The vase is 8 inches (20 cm) tall, and 6 inches (15 cm) in diameter.
It has hairline cracks, glaze crazing, stains, numbers written at the bottom, and surface wears and scratches (as seen in the photos).
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This deep bowl is stoutly potted, being rather heavy toward the base, with the wall thinning gradually to the slightly flaring rim. It rests on a tall, thick footring, with a deep base that is glazed down to the dense, white porcelain paste that is exposed with some kiln grit adhering. The design in underglaze cobalt blue is of chrysanthemums, grasses and three stylized bats. The interior has a broad unglazed ring around the bottom to allow it to be stacked during ...
The flower vase is heavily moulded with a leaping Chinese Lion or karashishi in a landscape of rocks and Tree Peonies, a classic subject in Japanese art known as “Botan-ni-Shishi”, an auspicious subject.
This old kakehana was manufactured in Arita in the mid Edo period, probably for the home market.
Approximately 16.7 cm high. A tiny glaze chip on the mouth-rim,...
This marked Dr. Wall period Worcester soft paste porcelain platter has beautiful, crisp "blue scale". It would make a fine addition to an important collection.
Condition: excellent Height: 8 inchesThis beautiful Dr. Wall period Worcester soft paste porcelain compote is a large early piece with fancy birds decoration and blue border. Its probably from the Giles workshop.
Condition: excellent Height: 11 inchesEach vase is decorated overall with various flowers on a medium-blue enamel ground within a continuous geometric fretwork pattern of gilt wires. Both the rim and base is gilded, now having some wear showing on each vase. The square area on the base is left from an old sticker removed in the past. Both vases have a melon form label body with a flaring mouth rim that is partially gilded inside. The interiors are not enameled and the old bronze has taken on a gr...
Unlike other Asian cultures of the 17th and 18th centuries, the Chinese did not sit on the floor. The simple fact that the Manchu invaders imported highly flexible furniture from their yurts influenced the development of Chinese design and decorative arts. Within a few years of the Manchu invasion, Chinese craftsmen combined their highly refined design aesthetic with extraordinary exotic woods, veneers, and lacquer to create s...