Folk Art Portrait by American Artist, attributed to Sheldon Peck (1797-1868). This Portrait was purchased at a North Carolina auction from the Larew Collection. The 19th century oil on canvas portrait of a gentleman was said to be Thomas Johnston from Concord, NC (Sept. 1850). It was marked on the original canvas (relined) bought in Davie County. It is mounted in a mahogany veneer frame with yellow pine backing. Canvas 29" 24" and the Frame is 38" x 33". The portrait was restored in 1973 by Hen...
A wonderful American folk art portrait of a Methodist minister painted by Ammi Phillips (1788–1865). The distinguished gentleman is sitting at a table, with his hand holding a pair of spectacles and resting on a Methodist hymnal. The finely rendered depiction of the large dominating figure with dark clothing emphasizes the gravitas of the sitter.
The painting is 32 5/8 inches by 27 1/4 inches sight size, and 37 7/8 inches by 32 3/4 inches framed size. The painting is in overall excellent co...
The only authentic 19th Century Korean shaman paintings offered for sale. Sublimely rendered here is the spirit of divine response, Kameung Sillyeong. There are many 20th century reproductions of these types of paintings. Authentic Joseon Dynasty examples like this exist only in museums. And even in museums, a pair like this is very rare. You can discern them by the material and quality, such as fine hand-woven silk and mineral pigments that give warmth and depth and are vivid but not garish lik...
A superb oil on canvas American folk art painting depicting a man orating about temperance. He is standing beneath trees which are arching to almost form a bower over him. A courting couple is on either side of him, with a church in the background. The symbolism of the couples probably reflects the belief that marital and family relations improve in temperance households. Note also that the orator is holding a bottle in his left hand, probably just after having poured the contents on the ground...
Conceived by 20th century master ceramicist Kawai Kanjiro—here an abstract depiction of flowers is used to adorn an exquisite “henko” shaped vase. The glaze used is known as “tetsu-yu” for its use of iron compounds to achieve this distinctive look. Though many pieces by Kanjiro remain today, this exact combination of style, shape, and glazing is uncommon, making this a must-have work for serious collectors. Interestingly, though it may likely not have been intentional, the abstract sym...
Sculpture of a long-nosed tanuki, walking with a hat on its back and a flask in its left paw. The piece is built around a large piece of root wood that comprises the torso, legs, the enlarged scrotum and tail. The head is a separate piece of root wood, the ears inserted. The sake flask is a small piece of root wood, and the hat is carved from a slab of a different wood species.
Hat and sake bottle are attached to the tanuki with braided silk cords.
Mingei.
Root wood with black...
This banneret weather vane, found in upstate New York, is constructed of sheet and wrought iron, and has an incredible presence and visual impact. Featuring a flag with a central cut-out, scrollwork on either side of the flag, and an ornate three dimensional flower blossom at the end, it exemplifies the whimsy that one looks for in great items of folk art.
The vane has a wonderful weathered and rough brown surface, and is in overall excellent condition. It is 37 inches long, 15 inches ta...
Offered is a circa 1910, original piece of art entitled "Who Said Watermelons". This captivating charcoal on paper portrait of a young African American boy, very much resembles the iconic, fictional figure painted by an unknown artist in the mid 1800's, a figure who has come to be known as 'Johnny Griffin' or the 'Young Black boy with the Torn Hat'.
Measuring just 7 inches wide x 9 inches high, this unsigned piece is very skillfully executed accomplishing a three-dimensional sense of depth th...
President George Washington in Full Masonic Regalia Oil 29.5x23.5” by artist Robert Gordon Hardie 1854-1904. Letter from curator of the Masonic Lodge,and other provenance. Background
Hardie, Robert Gordon was born on March 29, 1854 in Brattleboro, Vermont, United States.
Education
Studied drawing in schools of Cooper Institute, Academy of Design and Art Students’ League, New New York Studied at École des Beaux Arts, Paris,
Major Robert Gordon and Frances (Hyde) H. Captain, chief o...
A wonderful and extremely rare enameled glass beaker bearing the portrait of Czarina Alexandra Feodorovna on the occasion of her visit to Paris in 1896. Alexandra accompanied her husband, Czar Nicholas II to dedicate the Pont Alexandre III across the Seine. Alexandra is wearing the traditional kokoshnik, a veil, long strands of pearls and a white gown. The portrait is surrounded by gilt lettering, "Souvenir Octobre 1896/Impératrice Alexandra Féodorovna". A matching glass with the Czar's po...
A commissioned portrait painting of a sweet shelter rescue feline female tabby kitty cat named "Pooka" who shares her large N. H. home with Ms. M, a very gracious loving pet owner. During the time spent sketching and photographing this tabby, she indulged us while posing and playing this way and that. When she had enough, she gave this painter a straight on look like, "lady you get that camera any closer and you will be verrrrry sorry"! Then, she winked and walked away...
Title: I Love M...
Chinese Song Dynasty Hare's Fur Bowl in Kiln Saggar
This "hare's fur" bowl still in its kiln saggar was made during the Song Dynasty (AD 960 - 1279) and has been excavated from a kiln site in Fujian province. Much of the glaze of the bowl is a deep glossy black with the "hare's fur" effect mostly around the rim. It appears the saggar shifted during firing causing the bowl to move inside its saggar and come into contact with the wall of the saggar resulting in the glaze of the bowl fusing to ...
Rare Chinese Yuan Dynasty Early "Blue & White" Vase
This rare pear-shaped vase or bottle was made during the Yuan Dynasty (AD 1279 - 1368) by one of the kilns at Yuxi county in Yunnan province, one of the first places in the world where blue & white ware was produced. It is "heavily-potted" and decorated in underglaze cobalt blue with floral and leaf designs. It is coated with a clear glaze that falls short of the heavy irregularly cut foot. Similar wares were first unearthed in 1973 in Lufe...
Large Chinese Song Dynasty Qingbai Porcelain Ewer
This wide-bodied porcelain ewer was made during the Song Dynasty (AD 960 - 1279). It is particularly "heavily-potted" for its type. It has a "kinked" spout, a wide loop handle and two decorative loops on opposite sides joined at the shoulder and neck. It is coated in a fairly thick greenish blue glaze that is crackled in places. The base remains unglazed revealing the creamy-white body.
Height 22.5 cm. Weight 1.325 kg. Despite being an i...
Chinese Ming Dynasty Blue & White Porcelain Bowl (Hongzhi)
This blue and white porcelain bowl with flared rim was made during the late 15th - early 16th century (Hongzhi reign 1488 – 1505). The outer wall is decorated in underglaze blue with a honeycomb pattern. The central decoration is loosely based on a vajra (Buddhist sceptre) with various other decorations around the inner wall. It is coated in a finely-crackled glaze.
Diameter 14.5 cm. Condition is very good: there is a hairlin...
Chinese Ming Dynasty Glazed Pottery Ridge Tile - Lion Dog
This sturdy ridge tile in the form of a seated lion-dog dates to the latter part of the Ming Dynasty (c. 1600 - 1644). It is coated in a thick and finely-crackled attractive turquoise glaze. The curved underneath of the tile remains unglazed and has the impressions of a finely-woven cloth on which it must have been placed during manufacture.
Height 22 cm. There is a chip to one ear and kiln scars on both sides of the animal's mout...
RED-PAINTING PAPER PLATE
Anonymous Japanese pottery okimono object, as a symbol of love and peace, H 12.2 x W 9 x D 6.8 cm (4.80 x 3.54 x 2.67in)
selected by titcoRet
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Large Chinese Qing dynasty oval form lidded jar densely decorated on the front in underglaze blue on a faintly celadon tinted white ground with a phoenix bird among peonies. Three blue clouds are on the lid. The base and interior are glazed while the foot is unglazed. Late 19th century. 12 1/2" high. Very good overall condition. The unglazed mouth rim has tiny imperfections. There are a few glaze losses to the tip and side of the finial that might be from the original production. From th...
