A magnificent oil on canvas color block study circa 1970, done in the time of then Abstract Expressionist period of Art. Unsigned measuring 59” x 41” Please see #3463 for a matching artwork

Chinese porcelain hat stand vase with a hand painted scene of a boy playfully dangling a toy spider in front of his pet cat. Mother and brother are standing nearby watching. Dates early 20th C. Measures 11.5" high x 5" diameter.

George V sterling silver tray. Made by Alexander Clark & Co. in Sheffield in 1927. Traditional Georgian cartouche with molded rim, gently curved sides, and double-scroll corners. Corner stepped disc supports. Fully marked. Very good condition.

Dimensions: H 3/4 x W 12 3/8 x D 12 3/8 in. Weight: 29.4 troy ounces. #BY054

Set of 8 Wedgwood sterling silver goblets. Made by International Silver Co. in Meriden, Conn., ca 1920. Each: Ovoid bowl on cylindrical stem with base knop mounted to raised foot. At mouth rim raised band with Neoclassical ornament, including paterae and amphorae, entwined with flowers and scrolls between beaded and Vitruvian scroll borders. At foot border alternating volute scrolls and W’s. Seven goblets have gilt-washed interior. An elegant tribute to the historic English pottery firm. Fully...

Traditional sterling silver tray. Made by Stieff in Baltimore in 1956. Round and plain well and flat rim. Shoulder tapering with repousse floral garland on stippled ground. A nice piece in a regional style. Fully marked including maker’s stamp, date letter, no. 200, and phrase “Hand Chased”. Very good condition.

Dimensions: H 1 x D 14 in. Weight: 34.3 troy ounces. #BY068

Art Deco sterling silver and enamel box. Made by Harman Brothers in Birmingham in 1972. Rectangular with straight sides. Cover hinged and tabbed; top gently curved with rectangle (vacant) surrounded by purple guilloche enamel. Interior cedar lined. Laminate-lined bottom. Fully marked. Good condition with strong and intact color. A few pings to cover.

Dimensions: H 1 5/8 x W 4 1/2 x D 3 3/8 in. Gross weight: 10.6 troy ounces. #BW001

George III sterling silver goblet. Made by Hester Bateman in London in 1785. Ovoid bowl on upward tapering stem flowing into raised foot. Beaded and zigzag borders. Spare Georgian Neoclassicism by a collectible maker. Fully marked. Very good condition.

Dimensions: H 6 3/8 x D 3 1/4 in. Weight: 5.7 troy ounces. #BY307

Kiyoshi Saito
Maiko
Date: ca. 1960.
Size: Oban. Approximately 17.25 x 11.5 inches.
Pencil signed and sealed by Saito.
Self-published by the artist.
Silver mica is used on the collar.
Medium: Japanese woodblock print.
Condition: Top back margin has paper residue. Very faint toning.

Arai Yoshimune
Fishing Boat
Date: 1910s.
An early edition on original card-like paper.
Size: Chuban. Approximately 9.75 x 7 inches.
Publisher: Hasegawa. From the famous "Night Scenes" series. Hasegawa catalog No. 1245.
Medium: Japanese woodblock print.
Condition: Excellent.

A stylized grass motif painted in ferrous pigment across each side and on the inside of this mukozuke serving dish marks it as being more likely produced in Karatsu as opposed to having come out of a Mino kiln. Though very similar styles and techniques were utilized during the late 16th or early 17th C. when this would have been produced; the color, distribution of glaze, and patterning suggest Karatsu. While at one time this would have been part of a set of 5 pieces, very few sets s...

With an uncanny ability to emulate features of the natural environment, the creator of this sake vessel,Tsujimura Yui, is one of Japan’s most skilled potters working in the field today. With a breathtaking ash glaze that appears half planned and half left to the dictates of the kiln, we can see a number of textures and colors that one might encounter in a Zen garden or while hiking along a mountain brook. The front of the vessel is adorned with an “enso,” however, unlike the tr...

Japonesque mixed metal copper tray. Made by Gorham in Providence in 1882. Lobed and rectangular with curved sides. Applied copper and silver ornament: Tree with blossoming branches and sinuous irregular trunk rooted in granulated soil; above a butterfly and bird. Ground engraved with wild grass in foreground and hills in background. Fully marked including maker’s stamp, no. B75, and date letter. Good condition with some spotting to copper.

Dimensions: H 7/8 x W 12 x D 9 1/8 in. #BY284

Set of 3 plique à jour enamel and gilt 930 silver open salts. Made by Marius Hammer in Norway, ca 1910. Each: Inspired by Viking longboat with dragonhead stempost and tail sternpost, and rim comprising warrior’s shields. Stylized plant and geometric ornament. Well has radiating guilloche enamel; each in different color (blue, red, and purple). Oval form for stealthy gliding. Fine craftsmanship and rich colors. Beautiful pieces by this maker, who contributed to the revival of Norwegian art and...

Plique à jour enamel and gilt sterling silver bowl. Made by David Andersen in Norway, ca 1925. Inspired by Viking longboat with dragonhead stempost and tail sternpost, and rim comprising warrior’s shields. Stylized plant and geometric ornament. Well has radiating green guilloche enamel. Oval form for stealthy gliding. Fine craftsmanship and rich colors. Fully marked including maker’s stamp. Excellent condition.

Dimensions: H 2 5/8 x L 4 7/8 x W 1 1/2 in. #BY199

George III sterling silver salver. Made by Ebenezer Coker in London in 1765. Round with molded scrolled rim interspersed with alternating large and small shells. Armorial with lion rampant in lozenge frame with leafing and flowering branch surround. Three hoof supports. Fully marked. Very good condition.

Dimensions: H 1 1/4 x D 12 1/4 in. Weight: 23.6 troy ounces. #BY060

Art Nouveau sterling silver basket. Made by Tiffany & Co. in New York, ca 1910. Deep and ovoid with reeded and lobed rim. Cast and open fruiting and leafing vine swing handle with central oval cartouche (vacant). Sides open and engraved with same. Well solid. Four leaf-mounted scroll supports. Fully marked including maker’s stamp, pattern no. 16202, and director’s letter m. Very good condition.

Dimensions: H (with handle) 12 x W 13 x D 8 3/8 in. Weight: 28 troy ounces. #BY224

Neoclassical sterling silver tray, ca 1950. Round with beaded and curvilinear ogee rim. Nice heft with plenty of room for engraving. Marked “Silver / 925 [in oval]”. Very good condition.

Dimensions: H 1/4 x D 12 1/4 in. Weight: 23 troy ounces. #BY064

George II sterling silver salver. Made by Robert Abercromby in London in 1741. Round with molded and scrolled piecrust rim with alternating big and small shells. Well has engraved armorial in leaf and flower surround. Four hoof supports. Fully marked. Very good condition.

Dimensions: H 1 1/2 x D 14 in. Weight: 36.3 troy ounces. #BY071

Set of 3 George VI sterling silver napkin rings. Made by Turner & Simpson Ltd in Birmingham in 1939. Hexagonal with allover engine-turned ornament in thin plain frames. Letter block monogram on lined ground. Each has a different letter: F, G, and L. Fully marked. Very good condition with deep patina.

Dimensions: H 1 3/8 x W 1 7/8 x D 1 5/8 in. Total weight: 4.3 troy ounces. #BY221

Tokoname pottery has a rich history that dates back over a thousand years. Originating in the town of Tokoname in Aichi Prefecture, Japan, this pottery tradition has flourished due to the region's abundant red clay deposits. The history of Tokoname pottery can be traced to the 12th century when the art form was greatly influenced by Chinese ceramics, specifically, by the Yixing clay pottery tradition. Over the centuries, Tokoname pottery evolved to develop its unique style characteri...

During the Kamakura period in Japan (1185-1333), a remarkable form of Buddhist sculpture known as the votive Buddha emerged. Commonly referred to as kakebotoke (hanging Buddhas), pieces like this would have been mounted on spherical plaques made of bronze or copper and hung in a Buddhist temple or possibly even in a Shinto shrine. These small-scale sculptures were created to serve as objects of devotion and were often commissioned by wealthy individuals or temples. The Kurakama perio...

Traditional sterling silver Revere bowl. Made by Gorham in Providence in 1957. Curved sides, flared rim, and stepped foot. A historic form that can suit many modern uses. Fully marked including maker’s stamp, date code, no. 41659, and phrase “P. Revere / Reproduction”. Very good condition.

Dimensions: H 4 1/4 x D 7 3/8 in. Weight: 16.2 troy ounces. #BX518

Traditional sterling silver Revere bowl. Made by Tiffany & Co. in New York. Curved and tapering sides, flared rim, and stepped foot. For serving or presentation. Lots of room for engraving. Fully marked including maker’s stamp and postwar pattern no. 23617. Very good condition.

Dimensions: H 3 7/8 x D 7 3/4 in. Weight: 17.2 troy ounces. #BX520

English Edwardian crystal match strike with sterling silver mount. Globular with fine ribbing. Central well has flat and plain sterling silver collar. Crystal clear. Fully marked including maker’s stamp (Grinsell & Sons), assay stamp (Birmingham), and indistinct date letter. Very good condition with minor wear.

Dimensions: H 3 3/8 x D 3 1/2 in. #BW006

Stylish and jokey sterling silver cabbage head sauce bowl and ladle. Made by Buccellati in Italy. Domed cover set in bowl, both comprising overlapping leaves with realistic veins and irregularities. Ladle has branch handle and leaf bowl. Clear glass liner. Ladle marked “Buccellati Italy Sterling”. Bowl has post-1967 mark (26 MI) with “Buccellati / Italy / Sterling” and “925 [in oval]”. Excellent condition.

Dimensions: Bowl: H 3 1/2 x D 5 1/2 in. Ladle: H 4 1/2 in. Total weight: 12 ...

The term “Raku” was once reserved for a style of pottery produced by a specific household in Kyoto that began over 450 years ago. Over the years, as it gained popularity, several branch kilns were established (Ōhi, Tamamizu) and a number of other lineages arose making pieces in the style of Raku, though they were not formally associated with the Raku household. Today, we see that Raku has become a world-wide phenomena and the name is no longer reserved strictly for the Raku fami...

Several years ago we were invited by our very talented kintsugi craftsman to what is known as a “kura-ake” or storehouse opening. Many reading this may be familiar with the traditional storehouses in Japan (kura) with their thick plaster walls used to store valuable items—sometimes for hundreds of years—safe from humid air, insects, and the like. On occession, after the passing of a parent or relative, these storehouses are opened up and the art pieces and valuables inside ar...

Tsuchiya Koitsu
Snowy Miyajima
Date: 1936.
Size: Chuban. Approximately 10.75 x 7.75 inches.
Publisher: Doi Hangaten.
Printer: Yokoi. Carver: Harada. This combination of seals indicates an early postwar edition.
Reference: TK-DH-25 in Koitsu catalogue.
Medium: Japanese woodblock print.
Condition: Back has one tape remnant at top right. Slight fading.

A simple silver bangle with niello marked Sterling. The width is a tad over 1/16"~ inner diameter 2-5/8".

Set of 3 plique à jour enamel and gilt 930 silver open salts. Made by Marius Hammer in Norway, ca 1910. Each: Round with curved sides. Well guilloche enamel (two red, one blue). Horse bust side handles. Bands of stylized plant and geometric ornament. Fine craftsmanship and rich colors. In form of Viking kjenge (ale bowl). Beautiful pieces by this maker, who contributed to the revival of Norwegian art and history. Fully marked including maker’s stamp. Excellent condition.

Dimensions: H 2 1/2...

Elizabeth II sterling silver tray. Made by Tiffany & Co. in Birmingham in 1963. Traditional Georgian cartouche with molded curvilinear rim. Fully marked including phrase “Made in England”. Very good condition.

Dimensions: H 3/8 x W 10 1/8 x D 10 1/8 in. Weight: 22 troy ounces. #BY062

Plique à jour enamel and gilt sterling silver bowl. Made by David Andersen in Norway, ca 1925. Inspired by Viking longboat with dragonhead stempost and tail sternpost, and rim comprised of warrior’s shields. Oval form for stealthy gliding. Planks with filigree rinceaux. Stylized Arts & Crafts ornament. Translucent green, red, yellow, and purple. Marks include maker’s stamp. Excellent condition with strong and intact color.

Dimensions: H 4 x W 6 5/8 x D 3 1/4 in. #BY195

English Modern sterling silver box. Tall and rectangular with curved corners. Cover hinged with gently curved top and double-scroll tab. Box interior cedar-lined with open leather-lined bottom. Cover interior gilt. Worn marks including maker’s stamp for Arthur & John Zimmerman, a Birmingham maker active from the 1920s to 1940s. Very good condition.

Dimensions: H 4 x W 6 1/4 x D 4 7/8 in. Gross weight: 33.7 troy ounces. #BV990

Handsome European stone trinket box, ca 1910. Rectangular with straight sides and sharp corners. Shoulder and base chamfered. Cover hinged, inset, and chamfered. Silver-plated mouth and cover rims. Cover has cabled border and filigree scrolled tab. Stone mottled red. Very good condition.

Dimensions: H 2 x W 4 x D 2 1/2 in. #BX269

Kohiki is a traditional Japanese pottery style known for its simple and rustic aesthetic. It involves applying a white slip onto the vessel's surface, followed by a transparent glaze, creating a contrast between the white and exposed clay areas. Kohiki ware is commonly used in tea ceremonies but it can also be found in various other forms. Its humble and understated style, with organic textures and subdued colors, continues to be appreciated by collectors worldwide. Here we see a koh...

A flip calendar with a tiny woodblock print of a torii gate and a litho of The Teahouse Jiji-ga-chaya at Meguro by Hiroshige.
Date: 1934
Overall size: 5.25 x 2.5 inches.
Christmas greeting on back.
Condition: Excellent.