A testament to the brilliance of traditional Japanese craftsmanship, this lacquered mizusashi—skillfully handcrafted from bamboo—showcases a deep crimson hue that radiates warmth and sophistication. Its seamless design and flawless finish reflect the skilled hands of the first generation artisan who crafted it, achieving a harmonious balance between form and function. Designed for use in Japanese tea ceremony, this indispensable implement would love to be put back into service o...
The term “tenmoku” (heavens eye) refers both to a shape of tea bowl popularized in the Song Dynasty dating back almost 1,000 years, and also to a style of glaze that these pieces are renowned for. In the case of tea bowls themselves, the troughs often have darker coloration with radiating colored rays and, depending on the style, often resemble the iris of a human eye. In the case of the glaze, the individual oil spots that appear on the walls of the vessel can sometime also rese...
Shien
Pagoda in Snow
Date: 1930s-1950s.
Publisher: Watanabe Shozaburo.
Size: Approximately 6 x 4 inches.
Sealed by the artist.
Print is tipped along its top edge to original holiday card with message inside.
Medium: Japanese woodblock print.
Condition: Excellent.
Lake Tanganyika Scene in Watercolor measuring 28”x 33”. More information coming soon
Kawase Hasui
Kiso River (catalog title: Mt. Fuji with Sailboat)
Date: 1930s.
Size: Koban. Approximately 7.875 x 5.375 inches.
Publisher: Watanabe Shozaburo.
Artist's oval seal at lower left.
"Made in Japan" stamped on verso.
Reference: Hotei #Hp-1.
Medium: Japanese woodblock print.
Condition: Excellent.
This Meiji period vase is made of fine white porcelain fashioned after classic Chinese motifs.. The potter, first generation Miura Chikusen, is the same generation as many of the better known Imperial Court artists (Kozan, Siefu, Tozan, etc…) and just as accomplished in terms of mastery of technique, level of artistic expression, and volume of pieces produced.
An exceptionally skilled Meiji potter, Chikusen (1854 – 1915) specialized in high-quality Kiyomizu-yaki and...
Modern sterling silver tray. Made by Tiffany & Co. in New York, ca 1910. Round with deep well, narrow shoulder, and reeded rim. Fully marked including maker’s stamp, pattern no. 11742C, and director’s letter m. Very good condition.
Dimensions: H 1 x D 13 in. Heavy weight: 32 troy ounces. #BY389
Modern sterling silver trompe-l’oeil box. Made by Tiffany & Co. in New York. Book-form with curved and raised spine. Front board hinged. Butler-finished edges. Box interior gilt. Untitled with lots of room for engraving. A novelty keepsake receptacle for telling a very personal story. Marked on spine base “Tiffany & Co. Makers Sterling 25190”. Very good condition.
Dimensions: H 7 7/8 x W 7 3/8 x D 1 1/4 in. Heavy weight: 36.2 troy ounces. #BY365
Super snazzy sterling silver cocktail shaker. Made by Tiffany & Co. in New York, ca 1929. Gently curved and upward tapering sides and flat cover with same-form finial. Bracket handle. Stubby spout with chained cap. Built-in strainer. A late prohibition-era Art Deco classic. Fully marked including maker’s stamp, pattern no. 21374 (first produced in 1929), and director’s letter m. Very good condition.
Dimensions: H 10 1/4 x W 6 3/4 x D 4 1/2 in. Weight: 25.4 troy ounces. #BY310
Midcentury Modern sterling silver tray. Made by S. Kirk & Son in Baltimore. Round with tapering shoulder and flat rectilinear rim. Fully marked including maker’s stamp (1932-61) and no. 4114. Very good condition.
Dimensions: H 1/2 x D 14 in. Heavy weight: 36.7 troy ounces. #BY249
Midcentury Modern sterling silver box. Made by Tiffany & Co. in New York. Rectangular with straight sides. Cover has flat top and molded rim. Box interior cedar-lined and partitioned. Cover interior gilt washed. Fully marked including maker’s stamp and postwar pattern no. 24004. Very good condition.
Dimensions: H 2 x W 6 1/4 x D 3 7/8 in. Gross weight: 15.8 troy ounces. #BY362
Set of 5 Edwardian sterling silver and enamel place card holders. Made by Sampson Mordan in Chester, 1904-8. Each: Two graduated discs of which the front decorated with grouse standing stiffly, alert to danger; landscape background varies. Flat round base. Perfect for the hunt dinner. Fully marked including date letters for 1904 (2), 1906 (1), 1907 (1), and 1908 (1). Three have design no. 402227 (registered in 1902) and two have design no. 429790 (registered in 1904). Very good condition.
Dim...
A magnificent oil on canvas color block study circa 1970, done in the time of then Abstract Expressionist period of Art. Unsigned measuring 59” x 41”
Please see #3463 for a matching artwork
Chinese porcelain hat stand vase with a hand painted scene of a boy playfully dangling a toy spider in front of his pet cat. Mother and brother are standing nearby watching. Dates early 20th C. Measures 11.5" high x 5" diameter.
Set of 8 Wedgwood sterling silver goblets. Made by International Silver Co. in Meriden, Conn., ca 1920. Each: Ovoid bowl on cylindrical stem with base knop mounted to raised foot. At mouth rim raised band with Neoclassical ornament, including paterae and amphorae, entwined with flowers and scrolls between beaded and Vitruvian scroll borders. At foot border alternating volute scrolls and W’s. Seven goblets have gilt-washed interior. An elegant tribute to the historic English pottery firm. Fully...
Traditional sterling silver tray. Made by Stieff in Baltimore in 1956. Round and plain well and flat rim. Shoulder tapering with repousse floral garland on stippled ground. A nice piece in a regional style. Fully marked including maker’s stamp, date letter, no. 200, and phrase “Hand Chased”. Very good condition.
Dimensions: H 1 x D 14 in. Weight: 34.3 troy ounces. #BY068
Art Deco sterling silver and enamel box. Made by Harman Brothers in Birmingham in 1972. Rectangular with straight sides. Cover hinged and tabbed; top gently curved with rectangle (vacant) surrounded by purple guilloche enamel. Interior cedar lined. Laminate-lined bottom. Fully marked. Good condition with strong and intact color. A few pings to cover.
Dimensions: H 1 5/8 x W 4 1/2 x D 3 3/8 in. Gross weight: 10.6 troy ounces. #BW001
Set of 8 American sterling silver mint juleps. Each: Straight and tapering sides, molded mouth rim, and skirted foot. Marked “Sterling / 0040”. Very good condition.
Dimensions: H 3 7/8 x D 3 1/4 in. Total weight: 38 troy ounces. #BY287
George III sterling silver goblet. Made by Hester Bateman in London in 1785. Ovoid bowl on upward tapering stem flowing into raised foot. Beaded and zigzag borders. Spare Georgian Neoclassicism by a collectible maker. Fully marked. Very good condition.
Dimensions: H 6 3/8 x D 3 1/4 in. Weight: 5.7 troy ounces. #BY307
Century sterling silver fish serving pair. Made by Dominick & Haff in New York, ca 1900. Each: Threaded and tapering stem with scroll and shell terminal. The slice has a scroll shaped blade. The fork has shaped shank and four scrolled tines. Edwardian Classicism for the new century. Fully marked including maker’s and retailer’s (Hansel, Sloan & Co.) stamps, and patent year (1900). Very good condition.
Dimensions: Slice: H 11 in. Fork: H 9 in. Total weight: 9.5 troy ounces. #BX815
Kiyoshi Saito
Maiko
Date: ca. 1960.
Size: Oban. Approximately 17.25 x 11.5 inches.
Pencil signed and sealed by Saito.
Self-published by the artist.
Silver mica is used on the collar.
Medium: Japanese woodblock print.
Condition: Top back margin has paper residue. Very faint toning.
Arai Yoshimune
Fishing Boat
Date: 1910s.
An early edition on original card-like paper.
Size: Chuban. Approximately 9.75 x 7 inches.
Publisher: Hasegawa. From the famous "Night Scenes" series. Hasegawa catalog No. 1245.
Medium: Japanese woodblock print.
Condition: Excellent.
A stylized grass motif painted in ferrous pigment across each side and on the inside of this mukozuke serving dish marks it as being more likely produced in Karatsu as opposed to having come out of a Mino kiln. Though very similar styles and techniques were utilized during the late 16th or early 17th C. when this would have been produced; the color, distribution of glaze, and patterning suggest Karatsu. While at one time this would have been part of a set of 5 pieces, very few sets s...
With an uncanny ability to emulate features of the natural environment, the creator of this sake vessel,Tsujimura Yui, is one of Japan’s most skilled potters working in the field today. With a breathtaking ash glaze that appears half planned and half left to the dictates of the kiln, we can see a number of textures and colors that one might encounter in a Zen garden or while hiking along a mountain brook. The front of the vessel is adorned with an “enso,” however, unlike the tr...
Japonesque mixed metal copper tray. Made by Gorham in Providence in 1882. Lobed and rectangular with curved sides. Applied copper and silver ornament: Tree with blossoming branches and sinuous irregular trunk rooted in granulated soil; above a butterfly and bird. Ground engraved with wild grass in foreground and hills in background. Fully marked including maker’s stamp, no. B75, and date letter. Good condition with some spotting to copper.
Dimensions: H 7/8 x W 12 x D 9 1/8 in. #BY284
Set of 3 plique à jour enamel and gilt 930 silver open salts. Made by Marius Hammer in Norway, ca 1910. Each: Inspired by Viking longboat with dragonhead stempost and tail sternpost, and rim comprising warrior’s shields. Stylized plant and geometric ornament. Well has radiating guilloche enamel; each in different color (blue, red, and purple). Oval form for stealthy gliding. Fine craftsmanship and rich colors. Beautiful pieces by this maker, who contributed to the revival of Norwegian art and...
Plique à jour enamel and gilt sterling silver bowl. Made by David Andersen in Norway, ca 1925. Inspired by Viking longboat with dragonhead stempost and tail sternpost, and rim comprising warrior’s shields. Stylized plant and geometric ornament. Well has radiating green guilloche enamel. Oval form for stealthy gliding. Fine craftsmanship and rich colors. Fully marked including maker’s stamp. Excellent condition.
Dimensions: H 2 5/8 x L 4 7/8 x W 1 1/2 in. #BY199
Art Nouveau sterling silver basket. Made by Tiffany & Co. in New York, ca 1910. Deep and ovoid with reeded and lobed rim. Cast and open fruiting and leafing vine swing handle with central oval cartouche (vacant). Sides open and engraved with same. Well solid. Four leaf-mounted scroll supports. Fully marked including maker’s stamp, pattern no. 16202, and director’s letter m. Very good condition.
Dimensions: H (with handle) 12 x W 13 x D 8 3/8 in. Weight: 28 troy ounces. #BY224
Neoclassical sterling silver tray, ca 1950. Round with beaded and curvilinear ogee rim. Nice heft with plenty of room for engraving. Marked “Silver / 925 [in oval]”. Very good condition.
Dimensions: H 1/4 x D 12 1/4 in. Weight: 23 troy ounces. #BY064
George II sterling silver salver. Made by Robert Abercromby in London in 1741. Round with molded and scrolled piecrust rim with alternating big and small shells. Well has engraved armorial in leaf and flower surround. Four hoof supports. Fully marked. Very good condition.
Dimensions: H 1 1/2 x D 14 in. Weight: 36.3 troy ounces. #BY071
Tokoname pottery has a rich history that dates back over a thousand years. Originating in the town of Tokoname in Aichi Prefecture, Japan, this pottery tradition has flourished due to the region's abundant red clay deposits. The history of Tokoname pottery can be traced to the 12th century when the art form was greatly influenced by Chinese ceramics, specifically, by the Yixing clay pottery tradition. Over the centuries, Tokoname pottery evolved to develop its unique style characteri...
During the Kamakura period in Japan (1185-1333), a remarkable form of Buddhist sculpture known as the votive Buddha emerged. Commonly referred to as kakebotoke (hanging Buddhas), pieces like this would have been mounted on spherical plaques made of bronze or copper and hung in a Buddhist temple or possibly even in a Shinto shrine. These small-scale sculptures were created to serve as objects of devotion and were often commissioned by wealthy individuals or temples. The Kurakama perio...
Traditional sterling silver Revere bowl. Made by Gorham in Providence in 1957. Curved sides, flared rim, and stepped foot. A historic form that can suit many modern uses. Fully marked including maker’s stamp, date code, no. 41659, and phrase “P. Revere / Reproduction”. Very good condition.
Dimensions: H 4 1/4 x D 7 3/8 in. Weight: 16.2 troy ounces. #BX518
Traditional sterling silver Revere bowl. Made by Tiffany & Co. in New York. Curved and tapering sides, flared rim, and stepped foot. For serving or presentation. Lots of room for engraving. Fully marked including maker’s stamp and postwar pattern no. 23617. Very good condition.
Dimensions: H 3 7/8 x D 7 3/4 in. Weight: 17.2 troy ounces. #BX520
Pair of traditional Georgian sterling silver 4-light candelabra. Made by Asprey in London, 1992-3. Each: Four capped and curvilinear arms each terminating in single faceted socket with same wax pan and baluster pendant. Arms mounted to tall and faceted baluster finial set in girdled and knopped baluster shaft on square, stepped, and chamfered foot. A stylish step back in time by a noted maker.
Fully marked including date letters for 1992 (bases) and 1993 (arms). Excellent condition.
Dimensi...
Art Deco sterling silver bowl. Made by Tiffany & Co. in New York. Curved and tapering sides; short and splayed foot. Fully marked including maker’s stamp, pattern no. 20024, and director’s letter M (1947-56). Very good condition.
Dimensions: H 3 1/2 x D 6 in. Weight: 11 troy ounces. #BX497