Victorian sterling silver bowl. Made by Frederick Brasted in London in 1884. Round and curved with raised and spread foot. At top chased and engraved scene depicting idyllic countryside with rolling hills and big sturdy trees. In foreground a fox is pursued by hounds from two directions and a man stands ready to shoot. At bottom, gadrooning. Scrolled cartouche (vacant). Fully marked. Very good condition with nice patina.

Dimensions: H 3 x D 6 in. Weight: 10.3 troy ounces. #BY517

American Colonial sterling silver bowl, ca 1960, Retailed by Cartier in New York. Traditional Revere form with flared rim, curved bottom, and stepped foot. Marked “Cartier / Sterling / A Paul Revere / Reproduction / 9169”. Very good condition.

Dimensions: H 4 1/2 x D 9 in. Weight: 15.6 troy ounces. #BY359

Set of 4 Victorian Classical sterling silver candlesticks. Made by Hawksworth, Eyre & Co. Ltd in Sheffield in 1880. Each: Gadrooned urn socket with detachable bobeche mounted to stepped top of tapering and fluted pillar on raised square base. With one 4-light inset comprising central socket on wax pan to which are mounted 3 scrolled and reeded arms each terminating in same. Central socket has domed cover with vasiform finial. Low relief pendant flowers and garlands with ribbon and paterae. Beadi...

Chinese silver mug, ca 1910. Straight and upward tapering sides and c-scroll handle. A spare form enlivened with applied wraparound dragon chasing its tail. Marks include stamp for Wang Hing, a maker and retailer in Canton and Hong Kong. Very good condition.

Dimensions: H 5 x W 5 x D 3 1/4 in. Weight: 10.8 troy ounces. #BX461

Edwardian Art Nouveau sterling silver porringer. Made by William B. Kerr & Co. in Newark, ca 1910. Round with straight sides shaped solid handle. On exterior are acid-etched fairytale scenes depicting beguiling maidens, stooped crones, and credulous children framed by sinister tree trunks. Turreted and domed fantasy building with round frame (vacant). Fully marked including maker’s stamp and no. 4568. Very good condition.

Dimensions: H 1 3/4 x W 6 5/8 x D 4 3/8 in. Weight: 5 troy ounces. #B...

Reagan-era sterling silver mint julep cup. Made by Scearce in Shelbyville, Kentucky. Straight and tapering sides, and beaded and molded rim and foot. Ronald Reagan was president from 1981 to 1989. Marks include maker’s stamp and presidential date code “RWR II”. The Roman numeral stands for the boomtime second term. Very good condition.

Dimensions: H 3 3/4 x D 3 1/8 in. Weight: 4.5 troy ounces. #BY316

Midcentury Modern sterling silver box. Made by Tiffany & Co. in New York. Rectangular with straight sides. Cover flat and hinged with flat molded rim. Interior cedar lined and partitioned Fully marked including maker’s stamp, postwar pattern no. 23367, and director’s letter L (1956-ca 1965). Very good condition.

Dimensions: H 2 x W 7 3/4 x D 6 5/8 in. Gross weight: 33.5 troy ounces. #BY417

Large Art Nouveau glass cologne with engraved silver overlay. Made by Gorham in Providence, ca 1910. Globular with short neck and everted rim in silver collar. Ball stopper. Symmetrical overlay in fluid whiplash tendrils and stylized leaves and flowerheads. Elongated oval frame engraved with shaded single-letter (B). Glass is red. Silver fully marked including maker’s stamp and no. D947. Very good condition.

Dimensions: H 8 3/4 x D 5 in. #BY252

Large sterling silver Revere bowl, ca 1930. Retailed by Cartier in New York. Traditional form with tapering sides, curved bottom; allover spot hammering. Plain and stepped foot. Fully marked including maker’s (Old Newbury Crafters) and retailer’s stamps, no. 811, and phrase “P. Revere / Boston 1768 / Sons of Liberty / Reproduction”. Very good condition.

Dimensions: H 5 3/4 x D 11 in. Weight: 34.8 troy ounces. #BY351

Victorian sterling silver baby cup. Made by Robert Harper in London in 1871. Baluster bowl on raised foot; wrapped and bracketed double-scroll handle with graduated beading. Chased and engraved scene from Robinson Crusoe: In the foreground stands the hero in the baggy garb of a marooned islander. He holds a long gun with more survival tools—including a hatchet—slipped under his belt. He points to a group of people in the distance. The beneficiary of his observation is Friday, the captive ind...

Pair of Portuguese Classical silver candlesticks, ca 1840. Each: Globular socket with turned downleaf-and-dart rim; knopped and baluster shaft on domed foot mounted to shaped square base with applied leaf rim and splayed corner paw supports. Dentil, diaper, pointille, guilloche, and gadrooned ornament. Marked. Very good condition with deep patina.

Dimensions: H 8 3/8 x W 3 7/8 x D 3 7/8 in. Total weight: 22 troy ounces. #BV975

Pair of super stylish Art Deco Classical 950 silver 2-light candelabra, ca 1930. Each: Broad and faceted. Two scrolled arms with volute terminals and single socket on reeded wax pan bracketed to baluster with beading draped over top; raised foot. Marked “950M”, which is associated with Belgian production. Very good condition.

Dimensions: H 9 3/4 x W 14 x D 6 3/8 in. Total weight: 69.5 troy ounces. #BG503

A testament to the brilliance of traditional Japanese craftsmanship, this lacquered mizusashi—skillfully handcrafted from bamboo—showcases a deep crimson hue that radiates warmth and sophistication. Its seamless design and flawless finish reflect the skilled hands of the first generation artisan who crafted it, achieving a harmonious balance between form and function. Designed for use in Japanese tea ceremony, this indispensable implement would love to be put back into service o...

The term “tenmoku” (heavens eye) refers both to a shape of tea bowl popularized in the Song Dynasty dating back almost 1,000 years, and also to a style of glaze that these pieces are renowned for. In the case of tea bowls themselves, the troughs often have darker coloration with radiating colored rays and, depending on the style, often resemble the iris of a human eye. In the case of the glaze, the individual oil spots that appear on the walls of the vessel can sometime also rese...

Lake Tanganyika Scene in Watercolor measuring 28”x 33”. More information coming soon

This Meiji period vase is made of fine white porcelain fashioned after classic Chinese motifs.. The potter, first generation Miura Chikusen, is the same generation as many of the better known Imperial Court artists (Kozan, Siefu, Tozan, etc…) and just as accomplished in terms of mastery of technique, level of artistic expression, and volume of pieces produced.

An exceptionally skilled Meiji potter, Chikusen (1854 – 1915) specialized in high-quality Kiyomizu-yaki and...

Victorian Classical sterling silver picture, ca 1900. Oval window in same surround with plain and flat sides. Front inset with sparkly paste diamonds. Detachable glazed front with bead-and-real border. With silk lining and butler-finished back and hinged easel support. Interlaced script monogram on back. Marked “Sterling”. Very good condition.

Dimensions: Frame: H 4 x W 3 in. Window: H 3 1/4 x W 2 1/8 in. #BY408

Modern sterling silver trompe-l’oeil box. Made by Tiffany & Co. in New York. Book-form with curved and raised spine. Front board hinged. Butler-finished edges. Box interior gilt. Untitled with lots of room for engraving. A novelty keepsake receptacle for telling a very personal story. Marked on spine base “Tiffany & Co. Makers Sterling 25190”. Very good condition.

Dimensions: H 7 7/8 x W 7 3/8 x D 1 1/4 in. Heavy weight: 36.2 troy ounces. #BY365

Super snazzy sterling silver cocktail shaker. Made by Tiffany & Co. in New York, ca 1929. Gently curved and upward tapering sides and flat cover with same-form finial. Bracket handle. Stubby spout with chained cap. Built-in strainer. A late prohibition-era Art Deco classic. Fully marked including maker’s stamp, pattern no. 21374 (first produced in 1929), and director’s letter m. Very good condition.

Dimensions: H 10 1/4 x W 6 3/4 x D 4 1/2 in. Weight: 25.4 troy ounces. #BY310

Midcentury Modern sterling silver box. Made by Tiffany & Co. in New York. Rectangular with straight sides. Cover has flat top and molded rim. Box interior cedar-lined and partitioned. Cover interior gilt washed. Fully marked including maker’s stamp and postwar pattern no. 24004. Very good condition.

Dimensions: H 2 x W 6 1/4 x D 3 7/8 in. Gross weight: 15.8 troy ounces. #BY362

Set of 5 Edwardian sterling silver and enamel place card holders. Made by Sampson Mordan in Chester, 1904-8. Each: Two graduated discs of which the front decorated with grouse standing stiffly, alert to danger; landscape background varies. Flat round base. Perfect for the hunt dinner. Fully marked including date letters for 1904 (2), 1906 (1), 1907 (1), and 1908 (1). Three have design no. 402227 (registered in 1902) and two have design no. 429790 (registered in 1904). Very good condition.

Dim...

A magnificent oil on canvas color block study circa 1970, done in the time of then Abstract Expressionist period of Art. Unsigned measuring 59” x 41” Please see #3463 for a matching artwork

Chinese porcelain hat stand vase with a hand painted scene of a boy playfully dangling a toy spider in front of his pet cat. Mother and brother are standing nearby watching. Dates early 20th C. Measures 11.5" high x 5" diameter.

Art Deco sterling silver and enamel box. Made by Harman Brothers in Birmingham in 1972. Rectangular with straight sides. Cover hinged and tabbed; top gently curved with rectangle (vacant) surrounded by purple guilloche enamel. Interior cedar lined. Laminate-lined bottom. Fully marked. Good condition with strong and intact color. A few pings to cover.

Dimensions: H 1 5/8 x W 4 1/2 x D 3 3/8 in. Gross weight: 10.6 troy ounces. #BW001

Set of 8 American sterling silver mint juleps. Each: Straight and tapering sides, molded mouth rim, and skirted foot. Marked “Sterling / 0040”. Very good condition.

Dimensions: H 3 7/8 x D 3 1/4 in. Total weight: 38 troy ounces. #BY287

Century sterling silver fish serving pair. Made by Dominick & Haff in New York, ca 1900. Each: Threaded and tapering stem with scroll and shell terminal. The slice has a scroll shaped blade. The fork has shaped shank and four scrolled tines. Edwardian Classicism for the new century. Fully marked including maker’s and retailer’s (Hansel, Sloan & Co.) stamps, and patent year (1900). Very good condition.

Dimensions: Slice: H 11 in. Fork: H 9 in. Total weight: 9.5 troy ounces. #BX815

Edwardian Modern sterling silver picture frame. Made by Tiffany & Co. in New York, ca 1910. Rectangular window in same plain and flat surround; bottom rail canted. With glass, silk lining, and velvet back and hinged easel support for portrait (vertical) display. Fully marked including maker’s stamp, pattern no. 11878, and director’s letter m. Very good condition.

Dimensions: Frame: H 10 3/4 x W 8 in. Window: H 9 1/4 x W 6 1/2 in. #BY329

A stylized grass motif painted in ferrous pigment across each side and on the inside of this mukozuke serving dish marks it as being more likely produced in Karatsu as opposed to having come out of a Mino kiln. Though very similar styles and techniques were utilized during the late 16th or early 17th C. when this would have been produced; the color, distribution of glaze, and patterning suggest Karatsu. While at one time this would have been part of a set of 5 pieces, very few sets s...

With an uncanny ability to emulate features of the natural environment, the creator of this sake vessel,Tsujimura Yui, is one of Japan’s most skilled potters working in the field today. With a breathtaking ash glaze that appears half planned and half left to the dictates of the kiln, we can see a number of textures and colors that one might encounter in a Zen garden or while hiking along a mountain brook. The front of the vessel is adorned with an “enso,” however, unlike the tr...

Set of 3 plique à jour enamel and gilt 930 silver open salts. Made by Marius Hammer in Norway, ca 1910. Each: Inspired by Viking longboat with dragonhead stempost and tail sternpost, and rim comprising warrior’s shields. Stylized plant and geometric ornament. Well has radiating guilloche enamel; each in different color (blue, red, and purple). Oval form for stealthy gliding. Fine craftsmanship and rich colors. Beautiful pieces by this maker, who contributed to the revival of Norwegian art and...

Plique à jour enamel and gilt sterling silver bowl. Made by David Andersen in Norway, ca 1925. Inspired by Viking longboat with dragonhead stempost and tail sternpost, and rim comprising warrior’s shields. Stylized plant and geometric ornament. Well has radiating green guilloche enamel. Oval form for stealthy gliding. Fine craftsmanship and rich colors. Fully marked including maker’s stamp. Excellent condition.

Dimensions: H 2 5/8 x L 4 7/8 x W 1 1/2 in. #BY199

Art Nouveau sterling silver basket. Made by Tiffany & Co. in New York, ca 1910. Deep and ovoid with reeded and lobed rim. Cast and open fruiting and leafing vine swing handle with central oval cartouche (vacant). Sides open and engraved with same. Well solid. Four leaf-mounted scroll supports. Fully marked including maker’s stamp, pattern no. 16202, and director’s letter m. Very good condition.

Dimensions: H (with handle) 12 x W 13 x D 8 3/8 in. Weight: 28 troy ounces. #BY224

George II sterling silver salver. Made by Robert Abercromby in London in 1741. Round with molded and scrolled piecrust rim with alternating big and small shells. Well has engraved armorial in leaf and flower surround. Four hoof supports. Fully marked. Very good condition.

Dimensions: H 1 1/2 x D 14 in. Weight: 36.3 troy ounces. #BY071

Set of 3 George VI sterling silver napkin rings. Made by Turner & Simpson Ltd in Birmingham in 1939. Hexagonal with allover engine-turned ornament in thin plain frames. Letter block monogram on lined ground. Each has a different letter: F, G, and L. Fully marked. Very good condition with deep patina.

Dimensions: H 1 3/8 x W 1 7/8 x D 1 5/8 in. Total weight: 4.3 troy ounces. #BY221

Tokoname pottery has a rich history that dates back over a thousand years. Originating in the town of Tokoname in Aichi Prefecture, Japan, this pottery tradition has flourished due to the region's abundant red clay deposits. The history of Tokoname pottery can be traced to the 12th century when the art form was greatly influenced by Chinese ceramics, specifically, by the Yixing clay pottery tradition. Over the centuries, Tokoname pottery evolved to develop its unique style characteri...

During the Kamakura period in Japan (1185-1333), a remarkable form of Buddhist sculpture known as the votive Buddha emerged. Commonly referred to as kakebotoke (hanging Buddhas), pieces like this would have been mounted on spherical plaques made of bronze or copper and hung in a Buddhist temple or possibly even in a Shinto shrine. These small-scale sculptures were created to serve as objects of devotion and were often commissioned by wealthy individuals or temples. The Kurakama perio...