Kawase Hasui
Kiso River (catalog title: Mt. Fuji with Sailboat)
Date: 1930s.
Size: Koban. Approximately 7.875 x 5.375 inches.
Publisher: Watanabe Shozaburo.
Artist's oval seal at lower left.
"Made in Japan" stamped on verso.
Reference: Hotei #Hp-1.
Medium: Japanese woodblock print.
Condition: Excellent.

This Meiji period vase is made of fine white porcelain fashioned after classic Chinese motifs.. The potter, first generation Miura Chikusen, is the same generation as many of the better known Imperial Court artists (Kozan, Siefu, Tozan, etc…) and just as accomplished in terms of mastery of technique, level of artistic expression, and volume of pieces produced.

An exceptionally skilled Meiji potter, Chikusen (1854 – 1915) specialized in high-quality Kiyomizu-yaki and...

Modern sterling silver trompe-l’oeil box. Made by Tiffany & Co. in New York. Book-form with curved and raised spine. Front board hinged. Butler-finished edges. Box interior gilt. Untitled with lots of room for engraving. A novelty keepsake receptacle for telling a very personal story. Marked on spine base “Tiffany & Co. Makers Sterling 25190”. Very good condition.

Dimensions: H 7 7/8 x W 7 3/8 x D 1 1/4 in. Heavy weight: 36.2 troy ounces. #BY365

Midcentury Modern sterling silver tray. Made by S. Kirk & Son in Baltimore. Round with tapering shoulder and flat rectilinear rim. Fully marked including maker’s stamp (1932-61) and no. 4114. Very good condition.

Dimensions: H 1/2 x D 14 in. Heavy weight: 36.7 troy ounces. #BY249

Pretty Victorian sterling silver tray. Made by Theodore B. Starr in New York, ca 1890. Round with deep well. Applied cast rim with leafing scrollwork and flowers. Fully marked including maker’s stamp and no. 3868X. Very good condition.

Dimensions: H 1 1/2 x D 14 3/8 in. Weight: 26.3 troy ounces. #BY101

Midcentury Modern sterling silver box. Made by Tiffany & Co. in New York. Rectangular with straight sides. Cover has flat top and molded rim. Box interior cedar-lined and partitioned. Cover interior gilt washed. Fully marked including maker’s stamp and postwar pattern no. 24004. Very good condition.

Dimensions: H 2 x W 6 1/4 x D 3 7/8 in. Gross weight: 15.8 troy ounces. #BY362

Set of 5 Edwardian sterling silver and enamel place card holders. Made by Sampson Mordan in Chester, 1904-8. Each: Two graduated discs of which the front decorated with grouse standing stiffly, alert to danger; landscape background varies. Flat round base. Perfect for the hunt dinner. Fully marked including date letters for 1904 (2), 1906 (1), 1907 (1), and 1908 (1). Three have design no. 402227 (registered in 1902) and two have design no. 429790 (registered in 1904). Very good condition.

Dim...

A magnificent oil on canvas color block study circa 1970, done in the time of then Abstract Expressionist period of Art. Unsigned measuring 59” x 41” Please see #3463 for a matching artwork

Chinese porcelain hat stand vase with a hand painted scene of a boy playfully dangling a toy spider in front of his pet cat. Mother and brother are standing nearby watching. Dates early 20th C. Measures 11.5" high x 5" diameter.

George V sterling silver tray. Made by Alexander Clark & Co. in Sheffield in 1927. Traditional Georgian cartouche with molded rim, gently curved sides, and double-scroll corners. Corner stepped disc supports. Fully marked. Very good condition.

Dimensions: H 3/4 x W 12 3/8 x D 12 3/8 in. Weight: 29.4 troy ounces. #BY054

Set of 8 Wedgwood sterling silver goblets. Made by International Silver Co. in Meriden, Conn., ca 1920. Each: Ovoid bowl on cylindrical stem with base knop mounted to raised foot. At mouth rim raised band with Neoclassical ornament, including paterae and amphorae, entwined with flowers and scrolls between beaded and Vitruvian scroll borders. At foot border alternating volute scrolls and W’s. Seven goblets have gilt-washed interior. An elegant tribute to the historic English pottery firm. Fully...

Traditional sterling silver tray. Made by Stieff in Baltimore in 1956. Round and plain well and flat rim. Shoulder tapering with repousse floral garland on stippled ground. A nice piece in a regional style. Fully marked including maker’s stamp, date letter, no. 200, and phrase “Hand Chased”. Very good condition.

Dimensions: H 1 x D 14 in. Weight: 34.3 troy ounces. #BY068

Art Deco sterling silver and enamel box. Made by Harman Brothers in Birmingham in 1972. Rectangular with straight sides. Cover hinged and tabbed; top gently curved with rectangle (vacant) surrounded by purple guilloche enamel. Interior cedar lined. Laminate-lined bottom. Fully marked. Good condition with strong and intact color. A few pings to cover.

Dimensions: H 1 5/8 x W 4 1/2 x D 3 3/8 in. Gross weight: 10.6 troy ounces. #BW001

George III sterling silver goblet. Made by Hester Bateman in London in 1785. Ovoid bowl on upward tapering stem flowing into raised foot. Beaded and zigzag borders. Spare Georgian Neoclassicism by a collectible maker. Fully marked. Very good condition.

Dimensions: H 6 3/8 x D 3 1/4 in. Weight: 5.7 troy ounces. #BY307

Kiyoshi Saito
Maiko
Date: ca. 1960.
Size: Oban. Approximately 17.25 x 11.5 inches.
Pencil signed and sealed by Saito.
Self-published by the artist.
Silver mica is used on the collar.
Medium: Japanese woodblock print.
Condition: Top back margin has paper residue. Very faint toning.

Arai Yoshimune
Fishing Boat
Date: 1910s.
An early edition on original card-like paper.
Size: Chuban. Approximately 9.75 x 7 inches.
Publisher: Hasegawa. From the famous "Night Scenes" series. Hasegawa catalog No. 1245.
Medium: Japanese woodblock print.
Condition: Excellent.

A stylized grass motif painted in ferrous pigment across each side and on the inside of this mukozuke serving dish marks it as being more likely produced in Karatsu as opposed to having come out of a Mino kiln. Though very similar styles and techniques were utilized during the late 16th or early 17th C. when this would have been produced; the color, distribution of glaze, and patterning suggest Karatsu. While at one time this would have been part of a set of 5 pieces, very few sets s...

With an uncanny ability to emulate features of the natural environment, the creator of this sake vessel,Tsujimura Yui, is one of Japan’s most skilled potters working in the field today. With a breathtaking ash glaze that appears half planned and half left to the dictates of the kiln, we can see a number of textures and colors that one might encounter in a Zen garden or while hiking along a mountain brook. The front of the vessel is adorned with an “enso,” however, unlike the tr...