Pair of Portuguese Classical silver candlesticks, ca 1840. Each: Globular socket with turned downleaf-and-dart rim; knopped and baluster shaft on domed foot mounted to shaped square base with applied leaf rim and splayed corner paw supports. Dentil, diaper, pointille, guilloche, and gadrooned ornament. Marked. Very good condition with deep patina.

Dimensions: H 8 3/8 x W 3 7/8 x D 3 7/8 in. Total weight: 22 troy ounces. #BV975

Pair of super stylish Art Deco Classical 950 silver 2-light candelabra, ca 1930. Each: Broad and faceted. Two scrolled arms with volute terminals and single socket on reeded wax pan bracketed to baluster with beading draped over top; raised foot. Marked “950M”, which is associated with Belgian production. Very good condition.

Dimensions: H 9 3/4 x W 14 x D 6 3/8 in. Total weight: 69.5 troy ounces. #BG503

A testament to the brilliance of traditional Japanese craftsmanship, this lacquered mizusashi—skillfully handcrafted from bamboo—showcases a deep crimson hue that radiates warmth and sophistication. Its seamless design and flawless finish reflect the skilled hands of the first generation artisan who crafted it, achieving a harmonious balance between form and function. Designed for use in Japanese tea ceremony, this indispensable implement would love to be put back into service o...

The term “tenmoku” (heavens eye) refers both to a shape of tea bowl popularized in the Song Dynasty dating back almost 1,000 years, and also to a style of glaze that these pieces are renowned for. In the case of tea bowls themselves, the troughs often have darker coloration with radiating colored rays and, depending on the style, often resemble the iris of a human eye. In the case of the glaze, the individual oil spots that appear on the walls of the vessel can sometime also rese...

Lake Tanganyika Scene in Watercolor measuring 28”x 33”. More information coming soon

These stunning Antonio Pineda Amethyst Earrings have a Modernist style with a elongated tapered tube of silver with a cone shaped amethyst stone set to dangle at the bottom. They measure 3" long and together they weigh 26.6 grams. Hallmarked with the Antonio Crown on one and the eagle 17 on the other (marks are a bit faint and impossible to get a good picture). The screw backs function well and there is only light wear and tarnish, no damage noted. Chic and elegant with timeless style.

This fabulous vintage Mexican Bracelet has a stunning design similar to the work of Antonio Pineda - it's signed with the initials AP but they differ from the more common Pineda hallmark and we're not sure who the artist is. It's a massive piece measuring 7" long, 1" wide and is quite heavy at 115.5 grams. Early style pin closure. No damage noted, just some light wear and tarnish and the Amethyst stones have the typical inclusions. A fantastic bracelet that any collector will love.

A magnificent oil on canvas color block study circa 1970, done in the time of then Abstract Expressionist period of Art. Unsigned measuring 59” x 41” Please see #3463 for a matching artwork

Chinese porcelain hat stand vase with a hand painted scene of a boy playfully dangling a toy spider in front of his pet cat. Mother and brother are standing nearby watching. Dates early 20th C. Measures 11.5" high x 5" diameter.

With an uncanny ability to emulate features of the natural environment, the creator of this sake vessel,Tsujimura Yui, is one of Japan’s most skilled potters working in the field today. With a breathtaking ash glaze that appears half planned and half left to the dictates of the kiln, we can see a number of textures and colors that one might encounter in a Zen garden or while hiking along a mountain brook. The front of the vessel is adorned with an “enso,” however, unlike the tr...

Japonesque mixed metal copper tray. Made by Gorham in Providence in 1882. Lobed and rectangular with curved sides. Applied copper and silver ornament: Tree with blossoming branches and sinuous irregular trunk rooted in granulated soil; above a butterfly and bird. Ground engraved with wild grass in foreground and hills in background. Fully marked including maker’s stamp, no. B75, and date letter. Good condition with some spotting to copper.

Dimensions: H 7/8 x W 12 x D 9 1/8 in. #BY284

Set of 3 plique à jour enamel and gilt 930 silver open salts. Made by Marius Hammer in Norway, ca 1910. Each: Inspired by Viking longboat with dragonhead stempost and tail sternpost, and rim comprising warrior’s shields. Stylized plant and geometric ornament. Well has radiating guilloche enamel; each in different color (blue, red, and purple). Oval form for stealthy gliding. Fine craftsmanship and rich colors. Beautiful pieces by this maker, who contributed to the revival of Norwegian art and...

Tokoname pottery has a rich history that dates back over a thousand years. Originating in the town of Tokoname in Aichi Prefecture, Japan, this pottery tradition has flourished due to the region's abundant red clay deposits. The history of Tokoname pottery can be traced to the 12th century when the art form was greatly influenced by Chinese ceramics, specifically, by the Yixing clay pottery tradition. Over the centuries, Tokoname pottery evolved to develop its unique style characteri...

During the Kamakura period in Japan (1185-1333), a remarkable form of Buddhist sculpture known as the votive Buddha emerged. Commonly referred to as kakebotoke (hanging Buddhas), pieces like this would have been mounted on spherical plaques made of bronze or copper and hung in a Buddhist temple or possibly even in a Shinto shrine. These small-scale sculptures were created to serve as objects of devotion and were often commissioned by wealthy individuals or temples. The Kurakama perio...

The term “Raku” was once reserved for a style of pottery produced by a specific household in Kyoto that began over 450 years ago. Over the years, as it gained popularity, several branch kilns were established (Ōhi, Tamamizu) and a number of other lineages arose making pieces in the style of Raku, though they were not formally associated with the Raku household. Today, we see that Raku has become a world-wide phenomena and the name is no longer reserved strictly for the Raku fami...

Set of 3 plique à jour enamel and gilt 930 silver open salts. Made by Marius Hammer in Norway, ca 1910. Each: Round with curved sides. Well guilloche enamel (two red, one blue). Horse bust side handles. Bands of stylized plant and geometric ornament. Fine craftsmanship and rich colors. In form of Viking kjenge (ale bowl). Beautiful pieces by this maker, who contributed to the revival of Norwegian art and history. Fully marked including maker’s stamp. Excellent condition.

Dimensions: H 2 1/2...

Kohiki is a traditional Japanese pottery style known for its simple and rustic aesthetic. It involves applying a white slip onto the vessel's surface, followed by a transparent glaze, creating a contrast between the white and exposed clay areas. Kohiki ware is commonly used in tea ceremonies but it can also be found in various other forms. Its humble and understated style, with organic textures and subdued colors, continues to be appreciated by collectors worldwide. Here we see a koh...

Known as the "Ornamental Squares" design, this bracelet by Hector Aguilar is features in many book and is one of his most iconic designs. This one is exceptional with it's longer 8" length. Crafted in his favored 940 silver it measures 1" wide and weighs an impressive 108.1 grams. Secure clasp and attached safety chain. Hallmarked with the joined HA, 940, Taxco and the eagle stamp 9. Light age related wear with a lovely rich patina. A superb bracelet in a hard to find longer length.