Shoda Koho
Country Scene (sepia version) from the Hasegawa Night Scenes series. Also known as "Canal by Moonlight"
Size: Chuban. Approximately 10.25 x 7.5 inches.
Date: 1938-60.
Publisher: Nishinomiya Yosaku. Unusual "Nishinomiya Art" stamp on verso.
Sealed by artist.
Medium: This Japanese woodblock print is on a thick card like some very early Hasegawa Night scene editions.
Condition: Back of card is toned. One small point of foxing in sky.

Jinbo Tomoyo (1902-1994)
Pensive Girl
Date: 1939.
Size: 16.5 x 11.25 inches.
Edition: First and only.
Signed and sealed by the artist.
Edition: 56 of 100. Hand numbered in Japanese on back beside one hundred limitation seal.
Artist's red seal on back with date and seals of carver (Ishizaka Kenichi) and printer (Nakamura Sanjiro).
Mica highlights on hair ornaments.
Medium: Japanese woodblock print.
Condition: Abrasion at index finger area. A few ...

Title: Tokumochi
Artist's signature not read. The second kanji in the signature is read "haru" or "shun."
Print size: Approximately 5.125 x 3.375 inches.
Date: ca. 1930s.
Publisher: Takemura Hideo.
Medium: Japanese woodblock print tipped along its top edge onto a 6.625 x 4.75-inch greeting card containing a signed message.
Condition: Print excellent. Card is discolored.

Title: Mountain Temple and Snow
Artist: Not known.
Print size: Approximately 5.675 x 3.5 inches.
Date: 1950s-60s
Publisher: Watanabe Shozaburo.
Print is tipped along its top edge to original blank card.
Medium: Japanese woodblock print.
Condition: Excellent.

Pair of super stylish Art Deco Classical 950 silver 2-light candelabra, ca 1930. Each: Broad and faceted. Two scrolled arms with volute terminals and single socket on reeded wax pan bracketed to baluster with beading draped over top; raised foot. Marked “950M”, which is associated with Belgian production. Very good condition.

Dimensions: H 9 3/4 x W 14 x D 6 3/8 in. Total weight: 69.5 troy ounces. #BG503

A testament to the brilliance of traditional Japanese craftsmanship, this lacquered mizusashi—skillfully handcrafted from bamboo—showcases a deep crimson hue that radiates warmth and sophistication. Its seamless design and flawless finish reflect the skilled hands of the first generation artisan who crafted it, achieving a harmonious balance between form and function. Designed for use in Japanese tea ceremony, this indispensable implement would love to be put back into service o...

Shien
Pagoda in Snow
Date: 1930s-1950s.
Publisher: Watanabe Shozaburo.
Size: Approximately 6 x 4 inches.
Sealed by the artist.
Print is tipped along its top edge to original holiday card with message inside.
Medium: Japanese woodblock print.
Condition: Excellent.

Lake Tanganyika Scene in Watercolor measuring 28”x 33”. More information coming soon

Kawase Hasui
Kiso River (catalog title: Mt. Fuji with Sailboat)
Date: 1930s.
Size: Koban. Approximately 7.875 x 5.375 inches.
Publisher: Watanabe Shozaburo.
Artist's oval seal at lower left.
"Made in Japan" stamped on verso.
Reference: Hotei #Hp-1.
Medium: Japanese woodblock print.
Condition: Excellent.

This Meiji period vase is made of fine white porcelain fashioned after classic Chinese motifs.. The potter, first generation Miura Chikusen, is the same generation as many of the better known Imperial Court artists (Kozan, Siefu, Tozan, etc…) and just as accomplished in terms of mastery of technique, level of artistic expression, and volume of pieces produced.

An exceptionally skilled Meiji potter, Chikusen (1854 – 1915) specialized in high-quality Kiyomizu-yaki and...

A magnificent oil on canvas color block study circa 1970, done in the time of then Abstract Expressionist period of Art. Unsigned measuring 59” x 41” Please see #3463 for a matching artwork

Chinese porcelain hat stand vase with a hand painted scene of a boy playfully dangling a toy spider in front of his pet cat. Mother and brother are standing nearby watching. Dates early 20th C. Measures 11.5" high x 5" diameter.

Kiyoshi Saito
Maiko
Date: ca. 1960.
Size: Oban. Approximately 17.25 x 11.5 inches.
Pencil signed and sealed by Saito.
Self-published by the artist.
Silver mica is used on the collar.
Medium: Japanese woodblock print.
Condition: Top back margin has paper residue. Very faint toning.

Arai Yoshimune
Fishing Boat
Date: 1910s.
An early edition on original card-like paper.
Size: Chuban. Approximately 9.75 x 7 inches.
Publisher: Hasegawa. From the famous "Night Scenes" series. Hasegawa catalog No. 1245.
Medium: Japanese woodblock print.
Condition: Excellent.

With an uncanny ability to emulate features of the natural environment, the creator of this sake vessel,Tsujimura Yui, is one of Japan’s most skilled potters working in the field today. With a breathtaking ash glaze that appears half planned and half left to the dictates of the kiln, we can see a number of textures and colors that one might encounter in a Zen garden or while hiking along a mountain brook. The front of the vessel is adorned with an “enso,” however, unlike the tr...

Tokoname pottery has a rich history that dates back over a thousand years. Originating in the town of Tokoname in Aichi Prefecture, Japan, this pottery tradition has flourished due to the region's abundant red clay deposits. The history of Tokoname pottery can be traced to the 12th century when the art form was greatly influenced by Chinese ceramics, specifically, by the Yixing clay pottery tradition. Over the centuries, Tokoname pottery evolved to develop its unique style characteri...

During the Kamakura period in Japan (1185-1333), a remarkable form of Buddhist sculpture known as the votive Buddha emerged. Commonly referred to as kakebotoke (hanging Buddhas), pieces like this would have been mounted on spherical plaques made of bronze or copper and hung in a Buddhist temple or possibly even in a Shinto shrine. These small-scale sculptures were created to serve as objects of devotion and were often commissioned by wealthy individuals or temples. The Kurakama perio...

The term “Raku” was once reserved for a style of pottery produced by a specific household in Kyoto that began over 450 years ago. Over the years, as it gained popularity, several branch kilns were established (Ōhi, Tamamizu) and a number of other lineages arose making pieces in the style of Raku, though they were not formally associated with the Raku household. Today, we see that Raku has become a world-wide phenomena and the name is no longer reserved strictly for the Raku fami...