A great vase in fantastic condition. Marked "Hall for the celebration of Jade" in the base. Showing a scenery of a pond with different ducks and birds. Flowers in pink red and green make a very attractive painting on this Daoguang vase. Condition: perfect condition. Measurement: Height 26 cm = 10.2 in

Please note! Customer satisfaction is our top priority. We guarantee 100% accuracy and correct information for each object listed on our website. We are happy to offer a one-time e...

A finely cast bamboo shaped vase with applied bamboo leaf branch decoration. This item was made in China for the scholar's table in the 17th Century. Condition: Generally very good but the vase has been recently polished and there is an old loss - the leaves and tip of the top left branch are missing. 15cm (6inches) high; base - 3.5cm (1.4inches) diameter We have twenty additional pictures taken in different natural daylight conditions on our recently constructed shop website at 69a...

24” high Chinese late Qing dynasty Guangxu period baluster form geyao style crackle glazed porcelain vase decorated in underglaze blue with a central panel featuring a deer and crane in a landscape on a white ground. Blue pine branches extend from the central panel to the front of the golden neck. A cream-colored crackled glaze lines the base and interior of the wide dish-form mouth. The rim is dressed brown. The splayed base holds blue and white huts among mountains in front and a celadon...

The is a very rare large Koi vase created by a master. The koi are large and much finer than most ever seen on this style of vase. The vase is 9 1/2 tall and 11 1/4 inches wide. Rims are silver with an old Jungin stamp. Condition of this vase is excellent.

Japanese antique nobori banner, hand painted on cotton, a tiger in bamboo grove. The style of the painting is derived from ancient Korean paintings of tigers. It is a style that became popular in Japan from the 16th century and you will see many screens and scrolls of tigers painted in this manner. The popularity of these paintings in this style continued throughout the Edo period(1608-1868) and into the Meiji era. The quality of the artwork tells us that this nobori is likely to have been done ...

Modern, large roundish bamboo flower basket Hanakago Material: Madake bamboo, rattan, lacquer. It comes with the original lacquered bamboo water receptacle Otoshi. Artist’s inscription to bottom: CHIKUHOUSAI. H 27 x D 29 cm. Perfect condition. **** Okasaki Chikuhousai was born in Beppu in 1933; Kyushu. Studied under his father Chikuhosai I. In 1953, he was selected for the Japan Traditional Art Crafts Exhibition. Since 1975, he has exhibited at the Seibu Kogei Exhibition, winning a...

A massive bronze (copper tin alloy) vase cast in Han dynasty Hu shape and with Han style Taotie mask handles. The archaistic style decoration is an amalgam of Shang and Zhou dynasty motifs. These consist of upper and lower bands depicting stylized dragons and a central band of large Taotie ("monster"} masks. All are reserved against a flattened Leiwen (cloud) daiper ground. Below the upper two horizontal bands are pendent 'Cicida Blades'. An accompanying 1973 British Museum letter suggests a...

Chinese Qing dynasty pewter-encased rectangular form “san ke zhu” (three pearl) lidded Yixing pottery teapot incised to one side in bamboo, the reverse with a calligraphic inscription signed Chun Quan. The inscription translates roughly as: “Sitting quietly [under] a bright moon [occupying] half of a window, with a book [in hand] and a fragrant incense [burning].” The top edge holds an applied coin and mixed metal strips. Flat, rectangular lid. Jade spout, handle, and square finial. The ...

TRAY OF RYOKAN

Large wooden tray actually used at old 'ryokan' (Japanese‐style hotel), Showa period, early-mid 20th century, D 35.6-34.8cm (14.01-13.70in), H 5.8cm (2.28in). Aesthetic grain expression and calm comfort for use. Expected some fine scratches due to aging with use. *Only a tray is available to purchase, as the other stuff (cups) of usage example are not attached.


selected by ONEN




* Please...

A pair very decorative Chinese shellwork and mother-of-pearl encrusted vases in the Grotto-style. The four sides with an engraved medaillon showing an elephant, dormice, rabbits or a deer. Wooden core and lacquered base. Condition: few missing shells, traces of age. Dimension: c. 18 cm height.

Jiaqing Period, ca. late 1700s

Each vase is decorated overall with various flowers on a medium-blue enamel ground within a continuous geometric fretwork pattern of gilt wires. Both the rim and base is gilded, now having some wear showing on each vase. The square area on the base is left from an old sticker removed in the past. Both vases have a melon form label body with a flaring mouth rim that is partially gilded inside. The interiors are not enameled and the old bronze has taken on a gr...

Kangxi style, but probably early 1800s

This vase is painted in green, yellow, turquoise and black enamel on a pale aubergine background, depicting various dignitary figures in a garden setting. The interior is fully glazed white, having some minor pitting and small iron specks in the glaze. The base is unglazed with areas of light orange re-oxidation from the firing, and the fine white paste is visible around the perimeter. There is a spurious Zhengde mark in black enamel on the shoulder. ...

A large rouleau vase of porcelain decorated with the Three Auspicious Gods (sanxing) of Daoism, in polychrome enamel glazes (famille verte style) on a deep, blue ground. Excellent quality of work. China, late Qing to early Republican Period, ca. 1900–1925. Marked with a Kangxi-period nianhao. H 46 cm. Condition: Excellent.

RIMPA SCHOOL INKSTONE CASE WITH BAMBOO FOREST IN MAKIE

Bold and refined gold and silver three-dimensional makie lacquer design with the black background in the style of 'Rimpa (Rinpa)' (ref. https://www.metmuseum.org/toah/hd/rinp/hd_rinp.htm). Edo period, Japan. 21.8 x 16.5 x 5 cm (8.58 x 6.49 x 1.96in). Some scratches in places and slight bend at lid due to age, but considered in generally very good condition for such aged lacquerware.


selec...

Chinese late Qing to Republic period guanpixiang table-top chest with a mansard-style hinged top that lifts to expose a single shallow tray above a pair of doors opening to five drawers with metal pulls all upon an attached base. A circular lockplate with ruyi-form clasp is on the front. Two side carrying handles. These chests were typically utilized by men to hold seals and related accessories while women were known to use them for cosmetics storage. Early 20th century. 15” high x 14 1/2” ...

Japanese Meiji to Showa period oval form ikebana basket (hanakago) hand-woven from reddish bamboo with natural gnarled wood branches incorporated. Four strips rise from each side of the shoulder and are twisted together to form the high loop handle. Round mouth and base. 18” high with handle (9 1/4" high excluding handle); about 10” diameter. Late 19th to early 20th century. Very good overall condition with minor wear. From a Scottsdale, Arizona estate.

A female dancer dressed in massive and splendid Noh attire. The painting is attributed to Iwasa Matabei (1578–1650), a renowned Japanese painter who is often considered originating ukiyo-e genre painting. As is often the case with this artist, these two paintings do not bear his signature or seal, however the depiction of the figures with rich cheeks and long jaws shows typical expression of people of high social rank during medieval periods, which he exaggerated the expression was originated ...