This Meiji period vase is made of fine white porcelain fashioned after classic Chinese motifs.. The potter, first generation Miura Chikusen, is the same generation as many of the better known Imperial Court artists (Kozan, Siefu, Tozan, etc…) and just as accomplished in terms of mastery of technique, level of artistic expression, and volume of pieces produced.

An exceptionally skilled Meiji potter, Chikusen (1854 – 1915) specialized in high-quality Kiyomizu-yaki and...

Equestrian-themed silver tankard with German imperial association, ca 1875. Straight and paneled sides with low-relief frieze depicting galloping riders, racing through the countryside, trees and buildings in the background; branch borders. Split-mounted s-scroll handle with thumb rest. At bottom applied branch and leaf border and open supports. Cover hinged and bellied with imbricated leaf rim; on top is cast finial in form of mounted jockey and engraved phrase citing Kaiser Wilhelm I in an all...

Seto is a pottery tradition established in the 12th century with the aim of reproducing fine Chinese porcelain and tenmoku-style tea bowls—which were hard to come by in Japan at the time. Later, during the Muromachi period, Seto potters established kilns in Mino thus starting the period known as ko-Seto, or “old Seto.” These pieces were distinctive as they were produced in small batches and with great care. Later in Edo, the large-kiln style of production or “ogama” was introduced ushe...

An often overlooked implement in tea ceremony, here we have the humble kogo (incense box) with an image of a sleek and flowing dragon. Commonly thought to represent strength, freedom, good luck, and magic, dragons are a popular theme in the artwork across Eastern cultures. Interesting to note, the dragon here is portrayed in the Korean style with four claws, with dragons in China typically having five claws and dragons in Japan typically having three. Fashioned by one of the few great female Jap...

Using local materials and traditional methods, the creator of this work Masahiko Imanishi, has brought a distinctively modern interpretation to the classical form of the tsutsu chawan. At the same time, he somehow manages to maintain the simple rusticity that Tanba-ware is renowned for. Stretching back over 800 years, Tanba is counted as one of Japan’s 6 ancient kiln sites and is known for making large pots with red ferrous clay and natural ash glazes with a distinctive greenish tinge. More re...

This pretty brooch with stones mounted in silver-topped 18k gold has been designed in the shape of a flower. The petals have been formed from 5 incised citrines in a warm smokey yellow-brown color which surround a cut diamond in the center. The stem of the flower and the petals' border are all highlighted by inlaid old European and rose-cut diamonds. The back has been marked with a French guarantee stamp. The brooch measures approximately 1 3/4" X 1 1/4" and was made Circa:1880. It is a lov...

Takahashi Shotei (Hiroaki)
Two Paintings of "Tama" Cats - Black and Beige
Date: Not known. There was a June 1924 Tama cat woodblock print (see our Shotei061) in which the white cat is in the reverse orientation.
Size (Black Cat): Paper: 15.5 x 11.375 inches (38.9 x 28.9 cm). Image: 13 x 9.25 inches (32.8 x 23.4 cm).
Size (Beige Cat): Paper size: 15.25 x 11.375 inches (38.8 x 28.8 cm). Image: 13 x 9.25 inches (33.1 cm X 23.5 cm).
Medium: Japanese paintings on paper. The ...

Enryakuji Temple, Hiyeizan (Hieizan), Kyoto.
Artist not identified.
Dated August 21st, 1937.
Size: 7.5 x 5375 inches (19 x 13.6 cm).
Medium: Japanese woodblock print as the cover of a dinner menu of the Nippon Yusen Line passenger ship, Chichibu Maru.
Publisher: Likely Nippon Mokuhan Co. Tokio (Japan Woodblock Co. Tokyo), who produced another of our ship menu woodblock prints.
Medium: Japanese woodblock print made from a carved wood block. Mechanization was added to...

Sabra Field (American, born 1935)
Going Home
Date: ca 1980 (as noted on separate board)
Paper size: 13 x 8.5 inches.
Image size: 9.5 x 5 inches.
Medium: Woodcut print.
Condition: Light scuff on mountain.

Shoda Koho
Ueno Park
From the Hasegawa Night Scenes series.
Size: Chuban. Approximately 10.25 x 7.75 inches.
Date: 1910-38. A rare, early edition on card-like paper.
Publisher: Hasegawa. #1248 in Hasegawa catalog.
"Made in Japan" stamp and #427 tag on verso.
Not sealed by the artist.
Medium: Japanese woodblock print.
Condition: Excellent.

Hans Frank, Austrian (1884-1948)
Venice II, 1925 (Venedig II, 1925)
Date: 1925.
Paper size: 17.5 X 13.25 inches (44.5 x 33.9 cm).
Window size: 16 x 12 inches (40.5 x 30.5 cm).
Signed and dated at lower right.
Medium: Color woodcut on laid Japanese paper.
Condition: Small crease at upper right corner. The odd small mark in image.
Attached with archival tape to top of a 24 x 20-inch matte).

Fine quality Japanese Meiji silver incense burner, ca 1890. Barrel-form with solid top and bottom and open sides; applied chrysanthemums heightened with gold and silver. Cover oval and flush; finial in form of big loosely-tied bow with tassels. Ends plain and studded; copper and gold ornament with central mons encircled by two scaly, taloned dragons. Scrolled cradle mounted to pillar with brackets on four scroll supports. Applied leafing and flowering tendrils.

Appears to be unmarked. Very goo...

Hiroshige Ando
Fuchu, Nichomachi (Titled in image)
Size: Approximately 8.5 x 3.5 inches.
Date: ca 1910.
Publisher: Matsumoto Print Works. No. 40 publisher's tag on back.
Medium: Japanese woodblock print.
Condition: Bend lower right corner. Chip upper left corner.

Ohara Koson
Bullfinch on the branch of a blossoming plum tree
Date: Saturday, April 27th, 1940.
Size: 7.5 x 5.375 inches (19 x 13.6 centimeters).
Note: Cover of a dinner menu for the passenger liner Nitta Maru of the Trans-Pacific Line.
Publisher: Likely Nippon Mokuhan Co. Tokio (Japan Woodblock Co. Tokyo), who produced another of our ship menu woodblock prints.
Medium: Japanese woodblock print made from a carved wood block. Mechanization was added to the printing...

Aoki Seiko
Waxwings (Red Berries and Birds)
Date: Friday, July 5th, 1929.
Accordion format. Opened out size: 10.375 x 7.625 inches (23.4 x 19.2 cm).
Note: Dinner menu for the Kashima Maru on the N.Y.K. Line
Medium: Japanese woodblock print made from a carved wood block. Mechanization was added to the printing process.
Condition: Toning, marks, and scuff on map page.

Kawase Hasui
Morning at Niju Bridge (Nijubashi no Asa)
Date: Monday, August 17, 1936.
Size: 7.5 x 5.375 inches (19 x 13.6 centimeters).
Note: This rare print was the cover of a dinner menu for the Yasukuni Maru, a cruise ship on the N.Y.K. Line (Nippon Yusen Kabushiki Kaisha). It is identified as a Hasui in the Japanese publication, "The Nippon From Japan - Menu Design of the Cruise Ship Era (2017)(日本が運んだニッポンー客船時代のメニューデザイン).

Hiroshige Ando
Suidobashi, Surugadai (Suido Bridge and Surugadai)
Date: Thursday, December 3, 1931.
Size: 7.625 x 5 inches (19.5 x 12.6 cm).
Note: Concert and tea party menu for the passenger ship Chichibu Maru on the N.Y.K. Line.
Publisher: Nippon Mokuhan Co. Tokio (Japan Woodblock Co. Tokyo).
Medium: Japanese woodblock print made from a carved wood block. Mechanization may have been added to the printing process.
Condition: Cover woodblock print very good to...

Josetsu (Jousetsu) 城雪
Cock and Hen with Chickens under a Plum-tree
Size: 7 x 4.75 inches.
Date: ca. 1910.
Publisher: Matsumoto Print Works. Cat. #164 tag on back.
Medium: Japanese woodblock print from a painting by Tokyo artist Josetsu.
Condition: A few marks. Slight waviness corresponding to location of tag on back.