Gorgeous natural Baroque pearl pendant. Irregular and ovoid with wraparound gold-tipped sterling silver snake encrusted with rose-cut diamonds and gold-mounted diamond head. Gold bail. Gold is 18k. Italy, ca 1970s. Marked. Excellent condition.

Approximate dimensions: H 1 3/4 x W 3/4 in. #1114

Victorian Classical sterling silver water pitcher. Made by Tiffany & Co. in New York, ca 1877. Globular bowl with drum-form neck, small lip spout, and c-scroll handle. Bowl has vertical ornament in form of applied acanthus leaves alternating with embossed gadroons. Neck has applied harps in wreaths between leafing scrolls. Handle has applied rosette and leafing stem. Fully marked including maker’s stamp, pattern no. 4706 (first produced in 1877), and director’s letter M (1873-91). Very good ...

Edwardian crystal decanter with sterling silver stopper. Made by Gorham in Providence in 1897. Bell-form bowl with baluster neck, u-form spout, and c-scroll handle. Engraved and acid-etched flowers and leaves. Stopper ovoid with scrolls and flowers. Engraved interlaced script monogram. Stopper fully marked including date symbol and no. S2822. Very good condition.

Dimensions: H 12 x D 5 1/4 in. #BD104

Fabulous Chrysanthemum sterling silver coffee and tea set. Made by Tiffany & Co. in New York. This set comprises 5 pieces: coffeepot, teapot, creamer, sugar, and waste bowl.

In the celebrated pattern that is an American interpretation of a Japanese motif. To Baroque forms are applied a profusion of climbing, wrapping, and bunching flower heads. Chrysanthemum was introduced in 1880 and this set dates from the first quarter century of its production.

All pieces fully marked including maker’...

Spare and modern sterling silver footed plate. Made by Tiffany & Co. in New York. Shallow with inset rim beading and incised central well. Short and spread foot. Hallmark includes postwar pattern no. 23672. Very good condition.

Dimensions: H 1 x D 11 1/8 in. Weight: 18.5 troy ounces. BP122

Edwardian Classical brilliant-cut glass water pitcher with sterling silver collar. Made by Wilcox (part of International) in Meriden, Conn., ca 1910. Baluster with c-scroll handle; ornament in form of leaf flutes, ferns, and stars. Beaded collar with helmet mouth; engraved interlaced script monogram. Silver marked “Sterling” with maker’s stamp. Very good condition.

Dimensions: H 9 1/4 x W 8 1/2 x D 5 1/2 in. #BZ300

Chinese silver mug, ca 1910. Straight and upward tapering sides and c-scroll handle. A spare form enlivened with applied wraparound dragon chasing its tail. Marks include stamp for Wang Hing, a maker and retailer in Canton and Hong Kong. Very good condition.

Dimensions: H 5 x W 5 x D 3 1/4 in. Weight: 10.8 troy ounces. #BX461

Craftsman sterling silver bowl. Made by Lebkuecher in Newark, ca 1920. Ovoid with reeded rim and small c-scroll handles. Fluting and ogee-form frames (vacant). A traditional pottery form with visible hand hammering. Fully marked including maker’s and retailer’s (Grogan Company) and no. 02907HCD. Very good condition with nice shimmer.

Dimensions: H 6 1/4 x W 10 3/8 x D 8 3/4 in. Heavy weight: 39.7 troy ounces. #BX864

Victorian Classical sterling silver water pitcher. Made by Tiffany & Co. in New York. Globular bowl with foot ring, drum-form neck, lip spout, and c-scroll handle with engraved leaf-cap and bold scroll and leaf terminal. Repousse rinceaux band. Fully marked including maker’s stamp, pattern no. 6462 (first produced in 1881), and director’s letter M (1873-91). Very good condition.

Dimensions: H 8 3/4 x W 6 3/8 x D 6 in. Heavy weight: 34 troy ounces. #BX926

George VI sterling silver tray. Made by Edward Viner in Sheffield in 1950. Rectilinear with molded rim, double c-scroll corners, and bracket end handles. Fully marked including no. 0102/18 and stamp for Cheltenham & Co. (Sheffield), a division of National Silver Company (New York). Very good condition.

Overall dimensions: H 1 3/8 x W 22 1/8 x D 13 1/2 in. Weight: 66 troy ounces. #BY646

Victorian sterling silver water pitcher. Made by Tiffany & Co. in New York. Globular bowl and drum-form neck with small lip spout; c-scroll handle with stylized flower-head mounts. Bowl has embossed border of imbricated leaves or chevrons, a bold motif popularly known as Wave Edge. Neck applied with same. Fully marked including maker’s stamp, pre-1875 pattern no. 3077, and director’s letter M (1873-91). Very good condition.

Dimensions: H 7 3/8 x W 7 1/2 x D 6 in. Weight: 22 troy ounces. #B...

Pair of Francis I sterling silver low 3-light candelabra. Made by Reed & Barton in Taunton, Mass. in 1950. Each: Central socket on bell-form base to which are mounted 2 split-mounted and leaf-wrapped arms, each terminating in single socket. Shaft baluster on domed foot. Applied, chased, and engraved ornament with flowers and leaves. Scrolled rims and bobeches. Converts to candlestick. Fully marked including maker’s stamp, date symbol, pattern name, and no. X571. Very good condition.

Dimensio...

Midcentury Modern sterling silver and cut-glass creamer and sugar. Made by Hawkes in Corning, New York. Each: Conical bowl on flutes and diaper, and scalloped rim border. Creamer has c-scroll handle and small u-form spout. Stepped and round sterling silver base. Fully marked including silver weight (16 pwts/each). Very good condition. Sugar has minor base ping.

Dimensions: Creamer: H 4 x W 5 1/4 x D 3 3/4 in. Sugar: H 4 x D 4 in. #BU361

Rare mixed metal pitcher with lots of bugs. Made by Tiffany & Co. in New York, ca 1880. Globular with drum-form neck, small lip spout, and c-scroll handle. Modish insects—dragon fly, grasshopper, and butterfly—creep and dart among fluid and interlaced grass stalks applied to hand-hammered sterling silver ground heightened with floral engraving and copper inlay. A superb integration of Japonesque and Craftsman. Interlaced script monogram engraved to underside. Fully marked including pattern n...

Art Nouveau glass claret jug with engraved silver overlay. Made by Alvin Corp. in Providence, ca 1900. Cylindrical with small lip spout and spread base; c-scroll handle in silver collar. On underside cut-to-clear star. Overlay in form of entwined and scrolling fruiting grapevine with pendant bunches and leaves. Asymmetrical scrolled cartouche engraved with interlaced script monogram. Silver fully marked including maker’s stamp and no. R326. Very good condition.

Dimensions: H 9 1/2 x W 5 1/2 ...

Art Nouveau sterling silver shaving mug. Made by Gorham in Providence, ca 1900. Round bowl; interior mounted with pierced brush holder. C-scroll handle. Acid-etched flowering scrollwork forming frame (vacant). Fully marked including maker’s stamp and no. A5334. Very good condition.

Dimensions: H 2 7/8 x W 4 5/8 x D 3 3/8 in. Weight: 4.8 troy ounces. #BZ562

American Art Nouveau glass claret jug with engraved silver overlay, ca 1900. Cylindrical with small lip spout and spread base. C-scroll handle in silver collar. Overlay in form of entwined and whiplash tendrils with distended and elongated flower heads. Scrolled frame has vertical script monogram. Glass is green. Faint marks. Very good condition.

Dimensions: H 9 1/2 x W 6 x D 4 5/8 in. #BY348

Victorian Regency sterling silver salver. Made by John Aldwinckle and James Slater in London in 1880. Round and solid well engraved with stylized garland frame (vacant) in ornamental surround. Shoulder has applied ribbon-tied garland with pendant patera and open colonnade; beaded rim. Three c-scroll supports with open colonnade and applied garland. Fully marked. Very good condition.

Dimensions: H 2 1/8 x D 18 1/4 in. Heavy weight: 78 troy ounces. #BY506

Turn-of-the-century Silberiris glass vase by Loetz with engraved silver overlay. Ovoid with flared rim in silver collar. Overlay in form of open and stylized leaf band and c-scroll neck border. Glass iridescent in orange, pink, and green. Very good condition.

Dimensions: H 5 1/4 x D 3 1/2 in. #BX858

Pretty Edwardian sterling silver basket. Made by Tiffany & Co. in New York. Solid oval well and open weave-style sides with clusters of applied pendant flowers. Ends splayed. Scrolled rim. Tall and fixed c-scroll handle with entwined and split foliate mount. Spread foot. Interlaced script monogram engraved on handle. Fully marked including maker’s stamp, pattern no. 16368A (first produced in 1905), order no. 4117, and director’s letter C (1902-7). Excellent condition.

Dimensions: H 9 x W 9...

Pretty Edwardian sterling silver basket. Made by Tiffany & Co. in New York. Solid oval well and open weave-style sides with clusters of applied pendant flowers. Ends splayed. Scrolled rim. Tall and fixed c-scroll handle with entwined and split foliate mount. Spread foot. Interlaced script monogram engraved on handle. Fully marked including maker’s stamp, pattern no. 16368A (first produced in 1905), order no. 4117, and director’s letter C (1902-7). Excellent condition.

Dimensions: H 9 x W 9...

American Colonial sterling silver bowl. Made by Reed & Barton in Taunton in 1950. Curved and tapering sides, flared rim, and stepped foot. Traditional form with plenty of room for engraving. Fully marked including maker’s stamp, date symbol, and no. X1455 as well as phrase “Paul Revere / Reproduction”. Very good condition.

Dimensions: H 5 x D 10 in. Weight: 30.3 troy ounces. #BZ363

German 800 silver bowl commemorating Napoleon I and Marie-Louise. Lobed quatrefoil with embossed medallion bust portraits of the couple surmounted an eagle; at bottom a military trophy. Open sides with leaf swag with pendant ribboned medallions (vacant) applied to interior. Beaded rim. Mounted end handles in form of burning torch between gryphons.

The eternal flame such as might have been supposed to burn between Napoleon and his teenage bride, an Austrian archduchess—and grandniece no less ...

Turn-of-the-century American Art Nouveau glass claret jug with silver overlay. Cylindrical with spread base, c-scroll handle, and small lip spout. Star cut to underside. Overlay in form of scrolls and diaper. Shaped tubular cartouche engraved with interlaced script monogram. Glass is red except handle which is clear. Very good condition.

Dimensions: H 9 1/2 x W 5 1/2 x D 4 3/4 in. #BR791

Sterling silver and glass jam jar. Made by Gorham in Providence, ca 1950. Jar is clear glass with horizontal lobing. Cover is silver and in form of apple half with stem. Cover hallmark includes no. 23. Nice condition.

Dimensions: H 4 1/2 x D 3 1/8 in. Weight (silver only): 1.5 troy ounces. #BC470

Danish Biedermeier Gothic Troubadour silver hunting horn on stand, 1855.

Horn has two applied bands with leafing scrollwork and cast green man applied to front. At top a third band with mandolin-strumming maidens and coat of arms-bearing pages in cloister colonnade. Cover domed with leaf-mounted cast figural finial in form of winged Classical man in drapery and helmet pouring wine into a cup. Tail cap has acanthus leaf border with cast owl finial. Gilt-washed interior.

Shaped stand with stra...

Exotic sterling silver 3-piece Turkish coffee set. Made by Tiffany & Co. in New York, ca 1910. This set comprises coffeepot, creamer, and sugar. Coffeepot: Upward tapering neck and round bowl.

Ovoid ball cover hinged-mounted to c-scroll handle applied with ribbed thumb rest; vertical scrolled spout. Creamer: Ovoid with high-looping handle and helmet mouth. Sugar: Round and tapering bowl with c-scroll side handles; cover domed with cast slightly anthropomorphic scroll finial. Acid-etched orname...

Art Nouveau Craftsman glazed earthenware whiskey jug with engraved silver overlay. Made by Rookwood Pottery in Cincinnati in 1893. Globular with short neck; silver collar round mouth with lip spout flowing into c-scroll handle. Painted ear of corn with exposed kernels on shaded brown green ground. Overlay in form of entwined grapevine and berry branches with succulent fruit and outsized leaves.

The painter was Harriette Rosemary Strafer (1873-1935), who began working at Rookwood Pottery in 189...

Edwardian Modern Classical sterling silver water pitcher. Made by Tiffany & Co. in New York, ca 1907. Bombe form. Curved and overhanging mouth with lip spout and cylindrical bowl; round and stepped foot and c-scroll handle. Acid-etched ornament: Meandering ivy on mouth and handle and half-fluting on bowl. Fully marked including maker’s stamp, pattern no. 16867B (first produced in 1907), director’s letter m, and volume (5 1/2 pts). Very good condition.

Dimensions: H 10 x W 8 3/4 x D 7 in. W...

Edwardian Modern Regency sterling silver basket. Made by the Sweetser Co. in New York, ca 1910. Faceted octagonal bowl with straight and tapering sides on spool support mounted to raised and faceted octagonal foot; fixed curvilinear handle. Engraved ornament with fluted and paterae curvilinear borders forming frames of which four vacant and the others inset with garlands, scrollwork, and vases. Handle has pendant flowers and oval frames inset with paterae. Fully marked including maker’s stamp ...

Set of 12 Modern Gothic sterling silver demitasse holders. Made by Tiffany & Co. in New York, 1927. Each holder: Drum-form holder with stepped rims. Each saucer: Deep plain well and canted rim. Engraved interlaced arcade with stylized pendant flowers and fleurs de lys (fleurs de lys pierced on holders). A hearkening back to the Aesthetic Movement a half century before though stylistically compatible with 1920s Art Deco. With: Cream porcelain liner with gilt mouth rim bands.

Fully marked inclu...

George V covered urn. Made by Lionel Alfred Crichton in London in 1930. Girdled urn on stepped, raised, and gadrooned foot; s-scroll side handles with leaf cap and pendant flower heads. Cover domed with gadrooned rim and finial. Cutout strapwork applied to bowl and cover. Traditional Classical form in Britannia (that is, 958) silver. Fully marked. Very good condition.

Dimensions: H 7 x W 5 7/8 x D 3 5/8 in. Heavy weight: 16.5 troy ounces. #BY618

George V covered urn. Made by Lionel Alfred Crichton in London in 1930. Girdled urn on stepped, raised, and gadrooned foot; s-scroll side handles with leaf cap and pendant flower heads. Cover domed with gadrooned rim and finial. Cutout strapwork applied to bowl and cover. Traditional Classical form in Britannia (that is, 958) silver. Fully marked. Very good condition.

Dimensions: H 7 x W 5 7/8 x D 3 5/8 in. Heavy weight: 16.2 troy ounces. #BY619

Japanese Meiji Art Nouveau silver tea tray, ca 1890. Retailed by Arthur & Bond in Yokohama. Lobed oval. Well stippled and engraved with shaded interlaced monogram. Upturned c-scroll end handles. Blossoming prunus branches, iris flowers, and bamboo applied to handles and tapering shoulder. Exotic ornament and Western form. Marked “Arthur & Bond / Sterling / Yokohama”. Very good condition. One handle back has dent (not visible from front).

Overall dimensions: H 2 7/8 x W 28 1/2 x D 18 1/2 in...

Turn-of-the-century Art Nouveau glass vase with engraved silver overlay. Elongated baluster with flared rim and raised foot. Overlay in form of budding and blooming tulips with entwined and whiplash tendrils. On foot is scrolled cartouche engraved with scroll-letter C between the years 1880 and 1905. Glass is green. Silver has faint marks including La Pierre maker's stamp. Very good condition.

Dimensions: H 12 3/8 x D 3 3/4 in. #BZ148

Stylish Victorian sterling silver tray. Made by Tiffany & Co. in New York. Round and plain well. Wide rim with low-relief border in form of imbricated leaves or chevrons. A popular motif that is sometimes known as Wave Edge. Fully marked including maker’s stamp, pattern no. 5766, and director’s letter C (1902-07). Very good condition.

Dimensions: 1/2 x D 11 in. Weight: 20.8 troy ounces. #BY472

Pair of Art Deco sterling silver 2-light candelabra. Made by Georg Jensen in Copenhagen, ca 1950.

Each: Two crisscrossing arms with twisted fluting each terminating in single faceted socket with wide flat rim; socket set in leaf ring. Arms mounted to side of shaft in form of bud with clusters of seeds applied to faceted leaves; bud set in same mounted to rings and flanges; raised foot.

Designed by Johan Rohde in 1920. Distinctive Danish Modernism synthesizing natural and geometric motifs.

French Classical silver coffeepot, 18th century. Baluster with silver-mounted stained and turned wood handle. Cover hinged with bud finial. V-form fish-mouth spout. Three hoof supports with oval medallion mounts. Gadrooning, twisted fluting, and ribbon-tied blossoming branch. Engraved on underside are 3 presentations of which two dated 1881 and 1950 as well as phrase “Bought in Tours, France”. Marked. Good condition with nice patina.

Dimensions: H 10 3/4 x W 9 1/4 x D 4 1/2 in. Gross weigh...

German 800 silver figural wedding cup, ca 1920. A Baroque dame with snug-fitting bodice and wide and raised lace collar holds aloft scrolled-brackets with swing-mounted double-domed lobed and garlanded bowl. Second larger bowl in form of conical skirt with patterned fabrics and delineated folds and hang. Ornament chased and engraved. Hanau maker’s mark (Neresheimer). Very good condition with nice patina.

Dimensions: H 13 7/8 x W 5 5/8 x D 4 1/8 in. Weight: 19.8 troy ounces. #BZ592

An antique American Edwardian delicate filigree platinum bow pin decorated with a center round diamond and inlaid with small diamonds throughout the bow. A small circular pendant of diamonds with a center drop diamond hangs from the bow. American, circa 1900 approx. 1 carat of diamonds total. Excellent condition, the pin measures 2" in length.

Edwardian Classical sterling silver urn. Made by Tiffany & Co. in New York. Curved and tapering bowl with leaf flange on domed foot; leaf-capped, wrapped, and mounted high-looping side handles. Chased leafing-scroll border with pendant flowers. Mouth rim wavy with applied leaves. Foot rim has applied swags and leaves. Gilded inside and out. Turn-of-the-century sumptuousness. Fully marked including maker’s stamp, pattern no. 14368B and director’s letter C (1902-7) and volume (7 1/2 pts). Very...

Pair of Japonesque sterling silver open salts. Made by John C. Moore for Tiffany & Co. in New York. Round with open rectangular bracket handles and straight foot. Engraved overlapping seals decorated with modish motifs, including fan, bug, vase, and bamboo. Foot decorated with acid-etched spirals and lunette-form flower heads, and pierced leaves. Union Square mark (1870-5) with pre-1875 pattern no. 3007 and order no. 901. Very good condition.

Dimensions: H 1 7/8 x W 4 5/8 x D 3 3/8 in. Total w...

Pretty Edwardian sterling silver basket with roses. Made by Tiffany & Co. in New York. Circular well with flared sides and wide mouth. Sides have alternating solid and pierced trellis. Scrolled and wavy rim in form of flowering rose vine with both tight buds and full blooms. Stationary u-handle applied with graduated flower heads and split scroll mounts. Fully marked including maker’s stamp, pattern no. 16268 (first produced in 1904), and director’s letter C (1902-7). Very good condition.

...

Victorian Neoclassical sterling silver epergne. Made by Charles Stuart Harris in London in 1895. Central oval frame with pendant leaf garland threaded through fixed rings and supporting oval medallions with amphorae applied to stippled ground. Frame rests on 4 leaf-capped and scrolled supports terminating in pierced leaf feet. Shaft is reeded and has applied leaf garland with paterae mounts, and supports large boat-form basket. Eight leaf-capped and scrolled arms, each terminating in single b...

German Biedermeier Classical silver tray, ca 1860. Plain oval well. Sides have open border in form of leaves set in ovals. Cast leaf-and-dart rim on lined ground. A practical serving piece with lots of Mitteleuropa charm. Marked. Very good condition.

Dimensions: H 1 3/8 x W 18 x D 12 3/4 in. Weight: 37 troy ounces. #BY866

Pretty German 800 silver and crystal decanter, ca 1910. Curved and faceted crystal body flowing into spread base; acid-etched flowers, leaves, and scrolls. Drum-form neck in silver collar with tooled flowers and scrolls. Silver ovoid and faceted stopper with flowers and scenes of gallantry. Pierced silver border at base with scrolls and shells. Marks include maker’s stamp for Vereinigte Silberwarenfabrik in Hanau. Good condition.

Dimensions: H 12 1/2 x D 4 1/4 in. #BL890

From a well-known series entitled “Chōtō” (Listening to the Waves) this large contoured vase features a sandy glaze that the sculptor claims is an expression of the features of the landscape where he grew up. The Chōtō series that launched his career proved to be wildly popular and today a number of pieces are held by museums around the world including: Brooklyn Museum; Hyôgo Museum of Ceramics; Metropolitan Museum of Art; Minneapolis Institute of Art; Musée National de Céramique, Sè...

Pair of striking midcentury Classical coin silver ewers. Made by Gorham in Providence, ca 1860. Each: Ovoid bowl with helmet mouth and raised foot. On neck applied frieze with ring of Bacchic boys gripping drapery swags; below applied bead-and-reel border. High-rising handle with cast cupbearer mounted to volute terminal; bottom mount in form of male head in stylized leaf and scroll surround. On front engraved armorial in form of winged gryphon. Both have variant leaf-and-dart ornament. Not iden...

The style of this vase, known in Japanese as karakane (“kara” meaning Chinese and “kane” meaning copper), has been carried on by Japanese craftsmen since its theorized introduction during China’s Tang Dynasty. Falling in and out of fashion over the centuries as Japan alternated between preferences for Chinese style tea-ware and more homegrown versions, today it remains a common fixture in many tea rooms. With beautiful red accents on a dark background, this is surely one of this artist...

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of these works and light-colored windows are created using feldspar. These high-contrast areas then act as a canvas upon which abstract, minimalistic, and often naturalistic themes are painted.

This piece is quite unique for its brown color which may have been produced using a copper glaze under very specific conditions. Typical o...

Belle Epoque Rococo soup tureen on stand. Made by Tetard Frères in Paris, ca 1910. Ovoid bowl with tapering sides and curved bottom with fluted and turned-down leaf handles. Sides have projecting volute scrolls inset with leaves. Leaves stippled and irregular. Sides have curvilinear panels applied with leaf and berry garlands with central branches forming wreaths. Raised oval foot. Cover domed and paneled with fluted top on which is mounted a cast finial in form of two embracing cherubs, their ...

Restauration Classical silver gilt box. Made by Jean-Baptiste Claude Odiot in Paris, ca 1820. Drum form with spread base; cover raised. Cast egg-and-dart and floral rims. Heart engraved with single script letter monogram set in flower wreath on cover top and body. Sumptuous Return-of-the-Bourbons luxe from the Ancien Regime do-over years. Fully marked including maker’s stamp and the fineness (950) stamp instituted in 1819. Very good condition with nice toning.

Dimensions: H 2 1/4 x D 1 5/8 i...

The craftsman who fashioned this piece, the 9th Ohi Chozaimon (1901-1986), is the most widely recognized and most accomplished of the now 11 generations of Ohi potters. Born in Ishikawa Prefecture at the start of the 20th century, he took up the family craft and, at the age of 26, became the head potter. Raku tea bowls made by Ohi 9 are some of the finest you will encounter, comparing favorably to even tea bowls made by the main Raku lineage in Kyoto. The lightness of the clay, the s...

A truly unique work of Shino pottery developed among the company of some of Japan’s most respected and influential potters of the last century. Defying conventions of form and genre, this exceptional mizusashi looks like it could have emerged from the ground fully formed, the result of geological processes lasting millennia. The creator of this fine work is none other than Tsuboshima Dohei, a true master of the ceramic arts.

Born in 1929, at the age of 17 Tsuboshima took an appre...

A testament to the brilliance of traditional Japanese craftsmanship, this lacquered mizusashi—skillfully handcrafted from bamboo—showcases a deep crimson hue that radiates warmth and sophistication. Its seamless design and flawless finish reflect the skilled hands of the first generation artisan who crafted it, achieving a harmonious balance between form and function. Designed for use in Japanese tea ceremony, this indispensable implement would love to be put back into service o...

From a well-known series entitled “Chōtō” (Listening to the Waves) this large contoured vase features a sandy glaze that the sculptor claims is an expression of the features of the landscape where he grew up.

Born in the port city of Shimoda, Sakiyama studied art in Osaka and then later went on to open his own kiln that he named “Hidaka” (High Sun). Appearing to have a natural gift for form and proportion, his pieces soon attracted the attention of galleries and collectors...

When the founder of the Urasenke style of tea ceremony, Senso Soshitsu (1622 -1697) was invited to Kanazawa as the lord of the tea ceremony for the powerful Kaga lords in 1666, the first Chozaemon came with him and established Ohi-yaki ware in Kanazawa. Chozaemon had been the chief apprentice for the Raku family in Kyoto and took with him many of the principles and ideas associated with Raku-ware. Since those auspicious beginnings, Ohi-ware has held a high place in the world of tea ceremony desp...

Using local materials and traditional methods, the creator of this work Masahiko Imanishi, has brought a distinctively modern interpretation to the classical form of the tsutsu chawan. At the same time, he somehow manages to maintain the simple rusticity that Tanba-ware is renowned for. Stretching back over 800 years, Tanba is counted as one of Japan’s 6 ancient kiln sites and is known for making large pots with red ferrous clay and natural ash glazes with a distinctive greenish tinge. More re...

Swiss brooch, ca 1880. Oval enameled plaque in gold frame; rim comprises applied scrolls heightened with enamel and inset with pearls.

The plaque depicts the Château de Chillon, a medieval castle set on an island in Lake Geneva, with Mont Blanc in the background. Chillon was a source of inspiration to the English Romantics, especially Lord Byron whose Prisoner of Chillon was inspired by its use as a prison during the 16th-century Wars of Religion. Byron’s evocation of tormented solitude is ...

Enryakuji Temple, Hiyeizan (Hieizan), Kyoto.
Artist not identified.
Dated August 21st, 1937.
Size: 7.5 x 5375 inches (19 x 13.6 cm).
Medium: Japanese woodblock print as the cover of a dinner menu of the Nippon Yusen Line passenger ship, Chichibu Maru.
Publisher: Likely Nippon Mokuhan Co. Tokio (Japan Woodblock Co. Tokyo), who produced another of our ship menu woodblock prints.
Medium: Japanese woodblock print made from a carved wood block. Mechanization was added to...