Kawase Hasui (1883-1957)
Moon at Magome
Date: 1930.
Size: Oban. Approximately 15.5 x 10.5 inches.
Publisher: Watanabe Shozaburo.
Watanabe C (sausage) seal at right margin, making this a first edition produced between 1929-1942.
Reference: Hotei #165.
Medium: Japanese woodblock print.
Condition: Point-sized repair in upper left corner of sky. Original drying pinhole at left margin covered with paper.
"The scene conveys the rustic 'poetic' charm of Ma...

Hasui Kawase
Kasuga Shrine, Nara
Series: Collection of Scenic Views of Japan II, Kansai Edition.
Size: Oban. 15.375 x 10.25 inches.
Date: 1933
Publisher: Watanabe Shozaburo. Publisher's 6mm seal (printed 1946-1957).
Reference: Hotei #317.
Medium: Japanese woodblock print.
Condition: Slight toning. Excellent color.

Hiroshi Yoshida
Glittering Sea, from The Inland Sea Series
(Hikaru Umi, Setonaikaishu)
Date: 1926. Date of this edition not known.
Medium: Japanese woodblock print mounted as kakejiku scroll.
Signed and sealed in the image.
Size: Oban. Scroll: 45.5 inches 17.75 inches. Blue sheet: 20.5 x 15.75. Visible image: 14.5 x 9.75 inches.
Condition: Creasing from scrolling.
Note: Scroll mounting over the margins prevents us from confirming the presence or absence of...

Leonard Tsuguharu Foujita (1886-1968)
White Cat
Date: 1929
Signed by the artist in the image in English and Japanese.
Matte size: 23.25 x 19.375 inches. Matte window: 17.5 x 12.75 inches.
Medium: Japanese woodblock print with gauffrage embossing on the cat (seen in indirect light).
Condition: Woodblock print is sealed inside matte and is possibly adhered to board. Some creasing visible in side lighting.

Eisho Narazaki (1862-1936)
Interior of Asakusa Kannon Temple
Size: Oban. Approximately 15.25 x 10.5 inches.
Date: 1932
Publisher: Watanabe Shozaburo. Watanabe C seal at left margin, indicating a first edition printed 1929-42.
Medium: Japanese woodblock print.
Condition: Toned paper.
There is so much to look at in this lively, superbly printed image.

Toshi Yoshida (1911-1995)
Autumn from the Birds of the Seasons series.
"Serenity of Red Maple"
Date: ca. 1980.
Size: 21 x 13.25 inches.
Publisher: The Yoshida Family Studio. Issued by the Franklin Mint.
Signed and sealed by the artist.
Medium: Japanese woodblock print.
Condition: Top and bottom back margins have tape residue. Very slight toning.

First edition Taisho period Japanese woodblock print titled “The Snow Maiden Umekawa” (aka “The Heroine Umekawa in the Snow”) from the supplements of “The Complete Works of Chikamatsu Manzaemon" by Kitano Tsunetomi (1880-1947) published in 1923. First edition with mica and silver highlights, hand applied gofun, black ink Tsunetomi seal at the upper right, and Yamagishi Kazue (carver) and Nishimura Kumakichi (printer) seals at the lower edge. Paper: 17 3/4" x 11 3/8." Very good overa...

Ohara Shoson (Koson)
Snow on Willow Bridge
Size: Oban. Approximately 15.25 x 10.25 inches.
Date: 1927.
Publisher: Watanabe Shozaburo. With Watanabe C seal (Used 1929-42).
Shoson signature and seal.
Reference: S44.3 and image #166 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print.
Condition: A conservator has repaired top margin blanks and tears. One had impinged on the image.
Note: One...

Oversized Japanese woodblock print by Shufu Miyamoto (b. 1950) titled "Water Weeds at Hiroshima." The lower margin is pencil-titled in kanji and English, pencil-signed, and dated '84. It is numbered in pencil 5/150 at the lower left below the artist's red seal. Paper: 17 5/8" x 22 3/4" (image: 15 1/4" x 21 5/8"). Very good overall condition. There are some minor wrinkles in the paper at the margin edges and there is a small mark in the margin at the upper left corner.

A Japanese lacquer bowed top box with portrait of a Kabuki actor - presumably named in gold lacquer and the role of Daihachi named in a lustrous iron color. All slightly raised work, the portrait is in gray, black, red, flesh tone, browns and gold. Lines including pattern and folds in the figure's attire and hair in his coiffure and sideburns cleanly defined with raised work. Metal along the facing edges of the top and bottom have no doubt contributed nicely to the preservation of the box. Actor...

Kawase Hasui
Spring Rain at Gokokuji
Size: Oban. Approximately 16 x 10.75 inches.
Date: 1932.
This edition 1948-50.
Publisher: Doi Hangaten. Carver: Katsumura (same carver as first edition). Printer: Ito.
Doi publisher's watermark at upper left corner margin.
Artist's signature and seal at upper right.
Condition: A surface dot on the base of the lantern. A few light margin creases. Back top corners have two small bits of paper residue.
- A wonderful e...

Pair of prints by Ashiyuki, please contact for details

This is an exceedingly rare calligraphy on hand-made paper by famous Kyoto artist Tokuriki Tomikichiro. He was best known for his prints, but was originally trained as a painter. It is delicately brushed on Japanese hand made paper (24.2 cm x 21 cm), a bit smaller than shikishi size, and much thinner. Two edges are deckled. It is inscribed “Close Friend” (知音). Signed: Tomi (富), red seal: Tomi (富). Date inscribed on the back in pencil: 94.11.30. Condition: minor handling creases, mi...

Two matching Japanese chargers, done with the Imari pallet, and dating to the mid 19th Century. Decorations include a foo dog, dragons, and cranes among flowers and scrolls. Each dish measures about 12" in diameter and 1 3/4" high and is marked on the back. The condition is excellent/perfect with minor wear. The asking price includes shipping within the USA.

RACCOON DOG TABLE LAMP

Lovely vintage Japanese 80s pop sofvi (plastic) table lamp that is motif of traditional Shigaraki ware tanuki (raccoon dog) statue. Height 16 cm (6.29in), Bottom diameter 8.6 cm (3.38in). Scratches and slight stains due to age.


selected by rust + antiques




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A fine Japanese incense burner, made of wood with pierced gilt copper lid, the interior with copper lining. On a black lacquer ground slightly raised decoration showing a landscape with rockwork and trees in different gold lacquer techniques. Condition: please look at the photos carefully, traces of age and usage, few small lacquer losses, rim with two cracks, lid slightly distorted. Dimension: c. 8.4 cm high, c. 4.8 cm long and wide.

Japanese Isho Ningyo of a Noh Actor, Meiji Period, late 19th Century. Height: 13.75 inches, 35 cm.

A large and very expressive, ceramic figure of sitting shishi, lion-dog, with turned head. It is covered in a creamy, white crackled glaze. The open, staring eyes made of inserted glass are rendered with gold. Unsigned. Japan, late Edo, before 1850. H. 35 cm, L. 25 cm, W. 16 cm. Condition: good, but for a few chips, fire cracks and minor area of repair on underside.

Additional Photos for Japanese Screen, 1750's
Each Fan painting size, 21 5/8" Long(55 cm).
1. Kuge servant carrying princess on his back trying to cross the water.
2. Three Sparrows and Bamboo.
3. Six Chinese Boys paying around at the study table, parent observing.
4. Tiger and Dog glaring each other.
5. Pretty Japanese Kikyo, Bellflower and other flowers.
6. Sumie Landscape, ...

Four finely carved wooden (maybe sandalwood) masks with lacquering and most with glass bead eyes. Showing different types of theatre masks as Hannya, Oni etc. Condition: minor rim frits, the Hannya mask with few lacquer losses. Dimension: c. 5.1 cm long x c. 3.5 cm wide.

The size of Screen: 277cm Wide x 138 cm High (109 " x 54 3/8")
The both side Left/Right Panel size: 47.2 cm x 138 cm (18 1/2" x 54 3/8")
4 panels in between size: 45.5 cm x 138 cm (17 7/8" x 54 3/8")
Each Fan design size: 55 cm (21 5/8") wide.

This is wonderful 6 panels Japanese Byobu screen from 1750's middle 18th Century with 21 Ougi (fans) design with gold leaf background. This type of painting properly called, "Senmenga" with fan design Byobu called "Senmen Byobu". Th...

A stunning pair of sake cups depicting monkeys by the famous Kutani potter Matsumoto Saiichi 松本佐一 (b. 1930), using his signature technique, porcelain with underglaze gold leaf. Title: Sake Cups (sakazuki 坏) Medium: porcelain with underglaze gold leaf and overglaze enamel Size: Wider: 3.2 x 8.5 cm and Taller: 5.9 x 5.4 cm Signature in enamel on the bottom of both pieces: Saiichi (佐一) Date: Heisei Period, 2003 for 2004 Condition: no flaws: no cracks or r...

Japanese antique Funa Tansu (merchant's safe), all made of very heavy quarter sawn Keyaki (Zelkova) wood. The door opens to 3 interior drawers also with Keyaki wood fronts (interior of each drawer made with Kirinoki (Paulownia) wood, wooden bracing on the bottom, heavy iron hardware including double locks on the outer doors and each of the three interior drawers has a large lock as well, two handles on top of safe, 2 iron reinforced holes at the bottom of each side to allow the safe to be...

This old Japanese Noh theater mask has the expressive face of an old man. The mask is carved from paulownia wood and dates to middle Edo period, around 1750. The patina is wonderful.

Mask measures approx 8 inches high and 6 inches wide

A fine Arita blue & white porcelain flower vase to be mounted on a wall, kakehana. 18th century.

The flower vase is heavily moulded with a leaping Chinese Lion or karashishi in a landscape of rocks and Tree Peonies, a classic subject in Japanese art known as “Botan-ni-Shishi”, an auspicious subject.

This old kakehana was manufactured in Arita in the mid Edo period, probably for the home market.

Approximately 16.7 cm high. A tiny glaze chip on the mouth-rim,...

There is no visible image of God in Japanese Shinto religion. For this reason, people find the spirit of God in their surroundings, especially in nature. In the noh play “Takasago”, an old couple is seen together on the beach of Takasago (today’s Hyogo prefecture) sweeping pine needles under the trees. The old man Jo and old woman Uba are the spirits of the pine trees that were grown in Takasago and Sumiyoshi. The two trees are located far away but they are together with their spirits. ...

Presented as a historical and cultural artifact, this seldom-found, vintage, 1942, Ten Little Colored Boys book illustrated by Emery I. Gondor and published by Howell, Soskin Publishers, New York, is in very good condition.

Measuring 10.75 inches wide x 8.25 inches long, the book has seen extremely gentle use as evidenced by the minimal wear of the little boys' heads which, while providing visual interest, are primarily present to allow easy turning of each page. Given this purpose, it is ...

Exquisite set of Japanese Dairi bina (hina), the emperor and the empress dolls from early to mid Showa period. This is not a large set of dolls. The measurements of the wood box are 17” wide x 12 3/4” tall x 13 1/2” deep. We should add the approximate sizes of dolls. The label indicates that they are from Matsuzaka-ya, a major department store. Matsuzaka-ya started as a kimono store in late 16th century, pre Edo period. The beautiful details are packed in the small dolls - photos could n...

This type of fukusa is a cover placed over a gift at the time of a gift-giving ceremony such as the "Yui-noh" which is held prior to a wedding. The evergreen pine symbolizes the strength and devotion of men; the plum blossoms represent purity, subtle beauty and the inner strength of women. Bamboo is often used to describe the personality of men and women; for example, a person being as straight (honest) as bamboo could also mean flexible (bendable) to a large extent. When pine (matsu, SHO), bam...

Japanese antique nobori banner, hand painted on cotton, a tiger in bamboo grove. The style of the painting is derived from ancient Korean paintings of tigers. It is a style that became popular in Japan from the 16th century and you will see many screens and scrolls of tigers painted in this manner. The popularity of these paintings in this style continued throughout the Edo period(1608-1868) and into the Meiji era. The quality of the artwork tells us that this nobori is likely to have been done ...

Japanese limited edition copperplate etching titled “Kyoto #7: Kozan-ji” by Tanaka Ryohei (1933-2019). Pencil-signed, dated '96, and numbered 141/150 in the lower margin. The title in kanji is at the bottom left margin. Paper: 11 5/8" x 10 1/4" (image: 6 3/8" x 8"). Very good overall condition with a possible faintly visible smudge in the upper left margin corner. There are a few distressed fibers on the back, but the print does not appear to have been previously framed.

Nobori banners, carps, warrior's Yoroi and Kabuto helmets, samurai dolls and swords were all a part of the display used for Boy's Day (renamed Children's Day) on May 5th in Japan. They reflect the parents' wish to inspire their sons in manliness, discipline, bravery and the honor codes which are associated with them.

Originally, nobori were used on the battlefield to identify the troops; some were to show the warriors where their taisho (general) was, others were used to shift the troops. ...

The warrior’s armor and helmet, samurai sword, spears, banners and paper carps (later cloth) in the sky are all tools used to showcase boy’s day in Japan. This tradition started early Edo period (1603-1868) by samurai families wishing their son’s good health and studies to be honorable samurai.

This set is made in Kyoto, Japan and is called “Kyo-armor”. Kyoto had been the capital of Japan for over 1000 years. The culture there was developed to serve the best for the emperor...

A female dancer dressed in massive and splendid Noh attire. The painting is attributed to Iwasa Matabei (1578–1650), a renowned Japanese painter who is often considered originating ukiyo-e genre painting. As is often the case with this artist, these two paintings do not bear his signature or seal, however the depiction of the figures with rich cheeks and long jaws shows typical expression of people of high social rank during medieval periods, which he exaggerated the expression was originated ...

A male dancer dressed in massive and splendid Noh attire. The painting is attributed to Iwasa Matabei (1578–1650), a renowned Japanese painter who is often considered originating ukiyo-e genre painting. As is often the case with this artist, these two paintings do not bear his signature or seal, however the depiction of the figures with rich cheeks and long jaws shows typical expression of people of high social rank during medieval periods, which he exaggerated the expression was originated fr...

Rare Chinese Yuan Dynasty Early "Blue & White" Vase

This rare pear-shaped vase or bottle was made during the Yuan Dynasty (AD 1279 - 1368) by one of the kilns at Yuxi county in Yunnan province, one of the first places in the world where blue & white ware was produced. It is "heavily-potted" and decorated in underglaze cobalt blue with floral and leaf designs. It is coated with a clear glaze that falls short of the heavy irregularly cut foot. Similar wares were first unearthed in 1973 in Lufe...