Modern sterling silver trompe-l’oeil box. Made by Tiffany & Co. in New York. Book-form with curved and raised spine. Front board hinged. Butler-finished edges. Box interior gilt. Untitled with lots of room for engraving. A novelty keepsake receptacle for telling a very personal story. Marked on spine base “Tiffany & Co. Makers Sterling 25190”. Very good condition.
Dimensions: H 7 7/8 x W 7 3/8 x D 1 1/4 in. Heavy weight: 36.2 troy ounces. #BY365
Super snazzy sterling silver cocktail shaker. Made by Tiffany & Co. in New York, ca 1929. Gently curved and upward tapering sides and flat cover with same-form finial. Bracket handle. Stubby spout with chained cap. Built-in strainer. A late prohibition-era Art Deco classic. Fully marked including maker’s stamp, pattern no. 21374 (first produced in 1929), and director’s letter m. Very good condition.
Dimensions: H 10 1/4 x W 6 3/4 x D 4 1/2 in. Weight: 25.4 troy ounces. #BY310
Midcentury Modern sterling silver tray. Made by S. Kirk & Son in Baltimore. Round with tapering shoulder and flat rectilinear rim. Fully marked including maker’s stamp (1932-61) and no. 4114. Very good condition.
Dimensions: H 1/2 x D 14 in. Heavy weight: 36.7 troy ounces. #BY249
Midcentury Modern sterling silver box. Made by Tiffany & Co. in New York. Rectangular with straight sides. Cover has flat top and molded rim. Box interior cedar-lined and partitioned. Cover interior gilt washed. Fully marked including maker’s stamp and postwar pattern no. 24004. Very good condition.
Dimensions: H 2 x W 6 1/4 x D 3 7/8 in. Gross weight: 15.8 troy ounces. #BY362
A magnificent oil on canvas color block study circa 1970, done in the time of then Abstract Expressionist period of Art. Unsigned measuring 59” x 41”
Please see #3463 for a matching artwork
Chinese porcelain hat stand vase with a hand painted scene of a boy playfully dangling a toy spider in front of his pet cat. Mother and brother are standing nearby watching. Dates early 20th C. Measures 11.5" high x 5" diameter.
Traditional sterling silver tray. Made by Stieff in Baltimore in 1956. Round and plain well and flat rim. Shoulder tapering with repousse floral garland on stippled ground. A nice piece in a regional style. Fully marked including maker’s stamp, date letter, no. 200, and phrase “Hand Chased”. Very good condition.
Dimensions: H 1 x D 14 in. Weight: 34.3 troy ounces. #BY068
Set of 8 American sterling silver mint juleps. Each: Straight and tapering sides, molded mouth rim, and skirted foot. Marked “Sterling / 0040”. Very good condition.
Dimensions: H 3 7/8 x D 3 1/4 in. Total weight: 38 troy ounces. #BY287
Century sterling silver fish serving pair. Made by Dominick & Haff in New York, ca 1900. Each: Threaded and tapering stem with scroll and shell terminal. The slice has a scroll shaped blade. The fork has shaped shank and four scrolled tines. Edwardian Classicism for the new century. Fully marked including maker’s and retailer’s (Hansel, Sloan & Co.) stamps, and patent year (1900). Very good condition.
Dimensions: Slice: H 11 in. Fork: H 9 in. Total weight: 9.5 troy ounces. #BX815
Edwardian Modern sterling silver picture frame. Made by Tiffany & Co. in New York, ca 1910. Rectangular window in same plain and flat surround; bottom rail canted. With glass, silk lining, and velvet back and hinged easel support for portrait (vertical) display. Fully marked including maker’s stamp, pattern no. 11878, and director’s letter m. Very good condition.
Dimensions: Frame: H 10 3/4 x W 8 in. Window: H 9 1/4 x W 6 1/2 in. #BY329
Kiyoshi Saito
Maiko
Date: ca. 1960.
Size: Oban. Approximately 17.25 x 11.5 inches.
Pencil signed and sealed by Saito.
Self-published by the artist.
Silver mica is used on the collar.
Medium: Japanese woodblock print.
Condition: Top back margin has paper residue. Very faint toning.
Arai Yoshimune
Fishing Boat
Date: 1910s.
An early edition on original card-like paper.
Size: Chuban. Approximately 9.75 x 7 inches.
Publisher: Hasegawa. From the famous "Night Scenes" series. Hasegawa catalog No. 1245.
Medium: Japanese woodblock print.
Condition: Excellent.
A stylized grass motif painted in ferrous pigment across each side and on the inside of this mukozuke serving dish marks it as being more likely produced in Karatsu as opposed to having come out of a Mino kiln. Though very similar styles and techniques were utilized during the late 16th or early 17th C. when this would have been produced; the color, distribution of glaze, and patterning suggest Karatsu. While at one time this would have been part of a set of 5 pieces, very few sets s...
With an uncanny ability to emulate features of the natural environment, the creator of this sake vessel,Tsujimura Yui, is one of Japan’s most skilled potters working in the field today. With a breathtaking ash glaze that appears half planned and half left to the dictates of the kiln, we can see a number of textures and colors that one might encounter in a Zen garden or while hiking along a mountain brook. The front of the vessel is adorned with an “enso,” however, unlike the tr...
Japonesque mixed metal copper tray. Made by Gorham in Providence in 1882. Lobed and rectangular with curved sides. Applied copper and silver ornament: Tree with blossoming branches and sinuous irregular trunk rooted in granulated soil; above a butterfly and bird. Ground engraved with wild grass in foreground and hills in background. Fully marked including maker’s stamp, no. B75, and date letter. Good condition with some spotting to copper.
Dimensions: H 7/8 x W 12 x D 9 1/8 in. #BY284
Set of 3 plique à jour enamel and gilt 930 silver open salts. Made by Marius Hammer in Norway, ca 1910. Each: Inspired by Viking longboat with dragonhead stempost and tail sternpost, and rim comprising warrior’s shields. Stylized plant and geometric ornament. Well has radiating guilloche enamel; each in different color (blue, red, and purple). Oval form for stealthy gliding. Fine craftsmanship and rich colors. Beautiful pieces by this maker, who contributed to the revival of Norwegian art and...
Plique à jour enamel and gilt sterling silver bowl. Made by David Andersen in Norway, ca 1925. Inspired by Viking longboat with dragonhead stempost and tail sternpost, and rim comprising warrior’s shields. Stylized plant and geometric ornament. Well has radiating green guilloche enamel. Oval form for stealthy gliding. Fine craftsmanship and rich colors. Fully marked including maker’s stamp. Excellent condition.
Dimensions: H 2 5/8 x L 4 7/8 x W 1 1/2 in. #BY199
Japonesque mixed metal napkin ring. Made by Gorham in Providence in 1882. Hand-hammered sterling silver ring applied with cooper ornament: A man in pointy hat is seated on the ground, smoking while a small dog approaches from behind, interrupting the opium-induced serenity. Above is a darting butterfly. Engraved name “Edward Hegeler”. Hegeler (1835-1910) was a German-born American industrialist and publisher. Fully marked including maker’s stamp, no. 675, and date letter. Very good conditi...
Art Nouveau sterling silver basket. Made by Tiffany & Co. in New York, ca 1910. Deep and ovoid with reeded and lobed rim. Cast and open fruiting and leafing vine swing handle with central oval cartouche (vacant). Sides open and engraved with same. Well solid. Four leaf-mounted scroll supports. Fully marked including maker’s stamp, pattern no. 16202, and director’s letter m. Very good condition.
Dimensions: H (with handle) 12 x W 13 x D 8 3/8 in. Weight: 28 troy ounces. #BY224
Neoclassical sterling silver tray, ca 1950. Round with beaded and curvilinear ogee rim. Nice heft with plenty of room for engraving. Marked “Silver / 925 [in oval]”. Very good condition.
Dimensions: H 1/4 x D 12 1/4 in. Weight: 23 troy ounces. #BY064
Tokoname pottery has a rich history that dates back over a thousand years. Originating in the town of Tokoname in Aichi Prefecture, Japan, this pottery tradition has flourished due to the region's abundant red clay deposits. The history of Tokoname pottery can be traced to the 12th century when the art form was greatly influenced by Chinese ceramics, specifically, by the Yixing clay pottery tradition. Over the centuries, Tokoname pottery evolved to develop its unique style characteri...
During the Kamakura period in Japan (1185-1333), a remarkable form of Buddhist sculpture known as the votive Buddha emerged. Commonly referred to as kakebotoke (hanging Buddhas), pieces like this would have been mounted on spherical plaques made of bronze or copper and hung in a Buddhist temple or possibly even in a Shinto shrine. These small-scale sculptures were created to serve as objects of devotion and were often commissioned by wealthy individuals or temples. The Kurakama perio...
Traditional sterling silver Revere bowl. Made by Gorham in Providence in 1957. Curved sides, flared rim, and stepped foot. A historic form that can suit many modern uses. Fully marked including maker’s stamp, date code, no. 41659, and phrase “P. Revere / Reproduction”. Very good condition.
Dimensions: H 4 1/4 x D 7 3/8 in. Weight: 16.2 troy ounces. #BX518
Traditional sterling silver Revere bowl. Made by Tiffany & Co. in New York. Curved and tapering sides, flared rim, and stepped foot. For serving or presentation. Lots of room for engraving. Fully marked including maker’s stamp and postwar pattern no. 23617. Very good condition.
Dimensions: H 3 7/8 x D 7 3/4 in. Weight: 17.2 troy ounces. #BX520
Art Deco sterling silver bowl. Made by Tiffany & Co. in New York. Curved and tapering sides; short and splayed foot. Fully marked including maker’s stamp, pattern no. 20024, and director’s letter M (1947-56). Very good condition.
Dimensions: H 3 1/2 x D 6 in. Weight: 11 troy ounces. #BX497
Stylish and jokey sterling silver cabbage head sauce bowl and ladle. Made by Buccellati in Italy. Domed cover set in bowl, both comprising overlapping leaves with realistic veins and irregularities. Ladle has branch handle and leaf bowl. Clear glass liner. Ladle marked “Buccellati Italy Sterling”. Bowl has post-1967 mark (26 MI) with “Buccellati / Italy / Sterling” and “925 [in oval]”. Excellent condition.
Dimensions: Bowl: H 3 1/2 x D 5 1/2 in. Ladle: H 4 1/2 in. Total weight: 12 ...
The term “Raku” was once reserved for a style of pottery produced by a specific household in Kyoto that began over 450 years ago. Over the years, as it gained popularity, several branch kilns were established (Ōhi, Tamamizu) and a number of other lineages arose making pieces in the style of Raku, though they were not formally associated with the Raku household. Today, we see that Raku has become a world-wide phenomena and the name is no longer reserved strictly for the Raku fami...
Several years ago we were invited by our very talented kintsugi craftsman to what is known as a “kura-ake” or storehouse opening. Many reading this may be familiar with the traditional storehouses in Japan (kura) with their thick plaster walls used to store valuable items—sometimes for hundreds of years—safe from humid air, insects, and the like. On occession, after the passing of a parent or relative, these storehouses are opened up and the art pieces and valuables inside ar...
Tsuchiya Koitsu
Snowy Miyajima
Date: 1936.
Size: Chuban. Approximately 10.75 x 7.75 inches.
Publisher: Doi Hangaten.
Printer: Yokoi. Carver: Harada. This combination of seals indicates an early postwar edition.
Reference: TK-DH-25 in Koitsu catalogue.
Medium: Japanese woodblock print.
Condition: Back has one tape remnant at top right. Slight fading.
A simple silver bangle with niello marked Sterling. The width is a tad over 1/16"~ inner diameter 2-5/8".
Set of 3 plique à jour enamel and gilt 930 silver open salts. Made by Marius Hammer in Norway, ca 1910. Each: Round with curved sides. Well guilloche enamel (two red, one blue). Horse bust side handles. Bands of stylized plant and geometric ornament. Fine craftsmanship and rich colors. In form of Viking kjenge (ale bowl). Beautiful pieces by this maker, who contributed to the revival of Norwegian art and history. Fully marked including maker’s stamp. Excellent condition.
Dimensions: H 2 1/2...
Edwardian sterling silver porringer with circus motif. Made by William B. Kerr in Newark, ca 1910. Upward tapering sides and molded rim. Solid and waisted handle. Acid-etched procession with piggies, kitties, and doggies as well as elephants and lions in fancy dress. Monkey-supported mirror for engraving the initials of the cutest animal of all. Fully marked including maker’s and retailer’s (Bailey, Banks & Biddle) stamps, and no. 1482. Excellent condition with strong definition and deep pat...
Turn-of-the-century sterling silver baby cup rich in period assumptions. Made by William B. Kerr in Newark. Upward tapering sides and scroll handle.
Acid-etched frieze depicting sailor-suited, flag-holding, all-American boy with exotic coevals in native dress relegated to background. Symbolic imagery enhanced with verse: “Little Indian, Sioux or Crow, little frosty Eskimo, little Turk or Japanese—Oh! Don’t you wish that you were me?”
Ahem.
Fully marked including maker's stamp and ...
Edwardian Regency sterling silver coffee set. Made by Tiffany & Co. in New York, ca 1910. This set comprises coffeepot, teapot, creamer, sugar, and waste bowl. Tapering and fluted ovoid bodies. Feet domed. Covers double domed with cast flower basket finial. Handles scroll bracket (coffeepot and teapot stained-wood).
All pieces fully marked including maker’s stamp and pattern nos. 13389 (coffeepot and teapot) and 13889D (creamer, sugar, and waste bowl). Coffeepot has director’s letter C (19...
Plique à jour enamel and gilt sterling silver bowl. Made by David Andersen in Norway, ca 1925. Inspired by Viking longboat with dragonhead stempost and tail sternpost, and rim comprised of warrior’s shields. Oval form for stealthy gliding. Planks with filigree rinceaux. Stylized Arts & Crafts ornament. Translucent green, red, yellow, and purple. Marks include maker’s stamp. Excellent condition with strong and intact color.
Dimensions: H 4 x W 6 5/8 x D 3 1/4 in. #BY195
Lovely Art Nouveau sterling silver picture frame. Oval window in same surround. On front acid-etched ornament in form of fluid flower heads and tendrils between scalloped borders; sides plain. Two charming ball supports. With glass, silk lining, and burgundy velvet back and hinged easel support. For portrait (vertical) display. Fully marked including stamp for IN Deitsch, a New York maker active from ca 1904 to 1915, and no. 118. Very good condition with strong definition.
Dimensions: Frame: H...