American high quality multiple step deep carved rectangle size Mirror, 38" high, 47" wide, 4 3/4" deep, the gold frame itself is 6 1/2" wide and 4 3/4" deep with multiple step, circa 1920, wide deep carved floral and wreath of berry and vines on inner frame and more floral wreath on outer frame, high and low relief carved design with polished and highlighted with burnished gold finish on the entire frame. The quality of work is very good and gilding is superb quality. The condition is good, s...

Late 19c Chinese Blackwood or possibly Zitan wood brush pot in the classic style with smooth sides and a raised ring at mouth and bottom having 3 low standing low profile feet with drain hole in center bottom of pot. Carved from a single piece of wood, it still retains its original plug which is easily removed for drainage. In excellent condition commensurate with age, it measures 4-5/8" high x 4-1/8" diameter.

A massive bronze (copper tin alloy) vase cast in Han dynasty Hu shape and with Han style Taotie mask handles. The archaistic style decoration is an amalgam of Shang and Zhou dynasty motifs. These consist of upper and lower bands depicting stylized dragons and a central band of large Taotie ("monster"} masks. All are reserved against a flattened Leiwen (cloud) daiper ground. Below the upper two horizontal bands are pendent 'Cicida Blades'. An accompanying 1973 British Museum letter suggests a...

Vermont Summer Day - Oil on linen - landscape painting by Mark Tougias (American, born 1957 - present), 25 inches x 30 inches. A wonderful cloud study of a bucolic Vermont panorama in summer. Mark Tougias was born in Springfield, MA, in 1957. He is self-taught and is known for his plein-aire landscapes of the New England countryside and for his tonal styles. He has exhibited widely throughout New England and has painted and traveled extensively in Europe. Most of his landscapes are of scenes...

Large Chinese Neolithic Caiyuan Pottery Jar with Oxford TL Test

This large and impressive pottery jar was made by peoples of the Caiyuan Culture (c. 2600 - 2200 BC) and has been excavated from the Ningxia Autonomous Region in the north of China. It is quite "heavily-potted" and has been fired to a very pleasing pale yellowish-brown with the surface colour becoming more red in places. The upper surface has been burnished and is very smooth to the touch. The lower surface has been simply yet ...

Additional Photos for Japanese Screen, 1750's
Each Fan painting size, 21 5/8" Long(55 cm).
1. Kuge servant carrying princess on his back trying to cross the water.
2. Three Sparrows and Bamboo.
3. Six Chinese Boys paying around at the study table, parent observing.
4. Tiger and Dog glaring each other.
5. Pretty Japanese Kikyo, Bellflower and other flowers.
6. Sumie Landscape, ...

Width: 29 cm (11.6 in)
Height: 12.2 cm (5 in)

Large Chinese famille rose porcelain bowl; features rural and river scenes; rings like a bell; 18th century; good condition

Large early Republic Chinese cloisonne lidded box on stand that could have graced a scholar’s desk. On each side is a 5 toed Imperial yellow dragon with the dragon on the lid chasing the flaming pearl of wisdom; all against a dark sky blue ground, the contrasting yellow stand really makes this piece stand out. The metal and wires are bronze gilt over copper. In excellent condition it measures 13.5" wide x 7" deep x 8.75" high

Large Chinese Eastern Zhou / Warring States Cord-Impressed Pottery Jar

This rare and attractively-shaped pottery jar of semi-spherical form was made during the Warring States period (475 - 221 BC) or possible earlier (Eastern Zhou period 770 - 221 BC). It is made from a relatively highly-fired fine grey pottery. The lower body has been decorated with repeated cord impressions that are particularly crisp. Interestingly, there is a network of ancient root/plants growths to much of the inner s...

Large Chinese Ming Dynasty Blue & White Porcelain Bowl - 16th C. Crane

This unusual blue & white porcelain bowl was made during the mid to late 16th century c.1560-1580. The outer surface remains undecorated whereas the inner surface is particularly elaborately decorated. In the centre is a standing bird, most likely a crane (a symbol of longevity), together with various plants and blossoms. The surrounding wall is decorated with a pattern featuring lotus leaf panels and tassels.

This is...

Large Chinese Ming dynasty wide-mouthed globular form guan jar with short, vertical collar-like neck and wide angled mouth covered overall in a dark brown/black crackled glaze that coats the interior and ends at the base. A thread relief moulded band of scrolling foliage decorates the upper section of the jar. A narrow floral band is above it. A circular trademark with four small flowers surrounding it is in relief on the flat, unglazed base. 11” high by about 11” diameter. Circa 16th/1...

Please feel free to enjoy this Chinese wood carving of a seated Guanyin, early Qing dynasty. The Guanyin is seated in rajalitasana, royal ease, on a pierced rockwork base with one leg lowered and the other with knee raised supporting the right arm, the face carved with a poised and calm expression, wearing a tiara and loose robes falling over the shoulders and open at the chest to reveal an elaborate beaded necklace.

There are no repairs visible, but pieces of laquer had been chipped...

A Chinese jade plaque 17/18 C. very finely carved and pierced with precious objects e.g the canopy, endless knot etc.This reticulated example with its breathtaking virtuosity and delicate , meticulous detail is a fine example of earlier Chinese lapidary art. The stone is of greyish celadon hue with spots of whitish clouds and is set on the back of a hand mirror in a frame of gilt silver which is worked with a ground of filigree and multi colour enamel decoration. All is enhanced with semi precio...

A pair of rare 19th C Chinese hand carved hardwood, possibly Hong Mu wood, Scholars desk trays in a large lily pad leaf design with flower heads. Each being slightly different, one has a bird’s head and the other a nice protruding stem between the flower heads, they were made to be displayed together. These were finished with a mix of beeswax and a few other natural concoctions the Chinese used to seal the finish and give it a great mellow sheen. The beauty of the surfaces is that wheneve...

Chinese Qing dynasty (19th century) export watercolor on paper painting titled “Chinese Junk.” A lone figure stands at the front of the junk tending to the sails. The heads of the rowers are barely visible. Originally purchased from or framed at Berry-Hill Galleries on 5th Avenue in New York. Recently reframed with archival materials and UV glass in a substantial gold leaf frame with silk mat and gold filet. Sight size: 16 1/4" x nearly 22” (frame: 23 1/2" x 29”). Soiling and foxing sp...

Description:

A wood water basin was nicely carved in shape of a lotus leaf with a lotus pond.
It was preserved in very good condition by nice brownish patina.
Some of the seeds in the lotus pond were still movable when some were sticked but nothing is missing.
It was a charming and very rare piece by this type.
Most of the old wood pieces were made as brush pots in relief carving.
This piece was carved in delicate workmanship to imitate the lotus leaf by thin wall a...

A Large Pair of Louis Philippe Gilt and Patinated Bronze and Parcel Gilt Candlesticks. Bobeches original and intact. Height 11.25", width 4.25". Circa 1830-1840. Excellent condition.

The size of Screen: 277cm Wide x 138 cm High (109 " x 54 3/8")
The both side Left/Right Panel size: 47.2 cm x 138 cm (18 1/2" x 54 3/8")
4 panels in between size: 45.5 cm x 138 cm (17 7/8" x 54 3/8")
Each Fan design size: 55 cm (21 5/8") wide.

This is wonderful 6 panels Japanese Byobu screen from 1750's middle 18th Century with 21 Ougi (fans) design with gold leaf background. This type of painting properly called, "Senmenga" with fan design Byobu called "Senmen Byobu". Th...