Kawase Hasui (1883-1957)
Moon at Magome
Date: 1930.
Size: Oban. Approximately 15.5 x 10.5 inches.
Publisher: Watanabe Shozaburo.
Watanabe C (sausage) seal at right margin, making this a first edition produced between 1929-1942.
Reference: Hotei #165.
Medium: Japanese woodblock print.
Condition: Point-sized repair in upper left corner of sky. Original drying pinhole at left margin covered with paper.
"The scene conveys the rustic 'poetic' charm of Ma...

First edition Taisho period Japanese woodblock print titled “The Snow Maiden Umekawa” (aka “The Heroine Umekawa in the Snow”) from the supplements of “The Complete Works of Chikamatsu Manzaemon" by Kitano Tsunetomi (1880-1947) published in 1923. First edition with mica and silver highlights, hand applied gofun, black ink Tsunetomi seal at the upper right, and Yamagishi Kazue (carver) and Nishimura Kumakichi (printer) seals at the lower edge. Paper: 17 3/4" x 11 3/8." Very good overa...

Hiroshi Yoshida
Glittering Sea, from The Inland Sea Series
(Hikaru Umi, Setonaikaishu)
Date: 1926. Date of this edition not known.
Medium: Japanese woodblock print mounted as kakejiku scroll.
Signed and sealed in the image.
Size: Oban. Scroll: 45.5 inches 17.75 inches. Blue sheet: 20.5 x 15.75. Visible image: 14.5 x 9.75 inches.
Condition: Creasing from scrolling.
Note: Scroll mounting over the margins prevents us from confirming the presence or absence of...

Hasui Kawase
Kasuga Shrine, Nara
Series: Collection of Scenic Views of Japan II, Kansai Edition.
Size: Oban. 15.375 x 10.25 inches.
Date: 1933
Publisher: Watanabe Shozaburo. Publisher's 6mm seal (printed 1946-1957).
Reference: Hotei #317.
Medium: Japanese woodblock print.
Condition: Slight toning. Excellent color.

Oversized Japanese woodblock print by Shufu Miyamoto (b. 1950) titled "Water Weeds at Hiroshima." The lower margin is pencil-titled in kanji and English, pencil-signed, and dated '84. It is numbered in pencil 5/150 at the lower left below the artist's red seal. Paper: 17 5/8" x 22 3/4" (image: 15 1/4" x 21 5/8"). Very good overall condition. There are some minor wrinkles in the paper at the margin edges and there is a small mark in the margin at the upper left corner.

Japanese shin hanga woodblock print titled "Chuzenji Utagahama" by Kawase Hasui (1883-1957) dated in the left margin Showa 6 (1931). The artist's black ink signature and red seal are at the lower right corner of the image. The Watanabe seal is missing, but the print is old and likely dates post-WWII. Paper: 15 3/8" x 10 1/2" (image: 14 1/4" x 9 1/2"). Very good clean overall condition with slight fading evident. The print was removed from an old frame and the back margin edges are lightly ski...

Kawase Hasui
Spring Rain at Gokokuji
Size: Oban. Approximately 16 x 10.75 inches.
Date: 1932.
This edition 1948-50.
Publisher: Doi Hangaten. Carver: Katsumura (same carver as first edition). Printer: Ito.
Doi publisher's watermark at upper left corner margin.
Artist's signature and seal at upper right.
Condition: A surface dot on the base of the lantern. A few light margin creases. Back top corners have two small bits of paper residue.
- A wonderful e...

Toshi Yoshida (1911-1995)
Autumn from the Birds of the Seasons series.
"Serenity of Red Maple"
Date: ca. 1980.
Size: 21 x 13.25 inches.
Publisher: The Yoshida Family Studio. Issued by the Franklin Mint.
Signed and sealed by the artist.
Medium: Japanese woodblock print.
Condition: Top and bottom back margins have tape residue. Very slight toning.

Shoda Koho
Ueno Park
From the Hasegawa Night Scenes shin-hanga series.
Size: Chuban. Approximately 10.25 x 7.75 inches.
Date: 1910-38. A rare, early edition on card-like paper.
Publisher: Hasegawa. #1248 in Hasegawa catalog.
"Made in Japan" stamp and #427 tag on verso.
Not sealed by the artist.
Medium: Japanese woodblock print.
Condition: Excellent.

Fine Chinese Ming Dynasty Blue & White Conical Covered Porcelain Box (Ex. Lammers Collection)

This attractive small round porcelain box of rare and unusual form was made during the Wanli reign (1573 - 1620) of the Ming Dynasty. The underglaze blue decoration is of a particularly good colour. The decoration to the conical cover comprises two chilong dragons. The lower section is decoration with a floral pattern.

Diameter 5.5 cm. It is in fine condition with no repair or restoration, altho...

Ohara Shoson (Koson)
Snow on Willow Bridge
Size: Oban. Approximately 15.25 x 10.25 inches.
Date: 1927.
Publisher: Watanabe Shozaburo. With Watanabe C seal (Used 1929-42).
Shoson signature and seal.
Reference: S44.3 and image #166 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print.
Condition: A conservator has repaired top margin blanks and tears. One had impinged on the image.
Note: One...

A box for keeping incense – kogo – decorated with a carriage used by court nobles and members of the Imperial family of the past in dense gold dust sprinkle on a black lacquer background. The sky sprinkled with clouds of nashiji. Insides with dense nashiji. The bottom section decorated with a rock surrounded by bamboo in gold togidashi and kao of tea master Hisada Soya. Silver rims.

Tiny signature in gold lacquer on the bottom: Gaho.

The kogo was made for the tea master Hisada So...

AMERICAN MASTER JOSEPH DAWLEY “Floral Abstracted” measuring 11” x 14” LAST SERIES.….. Biography: Joseph William Dawley (1936-2008) was born in Nashville, Arkansas and raised in Dallas, Texas. He received his B.A. from SMU where some of his art hangs today. He married and moved to NJ working for the Newark Evening News retouching photos and sidelining as a political cartoonist. He spent time studying at the Art Students League in NYC and in 1968 he decided to devote all his time to pai...

A stunning pair of sake cups depicting monkeys by the famous Kutani potter Matsumoto Saiichi 松本佐一 (b. 1930), using his signature technique, porcelain with underglaze gold leaf. Title: Sake Cups (sakazuki 坏) Medium: porcelain with underglaze gold leaf and overglaze enamel Size: Wider: 3.2 x 8.5 cm and Taller: 5.9 x 5.4 cm Signature in enamel on the bottom of both pieces: Saiichi (佐一) Date: Heisei Period, 2003 for 2004 Condition: no flaws: no cracks or r...

Ohara Koson
Peafowl on flowering cherry
Size: O-tanzaku. Approximately 14.5 x 7.5 inches.
Date: ca. 1900s-1923.
Bears Koson seal.
Publisher: Daikokuya (97)
Reference: K38.13 and plate 87 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent. A few small black marks in sky at left and above bird. Pencil number on back.
Provenance: The Bedford, NY estate of Eleanor Jay and Arthur Iselin. Eleanor Jay was a de...

A wild boar kōgo by famous Kyoto potter Imai Masayuki 今井政之 (1930-2023). Decoration is a stylized version of the ancient Chinese character for wild boar. Masayuki used his famous inlaid colored clay technique in producing this piece. Imai Masayuki and the late Miyashita Zenji are considered the two masters of the colored clay technique in Japan. Title: Inlaid Zodiac Wild Boar Incense Container (Zōgan kanshi i kōgo 象嵌干支亥香盒) Colored and inlaid stoneware, 3.8 cm high a...

Over the years we have taken a special interest in Raku-ware and especially in works produced by the Tamamizu kiln, such as the 300+ year old ceremonial tea bowl seen here. The first in this line of potters was Yahē (1662 - 1722), an illegitimate son of Kichizaemon Ichinyu (1615 - 1768) who studied under his father and then left to open his own kiln in the village of Tamamizu (known today as Ide-cho). Though he is the first potter of this branch, he is sometimes referred to as Tamam...

Pair of prints by Ashiyuki, please contact for details