This beautiful painting from late Edo portrays Mount Fuji as a sublime centerpiece, overlooking a serene landscape below. A lush pine forest embraces the foot of the sacred mountain, its deep greens contrasting against the pristine snow-capped peak. A tranquil lake reflects the ethereal beauty of the surroundings, mirroring the image of Fuji and the towering pines. The composition captures the harmonious coexistence of nature's grandeur, inviting viewers to immerse themselves in the ...

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of these works and light-colored windows are created using feldspar. These high-contrast areas then act as a canvas upon which abstract, minimalistic, and often naturalistic themes are painted.

As can be seen here, this piece is of the green variety and looks to be from the mid-to-early Edo period as can be determined ...

This scroll contains a sutra written as [寿至蓬莱不老僊], pronounced in Japanese as “Jyu-Ita-Hōrai-Furō-Sen.” Originating from Chinese, the characters “蓬莱” refer to the mythical land of “Penglai,” home to the immortals. According to legend the trees that grow here cure all disease; there are rice bowls and flasks of wine that never go empty; and its great castles are built entirely out of gold and silver.

The brushwork is done by a Rinzai sect m...

Although reports vary, it is generally thought that Zeze-yaki had its heyday in the late Momoyama to early Edo period under the influence and patronage of legendary artists/ men of tea, Honami Koetsu and Kobori Enshu. It was also counted among the seven best kilns selected by Enshu Kobori (1579-1647), a tea master and military commander of that era. In the mid-1600s the tradition died out for a time after the destruction of the kiln by fire. The kiln was later resurrected on two occa...

The poem accompanying the artwork on this antique scroll reads: Fishing little trout—Precious drops of dew glisten—Flowing with the blossoms—The mountains and rivers of spring ( Rengetsu, age 78 ). A rather later and mature work by Rengetsu, this piece was created right as Edo ended and Meiji began, marking a major turning point in Japanese history and culture.

Ōtagaki Rengetsu (1791-1875) was born into a Samurai family but soon after adopted by the Ōtagaki fam...

Art Nouveau Craftsman glazed earthenware whiskey jug with engraved silver overlay. Made by Rookwood Pottery in Cincinnati in 1893. Globular with short neck; silver collar round mouth with lip spout flowing into c-scroll handle. Painted ear of corn with exposed kernels on shaded brown green ground. Overlay in form of entwined grapevine and berry branches with succulent fruit and outsized leaves.

The painter was Harriette Rosemary Strafer (1873-1935), who began working at Rookwood Pottery in 189...

George II sterling silver mug. Made by Samuel Welles in London in 1759. Baluster bowl with leaf-capped double-scroll handle. Raised foot with tooled leaf border. Chased and engraved bucolic scene with hounds racing through an orchard. A later Victorian homage to the tranquility of rural life. An even later engraved presentation in the frame formed by the leafing, overhanging trees: “Palm Beach Golf Club / Florida / State Championship / 1916 / First Prize / Runner Up / Won By”. No name follow...

Japanese Mugiwara pottery emerged in the Mino region of Japan during the Momoyama period in the late 16th century. It is renowned for its distinctive straw-rope patterns etched into or painted on its surfaces that typically contains hues of indigo, mustard, hazel, ochre, and sometimes greens. The creation of Mugiwara pottery involves a process of hand-building or wheel-throwing clay pieces—typically serving dishes, vases, and teaware items—and then meticulously applying a straw-r...

Here we have a beautiful scroll with a mounted letter penned by famed Japanese poet Kobayashi Issa (1763-1828) who is known as one of the 4 great haiku poets of Japan along with the likes of Bashō, Buson, and Shiki. As one might expect, Kobayashi’s life was one of turbulence punctuated by several tragedies including the death of his mother at an early age and a lengthy legal battle with his step-mother over the family inheritance after the death of his father. Through it all Kobay...

Sometime around the year 1600 the first Takatori kiln was constructed at the foot of Mt Takatori in Fukuoka. This tradition was based on styles created by Korean potters brought to the shores of Japan during its colonial expansionism of the late 16th century. A favorite of the Kuroda lords of the time, its production and use was closely guarded until later in the 19th century when the domain system was abolished, freeing it up to be more widely used. Though Takatori-ware has been admired by many...

A stylized grass motif painted in ferrous pigment across each side and on the inside of this mukozuke serving dish marks it as being more likely produced in Karatsu as opposed to having come out of a Mino kiln. Though very similar styles and techniques were utilized during the late 16th or early 17th C. when this would have been produced; the color, distribution of glaze, and patterning suggest Karatsu. While at one time this would have been part of a set of 5 pieces, very few sets s...

Also known as "The Buddha of Immeasurable Light and Life,” here in this pre-Edo Buddhist painting we see Amida and his two assistant bodhisattvas, Seishi on the left (associated with wisdom and strength), and Kannon on the right (associated with compassion and mercy), descending from the Western Pure Land to welcome newly deceased believers into the realm of paradise. In this practice known as raigō, the faithful are transported via the small lotus pedestal the Kannon holds in his...

Art Deco bronze urn: $44,000, reduced to $38,000 This Art Deco bronze figurative planter (jardiniere), circa 1920, measures 55" in height, 36" across (elbow to elbow), 18" deep.  caste bronze, 150-250 lb. This work was the combined effort of two French sculptors; Pierre Lenoir and Marcel Guillard (1896 - 1932). It is believed two castes of this sculpted urn were made.  Pierre Lenoir (1879 - 1953) was a French sculptor and medallist and was one of the Breton sculptors born in the 1880s ...

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of these works and light-colored windows are created using feldspar. These high-contrast areas then act as a canvas upon which abstract, minimalistic, and often naturalistic themes are painted.

This piece is quite unique for its brown color which may have been produced using a copper glaze under very specific conditions. Typical o...

Takahashi Shotei (Hiroaki)
Two Paintings of "Tama" Cats - Black and Beige
Date: Not known. There was a June 1924 Tama cat woodblock print (see our Shotei061) in which the white cat is in the reverse orientation.
Size (Black Cat): Paper: 15.5 x 11.375 inches (38.9 x 28.9 cm). Image: 13 x 9.25 inches (32.8 x 23.4 cm).
Size (Beige Cat): Paper size: 15.25 x 11.375 inches (38.8 x 28.8 cm). Image: 13 x 9.25 inches (33.1 cm X 23.5 cm).
Medium: Japanese paintings on paper. The ...

Enryakuji Temple, Hiyeizan (Hieizan), Kyoto.
Artist not identified.
Dated August 21st, 1937.
Size: 7.5 x 5375 inches (19 x 13.6 cm).
Medium: Japanese woodblock print as the cover of a dinner menu of the Nippon Yusen Line passenger ship, Chichibu Maru.
Publisher: Likely Nippon Mokuhan Co. Tokio (Japan Woodblock Co. Tokyo), who produced another of our ship menu woodblock prints.
Medium: Japanese woodblock print made from a carved wood block. Mechanization was added to...

Sabra Field (American, born 1935)
Going Home
Date: ca 1980 (as noted on separate board)
Paper size: 13 x 8.5 inches.
Image size: 9.5 x 5 inches.
Medium: Woodcut print.
Condition: Light scuff on mountain.

Art Nouveau sterling silver table mirror. Made by William B. Kerr in Newark, ca 1910. Oval glass in rectangular surround. On front acid-etched ornament with dense and fluid leafing scrolls and berries; sides plain. With velvet back and hinged easel support for vertical display. Fully marked including maker’s stamp and indistinct number. Very good condition with strong definition.

Large dimensions: Frame: H 18 x W 14 5/8 in. Window: 14 3/4 x W 11 1/2 in. #BX553

Midcentury Modern gilt sterling silver flowerpot. Made by Tiffany & Co. in New York. Two blossoms with overlapping, ready-to-bloom petals and leaves on stem planted in a bucket filled with granulated quartz. Fully marked including maker’s stamp and postwar pattern no. 24061. Very good condition with nice toning.

Overall dimensions: H 4 1/2 x W 2 3/8 x D 1 5/8 in. Weighted. #BZ650

Swedish Neoclassical 830 silver serving bowl, 1932. Ovoid bowl with high-looping end handles and raised foot. Engraved leaf-and-dart mouth rim. Pierced colonnade foot rim. Fully marked including maker’s stamp (G. Graumann) and date code. Very good condition.

Overall dimensions: H 3 3/4 x L 11 x W 4 3/4 in. Weight: 8.7 troy ounces. #BZ125

Edwardian Art Nouveau sterling silver card case. Made by Clark & Sewell in Birmingham in 1906. Rectangular with hinged cover and plain back. On front is one maiden with faraway look, one iris flower, two water lilies, and the sun in the act of setting or rising (direction not indicated). All surrounded by whiplash border. The works! A wonderful period piece. Fully marked. Very good condition with strong definition and deep patina.

Dimensions: H 3 3/4 x W 2 5/8 x D 1/8 in. Weight: 2 troy ounce...

Pair of Victorian sterling silver goblets. Make by Elkington & Co. Ltd in Birmingham in 1860. Each: Ovoid bowl on knopped stem; raised foot. Chased and engraved horse scenes. On one, mounted horses amble through the countryside. On the other, it’s a race to the finish with raised whip, the grandstand in the background. Victor’s wreath grapevine frame engraved with interlaced script monogram. Tooled and beaded borders. Gilt-washed interior. Fully marked. Very good condition.

Dimensions: H 6...

Midcentury Modern sterling silver box. Made by Poole in Taunton, Mass. Rectangular with straight sides. Cover hinged with curved top. Cast corner bracket supports in form of Classical colonnade. Box interior cedar lined. Open leather-lined underside. Fully marked including maker’s stamp and no. 15. Very good condition.

Overall dimensions: H 1 3/4 x W 4 x D 3 3/4 in. Gross weight: 7.7 troy ounces. #BZ618

Pair of American Modern Classical sterling silver candlesticks, ca 1925. Each: Faceted column applied with bead-and-reel borders at top and bottom; raised hexagonal foot and detachable bobeche applied with same. Marks include retailer’s stamp (“Made for Tiffany & Co.") and no. 472X. Good condition with a few minor pings on shaft.

Dimensions: H 7 1/2 x W 3 3/4 x D 3 1/4 in. Weighted. #BZ334

Pair of American Modern Classical sterling silver candlesticks, ca 1925. Each: Faceted column applied with bead-and-reel borders at top and bottom; raised hexagonal foot and detachable bobeche applied with same. Marks include retailer’s stamp (“Made for Tiffany & Co.") and no. 472X. Very good condition with a few minor pings on shaft.

Dimensions: H 7 1/2 x W 3 3/4 x D 3 1/4 in. Weighted. #BZ333

Modern sterling silver bowl. Made by Spratling in Taxco, Mexico, ca 1940. Curved sides and wide and flat shoulder with chased addorsed scrolls between cabochon amethysts that spill out over the crisp rim. A Pre-Columbian motif stylistically compatible with mid-20th century Western design. Fully marked including maker’s stamp. Very good condition.

Dimensions: H 2 x D 12 in. Gross weight: 25 troy ounces. #BZ679

Modern Classical sterling silver vase. Made by Sotirio Bulgari in London in 1989. Tapering bowl with faceted and flared rim and gilt interior; short cylindrical stem and round foot with reeded rim. Fully marked including maker’s and retailer’s (“Bulgari”) stamps, and no. BA2633. Very good condition.

Dimensions: H 6 x D 3 in. Weight: 7.7 troy ounces. #BZ731

Modern Classical sterling silver vase. Made by Sotirio Bulgari in London in 1989 Tapering bowl with faceted and flared rim and gilt interior; short cylindrical stem and round foot with reeded rim. Fully marked including maker’s and retailer’s (“Bulgari”) stamps, and no. BA2630. Very good condition.

Dimensions: H 6 x D 3 in. Weight: 7.6 troy ounces. #BZ730

Edwardian Classical sterling silver gravy boat on stand. Made by Tiffany & Co. in New York, ca 1924. Boat: Ovoid bowl with scrolled helmet mouth, and leaf-capped high-looping double-scroll handle; raised foot. Stand: Rectilinear with scrolled corners and oval well. Cast guilloche and egg-and-dart rims. Fully marked including maker’s stamp, director’s letter m, and sequential pattern nos. 20327 (boat) and 20328 (stand), which were first produced in 1924. Very good condition.

Overall dimensi...

Shoda Koho
Ueno Park
From the Hasegawa Night Scenes series.
Size: Chuban. Approximately 10.25 x 7.75 inches.
Date: 1910-38. A rare, early edition on card-like paper.
Publisher: Hasegawa. #1248 in Hasegawa catalog.
"Made in Japan" stamp and #427 tag on verso.
Not sealed by the artist.
Medium: Japanese woodblock print.
Condition: Excellent.

Hans Frank, Austrian (1884-1948)
Venice II, 1925 (Venedig II, 1925)
Date: 1925.
Paper size: 17.5 X 13.25 inches (44.5 x 33.9 cm).
Window size: 16 x 12 inches (40.5 x 30.5 cm).
Signed and dated at lower right.
Medium: Color woodcut on laid Japanese paper.
Condition: Small crease at upper right corner. The odd small mark in image.
Attached with archival tape to top of a 24 x 20-inch matte).

Very desirable sterling silver pea server in Vine. Made by Tiffany & Co. in New York. Tapering handle with loosely arranged wraparound pea pod vine on tapering stem. Round bowl with pierced ornament in same motif. A beautiful conflation of symbolism and function. Interlaced script monogram engraved on verso. This pattern is commonly known as Fruits and Flowers, and was in production from 1872 to before 1904. Illustrated in: Hood. Tiffany Silver Flatware, 1999, p. 143. Fully marked. Very good con...

Modern sterling silver jewelry box. Made by Watrous Mfg. Co. (part of International) in Wallingford, Conn., ca 1950. Rectangular with straight sides. Cover hinged and tabbed with gently curved top. Velvet-lined interior. Fully marked including Watrous and International stamps and nos. 135/11. Very good condition.

Dimensions: H 2 1/8 x W 6 3/8 x D 3 3/8 in. Gross weight: 12.7 troy ounces. #BZ521

Pretty Victorian Classical sterling silver tray. Made by Meriden Britannia (part of International) in Connecticut, ca 1900. Shaped rectangular well and everted shoulder; scrolled rim applied with leafing scrolls and heraldic shield frames (vacant) surrounded by flowers. Fully marked including Meriden Britannia stamp and no. C1975. Very good condition.

Dimensions: H 5/8 x W 12 1/8 x D 8 3/4 in. Weight: 13.8 troy ounces. #BZ541

Fine quality Japanese Meiji silver incense burner, ca 1890. Barrel-form with solid top and bottom and open sides; applied chrysanthemums heightened with gold and silver. Cover oval and flush; finial in form of big loosely-tied bow with tassels. Ends plain and studded; copper and gold ornament with central mons encircled by two scaly, taloned dragons. Scrolled cradle mounted to pillar with brackets on four scroll supports. Applied leafing and flowering tendrils.

Appears to be unmarked. Very goo...