Catalog: Antiques: Regional Art (482)

This antique carved wooden temple Buddha retains much of his original gilded paint. He sits on a tall base covered with the old Mon Khmer script which had been formed by scratching through the golden paint. The Buddha's head is topped with a stupa-shaped "flame" called usnisa, which symbolizes the realization of Nirvana. Perhaps that explains the soft smile and meditative expression on his face...

This old set of pygmy quiver and arrows have seen a lot of use. When hunting, the leather quiver would have been worn high on the back. The cap comes off easily and the upper portion of the quiver is bent to allow easy access to the arrows. The metal tips of the 5 arrows are worn and broken with only 1 showing its original shape and barbs. Each arrow has a plant binding around the end with a notch for the bow string...

This antique Chinese wooden carved pedestal stand with attached mirror dates is from the late Qing dynasty. This piece of furniture would have sat on a dresser or chest. The carving is high quality and begins at the base. The mid section carving displays a dragon and pagoda. The frame of the circular mirror has bats carved all around.

This piece has been held in storage by a Texas collector and is in excellent condition...

Clearly for a wealthy family, this small lamp was meant to be used as a personal light. The cat like figure has a filler hole between the ears, good weight (important for stability) and is silver in color, but exact metal content is not known...He/she is charming...4 inches x 3.5 inches wide and 1.5 inches deep...

In China, collars where made separately from the robe or garment. As such, the so-called cloud collars were used much like a necklace, allowing a single collar to be worn over various robes. This is a traditional Han Chinese style collar dates to the Qing dynasty period. The background fabric is white silk, bordered with black rolled trim. The collar is very finely embroidered with silk thread using predominately the satin embroidery stitch...

This long handled basket is out of Shanxi Province. There are the remnants of the original woven rattan "ring" on the handle which allowed the basket to be hung from a hook on the ceiling rafters...safe from rodents... Inside the rim of The outer basket, there is a smaller basket which allows for a separate food storage area... 25 inches tall and 10 inches wide at the bottom

Small embroidery with central floral motif using seed stitch, on traditional dark blue silk fabric. May have been used on garment as inside pocket. Approx 6.5 inches on each side.

This pair of Chinese lotus shoes, aka bound feet shoes, have a soft golden color silk vamp. Each side of the shoes is embroidered with the same pattern, and uses satin stitch silk thread.

The embroidery pattern on these lotus shoes has always mystified me. There is a woman and an animal that is possibly intended to be a giraffe. I vaguely remember some bits of information. The Chinese first heard about the African giraffes from verbal and written descriptions...

Nicely detailed winter well worn Lotus shoes complete with heal flaps and straps...

There are a total of eight signs, each with a different "saying" having to do with well wishes. Due to the age of the calligraphy, and the vagueres of the old Chinese language, accurate translations have not been possible for each sign. Each sign is carved out of wood with raised wooden characters and inlayed with MOP flakes. Each is 21 inches tall and roughly 4.5 inches wide. I have listed them separately, to allow for pictures of each

In some regions of China, women made separate pairs of heels for their lotus shoes. That way, the heels could be worn with different pairs of lotus shoes, depending on the occasion, or mood. The heels had loops for straps which were used to tie the heels into place on the shoe...

By the early 1900's, foot binding fell somewhat out of fashion with the upper social classes of Han Chinese women, especially in the north. With various degrees of success and a lot of pain, a few brave women chose to have their feet re-broken and reset into a more natural size and shape. This pair of boots belonged to one such woman...

Though somewhat damaged, this Japanese antique doll retains his charm and personality. Dating from the Edo period, he stands 8 inches high...

This small strand of Buddhist prayer beads would have been kept in a pocket or looped on a belt. Bought in China from a Tibetan, the strand of tiny dark beads is broken up with coral beads to assist in counting. The 3 fabric triangles, from departed monks robes, are amulets containing various protective prayers. When used for ritual prayers, the fabric talisman would be held in the closed fist while the fingers count the beads...

This shell necklace is an ornament from one of the indigenous tribal groups from West Papua New Guinea. Shells were often used as both adornment and currency with these groups. The string/rope is handmade from a plant fiber. As with many items from the tribal groups of New Guinea, it is difficult to put an age on this piece. It is an interesting ethnographic artifact and can be used for display and can also be worn as a necklace. The diameter of the opening is just over 8 inches...

Carved out of Bamboo this Buddha is 13.5 inches high,5 inches wide and 4 inches deep. He is a wonderfully carved example of folk art tradition with very gentle countenance.

This Chinese pinafore style garment would have been worn by a small girl child of the Dong ethnic minority in Shui Kou. Fabric is handwoven from cotton fiber, hand stitched with intricate decorative applique work and hand woven snowflake pattern ribbon accents the border. No rips, no tears, and no holes...but this piece is old and has been worn and is a bit "dirty".... and still has its original ties. It is 14 inches wide and 21 inches long...great ethnographic textile for framing.

This tall bamboo incense holder is elaborately carved with a bird attacking a snake. The birds wings are out-stretched and spread around the container and the bird is being cheered on by a much smaller rooster. The carving is deep and detailed.

The holder is 12 inches tall and 4 inches in diameter and has a deep mahogany brown patina.