American Art Nouveau glass vase with engraved silver overlay, ca 1900. Tall and tapering neck with turned-in mouth rim in silver collar. Wide and bellied bowl. Overlay in form of windswept flowers and entwined and whiplash stems and tendrils. Ribbon cartouche (vacant) Glass is red. Worn marks including no. 38. Very good condition.

Dimensions: H 12 1/8 x D 5 1/8 in. #BZ217

American Art Nouveau glass vase with engraved silver overlay, ca 1900. Baluster with inset and flared rim and spread foot. Vertical overlay pattern comprising distended flower heads and leaves overlapping curvilinear tendrils. Heart-shaped cartouche engraved with interlaced script monogram. Glass is green. Silver has retailer's stamp (“Wm Wise & Son”). Very good condition.

Dimensions: H 12 3/8 x D 4 in. #BZ129

German 800 silver box, ca 1910. Rectangular with straight sides. Cover flat and hinged; tapering sides applied with flower head border. Embossed Olden Days scenes of merrymaking with dancing and flirting by men in neck ruffs and women in laced bodices. On front are massed soldiers carrying swords and pikes. Gilt interior. Corner leaf-mounted scroll supports. Marked “800” with Hanau maker’s stamp (Karl Söhnlein & Söhne). Very good condition.

Overall dimensions: H 4 x W 4 x D 2 7/8 in. ...

Large Midcentury Modern sterling silver tray. Made by Tiffany & Co. in New York. Round well with narrow shoulder and folded-over rim. Super functional with nice heft and balance. Fully marked including maker’s stamp, postwar pattern no. 23427, and director’s letter L (1956-ca 1965). Very good condition.

Dimensions: H 3/4 x D 18 in. Heavy weight: 66 troy ounces. #BY443

Edwardian glass tobacco jar with sterling silver cover. Made by S. Kirk & Son Co. in Baltimore, ca 1910. Jar has curved sides with cut bead-and-reel fluting and short inset neck; star cut to underside; Cover curved with allover floral repousse on stippled ground. Fully marked including maker’s stamp (1903-24) and no. 189. Very good condition.

Dimensions: H 7 3/4 x D 5 3/8 in. Weight (silver only): 4.8 troy ounces. #BZ221

Traditional sterling silver Colonial Revival Revere bowl. Made by Tiffany & Co. in New York. Curved sides with flared rim and stepped feet. Fine form with plenty of room for engraving. Fully marked including maker’s stamp and postwar pattern no. 23618. Very good condition.

Dimensions: H 4 1/4 x D 8 1/2 in. Weight: 17.4 troy ounces. #BY828

Art Nouveau glass vase with engraved silver overlay. Made by Alvin Corp. in Providence, ca 1900. Conical mouth and neck, and bellied bowl. Overlay in form of dense leafing scrollwork and flowers; asymmetrical scrolled cartouche engraved with interlaced script monogram. Silver fully marked including maker’s stamp and no. R387. Very good condition.

Dimensions: H 8 x D 4 in. #BZ165

Pair of English Neoclassical sterling silver candlesticks. Made by Tiffany & Co. in New York, ca 1916. Each: Tapering column on dome flowing into stepped and concave base. Tapering socket with detachable bobeche. Ribboned swags. Fine fluting that shimmers in candlelight. Fully marked including maker's stamp, pattern no. 19187 (first produced in 1916), director’s letter m, and phrase “Reproduction Original by John Parsons & Co. Sheffield 1784”. Very good condition.

Dimensions: H 11 3/4 x ...

Spare and Modern sterling silver geometric centerpiece after design by Frank Lloyd Wright. Retailed by Tiffany & Co. in New York. Large and detachable shallow cone set in small shallow cone mounted to two rows of rectangular pillars in turn mounted to square base. Fully marked including post-1967 Italian maker’s stamp (Pampaloni), retailer’s stamp, and Frank Lloyd Wright Foundation stamp. Very good condition.

Overall dimensions: H 5 7/8 x D 16 in. Heavy total weight: 96.6 troy ounces. #BZ1...

Royal Danish sterling silver sauce bowl on stand. Made by International in Meriden, Conn. Ovoid bowl with tapering sides and short inset foot. Stand has oval well and wide and tapering sides. At ends are open and embossed acorns and scrolls. Fully marked including maker’s stamp, pattern name, and nos. G23/2 (bowl) and G39 (stand). Very good condition.

Dimensions: Bowl: H 3 1/8 x W 8 1/4 x D 4 5/8 in. Stand: H 1 1/4 x W 9 1/8 x D 5 1/4 in. Total weight: 14 troy ounces. #BY775

Pair of American Edwardian Georgian sterling silver candlesticks, ca 1910. Retailed by Tiffany & Co. in New York. Bellied socket with bobeche on tapering shaft mounted to domed foot. Ovoid, faceted, and reeded. Fully marked including retailer’s stamp and no. B12. Very good condition.

Dimensions: H 9 1/2 x W 4 1/4 x D 3 3/8 in. Weighted. #BY789

Midcentury Modern sterling silver compote. Made by William G. DeMatteo in Bergenfield, New Jersey. Round and wide bowl on twisted shaft mounted to domed and beaded foot. Mounted to bowl underside is floral band comprising seed-spilling buds. Visible hand hammering. Marked “Sterling” with maker’s stamp. Very good condition.

Dimensions: H 6 5/8 x D 6 3/4 in. Weight: 12.5 troy ounces. #BZ145

Edwardian glass sugar caster with sterling silver cover. Made by the Merrill Shops in New York, ca 1910. Bowl has upward tapering sides with cut ferns and stars, and leaf mouth rim. Cover domed and pierced. Fully marked including maker’s stamp and no. 2103. Very good condition.

Dimensions: H 5 3/8 x D 2 1/2 in. #BY824

When the founder of the Urasenke style of tea ceremony, Sen-So Soshitsu (1622 -1697) was invited to Kanazawa as the master of tea ceremony for the powerful Kaga lords in 1666, the first Chōzaemon came with him and established Ōhi-yaki in Kanazawa. Chōzaemon had been the chief apprentice to the Raku family in Kyoto and took with him many of the principles and ideas associated with Raku-ware. Since those auspicious beginnings, Ōhi-ware has held a high place in the world of tea cere...

Cactus sterling silver dinner set. Made by Georg Jensen in Copenhagen. This set comprises 84 pieces (dimensions in inches):

Forks: 12 dinner forks (7 3/4), 12 luncheon forks (6 1/2), and 12 seafood forks (6 1/4);

Spoons: 12 dessert spoons (6 3/4) and 12 teaspoons (6);

Knives: 12 dinner knives (9) and 12 butter spreaders (6 1/8).

Dinner knife blades are stainless steel.

For a special dinner party. Cactus was designed by Gundorph Albertus (1887-1970) and first produced in 1930.

Fully...

Pair of Old Country sterling silver candlesticks. Made by Elgin Silversmith Co., Inc. in New York, ca 1950. Each: Bellied socket on baluster shaft; domed foot with three embossed scroll supports. Naif-style pointille ornament. Marked “ESCO / Sterling”. Very good condition.

Dimensions: H 13 1/8 x D 5 7/8 in. Total weight: 18 troy ounces. #BY595

Pair of Repousse sterling silver ice tongs. Made by S. Kirk & Son in Baltimore. U-form applied with dense flowers and leaves in crisp relief; leaf jaws. Fully marked including maker’s stamp (1932-61). Condition: Strong definition. Taut and springy.

Height: 6 1/4 in. Weight: 2 troy ounces. #BY816

Midcentury Modern sterling silver picture frame. Made by Watrous Mfg. Co. (part of International) in Wallingford, Conn. Rectangular window in clean and unadorned flat surround. With glass, silk lining, and velvet back and hinged easel support for portrait (vertical) display. Fully marked including Watrous and International stamps and no. 30. Very good condition.

Dimensions: Frame: H 10 1/4 x W 7 1/2 in. Window: H 8 5/8 x W 6 in. #BY262

Traditional Japanese art tends to be timeless and inspiring in form, however, occasionally lacking in diversity and innovation. That is why artists who can incorporate centuries of experiential knowledge and technique into producing new and interesting forms are oh so valued. Though this Bizen jar fits into the category of mizusashi, a vessel central to tea ceremony that holds fresh water, it seems to transcend this narrow category and stands as an independent art object all its own....

Japanese inlay ceramics (zōgan) are created by making incisions on the surface of a clay body which are then filled with various colored clays, creating a pattern. After the pattern is finalized, an overglaze is applied and the piece is sent to the kiln to be fired. As can be seen here, the results are quite striking and produce unique patterns that cannot be replicated through painting alone. Inlaying as a technique is thought to have originally derived from practices in metal and ...

In Japan, famous for its generational potting families, only a handful have made it all the way through to the 14th generation—the Nakazato line being one of them with over 400 years of history. Handcrafted by the current 14th potter in the renowned Karatsu tradition, this piece displays subtle, earthy tones and organic textures reminiscent of nature. Blending elements seamlessly, a canvas is created that complements the beauty of the floral elements in glossy contrast across the s...

With a masterfully applied black Raku glaze and a noticeable aesthetic of austerity and stillness, this piece is what is refereed to in Japanese as an “utsushi” or what we might call in English a “tribute piece.” Such pieces are typically made by all Raku potters, regardless of the kiln and tradition, and seek to emulate famous works from the early masters over 400 years ago—in this case, a tea bowl created by the brother of the second Kichizaemon, Tanaka Somi, born sometim...

First presented at the Ishikawa Traditional Crafts Exhibition, this fine mizusashi crafted with extraordinary precision is a testament to the generational knowledge, skill, and dedication of one of Japan’s top traditional craftsman. Its tapered polished sides have a beautiful texture and luster that compliment perfectly with the hand-crafted custom lid adorning the top. Truly an exceptional artwork fused with the aesthetics of tea culture that gives it a sense of stability, calm, a...

Francis I sterling silver 3-light candelabrum. Made by Reed & Barton in Taunton. Central socket on spool base to which are mounted to reeded wraparound branches, each terminating in single socket. Branches have short leaf and flower band. Branch plug set in socket mounted to baluster shaft; raised foot. Engraved and low relief ornament with leaves and fruit and flower clusters. Sockets bellied and shaft and foot fluted. Foot and bobeche rims scrolled. Fully marked including maker’s stamp, patt...

American Midcentury Modern sterling silver picture frame. Retailed by Cartier in New York. Rectangular window in same surround with convex front and flat sides. In hard-to-find landscape form with regal gold crown applied to top rail. With glass, silk lining, and velvet back and hinged easel support. Fully marked including retailer’s stamp, no. 47CC, and phrase “Hand Made”. Very good condition.

Dimensions: Frame: H 7 7/8 x W 9 7/8 in. Window: H 6 3/8 x W 8 1/4 in. #BY629

Edwardian sterling silver tray. Made by S. Kirk & Son Inc. in Baltimore. Oval well and wide shoulder with repousse floral garland on stippled ground; imbricated leaf rim. Fully marked including maker’s stamp (1925-32), no. 2517, and phrase “Hand Decorated”. Very good condition.

Dimensions: H 1 x W 17 x D 11 3/4 in. Weight: 38.3 troy ounces. #BY473

Super stylish Art Deco sterling silver compote. Round bowl with flared rim and curved and tapering sides. Ovoid support with Bakelite band to round foot with same. Visible hand hammering with nice shimmer. Italian marks (1934-44) including unidentified Roman maker’s stamp (14 Roma) and Milan retailer’s stamp (Fratelli Veneziani). Good condition. Bakelite crack on foot.

Dimensions: H 5 x D 9 3/4 in. Gross weight: 22 troy ounces. #BY685

Modern sterling silver tray. Made by Arthur Stone in Gardner, Mass., ca 1930. Round well with curved sides, tapering shoulder, and molded rim. Fully marked including maker’s stamp and craftsman’s initial T for Herbert A. Taylor, who was active from 1908-37. Very good condition.

Dimensions: H 3/4 x D 12 1/8 in. Weight: 23.7 troy ounces. #BX526

Set of 10 Acorn sterling silver place card holders. Made by Georg Jensen in Copenhagen. Each: Double-sided stylized acorn mounted to rectangle, in turn, mounted to larger rectangle. Marks including maker’s stamp (1945-77), designer’s stamp (Johan Rohde), and no. 62. Very good condition.

Dimensions: H 1 x W 1 1/8 x D 7/8 in. Total weight: 5.7 troy ounces. #BY846

Pair of pretty Edwardian sterling silver candlesticks. Made by Fisher Silversmiths, Inc. in Jersey City, ca 1950. Each: Ovoid socket with detachable and turned-down bobeche; baluster shaft on domed foot. Rims have applied shells and scrolls. Fully marked including maker’s stamp and no. 3310. Very good condition. A few minor pings.

Dimensions: H 10 3/8 x D 5 1/8 in. Gross weight: 31 troy ounces (weighted in shaft). #BY678

Chippendale sterling silver tray. Made by Reed & Barton in Taunton, Mass. Round with molded curvilinear ogee piecrust rim. Fully marked including maker’s stamp, pattern name, and no. X365. Very good condition.

Dimensions: H 7/8 x D 12 in. Weight: 20.4 troy ounces. #BX721

Alexandria sterling silver bread and butter plates. Made by Fisher Silversmiths in Jersey City, New Jersey. Each: Round well and concave shoulder interspersed with 4 open leafing tendrils mounted to cutout triangles. Fully marked including maker’s stamp, pattern name, and no. 2646. Very good condition.

Dimensions: H 1/4 x D 6 5/8 in. Total weight: 47 troy ounces. #BY647

A beautiful old Kyo-ware tea bowl slightly elongated on one end producing an interesting and unique effect. The collector who furnished the box labeled it as being by the legendary potter Ninsei (17th C.). Though the potter’s mark suggests this could be the case, there is no way to confirm for certain other than by its age and undeniably elegant craftsmanship. Believing it to be quite precious, the previous owner bestowed it with the poetic name "Ibitsu" which means "warped" or "cu...

A beautiful and very old Hagi tea bowl; showing signs of long use and appreciation. The gold repairs add to the overall composition and highlight the important role this piece played in someone’s tea practice. Though still functional to be used as a ceremonial implement, this would fit much better as a treasured display object.

In excellent condition this tea bowl is 5.1 inches in diameter at its widest point (13cm), and stands 3.1 inches tall (8cm). It comes with a pe...

Father to internationally known Hagi potter Kaneta Masanao (the 8th generation Sanzaemon potter), though he never achieved the same level of notoriety as his son, his pieces have a grace and elegance all their own as demonstrated here with this charming tea bowl. With its milky crackled glaze and split foot (wari-kodai) showing the rich clay this piece was fashioned from, it possesses strong character and has a calming presence, bringing a sense of stability. Perfect for those deepen...

A delightful Hagi tea bowl from the Jōzan Kiln in Yamaguchi Prefecture. Very representative of the genre with its milky glaze and ido-shape. This piece is a step above their typical offerings as can be discerned not only from the lovely composition but also from the quality of the box and the silk pouch that was also custom furnished. For those interested in getting better acquainted the world of Hagi without spending the thousands of dollars typical for works by better known artist...

Simple yet classic styling—this tea bowl is perfect for anyone looking for the quintessential Ido-shaped chawan crafted by one of Japan’s premier Hagi potters.

Born in the famed pottery town of Karatsu in 1942, Zenzo Hatano spent a number of years learning the various styles particular to his region before taking up an apprenticeship under well-known Hagi potter Yoshiga Taibi. Winner of a number of awards including the Japan Crafts Exhibition Award in 1977, Hatano�...

Splashed across a beautifully textured backdrop of shimmering black, the willow leaves painted in silver bring with them a sense of calm and contemplation. Generously proportioned though not too heavy in the hand, the wide base ensures stability while the upward curvature of the sides breaks with convention and offers a unique and decidedly modern flair.

Born in Kyoto as the 4th son of a famous lacquer artist named Shogo, Banura Shiro (1941-2001) followed suit and went i...

Modern sterling silver picture frame, ca 1910. Round in window in plain surround; 2 ball supports. With glass, silk lining, and velvet back and hinged easel support. Fully marked including New York maker’s (JF Fradley) and retailer’s (Udall & Ballou) stamps. Good condition. Velvet wear.

Dimensions: Frame: H 10 x W 9 1/2 in. Window: Diameter: 8 3/8 in. #BY385

Large and pretty silver tray. Round and plain well and wide shoulder with engraved and repousse garland; applied rim with leaf border. Marked. Visible handwork on underside. Good condition.

Dimensions: H 7/8 x D 16 in. Weight: 39.5 troy ounces. #BW804

Art Deco sterling silver novelty camel flask. Made by R. Blackinton & Co. in North Attleboro, Mass., ca 1930. Rectilinear and gently curved; cover hinged and cork-lined. On front, in black enamel is a drooping dromedary. On back, the beast is revived, standing tall with head raised. A powerful testimony to the benefits of rehydration. Fully marked including maker’s stamp and no. 9714. Very good condition.

Dimensions: H 7 1/8 x W 5 x D 1 in. Gross weight: 9.8 troy ounces. #BY532

Modern sterling silver picture frame. Made by Graff, Washbourne & Dunn in New York, ca 1930. Rectangular window in plain and flat surround. With glass, silk lining, and velvet back and hinged easel support for portrait (vertical) display. Marked “Sterling” and maker’s stamp. Very good condition.

Dimensions: Frame: H 12 x W 8 1/2 in. Window: H 10 7/8 x W 7 1/2 in. #BY741

Set of 3 Midcentury Modern shot glasses. Made by Schofield Co. in Baltimore. Each: Straight and tapering sides. Engraved presentation from the Tred Avon Yacht Club in Oxford Maryland. All awarded in 1950s for a comet class boat, which was a snug 2-crew vessel developed in Maryland in the 1930s. One has the boat name, the Eisenhower-era cozy domestic-sounding “We Two”. At top engraved crisscrossing burgees of which one for the club. Fully marked including maker’s stamp and no. 540. Very goo...

Art Nouveau sterling silver picture frame. Made by Tiffany & Co. in New York, ca 1910. Rectangular window in flat surround. Surround front has acid-etched fronds and flowers alternating with tubular cartouches (vacant). Sides have tooled rectilinear ornament. With glass, silk lining, and velvet back with hinged easel support for portrait (vertical) display. Fully marked including maker’s stamp, pattern no. 17695G, and director’s letter m. Very good condition with strong definition

Dimensio...

Arts & Crafts sterling silver picture frame. Made by Watrous Mfg. Co. (part of International Silver Co.) in Wallingford, Conn., ca 1920. Rectangular window with curved corners in same surround with allover spot hammering; at top plain rectangle (vacant). With glass, silk lining, and velvet back and hinged easel support for portrait (vertical) display. Fully marked including Watrous and International stamps and no. 60. Very good condition.

Dimensions: Frame: H 10 1/2 x W 8 1/2 in. Window: H 9 x...

Arts & Crafts sterling silver picture frame. Made by Watrous Mfg. Co. (part of International Silver Co.) in Wallingford, Conn., ca 1920. Rectangular window with curved corners in same surround with allover spot hammering; at top plain rectangle (vacant). With glass, silk lining, and velvet back and hinged easel support for portrait (vertical) display. Fully marked including Watrous and International stamps and no. 60. Very good condition.

Dimensions: Frame: H 10 1/2 x W 8 3/8 in. Window: H 9 x...

Modern Georgian sterling silver mustard pot. Made by Webster Company in North Attleboro, Mass., ca 1950. Cobalt glass bowl set in sterling silver base with pierced ornamental band. Cover raised with vasiform finial. With spoon. Base and spoon marked “Sterling” with maker’s stamp. Very good condition.

Overall dimensions: Pot: H 3 1/4 x D 2 in. Spoon: H 3 1/8 in. Total weight (silver only): 1 troy ounce. #BX785

Modern Georgian sterling silver mustard pot. Made by Webster Company in North Attleboro, Mass., ca 1950. Cobalt glass bowl set in sterling silver base with pierced ornamental band. Cover raised with vasiform finial. With spoon. Base and spoon marked “Sterling” with maker’s stamp. Very good condition.

Overall dimensions: Pot: H 3 1/4 x D 2 in. Spoon: H 3 1/8 in. Total weight (silver only): 1 troy ounce. #BX786

Victorian sterling silver trinket box. Made by A. Jacobi & Co. in Baltimore, ca 1890. Heart-Shaped with straight sides and raised cover. Allover floral repousse. Fully marked including maker’s stamp. Very good condition.

Dimensions: H 2 3/4 x W 4 x D 4 in. Weight: 7.4 troy ounces. #BY609

Large brilliant-cut jar with sterling silver cover. Made by Watson Co. in Attleboro, Mass., ca 1900. Round and curved with stars, ferns, and diaper. Cover gently raised; on top repousse shell, scroll, and flower wreath (vacant center). Cover interior gilt washed. Marked "Sterling" and maker’s stamp. Very good condition.

Dimensions: H 6 3/4 x D 5 1/2 in. Weight (silver only): 2.5 troy ounces. #BY114

Modern sterling silver picture frame. Rectangular window in flat and clean surround. With glass, silk lining, and velvet back and easel support for portrait (vertical) or landscape (horizontal) display. Marked “Web-Sterling”. Web Silver Company, Inc. was a Philadelphia maker active from the 1950s to 1970s. Very good condition.

Dimensions: Frame: H 10 1/8 x W 8 1/8 in. Window: H 8 3/4 x W 6 7/8 in. #BX007

Art Deco sterling silver picture frame. Made by Watrous Mfg. Co. (part of International Silver Co.) in Wallingford, Conn., ca 1920. Rectangular window in same surround. Front has wraparound plain and engine-turned strips. Plain rectangle (vacant) at center top. With glass, silk lining, and black velvet back and hinged easel support for portrait (vertical) display. Fully marked including Watrous and International stamps and no. 25. Very good condition with nice finish.

Dimensions: Frame: H 8 x ...

Pair of Edwardian Georgian sterling silver candlesticks. Made by Tiffany & Co. in New York, ca 1915. Each: Tapering shaft with base knop on stepped and raised foot. Socket has straight sides bellied bottom. Faceted. Fully marked including maker’s stamp, pattern no. 18910 (first produced in 1915), and director’s letter m. Very good condition.

Dimensions: H 9 x W 4 3/4 x D 4 1/4 in. Total weight: 21.5 troy ounces. #BY589

George V sterling silver box. Made by Richard Comyns in London in 1934. Rectangular with straight sides and curved corners. Cover hinged with gently curved top and tapering tab. On cover top is engraved the coat of arms of the Honourable Artillery Company, which is the oldest regiment in the British army. Cedar-lined and partitioned interior; underside leather lined. Fully marked. Very good condition.

Dimensions: H 3 1/4 x W 9 x D 5 1/2 in. Gross weight: 31 troy ounces. #BY742

Victorian Gothic sterling silver goblet. Made by James Charles Edington in London in 1857. Tall and flared bowl with gilt interior; girdled cylindrical stem on raised foot with studded lobes and scalloped rim. Bowl has four studded and stippled strapwork frames of which two inset with flowers and a third with a medieval horseman galloping through a rocky landscape accompanied by a dog, all in relief. Fourth frame engraved “Hugh Eayrs / Memorial / Trophy”. Eayrs (1894-1940) was president of t...

Midcentury Modern sterling silver centerpiece bowl. Made by Alfredo Sciarrotta in Newport. Curved oval on open s-scroll support. Bead and ring ornament mounted to ends. Visible hand hammering. Marked “Sciarrotta / Hand Made / Sterling / 117”. Very good condition.

Overall dimensions: H 5 3/4 x W 14 1/4 x D 7 1/4 in. Weight: 30 troy ounces. #BY691

Crafted from locally sourced Bizen clay, this mid-Edo period vase embodies simplicity, beauty, and understated elegance. Its unassuming form showcases the natural beauty of the clay, enhanced by a delicate ash glaze. The texture and shape evoke a sense of rustic charm, reflecting the profound harmony between human creativity and the organic world. Now several centuries old, this piece continues to serves not only as a functional display piece, but also as a symbol of the enduring leg...

During Japan's Momoyama period, spanning from the late 16th to the early 17th century, Bizen pottery flourished, producing exquisite pieces such as this symmetrical and elegant flower vase. Crafted from locally sourced Bizen clay, this vase embodies simplicity and understated elegance. Its unassuming form showcases the natural beauty of the clay, enhanced by a delicate ash glaze. The texture and shape evoke a sense of rustic charm, reflecting the profound harmony between human creati...

The poem accompanying the artwork on this antique scroll reads: Fishing little trout—Precious drops of dew glisten—Flowing with the blossoms—The mountains and rivers of spring ( Rengetsu, age 78 ). A rather later and mature work by Rengetsu, this piece was created right as Edo ended and Meiji began, marking a major turning point in Japanese history and culture.

Ōtagaki Rengetsu (1791-1875) was born into a Samurai family but soon after adopted by the Ōtagaki fam...

Modern American Georgian sterling silver bowl. Retailed by Cartier in New York. Tapering with curved bottom and flat gadrooned rim; four hoof supports. Fully marked including retailer’s stamp and no. 9576AB. Good condition; minor bump on well bottom.

Dimensions: H 3 x D 5 1/4 in. Weight: 6.5 troy ounces. #BY448