With a masterfully applied black Raku glaze and a noticeable aesthetic of austerity and stillness, this piece is what is refereed to in Japanese as an “utsushi” or what we might call in English a “tribute piece.” Such pieces are typically made by all Raku potters, regardless of the kiln and tradition, and seek to emulate famous works from the early masters over 400 years ago—in this case, a tea bowl created by the brother of the second Kichizaemon, Tanaka Somi, born sometim...

Japanese Mugiwara pottery emerged in the Mino region of Japan during the Momoyama period in the late 16th century. It is renowned for its distinctive straw-rope patterns etched into or painted on its surfaces that typically contains hues of indigo, mustard, hazel, ochre, and sometimes greens. The creation of Mugiwara pottery involves a process of hand-building or wheel-throwing clay pieces—typically serving dishes, vases, and teaware items—and then meticulously applying a straw-r...

With pottery shards from excavated kilns dating back to the 5th Century, Mino-ware is one of the oldest and most revered pottery traditions in all of Japan. Though the piece featured here does not fit neatly into any of the typical categories of Mino pottery such as Kiseto, Setoguro, Oribe, or Shino; the shape and overall feel of this piece unmistakably places it within this pottery tradition.

Exceptionally well-proportioned and utterly unique, this tea bowl displays a ...

During the Meiji period in Japan, the humble iron kettle, known as a "tetsubin," emerged as an iconic symbol of traditional craftsmanship and functional artistry. Crafted with meticulous attention to detail and often adorned with intricate designs—as can be seen here with a cherry blossom motif and a what appears to be a pine-cone for a gripper—they became an essential tool in the Japanese tea ceremony. These kettles were prized not only for their practicality in boiling water bu...

The poem accompanying the artwork on this antique scroll reads: Fishing little trout—Precious drops of dew glisten—Flowing with the blossoms—The mountains and rivers of spring ( Rengetsu, age 78 ). A rather later and mature work by Rengetsu, this piece was created right as Edo ended and Meiji began, marking a major turning point in Japanese history and culture.

Ōtagaki Rengetsu (1791-1875) was born into a Samurai family but soon after adopted by the Ōtagaki fam...

A beautiful and very old Hagi tea bowl; showing signs of long use and appreciation. The gold repairs add to the overall composition and highlight the important role this piece played in someone’s tea practice. Though still functional to be used as a ceremonial implement, this would fit much better as a treasured display object.

In excellent condition this tea bowl is 5.1 inches in diameter at its widest point (13cm), and stands 3.1 inches tall (8cm). It comes with a pe...

A beautiful old Kyo-ware tea bowl slightly elongated on one end producing an interesting and unique effect. The collector who furnished the box labeled it as being by the legendary potter Ninsei (17th C.). Though the potter’s mark suggests this could be the case, there is no way to confirm for certain other than by its age and undeniably elegant craftsmanship. Believing it to be quite precious, the previous owner bestowed it with the poetic name "Ibitsu" which means "warped" or "cu...

German 800 silver cow creamer, ca 1910. A sweet bovine with upturned horns, flexed ears, and smiley mouth spout. Sturdy sagging body with ring-handle tail and hinged back cover with fly finial. Stands on firmly planted hooves. Unidentified Hanau marks. Very good condition.

Dimensions: H 4 1/8 x L 5 1/2 x W 2 in. Weight: 5.6 troy ounces. #BY777

Victorian Classical sterling silver baby cup. Made by John Bell and Frederick Brasted in London in 1860. Baluster bowl on raised foot; leaf-capped double-scroll handle. Engraved interlaced strapwork frames of which two inset with flowers and two vacant. Gilt-washed interior. Fully marked. Very good condition.

Overall dimensions: H 4 3/4 x W 4 x D 2 3/4 in. Weight: 3.8 troy ounces. #BW475

Japanese Jubako, traditional stacked lacquerware food boxes, represent not only culinary refinement but also an important aspect of Japanese food culture. These elegantly tiered containers, often adorned with intricate designs and vibrant colors, are integral to the presentation of special occasion meals such as New Year’s celebrations and formal picnics. Crafted with meticulous attention to detail, Jubako boxes like the one featured here showcase the artistry of Japanese lacquerwa...

"...A simple and attractive account of the Great events of the Old and New Testaments.." published in 1879 by the Henry Bill Publishing Co., Norwich CT.Introduction by Rev. Alvin Bond,D.D. Illustrated with engravings and maps.There are 584 pages along with 10 plus pages of recommendations. The engravings are in wonderful condition with the exception of the first one which has foxing...and there is some foxing especially in the front.The leather cover is worn and the spine section is missing(see...

Turn-of-the-century Art Nouveau glass vase with engraved silver overlay. Made by Alvin in Providence. Conical mouth and neck and bellied bowl. Star cut to underside. Dense overlay in form of overlapping and entwined flowers, leaves, and scrollwork. Scrolled cartouche engraved with two-letter script monogram (SS). Glass is green. Silver marked including maker’s stamp and no. G3349. Very good condition.

Dimensions: H 6 1/2 x D 7 3/4 in. #BX402

This lovely Shino tea bowl fashioned from coarse Mino clay is covered in feldspar glazing, has a classic ferrous abstract painting across the front, and shows nice age—most likely from early to middle Edo.

Shino-ware dates to the Momoyama period when potters were attempting to recreate white porcelain-wares that were being imported from China at the time. Originally they were made in a single-chamber anagama style kilns set into the hillsides. Later, with the advent of large-batc...

Victorian Classical sterling silver biscuit jar. Made by Henry Holland in London in 1872. Drum form; cover flat and hinged with vasiform finial. Engraved stylized floral ornament and oval frame (vacant). Mounted to round stand with four leafing-scroll and flower supports. Beading. Fully marked. Very good condition.

Overall dimensions: H 7 1/4 x W 8 x D 7 1/8 in. Weight: 23.5 troy ounces. #BZ367

Turn-of-the-century European silver bell. Tulip-bowl with twisted gadrooning. Figural handle depicting an old-fashioned countryman holding two live fowl. Here’s dinner—eventually. Substantial and tactile with melodious ting-a-ling. Marked. Very good condition with deep patina.

Dimensions: H 4 1/2 x D 1 7/8 in. Weight: 5 troy ounces. #BN700

French Classical silver coffeepot, 18th century. Baluster with silver-mounted stained and turned wood handle. Cover hinged with bud finial. V-form fish-mouth spout. Three hoof supports with oval medallion mounts. Gadrooning, twisted fluting, and ribbon-tied blossoming branch. Engraved on underside are 3 presentations of which two dated 1881 and 1950 as well as phrase “Bought in Tours, France”. Marked. Good condition with nice patina.

Dimensions: H 10 3/4 x W 9 1/4 x D 4 1/2 in. Gross weigh...

George III sterling silver baby cup. Made by William Bennett in London 1811. Flared rim with low-relief fruiting grapevine border; leaf border at bottom. Cast handle in form of two snakes with entwined scaly bodies and bead-eyed heads. Gilt-washed interior. Fully marked. Very good condition.

Overall dimensions: H 3 3/8 x W 4 1/4 x D 2 7/8 in. Weight: 5 troy ounces. #BY768

South American dish, ca 1920. Lozenge-form with flared rim and 3 splayed supports comprising Brazilian 1000 Reis coins minted in the first two decades of the twentieth century. A great way to give “currency” to your décor. Very good condition with deep patina.

Dimensions: H 1 1/2 x W 7 3/4 x D 7 3/8 in. Weight: 17 troy ounces. #BY753

When the founder of the Urasenke style of tea ceremony, Sen-So Soshitsu (1622 -1697) was invited to Kanazawa as the master of tea ceremony for the powerful Kaga lords in 1666, the first Chōzaemon came with him and established Ōhi-yaki in Kanazawa. Chōzaemon had been the chief apprentice to the Raku family in Kyoto and took with him many of the principles and ideas associated with Raku-ware. Since those auspicious beginnings, Ōhi-ware has held a high place in the world of tea cere...

A stylized grass motif painted in ferrous pigment across each side and on the inside of this mukozuke serving dish marks it as being more likely produced in Karatsu as opposed to having come out of a Mino kiln. Though very similar styles and techniques were utilized during the late 16th or early 17th C. when this would have been produced; the color, distribution of glaze, and patterning suggest Karatsu. While at one time this would have been part of a set of 5 pieces, very few sets s...

German Rococo 800 silver centerpiece, ca 1900. Ovoid and bellied bowl with leaf and flower-capped split-mounted double-scroll end handles, and four scroll-mounted supports. Exuberant leafing scrolls, layered scallop shells, and open flower-strewn diaper. Two scrolled and bead-and-reel frames (vacant). Detachable brass liner. Gilt interior. Fully marked including maker’s stamp (Bruckmann & Söhne). Very good condition with nice patina.

Dimensions: H 8 3/4 x W 17 3/4 x D 8 1/2 in. Weight (wi...

Edwardian sterling silver picture frame. Made by Shreve & Co. in San Francisco, ca 1910. Oval window in same surround; on front engraved ivy leaf garland with spiky tips and reeded stems. Sides plain. Two delightful ball supports. With glass, silk lining, and burgundy velvet back and hinged-easel support. For portrait (vertical) display. Fully marked including maker’s stamp. Very good condition.

Dimensions: Frame: H 9 7/8 x W 7 1/4 in. Window: H 8 1/4 x W 5 7/8 in. #BX906

German 800 silver bowl commemorating Napoleon I and Marie-Louise. Lobed quatrefoil with embossed medallion bust portraits of the couple surmounted an eagle; at bottom a military trophy. Open sides with leaf swag with pendant ribboned medallions (vacant) applied to interior. Beaded rim. Mounted end handles in form of burning torch between gryphons.

The eternal flame such as might have been supposed to burn between Napoleon and his teenage bride, an Austrian archduchess—and grandniece no less ...

Edwardian Art Nouveau sterling silver card case. Made by Clark & Sewell in Birmingham in 1906. Rectangular with hinged cover and plain back. On front is one maiden with faraway look, one iris flower, two water lilies, and the sun in the act of setting or rising (direction not indicated). All surrounded by whiplash border. The works! A wonderful period piece. Fully marked. Very good condition with strong definition and deep patina.

Dimensions: H 3 3/4 x W 2 5/8 x D 1/8 in. Weight: 2 troy ounce...

Edwardian Art Nouveau sterling silver epergne. Made by James Dixon & Sons in Sheffield in 1905. Large round and shallow basket set in round mount with shell-and-scroll apron surmounting fluted and knopped baluster on raised and bellied base. Two scrolling and whiplash arms, each supporting ring inset with smaller same basket. Four scrolling stretchers mounted to central pendant knops and same supports on quatrefoil feet. Pierced loose and fluid leaves and scrollwork. Gadrooned rims. Fully marke...

Pair of Victorian Neoclassical sterling silver 3-light candelabra. Made by Walker & Hall in Sheffield in 1898. Tapering and fluted shaft on raised square foot. Central socket on knopped base to which are mounted two leaf-capped and -wrapped scrolled arms, each terminating in single socket munted to wax pan. Sockets urn form on raised foot. Beading, ribboned swags, garlands, paterae, ram’s heads, and leaf-and-dart ornament. Fully marked. Very good condition.

Dimensions: H 18 1/4 x W 15 x D 5 ...

Accents formed using iron pigment stand out across a backdrop of blue-green glaze. The base and a portion of the inside of this ceremonial tea bowl are unglazed displaying rich clay. Created by Shibayama Toshiya, this is an example of contemporary Japanese ceramics at its finest.

A native of Nagoya Shibayama (b. 1959) is exceptionally versatile, working in styles such as Seto, Shino, Karatsu, and Shigaraki among others. A practitioner of tea himself, Shibayama is known for crafting ...

Turn-of-the-century Art Nouveau sterling silver 3-piece baby set. Made by Kerr in Newark. This set comprises cup, bowl, and plate. Acid-etched tree-framed fairytale scenes depicting beguiling maidens, stooped crones, and credulous children. Two monogram frames (vacant) on cup and bowl. Fully marked including maker’s and retailer’s (Spaulding & Co.) stamps and no. 4568. Very good condition.

Dimensions: Cup: H 2 3/4 x W 4 x D 3 in. Bowl: H 2 x D 4 3/8 in. Plate: H 1/2 x D 6 1/2 in. Total we...

Pair of turn-of-the-century German 800 silver bobble-head boxes. A two-man percussion band comprising baby-faced drummer and wizened cymbalist. Rotund bodies squeezed into olden-days doublet and hose with neck-ruff covers. Feather-capped heads bob, bob, bob along to the music. Perfect timing not guaranteed. Marked. Excellent condition.

Approximate dimensions: H 7 1/2 x W 3 1/4 x D 4 1/4 in. Total weight: 25.5 troy ounces. #BV204

German 800 silver playing card box, ca 1920. Rectangular with straight sides. Cover hinged with chamfered tab; top flat with two glazed windows faced with a King of Hearts and Queen of Spades. Interior wood-lined and partitioned with ribbon tabs. Leather-lined bottom. With cards. Perfect for a quiet evening at home. Marks include maker’s stamp HB (probably Hermann Bauer). Very good condition.

Overall dimensions: H 1 1/2 x W 5 5/8 x D 4 1/2 in. Gross weight (box only): 11 troy ounces. #BZ291 ...

Turn-of-the-century Edwardian sterling silver baby set. Made by Gorham in Providence. This set comprises cup, bowl, and plate. Cup has scroll bracket handle, raised and stepped foot, and gilt interior. Bowl has same foot. Plate has deep well. Acid-etched scenes depicting scenes from Mother Goose, including Old King Cole being presented with his Bowl, Little Bo Peep with Sheep, and Old Mother Hubbard with Bare Cupboard and Poor Dog. Cup and bowl have goose balancing a ball (vacant) between two de...