Midcentury Modern sterling silver tray. Made by S. Kirk & Son in Baltimore. Round with tapering shoulder and flat rectilinear rim. Fully marked including maker’s stamp (1932-61) and no. 4114. Very good condition.

Dimensions: H 1/2 x D 14 in. Heavy weight: 36.7 troy ounces. #BY249

Danish Biedermeier Gothic Troubadour silver hunting horn on stand, 1855.

Horn has two applied bands with leafing scrollwork and cast green man applied to front. At top a third band with mandolin-strumming maidens and coat of arms-bearing pages in cloister colonnade. Cover domed with leaf-mounted cast figural finial in form of winged Classical man in drapery and helmet pouring wine into a cup. Tail cap has acanthus leaf border with cast owl finial. Gilt-washed interior.

Shaped stand with stra...

Midcentury Modern sterling silver box. Made by Tiffany & Co. in New York. Rectangular with straight sides. Cover has flat top and molded rim. Box interior cedar-lined and partitioned. Cover interior gilt washed. Fully marked including maker’s stamp and postwar pattern no. 24004. Very good condition.

Dimensions: H 2 x W 6 1/4 x D 3 7/8 in. Gross weight: 15.8 troy ounces. #BY362

A magnificent oil on canvas color block study circa 1970, done in the time of then Abstract Expressionist period of Art. Unsigned measuring 59” x 41” Please see #3463 for a matching artwork

Chinese porcelain hat stand vase with a hand painted scene of a boy playfully dangling a toy spider in front of his pet cat. Mother and brother are standing nearby watching. Dates early 20th C. Measures 11.5" high x 5" diameter.

George V sterling silver tray. Made by Alexander Clark & Co. in Sheffield in 1927. Traditional Georgian cartouche with molded rim, gently curved sides, and double-scroll corners. Corner stepped disc supports. Fully marked. Very good condition.

Dimensions: H 3/4 x W 12 3/8 x D 12 3/8 in. Weight: 29.4 troy ounces. #BY054

Traditional sterling silver tray. Made by Stieff in Baltimore in 1956. Round and plain well and flat rim. Shoulder tapering with repousse floral garland on stippled ground. A nice piece in a regional style. Fully marked including maker’s stamp, date letter, no. 200, and phrase “Hand Chased”. Very good condition.

Dimensions: H 1 x D 14 in. Weight: 34.3 troy ounces. #BY068

Art Deco sterling silver and enamel box. Made by Harman Brothers in Birmingham in 1972. Rectangular with straight sides. Cover hinged and tabbed; top gently curved with rectangle (vacant) surrounded by purple guilloche enamel. Interior cedar lined. Laminate-lined bottom. Fully marked. Good condition with strong and intact color. A few pings to cover.

Dimensions: H 1 5/8 x W 4 1/2 x D 3 3/8 in. Gross weight: 10.6 troy ounces. #BW001

Pair of George III sterling silver covered vegetable dishes. Made by Paul Storr in London in 1805. Each: Tapering bowl with gadrooned rim. Cover domed with lobed shoulder; cast coronet finial mounted to round disc with beaded border.

Engraved coat of arms of Robert Hobart, 4th Earl of Buckinghamshire (1760–1816), an early Empire allrounder, whose peripatetic career included stints as the governor of Madras, postmaster general, and chief secretary to the Lord Lieutenant of Ireland. Because he...

American Art Nouveau glass claret jug with engraved silver overlay, ca 1900. Cylindrical with small lip spout and spread base. C-scroll handle in silver collar. Overlay in form of entwined and whiplash tendrils with distended and elongated flower heads. Scrolled frame has vertical script monogram. Glass is green. Faint marks. Very good condition.

Dimensions: H 9 1/2 x W 6 x D 4 5/8 in. #BY348

Art Deco sterling silver picture frame with classic linear ornament. Made by JF Fradley & Co. in New York, ca 1920. Rectangular window in same surround with vertical plain and engine-turned through stripes. Bottom rail larger with lozenge mono plate (vacant) applied off center. With glass, silk lining, and velvet back and hinged easel support for portrait (vertical) display. Fully marked including maker’s stamp and no. 2994T. Very good condition.

Dimensions: Frame: H 10 5/8 x W 8 in. Window:...

George III sterling silver goblet. Made by Hester Bateman in London in 1785. Ovoid bowl on upward tapering stem flowing into raised foot. Beaded and zigzag borders. Spare Georgian Neoclassicism by a collectible maker. Fully marked. Very good condition.

Dimensions: H 6 3/8 x D 3 1/4 in. Weight: 5.7 troy ounces. #BY307

Century sterling silver fish serving pair. Made by Dominick & Haff in New York, ca 1900. Each: Threaded and tapering stem with scroll and shell terminal. The slice has a scroll shaped blade. The fork has shaped shank and four scrolled tines. Edwardian Classicism for the new century. Fully marked including maker’s and retailer’s (Hansel, Sloan & Co.) stamps, and patent year (1900). Very good condition.

Dimensions: Slice: H 11 in. Fork: H 9 in. Total weight: 9.5 troy ounces. #BX815

Edwardian Modern sterling silver picture frame. Made by Tiffany & Co. in New York, ca 1910. Rectangular window in same plain and flat surround; bottom rail canted. With glass, silk lining, and velvet back and hinged easel support for portrait (vertical) display. Fully marked including maker’s stamp, pattern no. 11878, and director’s letter m. Very good condition.

Dimensions: Frame: H 10 3/4 x W 8 in. Window: H 9 1/4 x W 6 1/2 in. #BY329

Kiyoshi Saito
Maiko
Date: ca. 1960.
Size: Oban. Approximately 17.25 x 11.5 inches.
Pencil signed and sealed by Saito.
Self-published by the artist.
Silver mica is used on the collar.
Medium: Japanese woodblock print.
Condition: Top back margin has paper residue. Very faint toning.

Arai Yoshimune
Fishing Boat
Date: 1910s.
An early edition on original card-like paper.
Size: Chuban. Approximately 9.75 x 7 inches.
Publisher: Hasegawa. From the famous "Night Scenes" series. Hasegawa catalog No. 1245.
Medium: Japanese woodblock print.
Condition: Excellent.

A stylized grass motif painted in ferrous pigment across each side and on the inside of this mukozuke serving dish marks it as being more likely produced in Karatsu as opposed to having come out of a Mino kiln. Though very similar styles and techniques were utilized during the late 16th or early 17th C. when this would have been produced; the color, distribution of glaze, and patterning suggest Karatsu. While at one time this would have been part of a set of 5 pieces, very few sets s...

With an uncanny ability to emulate features of the natural environment, the creator of this sake vessel,Tsujimura Yui, is one of Japan’s most skilled potters working in the field today. With a breathtaking ash glaze that appears half planned and half left to the dictates of the kiln, we can see a number of textures and colors that one might encounter in a Zen garden or while hiking along a mountain brook. The front of the vessel is adorned with an “enso,” however, unlike the tr...