Catalog: Antiques: Regional Art: Asian (459)

This is a page from the rare Burmese Buddhist Sutra manuscript called the the KAMMAVACA. The pages of these religious sutras were made from a thin strip of bamboo covered with cloth (frequently monks robes) which was thickly coated with red lacquer and gold leaf decoration. Lacquer from tamarind seed was used for the square black lettered text which is in the now extinct Burmese religious script of Pali...

This well worn pair of Woman's Lotus shoes for bound feet are from the later part of the Qing Dynasty about 1870-1880. The vamp fabric is red cotton with a matching floral embroidery pattern on each side. The delicate hand stitching detail clearly shows the pride taken by the owner/maker. The soles are short of the toe vamp which was done to give the wearer a more floating and sensual appearance when walking.

This antique lidded container was made for jewelry or other small household items. Obviously hand made, probably by the original owner, it does have a few surface nicks from age and use. With a 5 inch diameter and standing approx 4 inches high, it is a charming artifact of Chinese folk art.

This is a Qing Dynasty woman's skirt which has been Adapted for western wear. The 2 panels of the skirt have been sewn together and the original waist band has been narrowed. The skirt easily wraps around the hips so that the flat sections were displayed at at the front and back....the pleated sections hang at draped the sides.....

Suspended from a small leather belt loop, this old Mongolian pipe pouch has trekked a long way. This ethnographic relic was clearly hand-made, with a simple closure of leather thongs tied into a traditional knot, and a few beads add a decorative element. For pipe cleaning, there is added piece of twisted metal wire decorated with green thread. Approx 12" long and about 3" at the widest point. It is a relic from a nomadic ethnic culture and its condition.....

Very fine small cloisonne tray dates to late 19th century Qing Dynasty. Made for export conforming with McKinley Tariff Act requirements 1890-1914..Tray has very ornate cloisonne enamel design Measures 3 inches x 3 inches x .7 inches high

The front of this Tibetan Flint Pouch is decorated with silver and bronze ornamentation and an inset coral bead. The back is decorated with bronze buttons to protect the leather from excessive wear. The pouch still has its original leather strap which would have been used to secure the pouch to the wearers belt.

Flint was an essential and valuable item for nomadic and indigenous cultures and as such was frequently carries in pouch specifically designed for its use.

This Japanese tooled leather tobacco pouch (tabakoire) is embossed with a large dragon swirling about the back and front. The metal clasp is decorated with a coiled dragon. Attached to the pouch by 2 rows of 5 chains is a wooden netsuke (manjui) wooden netsuke with metal dragon. The inside of the pouch has 2 sections and the interior leather is tools with a flower motif.

Women of the Miao Chinese minority did not cut their hat...when the hair was worn "bun Style" on the top of the head, the comb would be positioned horizontally, with the tynes pushed under the "bun"...and the silver dangles would hang down...the actual "comb" is hand carved and covered with silver for decoration...

This Chinese wood carving from the Qing Dynasty portrays a seated nobleman. The surface is covered with remains of the original multi layers of lacquer paint. There are no marks on the bottom. Hand carved and only 4 inches high this is a charming piece of old folk art, an artifact from the glory days of old China.

This antique Chinese wooden carved pedestal stand with attached mirror dates is from the late Qing dynasty. This piece of furniture would have sat on a dresser or chest. The carving is high quality and begins at the base. The mid section carving displays a dragon and pagoda. The frame of the circular mirror has bats carved all around.

This piece has been held in storage by a Texas collector and is in excellent condition...

White Marble from China was referred to as Chinese Alabaster because of its grain and translucent quality. This small simple inkstone is both beautiful to see and to touch. There is a very worn rim surrounding the grinding surface and inkwell and 4 very worn feet on the bottom of the ink stone to raise it slightly off the surface.

This Chinese golden colored Sha-green is large by shagreen standards...it spans almost 7 inches at the longest point front to back, and stands just over 3 inches high. The top clearly has some scuffs and loss to the hide, which for me enhance the beauty of the box. The box is hinged at the back and the inside is lined with leather.

This is an old Chinese inkstone has hand carved ox with head turned toward the natural "dragon's eye" moon. There are some chips along the edges of the ink stone and areas of natural inclusions. It is a very fine grain quality stone, dating to the early 1800's and measures 6 x 4.5 inches, and a bit over .5 inches thick.

This small wooden box has a charming scene with 2 happy dragons carved into the sliding top. All 4 sides are carved. Late Qing period, box is in good condition, and measures 5" x 3" x 1.5

During is height of popularity in the Qing Dynasty, when one went to the opera, souvenir dolls were often purchased. This pair of Chinese opera dolls is probably the oldest that I have seen. Both dolls are in fragile condition. They are mounted on separate stands which may be of the same age as the dolls. They have been together for over 100 years and I am not willing to separate them

This plain pot metal vessel was used to contain hair oil during the reign of Chinese Emperor Daoquang about 1850. Standing about 6 inches high and 3.5 inches diameter at the widest point, a woman would dip her comb into the oil before combing her hair. I do have an identical matched pair of these but am selling them separately.

The variety and types of embroidery stitches on this antique Chinese hat are old typically Miao minority. Probably done by dotting grandmother. The silver ornaments, the butterfly, the bubbles are symbolic of the Miao myth regarding the birth of the human race. The hat shows some dirt but is otherwise in good condition.