From a well-known series entitled “Chōtō” (Listening to the Waves) this large contoured vase features a sandy glaze that the sculptor claims is an expression of the features of the landscape where he grew up.

Born in the port city of Shimoda, Sakiyama studied art in Osaka and then later went on to open his own kiln that he named “Hidaka” (High Sun). Appearing to have a natural gift for form and proportion, his pieces soon attracted the attention of galleries and collectors...

From a well-known series entitled “Chōtō” (Listening to the Waves) this large contoured vase features a sandy glaze that the sculptor claims is an expression of the features of the landscape where he grew up. The Chōtō series that launched his career proved to be wildly popular and today a number of pieces are held by museums around the world including: Brooklyn Museum; Hyôgo Museum of Ceramics; Metropolitan Museum of Art; Minneapolis Institute of Art; Musée National de Céramique, Sè...

Pair of Chinese export silver vases, ca 1910. Each: Flat and round moon body on domed foot; animal-head handles mounted to shoulder. On front and back is chased dragon—a horned and taloned serpentine serpent on hand-hammered ground. Marked Wang Hing & Co., an early 20th-century retailer active in Canton and Hong Kong. Very good condition. Handwork visible on foot underside.

Dimensions: H 4 1/2 x W 3 1/2 x D 2 in. Total weight: 7.5 troy ounces. #BY228

Chinese porcelain hat stand vase with a hand painted scene of a boy playfully dangling a toy spider in front of his pet cat. Mother and brother are standing nearby watching. Dates early 20th C. Measures 11.5" high x 5" diameter.

Conceived by 20th century master ceramicist Kawai Kanjiro—here an abstract depiction of flowers is used to adorn an exquisite “henko” shaped vase. The glaze used is known as “tetsu-yu” for its use of iron compounds to achieve this distinctive look. Though many pieces by Kanjiro remain today, this exact combination of style, shape, and glazing is uncommon, making this a must-have work for serious collectors. Interestingly, though it may likely not have been intentional, the abstract sym...

The style of this vase, known in Japanese as karakane (“kara” meaning Chinese and “kane” meaning copper), has been carried on by Japanese craftsmen since its theorized introduction during China’s Tang Dynasty. Falling in and out of fashion over the centuries as Japan alternated between preferences for Chinese style tea-ware and more homegrown versions, today it remains a common fixture in many tea rooms. With beautiful red accents on a dark background, this is surely one of this artist...

This Meiji period vase is made of fine white porcelain fashioned after classic Chinese motifs.. The potter, first generation Miura Chikusen, is the same generation as many of the better known Imperial Court artists (Kozan, Siefu, Tozan, etc…) and just as accomplished in terms of mastery of technique, level of artistic expression, and volume of pieces produced.

An exceptionally skilled Meiji potter, Chikusen (1854 – 1915) specialized in high-quality Kiyomizu-yaki and...

Master of a very difficult technique from the Chinese Tang Dynasty (618 - 907) known in Japanese as Neriage, the potter who created this elegant vase uses extreme precision to combine sheets of differing types of clay, culminating in a unique visual effect. While many of his pieces are ringed with swirls of colors, this one is more modern and subdued. With quite a lot of character, this lovely vase will draw attention without being overpowering.

Born in Nagano, Kosei Matsui (1927-20...

Crafted from locally sourced Bizen clay, this mid-Edo period vase embodies simplicity, beauty, and understated elegance. Its unassuming form showcases the natural beauty of the clay, enhanced by a delicate ash glaze. The texture and shape evoke a sense of rustic charm, reflecting the profound harmony between human creativity and the organic world. Now several centuries old, this piece continues to serves not only as a functional display piece, but also as a symbol of the enduring leg...

During Japan's Momoyama period, spanning from the late 16th to the early 17th century, Bizen pottery flourished, producing exquisite pieces such as this symmetrical and elegant flower vase. Crafted from locally sourced Bizen clay, this vase embodies simplicity and understated elegance. Its unassuming form showcases the natural beauty of the clay, enhanced by a delicate ash glaze. The texture and shape evoke a sense of rustic charm, reflecting the profound harmony between human creati...

Here we have a beautiful scroll with a mounted letter penned by famed Japanese poet Kobayashi Issa (1763-1828) who is known as one of the 4 great haiku poets of Japan along with the likes of Bashō, Buson, and Shiki. As one might expect, Kobayashi’s life was one of turbulence punctuated by several tragedies including the death of his mother at an early age and a lengthy legal battle with his step-mother over the family inheritance after the death of his father. Through it all Kobay...

Several years ago we were invited by our very talented kintsugi craftsman to what is known as a “kura-ake” or storehouse opening. Many reading this may be familiar with the traditional storehouses in Japan (kura) with their thick plaster walls used to store valuable items—sometimes for hundreds of years—safe from humid air, insects, and the like. On occession, after the passing of a parent or relative, these storehouses are opened up and the art pieces and valuables inside ar...

Pair of English Retro Deco sterling silver wine coolers, 2014. Each: Chamfered and tapering bowl; stained-wood side handles with stepped sterling silver mounts. Tapering and stepped support mounted to chamfered square base. All planes and angles for holding a round bottle. Super stylish style-of barware. Fully marked including unidentified maker’s stamp (R&SN) and London assay stamp. Very good condition.

Dimensions: H 10 3/8 x W 8 5/8 x D 7 1/2 in. Heavy gross weight: 170 troy ounces. #BZ651...

Two Modern sterling silver drink stirrers:

1) Thin round stem with ball terminal; bowl in form of golf club head. Marked “Tiffany & Co 925”. Very good condition. Dimensions: H 7 3/4 x W 1 3/8 in.;

2) Long round stem and oval bowl; cast figural rooster terminal, suggestive of either the early-bird special or the morning-after hair of the dog cure. Marked “Tiffany & Co. Makers Sterling”. Very good condition. Dimensions: H 10 3/4 x W 1 1/4 in.

Total weight: 1.8 troy ounces. #BZ347 ...

Rare Chrysanthemum sterling silver soup tureen. Made by Tiffany & Co. in New York. Lobed and oval bowl with scalloped and turned down scalloped rim. Bracket end handles and four splayed volute supports. Cover double domed with bracket finial. Dense and textural cast ornament in form of alternating flower heads and leaves applied to rim and cover shoulder. With dense profusion of same applied to feet and wrapped and mounted to handles. A big, drool-inducing centerpiece made soon after this histor...

George VI sterling silver box. Made by WH Manton in Birmingham in 1938. Rectangular with curved corners. Cover hinged with gently curved top and tapering tab. Cedar-lined and partitioned interior; wood lined underside. Fully marked. Very good condition.

Dimensions: H 2 3/4 x W 7 1/8 x D 3 3/4 in. Gross weight: 18 troy ounces. #BZ609

Modern double picture frame. Retailed by Cartier in New York. Two vertical (portrait) rectangular windows in horizontal (landscape) rectangular surround. Sterling silver borders and sides. On front red guilloche enamel in shade of throbbing scarlet. For a hot twosome. With beveled glass, red lining, and same velvet back with hinged easel support. Marked “Cartier Sterling 925 Italy”. Very good condition with strong intact color. Velvet wear and discoloration.

Dimensions: Frame: H 3 1/2 x W ...