This oversized vessel, in the form of a "cocoon jar", was made during the Qin Dynasty (221 - 206 BC) or possibly a little earlier during the Warring States period (475 - 221 BC), but even then by the Qin state. It is made from a fairly high-fired fine-grained grey pottery. The whole of the outer surface of the body is decorated with repeated cord or woven impressions with vertical bands then being made aro...
This fine, impressive and very rare pair of pottery vases was made during the Western Han Dynasty (206 BC - AD 8) or possibly a little earlier. They are of a particularly pleasing and elegant form, the wide bodies rising up from the flat bases, then constricting into long slender necks and finally opening up into fairly wide mouths. They are quite "heavily-potted" and made from a dense fine-grained dark grey pottery, the surface o...
This fine and impressive pottery jar (hu) was made during the Han Dynasty (206 BC - AD 220). It is made from a fairly high-fired reddish pottery and coated in a particularly attractive glossy thick streaky green and finely-crackled glaze, the colour of which varies according to its thickness. Interestingly, the drips of glaze to the mouth rim and the pooling of glaze to the flat base show that this jar was fired upsid...
This unusually large and imposing pottery jar, or "hu" was made during the Han Dynasty (206 BC - AD 220). It is made from a fine-grained grey pottery that is relatively highly-fired. This is an exceptional example of its type of fine form with its wide body and tall neck that flares inwards and then out again to the wide mouth. It has a pleasingly smooth burnished surface that in many places has a silver...
This fine and rare pottery model of a foreigner was made during the Tang Dynasty (AD 618 - 906). It is made from a red pottery that has been cold-painted in a thick white pigment with the facial details picked out in red and black pigments. This elegant figure, a groom, stands with his shoulders raised, head raised and turned to his right, one hand outstretched. Note the detail of the clothing, the headgear and especiall...
This figure of a seated scholar is glazed turquoise with amber colored highlights. The back is mostly unglazed except for the original white slip coating, now darkened with age. The interior is hollow and unglazed, exposing the reddish clay body. The white slip coating continues for an inch or so into the interior cavity. The face is covered with a thin white slip (now darkened) but is otherwise unglazed. The turquoise glazed hat has a few old losses to the glaze wh...
Arguably the most desirable pottery sculpture from the Tang Dynasty is the female courtier, or "fat lady". This figure was made around the mid 8th century and is a particularly elegant example. The lady stands with her hands clasped together under her flowing robe and her head turned a little to the left. Note also the elaborate hairstyle. It is relatively highly-fired and made from a bu...
Arguably the most desirable and collectable pottery sculpture from the Tang Dynasty (AD 618 – 906) is the female courtier, or "fat lady". This figure is a large and particularly elegant example.
The lady stands upright with her hands clasped together under her voluminous robe. Note also the elaborate hairstyle but most striking are the fine details to her face: simply exquisite! It is made from a buff-col...
Perhaps the most desirable and collectable pottery sculpture from the Tang Dynasty is the female courtier, or "fat lady". This fine example was made during the Tang Dynasty (AD 618 - 906).
The lady stands with her head turned a little to her left and tilted slightly at a quizzical" angle. She is wearing a particularly voluminous long robe. Her hands are clearly held together across her chest beneath her ...
This exceptional pair of pottery horses was made during the early Tang Dynasty (AD 618 - 906). They are finely-modelled and "full of life", both in the act of walking. One has its right leg forward with head turned to its left, the other has its left leg forward with its head turned a little to its right. Each has a separately-made rider seated on a saddle, one male, one female, tha...