Catalog: Antiques: Regional Art: Asian: Chinese (86)

From our Chinese Blue and White Collection, a good Ming Dynasty kraakware dish, late Wanli Period circa 1600-1620, of well-known and documented form, executed in Border VIII style with a central bird some scholars opine is either a magpie or a duck, sitting upon a lotus pond outcropping and encircled by a ten-point buddhist star, further encircled by ten ogival panels of buddhist symbols in the outer border, all executed in a slightly greyish blue on a barbed-form dish with slightly upturned lip...

From our Chinese Polychrome Collection, a very good Qianlong Period (1736-1795) Famille Rose porcelain dish, depicting a domestic scene of a husband, wife, and child sitting upon a bench, while their servant plays fetch with the family dog, all well-painted and better than average for typical export ware. The skill of the painter is evidenced here by amongst other things, the skillful use of shading in the blue, green, and pink enamels of the folds of the clothing to create depth and texture...

From our Chinese Polychrome Collection, a charming and unpretentious Famille Rose teacup and saucer, Qianlong Period (1736-1795), most likely late Qianlong 1760-1785, decorated in a delicate floral pattern in Famille Rose palette, with a Batavian Brown (iron oxide) dressing on the reverse.

Size and Condition: The saucer is 5 inches in diameter, the teacup 2 7/8 inches across, 1 1/2 inches tall. Small inconsequential nick to footrim of teacup essentially perfect.

From our Early Chinese Collection, a rare glazed buddhist offering vessel with Oxford TL test from Yunnan Province, Song Dynasty China (960-1279 AD). The reddish-tinged and heavily potted buff body is decorated with a carved lotus leaf pattern in high relief, signifying “purity,” with the entire vessel covered in a rich emerald-green glaze with a few areas of slight iridescence from burial...

From our Chinese Blue and White Collection, an elegant 19th century porcelain baluster jar with cover, decorated with figures in a fenced garden setting with scholar’s rocks, butterflies, and floral sprays.

Some collectors tend to be a bit haughty when it comes to 19th century blue and white wares, as it is generally recognized that these blue and white pieces tend to fall off in quality as we get late into this period...

From our Chinese Blue and White Collection, a very fine Qianlong Period (1736-1795), blue and white sauce tureen base of rectangular form with chamfered corners, depicting a river scene with fenced pagodas, people, bridges, and boats on water, with a meticulously intricate border design of cash diaper motifs, butterflies, key frets, and other details, all executed in an attractive blue of varying shades upon a body of dense 18th century export porcelain.

Qianlong Period export ware such a...

From our Early Chinese Collection, a large Machang Phase jar from the Majiayao Culture (2300 - 2000 BC), originating from what is now Gansu province, China. Of well-known and documented form, this fascinating vessel is approximately 4,000 years old and comes with an Oxford TL test. Larger and better potted than is usually found, it is painted with anthropomorphic designs in purplish-black mineral pigments typical of these wares...

From our Chinese Blue and White Collection, a very rare Kangxi Period (1662-1722) porcelain dish, which is actually a Kangxi version of an earlier Japanese version of yet an even earlier Ming kraakware design, depicting a flower basket in the center medallion, surrounded by ogival panels of buddhist objects and auspicious symbols in the outer border, all very well-painted in varying shades of good Kangxi blue with an excellent glaze...

From our Chinese Blue and White Collection, an exceptionally rare Kangxi Period (1662-1722) porcelain dish made in the Transitional Period style, depicting a man and two boys in the center well, with the border executed in a facsimile of the Border IX Transitional Period kraakware design of 1635-1650. Maura Rinaldi discusses the Border IX design in "Kraak Porcelain, A Moment in the History of Trade" p...

From our Chinese Blue and White Collection, a fine Qianlong Period (1736-1795) large export porcelain dish or small charger, depicting "Three Friends of Winter," pine, prunus, and bamboo, in a fenced garden setting with floral sprigs and cash diaper motifs on the border. The reverse is plain.

This is an unusually well-executed example of 18th century export ware...

From our Chinese Polychrome Collection, a high quality Rose Medallion plate, 19th century either Tongzhi Period (1862-1874) or Guangxu Period (1875-1908). Executed in the typical palette of pinks, blues, greens, yellows, whites and gilt with four individual cartouches: Two contain various figures usually representing scenes from either The Romance of the Western Chamber or The Dream of Red Mansions, the other two contain birds and foliage...

From our Chinese Polychrome Collection, a high quality Rose Medallion plate, 19th century either Tongzhi Period (1862-1874) or Guangxu Period (1875-1908). Executed in the typical palette of pinks, blues, greens, yellows, whites and gilt with four individual cartouches: Two contain various figures usually representing scenes from either The Romance of the Western Chamber or The Dream of Red Mansions, the other two contain birds and foliage...

From our Chinese Polychrome Collection, a high quality Rose Medallion plate, 19th century either Tongzhi Period (1862-1874) or Guangxu Period (1875-1908). Executed in the typical palette of pinks, blues, greens, yellows, whites and gilt with four individual cartouches: Two contain various figures usually representing scenes from either The Romance of the Western Chamber or The Dream of Red Mansions, the other two contain birds and foliage...

From our Chinese Polychrome Collection, a very charming Rose Medallion tea ensemble for one, late 19th century, Guangxu Period (1875-1908), consisting of a teacup and saucer, an uncommon bell-shaped small teapot, and an attractive deep tray with canted corners, all executed in typical Rose Medallion palette of green, orange, rose pink, blue and gold...

From our Chinese Blue and White Collection, a very high quality 19th century ginger jar done in the "1000 Antiques" design against a "cracked ice" ground, either Tongzhi (1862-1874) or Guangxu Period (1875-1908). One could be forgiven for thinking this piece is Kangxi (1662-1722) given the high quality of the paste, the high quality of the underglaze cobalt blue, and the proficiency of the painting. Indeed, if Kangxi, it should be two-three times our price...

DUE TO RECENTLY ANNOUNCED CHANGES, AND FURTHER PROPOSED CHANGES THAT HAVE NOT YET BEEN FULLY IMPLEMENTED OR PROMULGATED BY THE US GOVERNMENT, IT IS NOT CLEAR TO US AND MOST ANTIQUE IVORY DEALERS, EXACTLY WHERE (WHAT JURISDICTIONS), TO WHOM, UNDER WHAT CIRCUMSTANCES, AND WHAT TYPE OF NEW PERMITS MIGHT BE REQUIRED FOR US TO CONTINUE MARKETING ANY OF OUR ANTIQUE IVORY PIECES FOR SALE...

From our Chinese Blue and White Collection, a Transitional Period (1635 - 1650) blue and white kraakware charger of the rare Border IX Type, depicting 2 figures in a central garden setting, surrounded by alternating figures with Iznik style flowers in the border, known as Border IX ...

From our Chinese Blue and White Collection, a very fine and rare pair of Kangxi Mark and Period (1662 - 1722) aster dishes, ex- Christie's (see last photos for actual Christie's catalog listing), well-executed in a deep Mohammedan blue, with three aster blooms painted amidst a reserve of scrolling tendrils on shallow petal-lobed bodies...