American Modern ring with cabochon tiger eye in 14k yellow gold setting; brilliant-cut diamond on each shoulder. Hallmarked. Excellent condition.

Size: 8 1/2. Weight: 10.5 dwt (16.3 g). #1223

Francis I sterling silver teapot. Made by Reed & Barton in Taunton, Mass. Bellied ovoid body on domed foot, high-looping leaf-capped scroll handle, and leaf-capped s-scroll handle; cover hinged and domed with leafing-scroll quatrefoil finial. Strapwork frames (vacant) on front and back between cornucopias and pendant ribbon-tied flowers. Rims irregular with applied leaves and scrolls. Fully marked including maker’s stamp, pattern name, no. 570A, and phrase “Hand Chased”. Very good conditio...

With pottery shards from excavated kilns dating back to the 5th Century, Mino-ware is one of the oldest and most revered pottery traditions in all of Japan. Though the piece featured here does not fit neatly into any of the typical categories of Mino pottery such as Kiseto, Setoguro, Oribe, or Shino; the shape and overall feel of this piece unmistakably places it within this pottery tradition.

Exceptionally well-proportioned and utterly unique, this tea bowl displays a ...

Midcentury Modern sterling silver monteith bowl. Made by Tiffany & Co. in New York. Curved sides and reeded curvilinear rim; raised and spread foot. Stylish for serving and presentation. Plenty of room for engraving. Fully marked including maker’s stamp and postwar pattern no. 23881. Very good condition.

Dimensions: H 5 1/4 x D 9 3/8 in. Heavy weight: 30 troy ounces. #BP797

Traditional Georgian-style sterling silver candlesticks, ca 1950. Each: Spool socket with detachable bobeche on knopped and flanged shaft; foot square. Gadrooned rims. Fully marked including stamp for Prill Silver Co., Inc. a New York maker active from 1930s-1970s. Very good condition.

Dimensions: H 9 1/2 x W 4 1/4 x D 4 1/4 in. Total weight: 35 troy ounces. #BX825

Traditional Georgian-style sterling silver candlesticks, ca 1950. Each: Spool socket with detachable bobeche on knopped and flanged shaft; foot square. Gadrooned rims. Fully marked including stamp for Prill Silver Co., Inc. a New York maker active from 1930s-1970s. Very good condition.

Dimensions: H 9 1/2 x W 4 1/4 x D 4 1/4 in. Total weight: 34 troy ounces. #BX824

Victorian ring in platinum on 18k gold with rose-cut diamonds and rubies in crisscross design. England, ca 1880. Hallmarked. Excellent condition.

Size: 4 1/2. Weight: 2.1 dwt (3.2 g). #1221

Silberiris glass vase by historic Loetz with engraved silver overlay. Globular with pinched shoulder and ruffled turned-down quatrefoil rim. On front overlay in form of loose and fluid blooms on entwined and whiplash stems. Back plain. Glass iridescent yellow, green, blue, and purple. Shimmering turn-of-the-century Art Nouveau. Pontil mark. Excellent condition with nice patina.

Dimensions: H 5 1/4 x D 4 3/4 in. #BX856

George V sterling silver tea tray. Made by Lionel Alfred Crichton in London in 1922. Oval well with reeded rim and leaf-capped c-scroll end handles. Classicism that works with traditional and Modern services. Fully marked. Very good condition.

Overall dimensions: H 2 1/4 x L 29 x W 18 in. Well: L 21 1/2 x W 15 in. Heavy weight: 142 troy ounces. #BX660

English Modern sterling silver cigar box, 1919. Rectangular with plain straight sides. Cover hinged with tapering tab; top gently curved with engine-turned wave ornament bordered by fretwork, and centrally mounted gold ring inset with word “CIGARS”. Interior cedar lined and partitioned. Underside leather lined.

Fully marked including Birmingham assay stamp and mark for WC Griffiths, a silversmith and retailer. Very good condition.

Dimensions: H 5 3/8 x W 10 1/8 x D 5 3/4 in. Gross weigh...

Modern sterling silver serving tray. Made by Tiffany & Co. in New York. Round with stepped rim. Smart and functional with nice heft. Fully marked including maker’s stamp, pattern no. 21252, director’s letter m (1907-47), and wartime star (1943-5). Very good condition.

Dimensions: H 1/2 x D 10 in. Weight: 16.2 troy ounces. #BX445

Twelve French Classical 950 silver plates. Made by Jean-Baptiste Gustave Odiot in Paris, ca 1870. Round well and shoulder with shaped frames; serpentine guilloche rim. Engraved armorial with Latin motto “Non sine labore”. The super sumptuous set to bring out when the book club gets round to Proust. Fully marked with Minerva head and maker’s stamp. Ten numbered 2690 (2), 3670 (1) 7225 (5), 7328 (1), 7329 (1). Very good condition with minor fire scale in well.

Dimensions: H 7/8 x D 10 5/8 ...

Victorian sterling silver baby cup. Made by Gorham in Providence, ca 1890. Straight and gently upward tapering sides and scroll-bracket handle. Applied cast oval medallions that depict not austere Roman patricians and their virtuous helpmates but sailor-suited boys and kitty-clutching girls. A sweet rejuvenation of the influential Medallion pattern. Gilt-washed interior. Fully marked including maker’s stamp and no. A7822. Excellent condition.

Dimensions: H 2 5/8 x W 4 1/8 x D 2 3/4 in. Heav...

Victorian sterling silver letter opener. Made by George Neal & George Neal in London in 1900. In form and with dimensions of a 12-inch ruler. Tapering point for getting underneath the fold. A stylish and useful desk novelty. Fully marked. Very good condition. Weight: 2.5 troy ounces. #BW008

A technique most commonly seen in Tenmoku tea bowls, “konoha” is accomplished by applying a coating to an actual leaf and then attaching the leaf to the surface of an artwork before firing. The exact details of this process seem somewhat murky as it appears to be a well-guarded secret among potters. After some research we were unable to identify the potter; and, although there is a signature on the bottom that appears to read “Raishō,” we could find no potter by this name. R...

At various times over the long history of tea practice in Japan, Korean-ware has come into high fashion and ships full of the finest ceramics from the neighboring country were brought to its shores. Such pieces have long been favored by learned cha-jin (tea people); and, older pieces such as this are quite prized today as relatively few from this era have survived in good condition. While it is possible this piece is of Japanese origin, its apparent age would make it more likely to h...

George V sterling silver bun warmer. Made by Roberts & Belk Ltd in Sheffield in 1927. Egg-form. Cover has flat oval top with radiating facets and lobed bands; hinges have vasiform mounts. Bracket end handles. Perpendicular tab has ring inset with ball finial. Four tapering hoof supports. Pierced detachable tray set in solid detachable tray. Reeding and beading. For a fun Downton Abbey-style buffet breakfast. Fully marked. Excellent condition.

Overall dimensions: H 8 3/8 x W 13 1/8 x D 9 3/4 in...

Here we have a beautiful scroll with a mounted letter penned by famed Japanese poet Kobayashi Issa (1763-1828) who is known as one of the 4 great haiku poets of Japan along with the likes of Bashō, Buson, and Shiki. As one might expect, Kobayashi’s life was one of turbulence punctuated by several tragedies including the death of his mother at an early age and a lengthy legal battle with his step-mother over the family inheritance after the death of his father. Through it all Kobay...

An excellent offering from Higaki Ryota of Katsura Kiln, this piece displays a classic and iconic shape coupled with a beautiful Kase-guro glaze said to be used over 400 years ago by Chojiro. The color of this tea bowl changes quite dramatically, taking on the characteristics of its environment; light and cheerful in direct and bright lighting, more austere, deep, and reflective in standard tea room lighting. Perfect for those venturing into the world of Raku tea-ware or for those lo...

Edwardian Modern Regency sterling silver basket. Made by the Sweetser Co. in New York, ca 1910. Faceted octagonal bowl with straight and tapering sides on spool support mounted to raised and faceted octagonal foot; fixed curvilinear handle. Engraved ornament with fluted and paterae curvilinear borders forming frames of which four vacant and the others inset with garlands, scrollwork, and vases. Handle has pendant flowers and oval frames inset with paterae. Fully marked including maker’s stamp ...

American Modern sterling silver flask, ca 1920. Rectilinear and curved; cover hinged, threaded, and cork-lined. Front engraved with a camel, a paragon of drought survival, standing on parched ground with scattered shoots of greenery. In background are palm trees and pyramids. Drink up to survive the desert—physical or metaphorical. Back vacant for engraving. Marked “Sterling”. Very good condition with strong definition.

Dimensions: H 7 x W 5 x D 7/8 in. Weight: 9 troy ounces. #BX740 ...

A collectible Scandinavian gold and amethyst pin by Kippittan Kulta of Finland. The pin is stamped with the anvil mark 585 Finland and measures 2 1/4" x 1-1/4". Weight 3.6gr.

Edwardian Regency sterling silver jewelry box. Made by William B. Durgin in Concord, ca 1910. Rectangular with straight sides and hinged drop-front. Cover hinged and flat. On sides, wraparound garland held-up by sweet bare-bottomed cherubs. Cover top encircled with same (center vacant). Reeded rims. Interior velvet-lined. Fully marked including maker’s stamp and no. 1809. Very good condition.

Dimensions: H 4 x W 9 3/8 x D 4 1/2 in. Heavy gross weight: 40.6 troy ounces. #BX652

Pair of George III sterling silver gravy boats. Made by William Bond in Dublin in 1794. Each: Ovoid with helmet mouth and gadrooned rim. Leaf-capped double-scroll handle mounted to scrolled end. Three scallop-shell mounted leaf supports. Engraved armorial. Gorgeous Georgian Neoclassicism from across the Irish Sea. Fully marked. Very good condition with nice patina.

Overall dimensions: H 6 3/4 x W 8 3/4 x D 4 3/4 in. Total weight: 39.7 troy ounces. #BW160

Austrian Classical gilt-washed 800 silver box, ca 1875. Ovoid and bellied on plain inset foot. Cover hinged and domed with cast figural finial: A little girl sits cross-legged and barefoot and rests her hand on the back of a hungry animal while spooning sustenance into its mouth. Engraved ornament: Leafing rondels inset with heads alternating with same shaped frames (vacant) on engine-turned border. Shoulder has leaf-and-dart border and cover top leaf-and-patera border. Fully marked including ...

English Victorian Modern sterling silver smoking box 1885. Rectangular with straight sides. Scroll-bracket handle mounted to central panel between two hinged covers. On one in blue enamel “Cigars”; on other “Cigarettes”. Cedar lined. Felt-lined underside. Fully marked including London assay stamp and maker’s initials “T.W”. Very good condition.

Dimensions: H 4 x W 7 3/4 x D 6 1/2 in. Gross weight: 28.3 troy ounces. #BX649

George II sterling silver salver. Made by Robert Abercromby in London 1741. Molded scroll and shell rim and 4 scroll-mounted hoof supports. Armorial engraved in well center. Great heft and balance. Fully marked. Very good condition with period patina.

Dimensions: H 1 1/2 x D 12 3/8 in. Weight: 28.7 troy ounces. #BX211

Also known as "The Buddha of Immeasurable Light and Life,” here in this pre-Edo Buddhist painting we see Amida and his two assistant bodhisattvas, Seishi on the left (associated with wisdom and strength), and Kannon on the right (associated with compassion and mercy), descending from the Western Pure Land to welcome newly deceased believers into the realm of paradise. In this practice known as raigō, the faithful are transported via the small lotus pedestal the Kannon holds in his...

Although reports vary, it is generally thought that Zeze-yaki had its heyday in the late Momoyama to early Edo period under the influence and patronage of legendary artists/ men of tea, Honami Koetsu and Kobori Enshu. It was also counted among the seven best kilns selected by Enshu Kobori (1579-1647), a tea master and military commander of that era. In the mid-1600s the tradition died out for a time after the destruction of the kiln by fire. The kiln was later resurrected on two occa...

With a base of dazzling red ochre clay, a technique known as “san-giri,” pioneered by the progenitor of this generational potting family and now widely used among Bizen potters, is employed here to bring out stunning mustard yellows, mossy greens, charcoal blacks, along with a range of subtler hues.

The potter, Konishi Tōko II (1927 -2018) was second daughter to Konishi the first. After graduating from women’s college she assisted her father at the family kiln, e...

This elegant work of Karatsu pottery has an unglazed foot, showing the rich ferrous clay from which it is constructed, and displays splashes of ferrous pigment on a backdrop of ashen glaze with a milky white overglaze. The triangular shape and large proportions make for a very distinctive work of e-Karatsu or “painted” Karatsu.

Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters...

Japanese Modern silver box on stand, ca 1930. Rectangular with curved corners. Box has straight sides and cover top is gently raised and has applied gilt medallion with dramatic dragon in low relief. Box and cover interior lined with stained-wood. Stand has wide and tapering shoulder and flat well border with open stained-wood bottom. Marked. Very good condition.

Dimensions: Box: H 2 1/2 x W 6 1/2 x D 4 3/4 in. Stand: H 7/8 x W 8 1/8 x D 6 3/8 in. #BX437

Belle Epoque Rococo soup tureen on stand. Made by Tetard Frères in Paris, ca 1910. Ovoid bowl with tapering sides and curved bottom with fluted and turned-down leaf handles. Sides have projecting volute scrolls inset with leaves. Leaves stippled and irregular. Sides have curvilinear panels applied with leaf and berry garlands with central branches forming wreaths. Raised oval foot. Cover domed and paneled with fluted top on which is mounted a cast finial in form of two embracing cherubs, their ...

The pottery style know as “nerikomi” or sometimes “neriage” in Japan is a technique where various colors and consistencies of clay are stacked together and then cut through to reveal a unique pattern. Here we see a beautiful execution of this approach by potter Wakasugi Naomi (b. 1974) who spent many years perfecting the technique. Wakasugi typically uses Shigaraki clay and porcelain clay from Kyoto in her works and says that when she first started out very few people were ma...

A key figure in the Japanese folk craft movement of the 20th century, Fujita Kyohei is credited with helping to develop a thriving glass-working community within Japan. Best known for his “dream” or “Liuli” boxes—very colorful and skillfully crafted boxes that often incorporated gold and silver leaf into their designs. Here we see a piece that would likely have been crafted earlier in his career but that demonstrates his masterful technique even then. In 1972 Fujita, along ...

The craftsman who fashioned this piece, the 9th Ohi Chozaimon (1901-1986), is the most widely recognized and most accomplished of the now 11 generations of Ohi potters. Born in Ishikawa Prefecture at the start of the 20th century, he took up the family craft and, at the age of 26, became the head potter. Raku tea bowls made by Ohi 9 are some of the finest you will encounter, comparing favorably to even tea bowls made by the main Raku lineage in Kyoto. The lightness of the clay, the s...