Set of 4 Edwardian sterling silver and enamel place card holders. Made by James William Benson in Birmingham, 1901 to 1902. Each: Enameled coat of arms and open oval clip mounted to flat octagonal base. Two each in two coats of arms. In leather-bound case with silk lining and fitted velvet. All fully marked including date letters 1901 (2) and 1902 (2). Design no. 454426 and retailer’s stamp (“Rowell / Oxford”). Excellent condition with strong and intact color.

Dimensions: H 1 1/2 x W 1 ...

Set of 4 Edwardian sterling silver and enamel place card holders. Made by James William Benson in Birmingham, 1906 to 1908. Each: Enameled coat of arms and open oval clip mounted to flat octagonal base. Same design comprising yellow cross and birds on cobalt ground. In leather-bound case with silk lining and fitted velvet. Case has retailer’s stamp (Army and Navy Co-Operative Society) All fully marked including date letters 1906 (3) and 1908 (1). Design no. 454426 and retailer’s stamp (“Ro...

George VI sterling silver salver. Made by Walker & Hall in Sheffield in 1940. Round well with traditional molded curvilinear piecrust rim. Three volute-scroll supports. Fully marked. Very good condition with nice finish.

Dimensions: H 1 1/8 x D 8 1/4 in. Weight: 11 troy ounces. #BW553

George VI sterling silver salver. Made by Walker & Hall in Sheffield in 1940. Round well with traditional molded curvilinear piecrust rim. Three volute-scroll supports. Fully marked. Very good condition with nice finish.

Dimensions: H 1 x D 8 1/4 in. Weight: 11 troy ounces. #BW554

Pair of Royal Danish sterling silver salt and pepper shakers. Made by International in Meriden, Conn. Each: Baluster on raised foot with concentric bands. Cover pierced top and scroll and acorn finial. Fully marked including maker’s stamp, pattern name, and no. S107. Very good condition.

Dimensions: H 4 3/4 x D 2 in. Total weight: 4.5 troy ounces. #BW909

Pair of Royal Danish sterling silver salt and pepper shakers. Made by International in Meriden, Conn. Each: Baluster on raised foot with concentric bands. Cover pierced top and scroll and acorn finial. Fully marked including maker’s stamp, pattern name, and no. S107. Very good condition.

Dimensions: H 4 3/4 x D 2 in. Total weight: 4.5 troy ounces. #BW908

Pair of Edwardian Georgian sterling silver covered serving dishes. Made by John Round & Son Ltd in Sheffield in 1904. Each: Rectangular with chamfered corners and tapering sides. Cover raised and chamfered with twist-lock ring handle. Handle, covers, and rim gadrooned with scallop shells and leafing scrolls. A gorgeous twosome—make that foursome because the covers convert to bowls. Fully marked. Excellent condition.

Overall dimensions: H 6 1/4 x W 13 x D 9 1/2 in. Heavy total weight: 115 t...

Set of 4 Edwardian sterling silver figural place card holders. Made by Levi & Salaman in Birmingham 1906. Each: Pair of perched owls with scrolled back clip; raised and round base. Wise birds standing ready to tamp down excessive dinner party levity. In leather-bound case with fitted velvet and silk lining with gilt retailer’s stamp (“Leighton / Lancaster”). Fully marked. Very good condition.

Dimensions: H 1 3/4 x D 1 1/2 in. Gross weight: 2.3 troy ounces. #BW863

Pair of Victorian Neoclassical sterling silver 3-light candelabra. Made by Walker & Hall in Sheffield in 1898. Tapering and fluted shaft on raised square foot. Central socket on knopped base to which are mounted two leaf-capped and -wrapped scrolled arms, each terminating in single socket munted to wax pan. Sockets urn form on raised foot. Beading, ribboned swags, garlands, paterae, ram’s heads, and leaf-and-dart ornament. Fully marked. Very good condition.

Dimensions: H 18 1/4 x W 15 x D 5 ...

Classical sterling silver compote. Made by John Wendt for Ball, Black in New York, ca 1870. Round and curved bowl mounted to open support comprising three leafing oak shoots with acorns inset with cast figure of standing boy holding a ball in each hand with one arm raised. Domed foot. Reeding and beading.

A fashionable centerpiece evocative of youth and growth. The figure suggests the influence of the Dancing Faun, the ancient statue in the Uffizi in Florence that was a grand tour icon. The fr...

Two pairs of Edwardian Regency sterling silver salt & pepper shakers. Made by Graff, Washbourne & Dunn in New York, ca 1909. Each: Ovoid body with engraved scrolled frames inset with flowers and leaves. One frame engraved with interlaced script monogram. Short neck and pierced and domed cover with vasiform finial. Foot raised with tubular piercing overlaid with swags, and open heraldic shields inset with flowers. Fully marked including maker’s stamp, no. 5542/47, and patent year 1909. Very goo...

English Victorian cologne bottle, 1880. Cut-glass cylinder with short and threaded inset neck. Ball cover in form of male head with big ears, receding hairline, tronie-style grimace, and red bead eyes. Fully marked including London assay stamp and unidentified maker’s initials “T.S” in oval. Very good condition.

Dimensions: H 6 x D 2 1/4 in. #BW614

Japonesque mixed metal on sterling silver bowl. Made by Gorham in Providence in 1883. Curved sides with allover spot hammering and gilt-washed interior overhung with apple branch mounted to exterior. A gnarly growth with irregular fruit and gilt leaves. Also applied birds and butterflies as well as cattails rooted in granulated soil. Three tapering supports. Fully marked with maker’s stamp, date letter, no. 1725, and phrase “Sterling & Other Metals”. Very good condition.

Overall dimensio...

Pair of English Jacobean Revival flagons. Globular body with scroll handle in brown pottery with granulated salt glaze. Gilt sterling silver neck collar and hinged and domed cover with open scrollwork thumb rest as well as raised foot. Chased strapwork embellished with faces and clusters of fruits and vegetables.

One marked George Nathan & Ridley Hayes with Chester assay stamp and 1911 date letter. The other marked Elkington & Co. with Birmingham assay stamp and 1923 date letter. Very good con...

English Georgian Regency sterling silver bowl. Made by Rebecca Emes and Edward Barnard in London, ca 1830. Bellied bowl with chased and stippled leaf and flower bowl. Concave neck and turned-down leaf-and-dart rim. Leaf-capped and -wrapped side handles with oak branch mounts. Short knopped support with egg-and-dart and leaf-and dart borders on lobed and stippled foot with applied leaves. Plain and square base. Opulent Classical centerpiece for flowers or wine. Marks worn. Excellent condition...

Large Classical sterling silver covered urn. Made by Currier & Roby in New York, ca 1920. Girdled bowl with leaf-capped s-scroll side handles, stepped foot and stepped and domed cover with vasiform finial. Traditional form with extra oomph. Beautiful proportions and plenty of room for engraving. Fully marked. Excellent condition.

Dimensions: H 13 1/4 x W 12 x D 7 1/2 in. Heavy weight: 71.5 troy ounces. #BV545

Edwardian Regency sterling silver box. Made by Gorham in Providence in 1917. Square with straight sides. Cover hinged with gently curved top and scrolled top. Allover engine-turned wave ornament on box sides and cover top, which also has engraved garland and wreath (vacant) with pendant flowers; cover sides plain with pointille borders. Interior velvet lines. Perfect for jewelry and keepsakes. Fully marked including maker’s stamp, date symbol, no. 7113, and letter R. Excellent condition.

Ove...

Exquisitely painted cherry blossoms (sakura) and willow branches (yanagi) on a background of jet-black traditional lacquer.

The craftsman, Wakashima Takao (b. 1935) was born in the north of Japan in the picturesque town of Wajima. The lacquer technique particular to this region (Wajima-nuri) is rather unique in its use of an undercoating incorporating special compounds that make it exceptionally durable over time. Wakashima perfected this demanding technique and, over the course of...

Amusing shakudo brooch with copper and gold detail featuring a woman in repose. The brooch is braced by a sterling silver mount. Made in Japan. Meiji period, ca. 1880. Excellent condition with fabulous patina.

Length: 2 3/8 in. #1120

Midcentury Modern sterling silver water pitcher. Made by Svend Toxværd in Copenhagen. Baluster body with helmet mouth and grape-bunch mounted scroll handle. Alternating grape bunches and palmettes applied to base. Body has allover hand hammering. Fine Danish craftsmanship with a strong Jensen influence. Fully marked. Very good condition.

Dimensions: H 8 3/4 x W 7 1/2 x D 4 3/4 in. Weight: 19 troy ounces. #BL327  

Turn-of-the-century Silberiris glass vase by Loetz with engraved silver overlay. Ovoid with impressed shoulder and molten-style irregular turned-down rim. Overlay in form of whiplash tendrils and loose and fluid blooms. Glass iridescent in purple, yellow, and green with a few glimpses of blue. Gorgeous Art Nouveau with nice shimmer. Silver marked “Sterling” with La Pierre maker’s stamp. Very good condition.

Dimensions: H 5 3/8 x D 3 1/2 in. #BX850

Pair of Retro 14K gold pins. Each: Open and shaped triangle with strapwork scroll bisected by stepped arch. Fluid and snazzy. United States, ca 1940. Hallmarked. The original Tiffany stamp was lost during conversion. Very good condition.

Dimensions: H 1 5/8 x W 1 3/8 x D 1/2 in. Total weight: 15.4 dwt. #896

Ca 1940 An exquisite bracelet created by Foss during the time he worked for Georg Jensen USA. This is truly a "must have" for any Foss collector. Marked 416A. 7-1/4" x 5/8" ~ 24.3 grams

Turn-of-the-century Chinese export silver picture frame. Oval window in shaped surround with scrolls and flower heads at top, and leaves, stars, flowers, and heart cartouche vacant on stippled ground at bottom. With glass, silk lining, velvet back, and hinged easel silver wire support. Marked “Sterling”. Very good condition with deep patina.

Dimensions: Frame: H 7 1/4 x W 4 3/4 in. Window: H 4 1/4 x W 2 3/4 in. #BW978

A simple silver bangle with niello marked Sterling. The width is a tad over 1/16"~ inner diameter 2-5/8".

Art Nouveau clear glass decanter with silver overlay. Made by Black, Starr & Frost in New York, ca 1920. Oval bowl with flat foot, cylindrical neck, and everted rim. Ball stopper with conical mount, spool neck, and short plug. Dense ornament with stylized leaves in whiplash frames overlapping with intersecting lines. Stylistically transitional incorporating both the curvilinear and geometric. Scrolled cartouche engraved with interlaced script monogram. Foot in silver collar as are neck and rim...

With a masterfully applied black Raku glaze and a noticeable aesthetic of austerity and stillness, this piece is what is refereed to in Japanese as an “utsushi” or what we might call in English a “tribute piece.” Such pieces are typically made by all Raku potters, regardless of the kiln and tradition, and seek to emulate famous works from the early masters over 400 years ago—in this case, a tea bowl created by the brother of the second Kichizaemon, Tanaka Somi, born sometim...

With pottery shards from excavated kilns dating back to the 5th Century, Mino-ware is one of the oldest and most revered pottery traditions in all of Japan. Though the piece featured here does not fit neatly into any of the typical categories of Mino pottery such as Kiseto, Setoguro, Oribe, or Shino; the shape and overall feel of this piece unmistakably places it within this pottery tradition.

Exceptionally well-proportioned and utterly unique, this tea bowl displays a ...

Chinese-style bowl, ca 1920. Mottled green hardstone urn on silver gilt fretwork base with 4 splayed supports. A pretty ornament that works as an ashtray with silver gilt leaf cradle mounted to rim. Marked “Edward I Farmer / Sterling”. Very good with nice toning. Rim has a few fleabite irregularities.

Overall dimensions: H 3 1/8 x W 2 7/8 x D 2 in. #BV277

Although reports vary, it is generally thought that Zeze-yaki had its heyday in the late Momoyama to early Edo period under the influence and patronage of legendary artists/ men of tea, Honami Koetsu and Kobori Enshu. It was also counted among the seven best kilns selected by Enshu Kobori (1579-1647), a tea master and military commander of that era. In the mid-1600s the tradition died out for a time after the destruction of the kiln by fire. The kiln was later resurrected on two occa...

A unique and heavy sterling turquoise squash blossom necklace and earring set by Navajo artisan Hemerson Brown. The silver has been "antiqued" . The necklace measures 23" while the naja measures 2-1/2" x 2-1/2". The earrings (for pierced ears) are 2-1/4" x 1-1/2. Total weight 5.4ozs.

Pair of German silver Renaissance hunting figures, ca 1890. The man wears doublet over baggy chemise and hose with belt hanging loosely around hips. A long hat feather drapes gracefully along his arm. The horn is raised expectantly while the other hand rests on his sword. The woman wears a bodice-revealing fitted hip-length coat over a pleated skirt. Her braids are coiled in the back and her hat sports a jaunty feather. On a raised arm perches a falcon. The figures stand on rocky mounds with sca...

Currently in its 5th generation, the Miura Chikusen line of potters has continued to produce high-quality Kiyomizu-yaki and Kyo-yaki porcelains used in sencha for well over 150 years. The piece seen here is by the third generation potter and has the rare distinction of being endorsed by Sokuchusai, a former Head Tea Master of Omotesenke in Kyoto. Simple and elegant, a section of bamboo stands out in contrast to the white crackled porcelain glaze. If you are looking for a representative work by o...

Turn-of-the-century Art Nouveau glass flask with engraved silver overlay. Flat with curved sides. Overlay in form of grain stalks and fruiting grapevine. Asymmetrical cartouche engraved with script monogram. Silver neck collar and hinged and cork-lined cover. Glass is clear. Lady’s medicinal size. Can be held in one small gloved hand. Marked “Sterling” and numbered “232”. Excellent condition.

Dimensions: H 4 3/4 x W 2 3/4 x D 1 in. #BW418

La Rochelle silver dinner set for 12. Made by Tetard Frères in France. This set comprises 90 pieces (dimensions in inches):

Knives: 12 dinner knives (9 3/4) and 12 fish knives (8 1/8);

Forks: 12 dinner forks (8 1/4), 12 dessert forks (6 7/8), and 12 fish forks (6 7/8);

Spoons: 12 soup spoons (6 7/8) and 12 teaspoons (5 3/4);

Serving pieces: gravy ladle (6 7/8), spoon (8), sugar spoon (5 1/2), cold meat fork (9 5/8), butter spreader (6 1/2), and pie server (10 7/8).

Dinner knives, butt...

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of these works and light-colored windows are created using feldspar. These high-contrast areas then act as a canvas upon which abstract, minimalistic, and often naturalistic themes are painted.

As can be seen here, this piece is of the green variety and looks to be from the mid-to-early Edo period as can be determined ...