A male dancer dressed in massive and splendid Noh attire. The painting is attributed to Iwasa Matabei (1578–1650), a renowned Japanese painter who is often considered originating ukiyo-e genre painting. As is often the case with this artist, these two paintings do not bear his signature or seal, however the depiction of the figures with rich cheeks and long jaws shows typical expression of people of high social rank during medieval periods, which he exaggerated the expression was originated fr...

Antique Japanese “Yogi” bed comforter, hand-spun cotton with "tsutsugaki" paste resist dye in aizome Japanese indigo dye. The design is auspicious symbol, Sho-Chiku-Bai (pine, bamboo, plums). The shoulder and collar areas are accented with "kasuri" cotton. Excellent condition - no holes on the front except one small L shape cut (3/4"x3/4") on the lower area, some repairs on the liner. Cotton wadding was taken out and cleaned (but not washed). Approximately 57" wide x 77" long, ...

Japanese Marquetry inlaid Table, mid 1800's, beautifully detailed various design and color of wood Marquetry works are displayed in this three(3) functional table, all in one(1) table as a Book Stand, a Chess table and a Sewing or Work Table, 33 1/2" high, 13" deep, 35 1/2" wide when it is open, 17 1/2" wide when two(2) leaves are closed, with inlaid 4 side brackets support leaves on both sides. This multiple purpose table comes in two(2) parts, separate stand with curved black lacquered legs ...

A beautiful hand thrown stoneware vase of tapering shape with three very small ears; mottled blue glaze / rubbing eggs glaze creating a stunning effect made by Ito Tosan. Ito Tozan I (1846-1920) or Ito Tozan II (1871-1937). Seal mark underneath reading Tozan, enclosed in the original stamped cotton bag. It comes with a collector box from the 50´s. Late Meiji to Early Showa, 20th cent. H. 26, 5 x Diam 7,5 cm. Condition: Fine. **** Ito Tozan I (1846-1920) started his artistic career as ...

From a well-known series entitled “Chōtō” (Listening to the Waves) this large contoured vase features a sandy glaze that the sculptor claims is an expression of the features of the landscape where he grew up.

Born in the port city of Shimoda, Sakiyama studied art in Osaka and then later went on to open his own kiln that he named “Hidaka” (High Sun). Appearing to have a natural gift for form and proportion, his pieces soon attracted the attention of galleries and collectors...

Conceived by 20th century master ceramicist Kawai Kanjiro—here an abstract depiction of flowers is used to adorn an exquisite “henko” shaped vase. The glaze used is known as “tetsu-yu” for its use of iron compounds to achieve this distinctive look. Though many pieces by Kanjiro remain today, this exact combination of style, shape, and glazing is uncommon, making this a must-have work for serious collectors. Interestingly, though it may likely not have been intentional, the abstract sym...

Great example of a Durand champagne glass with ruby red cup and foot joined by an ambergris stem. The cup, stem and foot are nicely ribbed and measure 6 inches tall. The cup is 4 3/8 inches in diameter and the foot is 3 1/16 inches in diameter. The foot has a rolled rim and has a small polished pontil mark. This example is pristine.

A colorless Webb ewer or cruet decorated with an acid etched floral design and having an acorn stopper. The 7 ½ inch tall piece is 10 inches tall with the stopper in place. The stopper is not the original but is the correct style of stopper for this piece.

Fine Japanese 18th Century Moulded Arita Blue & White Porcelain Bowl

This attractive moulded porcelain bowl with an iron-brown edged foliate rim was made during the 18th century. The underglaze blue decoration of very good colour features three human figures in a garden. Around the outer wall is an elaborate scrolling design.

Diameter 13 cm. It is in fine condition with no repair or restoration and a good ring when tapped.

For information: This bowl was sold to a local collector by o...

24034879 A nice small Pairpoint Rosaria compote, shape B-366. The compote has a Rosaria foot and bowl connected by a colorless stem with a bubble ball connector. Both the foot and the bowl are enhanced with a diamond quilted pattern. There is a polished pontil mark and there is no damage. The compote is 6 1/4 inches in diameter and 6 inches tall.

A pair of Steuben Cyprian twist stem candlesticks, aquamarine with celeste blue rims. The candlesticks are 10 inches tall and are shape 6331 as shown in the factory line drawings. The candlesticks are undamaged and unsigned.

24054902 A satin finish Wheeling peachblow number 13 stick vase in a lustreless finish by Hobbs, Brockunier & Co. of Wheeling, WV. The vase is 8 ½ inches tall and 3 1/4 inches in diameter. There are no imperfections.

Chinese Ming Dynasty Blue & White Porcelain Bowl (Hongzhi)

This blue and white porcelain bowl with flared rim was made during the late 15th - early 16th century (Hongzhi reign 1488 – 1505). The outer wall is decorated in underglaze blue with a honeycomb pattern. The central decoration is loosely based on a vajra (Buddhist sceptre) with various other decorations around the inner wall. It is coated in a finely-crackled glaze.

Diameter 14.5 cm. Condition is very good: there is a hairlin...

Chinese Ming Dynasty Glazed Pottery Ridge Tile - Lion Dog

This sturdy ridge tile in the form of a seated lion-dog dates to the latter part of the Ming Dynasty (c. 1600 - 1644). It is coated in a thick and finely-crackled attractive turquoise glaze. The curved underneath of the tile remains unglazed and has the impressions of a finely-woven cloth on which it must have been placed during manufacture.

Height 22 cm. There is a chip to one ear and kiln scars on both sides of the animal's mout...

Large Chinese Neolithic Machang Painted Pottery Jar (Repaired)

This large and impressive pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is quite "heavily-potted" with a smooth surface and is fairly highly-fired. The surface colour of the pottery varies in places, a result of uneven conditions during firing. It has a short neck with flared m...

RED-PAINTING PAPER PLATE

Anonymous Japanese pottery okimono object, as a symbol of love and peace, H 12.2 x W 9 x D 6.8 cm (4.80 x 3.54 x 2.67in)


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Large Chinese Qing dynasty oval form lidded jar densely decorated on the front in underglaze blue on a faintly celadon tinted white ground with a phoenix bird among peonies. Three blue clouds are on the lid. The base and interior are glazed while the foot is unglazed. Late 19th century. 12 1/2" high. Very good overall condition. The unglazed mouth rim has tiny imperfections. There are a few glaze losses to the tip and side of the finial that might be from the original production. From th...

Chinese Qing dynasty Tongzhi mark and period (1862-1874) cylindrical food container decorated around the circumference with four overglaze iron-red five-clawed dragons in profile above a band of underglaze blue waves. Each dragon is among underglaze blue clouds and separated from each other by a pair of vertical blue cloud bands shaped like opposing bats. A geometric blue band extends along the top. Each side has twisted metal handles supported by two animal mask lugs with gilt highlights. W...